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Best Famous Background Poems

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Written by Walt Whitman | Create an image from this poem

As a Strong Bird on Pinions Free

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AS a strong bird on pinions free, 
Joyous, the amplest spaces heavenward cleaving, 
Such be the thought I’d think to-day of thee, America, 
Such be the recitative I’d bring to-day for thee.
The conceits of the poets of other lands I bring thee not, Nor the compliments that have served their turn so long, Nor rhyme—nor the classics—nor perfume of foreign court, or indoor library; But an odor I’d bring to-day as from forests of pine in the north, in Maine—or breath of an Illinois prairie, With open airs of Virginia, or Georgia, or Tennessee—or from Texas uplands, or Florida’s glades, With presentment of Yellowstone’s scenes, or Yosemite; And murmuring under, pervading all, I’d bring the rustling sea-sound, That endlessly sounds from the two great seas of the world.
And for thy subtler sense, subtler refrains, O Union! Preludes of intellect tallying these and thee—mind-formulas fitted for thee—real, and sane, and large as these and thee; Thou, mounting higher, diving deeper than we knew—thou transcendental Union! By thee Fact to be justified—blended with Thought; Thought of Man justified—blended with God: Through thy Idea—lo! the immortal Reality! Through thy Reality—lo! the immortal Idea! 2 Brain of the New World! what a task is thine! To formulate the Modern.
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Out of the peerless grandeur of the modern, Out of Thyself—comprising Science—to recast Poems, Churches, Art, (Recast—may-be discard them, end them—May-be their work is done—who knows?) By vision, hand, conception, on the background of the mighty past, the dead, To limn, with absolute faith, the mighty living present.
(And yet, thou living, present brain! heir of the dead, the Old World brain! Thou that lay folded, like an unborn babe, within its folds so long! Thou carefully prepared by it so long!—haply thou but unfoldest it—only maturest it; It to eventuate in thee—the essence of the by-gone time contain’d in thee; Its poems, churches, arts, unwitting to themselves, destined with reference to thee, The fruit of all the Old, ripening to-day in thee.
) 3 Sail—sail thy best, ship of Democracy! Of value is thy freight—’tis not the Present only, The Past is also stored in thee! Thou holdest not the venture of thyself alone—not of thy western continent alone; Earth’s résumé entire floats on thy keel, O ship—is steadied by thy spars; With thee Time voyages in trust—the antecedent nations sink or swim with thee; With all their ancient struggles, martyrs, heroes, epics, wars, thou bear’st the other continents; Theirs, theirs as much as thine, the destination-port triumphant: —Steer, steer with good strong hand and wary eye, O helmsman—thou carryest great companions, Venerable, priestly Asia sails this day with thee, And royal, feudal Europe sails with thee.
4 Beautiful World of new, superber Birth, that rises to my eyes, Like a limitless golden cloud, filling the western sky; Emblem of general Maternity, lifted above all; Sacred shape of the bearer of daughters and sons; Out of thy teeming womb, thy giant babes in ceaseless procession issuing, Acceding from such gestation, taking and giving continual strength and life; World of the Real! world of the twain in one! World of the Soul—born by the world of the real alone—led to identity, body, by it alone; Yet in beginning only—incalculable masses of composite, precious materials, By history’s cycles forwarded—by every nation, language, hither sent, Ready, collected here—a freer, vast, electric World, to be constructed here, (The true New World—the world of orbic Science, Morals, Literatures to come,) Thou Wonder World, yet undefined, unform’d—neither do I define thee; How can I pierce the impenetrable blank of the future? I feel thy ominous greatness, evil as well as good; I watch thee, advancing, absorbing the present, transcending the past; I see thy light lighting and thy shadow shadowing, as if the entire globe; But I do not undertake to define thee—hardly to comprehend thee; I but thee name—thee prophecy—as now! I merely thee ejaculate! Thee in thy future; Thee in thy only permanent life, career—thy own unloosen’d mind—thy soaring spirit; Thee as another equally needed sun, America—radiant, ablaze, swift-moving, fructifying all; Thee! risen in thy potent cheerfulness and joy—thy endless, great hilarity! (Scattering for good the cloud that hung so long—that weigh’d so long upon the mind of man, The doubt, suspicion, dread, of gradual, certain decadence of man;) Thee in thy larger, saner breeds of Female, Male—thee in thy athletes, moral, spiritual, South, North, West, East, (To thy immortal breasts, Mother of All, thy every daughter, son, endear’d alike, forever equal;) Thee in thy own musicians, singers, artists, unborn yet, but certain; Thee in thy moral wealth and civilization (until which thy proudest material wealth and civilization must remain in vain;) Thee in thy all-supplying, all-enclosing Worship—thee in no single bible, saviour, merely, Thy saviours countless, latent within thyself—thy bibles incessant, within thyself, equal to any, divine as any; Thee in an education grown of thee—in teachers, studies, students, born of thee; Thee in thy democratic fetes, en masse—thy high original festivals, operas, lecturers, preachers; Thee in thy ultimata, (the preparations only now completed—the edifice on sure foundations tied,) Thee in thy pinnacles, intellect, thought—thy topmost rational joys—thy love, and godlike aspiration, In thy resplendent coming literati—thy full-lung’d orators—thy sacerdotal bards—kosmic savans, These! these in thee, (certain to come,) to-day I prophecy.
5 Land tolerating all—accepting all—not for the good alone—all good for thee; Land in the realms of God to be a realm unto thyself; Under the rule of God to be a rule unto thyself.
(Lo! where arise three peerless stars, To be thy natal stars, my country—Ensemble—Evolution—Freedom, Set in the sky of Law.
) Land of unprecedented faith—God’s faith! Thy soil, thy very subsoil, all upheav’d; The general inner earth, so long, so sedulously draped over, now and hence for what it is, boldly laid bare, Open’d by thee to heaven’s light, for benefit or bale.
Not for success alone; Not to fair-sail unintermitted always; The storm shall dash thy face—the murk of war, and worse than war, shall cover thee all over; (Wert capable of war—its tug and trials? Be capable of peace, its trials; For the tug and mortal strain of nations come at last in peace—not war;) In many a smiling mask death shall approach, beguiling thee—thou in disease shalt swelter; The livid cancer spread its hideous claws, clinging upon thy breasts, seeking to strike thee deep within; Consumption of the worst—moral consumption—shall rouge thy face with hectic: But thou shalt face thy fortunes, thy diseases, and surmount them all, Whatever they are to-day, and whatever through time they may be, They each and all shall lift, and pass away, and cease from thee; While thou, Time’s spirals rounding—out of thyself, thyself still extricating, fusing, Equable, natural, mystical Union thou—(the mortal with immortal blent,) Shalt soar toward the fulfilment of the future—the spirit of the body and the mind, The Soul—its destinies.
The Soul, its destinies—the real real, (Purport of all these apparitions of the real;) In thee, America, the Soul, its destinies; Thou globe of globes! thou wonder nebulous! By many a throe of heat and cold convuls’d—(by these thyself solidifying;) Thou mental, moral orb! thou New, indeed new, Spiritual World! The Present holds thee not—for such vast growth as thine—for such unparallel’d flight as thine, The Future only holds thee, and can hold thee.


Written by Margaret Atwood | Create an image from this poem

This Is A Photograph Of Me

 It was taken some time ago.
At first it seems to be a smeared print: blurred lines and grey flecks blended with the paper; then, as you scan it, you see in the left-hand corner a thing that is like a branch: part of a tree (balsam or spruce) emerging and, to the right, halfway up what ought to be a gentle slope, a small frame house.
In the background there is a lake, and beyond that, some low hills.
(The photograph was taken the day after I drowned.
I am in the lake, in the center of the picture, just under the surface.
It is difficult to say where precisely, or to say how large or small I am: the effect of water on light is a distortion but if you look long enough, eventually you will be able to see me.
)
Written by Billy Collins | Create an image from this poem

Dear Reader

 Baudelaire considers you his brother,
and Fielding calls out to you every few paragraphs 
as if to make sure you have not closed the book,
and now I am summoning you up again,
attentive ghost, dark silent figure standing 
in the doorway of these words.
Pope welcomes you into the glow of his study, takes down a leather-bound Ovid to show you.
Tennyson lifts the latch to a moated garden, and with Yeats you lean against a broken pear tree, the day hooded by low clouds.
But now you are here with me, composed in the open field of this page, no room or manicured garden to enclose us, no Zeitgeist marching in the background, no heavy ethos thrown over us like a cloak.
Instead, our meeting is so brief and accidental, unnoticed by the monocled eye of History, you could be the man I held the door for this morning at the bank or post office or the one who wrapped my speckled fish.
You could be someone I passed on the street or the face behind the wheel of an oncoming car.
The sunlight flashes off your windshield, and when I look up into the small, posted mirror, I watch you diminish—my echo, my twin— and vanish around a curve in this whip of a road we can't help traveling together.
Written by Ralph Waldo Emerson | Create an image from this poem

FATE

 Fate is above me.
Why should I browse? Sleeping in dosses, an outcast, I rove.
Grief is a cellar, that opens in every old house.
A ditch is below me and fate is above.
What did I want? Well, a life of contentment.
What did I get? Just a coffin and wreath.
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Under the cradle a grave has been latent.
Fate is above me, a ditch is beneath.
Up in the sky my soul, like a hound, howls, despaired, the trigger to pull it was keen.
Fate has come over my family background, and on the earth where fate is my kin.
What have I done, apart from the simple poems I've written in passing to date? I've been a lightening conductor for people.
Now I have broken my back.
Such is fate.
© Copyright Alec Vagapov's translation
Written by Langston Hughes | Create an image from this poem

Advertisement For The Waldorf-Astoria

 Fine living .
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a la carte? Come to the Waldorf-Astoria! LISTEN HUNGRY ONES! Look! See what Vanity Fair says about the new Waldorf-Astoria: "All the luxuries of private home.
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" Now, won't that be charming when the last flop-house has turned you down this winter? Furthermore: "It is far beyond anything hitherto attempted in the hotel world.
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" It cost twenty-eight million dollars.
The fa- mous Oscar Tschirky is in charge of banqueting.
Alexandre Gastaud is chef.
It will be a distinguished background for society.
So when you've no place else to go, homeless and hungry ones, choose the Waldorf as a background for your rags-- (Or do you still consider the subway after midnight good enough?) ROOMERS Take a room at the new Waldorf, you down-and-outers-- sleepers in charity's flop-houses where God pulls a long face, and you have to pray to get a bed.
They serve swell board at the Waldorf-Astoria.
Look at the menu, will you: GUMBO CREOLE CRABMEAT IN CASSOLETTE BOILED BRISKET OF BEEF SMALL ONIONS IN CREAM WATERCRESS SALAD PEACH MELBA Have luncheon there this afternoon, all you jobless.
Why not? Dine with some of the men and women who got rich off of your labor, who clip coupons with clean white fingers because your hands dug coal, drilled stone, sewed gar- ments, poured steel to let other people draw dividends and live easy.
(Or haven't you had enough yet of the soup-lines and the bit- ter bread of charity?) Walk through Peacock Alley tonight before dinner, and get warm, anyway.
You've got nothing else to do.


Written by Linda Pastan | Create an image from this poem

The Happiest Day

 It was early May, I think
a moment of lilac or dogwood
when so many promises are made
it hardly matters if a few are broken.
My mother and father still hovered in the background, part of the scenery like the houses I had grown up in, and if they would be torn down later that was something I knew but didn't believe.
Our children were asleep or playing, the youngest as new as the new smell of the lilacs, and how could I have guessed their roots were shallow and would be easily transplanted.
I didn't even guess that I was happy.
The small irritations that are like salt on melon were what I dwelt on, though in truth they simply made the fruit taste sweeter.
So we sat on the porch in the cool morning, sipping hot coffee.
Behind the news of the day-- strikes and small wars, a fire somewhere-- I could see the top of your dark head and thought not of public conflagrations but of how it would feel on my bare shoulder.
If someone could stop the camera then.
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if someone could only stop the camera and ask me: are you happy? perhaps I would have noticed how the morning shone in the reflected color of lilac.
Yes, I might have said and offered a steaming cup of coffee.
Written by Anne Sexton | Create an image from this poem

Baby Picture

 It's in the heart of the grape
where that smile lies.
It's in the good-bye-bow in the hair where that smile lies.
It's in the clerical collar of the dress where that smile lies.
What smile? The smile of my seventh year, caught here in the painted photograph.
It's peeling now, age has got it, a kind of cancer of the background and also in the assorted features.
It's like a rotten flag or a vegetable from the refrigerator, pocked with mold.
I am aging without sound, into darkness, darkness.
Anne, who are you? I open the vein and my blood rings like roller skates.
I open the mouth and my teeth are an angry army.
I open the eyes and they go sick like dogs with what they have seen.
I open the hair and it falls apart like dust balls.
I open the dress and I see a child bent on a toilet seat.
I crouch there, sitting dumbly pushing the enemas out like ice cream, letting the whole brown world turn into sweets.
Anne, who are you? Merely a kid keeping alive.
Written by Billy Collins | Create an image from this poem

The Best Cigarette

 There are many that I miss
having sent my last one out a car window
sparking along the road one night, years ago.
The heralded one, of course: after sex, the two glowing tips now the lights of a single ship; at the end of a long dinner with more wine to come and a smoke ring coasting into the chandelier; or on a white beach, holding one with fingers still wet from a swim.
How bittersweet these punctuations of flame and gesture; but the best were on those mornings when I would have a little something going in the typewriter, the sun bright in the windows, maybe some Berlioz on in the background.
I would go into the kitchen for coffee and on the way back to the page, curled in its roller, I would light one up and feel its dry rush mix with the dark taste of coffee.
Then I would be my own locomotive, trailing behind me as I returned to work little puffs of smoke, indicators of progress, signs of industry and thought, the signal that told the nineteenth century it was moving forward.
That was the best cigarette, when I would steam into the study full of vaporous hope and stand there, the big headlamp of my face pointed down at all the words in parallel lines.
Written by Henry Wadsworth Longfellow | Create an image from this poem

TO A CHILD

 Dear child! how radiant on thy mother's knee,
With merry-making eyes and jocund smiles,
Thou gazest at the painted tiles,
Whose figures grace,
With many a grotesque form and face.
The ancient chimney of thy nursery! The lady with the gay macaw, The dancing girl, the grave bashaw With bearded lip and chin; And, leaning idly o'er his gate, Beneath the imperial fan of state, The Chinese mandarin.
With what a look of proud command Thou shakest in thy little hand The coral rattle with its silver bells, Making a merry tune! Thousands of years in Indian seas That coral grew, by slow degrees, Until some deadly and wild monsoon Dashed it on Coromandel's sand! Those silver bells Reposed of yore, As shapeless ore, Far down in the deep-sunken wells Of darksome mines, In some obscure and sunless place, Beneath huge Chimborazo's base, Or Potosi's o'erhanging pines And thus for thee, O little child, Through many a danger and escape, The tall ships passed the stormy cape; For thee in foreign lands remote, Beneath a burning, tropic clime, The Indian peasant, chasing the wild goat, Himself as swift and wild, In falling, clutched the frail arbute, The fibres of whose shallow root, Uplifted from the soil, betrayed The silver veins beneath it laid, The buried treasures of the miser, Time.
But, lo! thy door is left ajar! Thou hearest footsteps from afar! And, at the sound, Thou turnest round With quick and questioning eyes, Like one, who, in a foreign land, Beholds on every hand Some source of wonder and surprise! And, restlessly, impatiently, Thou strivest, strugglest, to be free, The four walls of thy nursery Are now like prison walls to thee.
No more thy mother's smiles, No more the painted tiles, Delight thee, nor the playthings on the floor, That won thy little, beating heart before; Thou strugglest for the open door.
Through these once solitary halls Thy pattering footstep falls.
The sound of thy merry voice Makes the old walls Jubilant, and they rejoice With the joy of thy young heart, O'er the light of whose gladness No shadows of sadness From the sombre background of memory start.
Once, ah, once, within these walls, One whom memory oft recalls, The Father of his Country, dwelt.
And yonder meadows broad and damp The fires of the besieging camp Encircled with a burning belt.
Up and down these echoing stairs, Heavy with the weight of cares, Sounded his majestic tread; Yes, within this very room Sat he in those hours of gloom, Weary both in heart and head.
But what are these grave thoughts to thee? Out, out! into the open air! Thy only dream is liberty, Thou carest little how or where.
I see thee eager at thy play, Now shouting to the apples on the tree, With cheeks as round and red as they; And now among the yellow stalks, Among the flowering shrubs and plants, As restless as the bee.
Along the garden walks, The tracks of thy small carriage-wheels I trace; And see at every turn how they efface Whole villages of sand-roofed tents, That rise like golden domes Above the cavernous and secret homes Of wandering and nomadic tribes of ants.
Ah, cruel little Tamerlane, Who, with thy dreadful reign, Dost persecute and overwhelm These hapless Troglodytes of thy realm! What! tired already! with those suppliant looks, And voice more beautiful than a poet's books, Or murmuring sound of water as it flows.
Thou comest back to parley with repose; This rustic seat in the old apple-tree, With its o'erhanging golden canopy Of leaves illuminate with autumnal hues, And shining with the argent light of dews, Shall for a season be our place of rest.
Beneath us, like an oriole's pendent nest, From which the laughing birds have taken wing, By thee abandoned, hangs thy vacant swing.
Dream-like the waters of the river gleam; A sailless vessel drops adown the stream, And like it, to a sea as wide and deep, Thou driftest gently down the tides of sleep.
O child! O new-born denizen Of life's great city! on thy head The glory of the morn is shed, Like a celestial benison! Here at the portal thou dost stand, And with thy little hand Thou openest the mysterious gate Into the future's undiscovered land.
I see its valves expand, As at the touch of Fate! Into those realms of love and hate, Into that darkness blank and drear, By some prophetic feeling taught, I launch the bold, adventurous thought, Freighted with hope and fear; As upon subterranean streams, In caverns unexplored and dark, Men sometimes launch a fragile bark, Laden with flickering fire, And watch its swift-receding beams, Until at length they disappear, And in the distant dark expire.
By what astrology of fear or hope Dare I to cast thy horoscope! Like the new moon thy life appears; A little strip of silver light, And widening outward into night The shadowy disk of future years; And yet upon its outer rim, A luminous circle, faint and dim, And scarcely visible to us here, Rounds and completes the perfect sphere; A prophecy and intimation, A pale and feeble adumbration, Of the great world of light, that lies Behind all human destinies.
Ah! if thy fate, with anguish fraught, Should be to wet the dusty soil With the hot tears and sweat of toil,-- To struggle with imperious thought, Until the overburdened brain, Weary with labor, faint with pain, Like a jarred pendulum, retain Only its motion, not its power,-- Remember, in that perilous hour, When most afflicted and oppressed, From labor there shall come forth rest.
And if a more auspicious fate On thy advancing steps await Still let it ever be thy pride To linger by the laborer's side; With words of sympathy or song To cheer the dreary march along Of the great army of the poor, O'er desert sand, o'er dangerous moor.
Nor to thyself the task shall be Without reward; for thou shalt learn The wisdom early to discern True beauty in utility; As great Pythagoras of yore, Standing beside the blacksmith's door, And hearing the hammers, as they smote The anvils with a different note, Stole from the varying tones, that hung Vibrant on every iron tongue, The secret of the sounding wire.
And formed the seven-chorded lyre.
Enough! I will not play the Seer; I will no longer strive to ope The mystic volume, where appear The herald Hope, forerunning Fear, And Fear, the pursuivant of Hope.
Thy destiny remains untold; For, like Acestes' shaft of old, The swift thought kindles as it flies, And burns to ashes in the skies.
Written by Yevgeny Yevtushenko | Create an image from this poem

Epistle to Neruda

 Superb,
 Like a seasoned lion,
Neruda buys bread in the shop.
He asks for it to be wrapped in paper And solemly puts it under his arm: "Let someone at least think that at some time I bought a book…" Waving his hand in farewell, like a Roman rather dreamily royal, in the air scented with mollusks, oysters, rice, he walks with the bread through Valparaiso.
He says: " Eugenio, look! You see-- over there, among the puddles and garbage, standing up under the red lamps stands Bilbao-with the soul of a poet -- in bronze.
Bilbao was a tramp and a rebel.
Originally they set up the monument, fenced off by a chain, with due pomp, right in the center, although the poet had lived in the slums.
Then there was some minor overthrow or other, and the poet was thrown out, beyond the gates.
Sweating, they removed the pedestal to a filthy little red-light district.
And the poet stood, as the sailor's adopted brother, against a background you might call native to him.
Our Bilbao loved cracking jokes.
He would say: 'On this best of possible planets there are prostitutes and politutes -- as I'm a poet, I prefer the former.
'" And Neruda comments, with a hint of slyness: "A poet is beyond the rise and fall of values.
It's not hard to remove us from the center, but the spot where they set us down becomes the center!" I remember that noon, Pablo, as I tune my transistor at night, ny the window, now, when a wicked war with the people of Chile brings back the smell of Spain.
Playing about at a new overthrow, politutes in generals' uniforms wanted, whichever way they could, to hustle your poetry out of sight.
But today I see Neruda-- he's always right in the center and, not faltering, he carries his poetry to the people as simply and calmly as a loaf of bread.
Many poets follow false paths, but if the poet is with the people to the bitter end, like a conscience- then nothing can possibly overthrow poetry.
1973 Translated by Arthur Boyars amd Simon Franklin

Book: Reflection on the Important Things