Written by
Sylvia Plath |
(1)
This is the sea, then, this great abeyance.
How the sun's poultice draws on my inflammation.
Electrifyingly-colored sherbets, scooped from the freeze
By pale girls, travel the air in scorched hands.
Why is it so quiet, what are they hiding?
I have two legs, and I move smilingly..
A sandy damper kills the vibrations;
It stretches for miles, the shrunk voices
Waving and crutchless, half their old size.
The lines of the eye, scalded by these bald surfaces,
Boomerang like anchored elastics, hurting the owner.
Is it any wonder he puts on dark glasses?
Is it any wonder he affects a black cassock?
Here he comes now, among the mackerel gatherers
Who wall up their backs against him.
They are handling the black and green lozenges like the parts of a body.
The sea, that crystallized these,
Creeps away, many-snaked, with a long hiss of distress.
(2)
This black boot has no mercy for anybody.
Why should it, it is the hearse of a dad foot,
The high, dead, toeless foot of this priest
Who plumbs the well of his book,
The bent print bulging before him like scenery.
Obscene bikinis hid in the dunes,
Breasts and hips a confectioner's sugar
Of little crystals, titillating the light,
While a green pool opens its eye,
Sick with what it has swallowed----
Limbs, images, shrieks. Behind the concrete bunkers
Two lovers unstick themselves.
O white sea-crockery,
What cupped sighs, what salt in the throat....
And the onlooker, trembling,
Drawn like a long material
Through a still virulence,
And a weed, hairy as privates.
(3)
On the balconies of the hotel, things are glittering.
Things, things----
Tubular steel wheelchairs, aluminum crutches.
Such salt-sweetness. Why should I walk
Beyond the breakwater, spotty with barnacles?
I am not a nurse, white and attendant,
I am not a smile.
These children are after something, with hooks and cries,
And my heart too small to bandage their terrible faults.
This is the side of a man: his red ribs,
The nerves bursting like trees, and this is the surgeon:
One mirrory eye----
A facet of knowledge.
On a striped mattress in one room
An old man is vanishing.
There is no help in his weeping wife.
Where are the eye-stones, yellow and vvaluable,
And the tongue, sapphire of ash.
(4)
A wedding-cake face in a paper frill.
How superior he is now.
It is like possessing a saint.
The nurses in their wing-caps are no longer so beautiful;
They are browning, like touched gardenias.
The bed is rolled from the wall.
This is what it is to be complete. It is horrible.
Is he wearing pajamas or an evening suit
Under the glued sheet from which his powdery beak
Rises so whitely unbuffeted?
They propped his jaw with a book until it stiffened
And folded his hands, that were shaking: goodbye, goodbye.
Now the washed sheets fly in the sun,
The pillow cases are sweetening.
It is a blessing, it is a blessing:
The long coffin of soap-colored oak,
The curious bearers and the raw date
Engraving itself in silver with marvelous calm.
(5)
The gray sky lowers, the hills like a green sea
Run fold upon fold far off, concealing their hollows,
The hollows in which rock the thoughts of the wife----
Blunt, practical boats
Full of dresses and hats and china and married daughters.
In the parlor of the stone house
One curtain is flickering from the open window,
Flickering and pouring, a pitiful candle.
This is the tongue of the dead man: remember, remember.
How far he is now, his actions
Around him like livingroom furniture, like a décor.
As the pallors gather----
The pallors of hands and neighborly faces,
The elate pallors of flying iris.
They are flying off into nothing: remember us.
The empty benches of memory look over stones,
Marble facades with blue veins, and jelly-glassfuls of daffodils.
It is so beautiful up here: it is a stopping place.
(6)
The natural fatness of these lime leaves!----
Pollarded green balls, the trees march to church.
The voice of the priest, in thin air,
Meets the corpse at the gate,
Addressing it, while the hills roll the notes of the dead bell;
A glittler of wheat and crude earth.
What is the name of that color?----
Old blood of caked walls the sun heals,
Old blood of limb stumps, burnt hearts.
The widow with her black pocketbook and three daughters,
Necessary among the flowers,
Enfolds her lace like fine linen,
Not to be spread again.
While a sky, wormy with put-by smiles,
Passes cloud after cloud.
And the bride flowers expend a fershness,
And the soul is a bride
In a still place, and the groom is red and forgetful, he is featureless.
(7)
Behind the glass of this car
The world purrs, shut-off and gentle.
And I am dark-suited and stil, a member of the party,
Gliding up in low gear behind the cart.
And the priest is a vessel,
A tarred fabric,sorry and dull,
Following the coffin on its flowery cart like a beautiful woman,
A crest of breasts, eyelids and lips
Storming the hilltop.
Then, from the barred yard, the children
Smell the melt of shoe-blacking,
Their faces turning, wordless and slow,
Their eyes opening
On a wonderful thing----
Six round black hats in the grass and a lozenge of wood,
And a naked mouth, red and awkward.
For a minute the sky pours into the hole like plasma.
There is no hope, it is given up.
|
Written by
Robert Burns |
May—, 1786.I LANG hae thought, my youthfu’ friend,
A something to have sent you,
Tho’ it should serve nae ither end
Than just a kind memento:
But how the subject-theme may gang,
Let time and chance determine;
Perhaps it may turn out a sang:
Perhaps turn out a sermon.
Ye’ll try the world soon, my lad;
And, Andrew dear, believe me,
Ye’ll find mankind an unco squad,
And muckle they may grieve ye:
For care and trouble set your thought,
Ev’n when your end’s attained;
And a’ your views may come to nought,
Where ev’ry nerve is strained.
I’ll no say, men are villains a’;
The real, harden’d wicked,
Wha hae nae check but human law,
Are to a few restricked;
But, Och! mankind are unco weak,
An’ little to be trusted;
If self the wavering balance shake,
It’s rarely right adjusted!
Yet they wha fa’ in fortune’s strife,
Their fate we shouldna censure;
For still, th’ important end of life
They equally may answer;
A man may hae an honest heart,
Tho’ poortith hourly stare him;
A man may tak a neibor’s part,
Yet hae nae cash to spare him.
Aye free, aff-han’, your story tell,
When wi’ a bosom crony;
But still keep something to yoursel’,
Ye scarcely tell to ony:
Conceal yoursel’ as weel’s ye can
Frae critical dissection;
But keek thro’ ev’ry other man,
Wi’ sharpen’d, sly inspection.
The sacred lowe o’ weel-plac’d love,
Luxuriantly indulge it;
But never tempt th’ illicit rove,
Tho’ naething should divulge it:
I waive the quantum o’ the sin,
The hazard of concealing;
But, Och! it hardens a’ within,
And petrifies the feeling!
To catch dame Fortune’s golden smile,
Assiduous wait upon her;
And gather gear by ev’ry wile
That’s justified by honour;
Not for to hide it in a hedge,
Nor for a train attendant;
But for the glorious privilege
Of being independent.
The fear o’ hell’s a hangman’s whip,
To haud the wretch in order;
But where ye feel your honour grip,
Let that aye be your border;
Its slightest touches, instant pause—
Debar a’ side-pretences;
And resolutely keep its laws,
Uncaring consequences.
The great Creator to revere,
Must sure become the creature;
But still the preaching cant forbear,
And ev’n the rigid feature:
Yet ne’er with wits profane to range,
Be complaisance extended;
An atheist-laugh’s a poor exchange
For Deity offended!
When ranting round in pleasure’s ring,
Religion may be blinded;
Or if she gie a random sting,
It may be little minded;
But when on life we’re tempest driv’n—
A conscience but a canker—
A correspondence fix’d wi’ Heav’n,
Is sure a noble anchor!
Adieu, dear, amiable youth!
Your heart can ne’er be wanting!
May prudence, fortitude, and truth,
Erect your brow undaunting!
In ploughman phrase, “God send you speed,”
Still daily to grow wiser;
And may ye better reck the rede,
Then ever did th’ adviser!
|
Written by
Robert Lowell |
The night attendant, a B.U. sophomore,
rouses from the mare's-nest of his drowsy head
propped on The Meaning of Meaning.
He catwalks down our corridor.
Azure day
makes my agonized blue window bleaker.
Crows maunder on the petrified fairway.
Absence! My hearts grows tense
as though a harpoon were sparring for the kill.
(This is the house for the "mentally ill.")
What use is my sense of humour?
I grin at Stanley, now sunk in his sixties,
once a Harvard all-American fullback,
(if such were possible!)
still hoarding the build of a boy in his twenties,
as he soaks, a ramrod
with a muscle of a seal
in his long tub,
vaguely urinous from the Victorian plumbing.
A kingly granite profile in a crimson gold-cap,
worn all day, all night,
he thinks only of his figure,
of slimming on sherbert and ginger ale--
more cut off from words than a seal.
This is the way day breaks in Bowditch Hall at McLean's;
the hooded night lights bring out "Bobbie,"
Porcellian '29,
a replica of Louis XVI
without the wig--
redolent and roly-poly as a sperm whale,
as he swashbuckles about in his birthday suit
and horses at chairs.
These victorious figures of bravado ossified young.
In between the limits of day,
hours and hours go by under the crew haircuts
and slightly too little nonsensical bachelor twinkle
of the Roman Catholic attendants.
(There are no Mayflower
screwballs in the Catholic Church.)
After a hearty New England breakfast,
I weigh two hundred pounds
this morning. Cock of the walk,
I strut in my turtle-necked French sailor's jersey
before the metal shaving mirrors,
and see the shaky future grow familiar
in the pinched, indigenous faces
of these thoroughbred mental cases,
twice my age and half my weight.
We are all old-timers,
each of us holds a locked razor.
|
Written by
Staceyann Chin |
If only out of vanity
I have wondered what kind of woman I will be
when I am well past the summer of my raging youth
Will I still be raising revolutionary flags
and making impassioned speeches
that stir up anger in the hearts of pseudo-liberals
dressed in navy-blue conservative wear
In those years when I am grateful
I still have a good sturdy bladder
that does not leak undigested prune juice
onto diapers—no longer adorable
will I be more grateful for that
than for any forward movement in any current political cause
and will it have been worth it then
Will it have been worth the long hours
of not sleeping
that produced little more than reams
of badly written verses that catapulted me into literary spasms
but did not even whet the appetite
of the three O’ clock crowd
in the least respected of the New York poetry cafes
Will I wish then that I had taken that job working at the bank
or the one to watch that old lady drool
all over her soft boiled eggs
as she tells me how she was a raving beauty in the sixties
how she could have had any man she wanted
but she chose the one least likely to succeed
and that’s why when the son of a ***** died
she had to move into this place
because it was government subsidized
Will I tell my young attendant
how slender I was then
and paint for her pictures
of the young me more beautiful than I ever was
if only to make her forget the shriveled paper skin
the stained but even dental plates
and the faint smell of urine that tends to linger
in places built especially for revolutionaries
whose causes have been won
or forgotten
Will I still be lesbian then
or will the church or family finally convince me
to marry some man with a smaller dick
than the one my woman uses to afford me
violent and multiple orgasms
Will the staff smile at me
humor my eccentricities to my face
but laugh at me in their private resting rooms
saying she must have been something in her day
Most days I don’t know what I will be like then
but everyday—I know what I want to be now
I want to be that voice that makes Guilani
so scared he hires two (butch) black bodyguards
I want to write the poem
that The New York Times cannot print
because it might start some kind of black or lesbian
or even a white revolution
I want to go to secret meetings and under the guise
of female friendship I want to bed the women
of those young and eager revolutionaries
with too much zeal for their cause
and too little passion for the women
who follow them from city to city
all the while waiting in separate rooms
I want to be forty years old
and weigh three hundred pounds
and ride a motorcycle in the wintertime
with four hell raising children
and a one hundred ten pound female lover
who writes poetry about my life
and my children and loves me
like no one has ever loved me before
I want to be the girl your parents will use
as a bad example of a lady
I want to be the dyke who likes to **** men
I want to be the politician who never lies
I want to be the girl who never cries
I want to go down in history
in a chapter marked miscellaneous
because the writers could find
no other way to categorize me
In this world where classification is key
I want to erase the straight lines
So I can be me
|
Written by
T S (Thomas Stearns) Eliot |
S’io credesse che mia risposta fosse
A persona che mai tornasse al mondo,
Questa fiamma staria senza piu scosse.
Ma perciocche giammai di questo fondo
Non torno vivo alcun, s’i’odo il vero,
Senza tema d’infamia ti rispondo.
Let us go then, you and I,
When the evening is spread out against the sky
Like a patient etherised upon a table;
Let us go, through certain half-deserted streets,
The muttering retreats
Of restless nights in one-night cheap hotels
And sawdust restaurants with oyster-shells:
Streets that follow like a tedious argument
Of insidious intent
To lead you to an overwhelming question...
Oh, do not ask, "What is it?"
Let us go and make our visit.
In the room the women come and go
Talking of Michelangelo.
The yellow fog that rubs its back upon the window-panes,
The yellow smoke that rubs its muzzle on the window-panes,
Licked its tongue into the corners of the evening
Lingered upon the pools that stand in drains,
Let fall upon its back the soot that falls from chimneys,
Slipped by the terrace, made a sudden leap,
And seeing that it was a soft October night,
Curled once about the house, and fell asleep.
And indeed there will be time
For the yellow smoke that slides along the street
Rubbing its back upon the window-panes;
There will be time, there will be time
To prepare a face to meet the faces that you meet;
There will be time to murder and create,
And time for all the works and days of hands
That lift and drop a question on your plate,
Time for you and time for me,
And time yet for a hundred indecisions,
And for a hundred visions and revisions,
Before the taking of a toast and tea.
In the room the women come and go
Talking of Michelangelo.
And indeed there will be time
To wonder, "Do I dare?" and, "Do I dare?"
Time to turn back and descend the stair,
With a bald spot in the middle of my hair—
(They will say: "How his hair is growing thin!")
My morning coat, my collar mounting firmly to the chin,
My necktie rich and modest, but asserted by a simple pin—
(They will say: "But how his arms and legs are thin!")
Do I dare
Disturb the universe?
In a minute there is time
For decisions and revisions which a minute win reverse.
For I have known them all already, known them all—
Have known the evenings, mornings, afternoons,
I have measured out my life with coffee spoons;
I know the voices dying with a dying fall
Beneath the music from a farther room.
So how should I presume?
And I have known the eyes already, known them all—
The eyes that fix you in a formulated phrase,
And when I am formulated, sprawling on a pin,
When I am pinned and wriggling on the wall,
Then how should I begin
To spit out all the butt-ends of my days and ways?
And how should I presume?
And I have known the arms already, known them all—
Arms that are braceleted and white and bare
(But in the lamplight, downed with light brown hair!)
Is it perfume from a dress
That makes me so digress?
Arms that lie along a table, or wrap about a shawl.
And should I then presume?
And how should I begin?
Shall I say, I have gone at dusk through narrow streets
And watched the smoke that rises from the pipes
Of lonely men in shirt-sleeves, leaning out of windows?
I should have been a pair of ragged claws
Scuttling across the floors of silent seas.
. . . . .
And the afternoon, the evening, sleeps so peacefully!
Smoothed by long fingers,
Asleep ... tired ... or it malingers,
Stretched on the floor, here beside you and me.
Should I, after tea and cakes and ices,
Have the strength to force the moment to its crisis?
But though I have wept and fasted, wept and prayed,
Though I have seen my head (grown slightly bald) brought in
upon a platter,
I am no prophet-and here's no great matter;
I have seen the moment of my greatness flicker,
And I have seen the eternal Footman hold my coat, and snicker,
And in short, I was afraid.
And would it have been worth it, after all,
After the cups, the marmalade, the tea,
Among the porcelain, among some talk of you and me,
Would it have been worth while,
To have bitten off the matter with a smile,
To have squeezed the universe into a ball
To roll it towards some overwhelming question,
To say: "I am Lazarus, come from the dead,
Come back to tell you all, I shall tell you all"—
If one, settling a pillow by her head,
Should say: "That is not what I meant at all.
That is not it, at all."
And would it have been worth it, after all,
Would it have been worth while,
After the sunsets and the dooryards and the sprinkled streets,
After the novels, after the teacups, after the skirts that trail along
the floor—
And this, and so much more?—
It is impossible to say just what I mean!
But as if a magic lantern threw the nerves in patterns on a
screen:
Would it have been worth while
If one, settling a pillow or throwing off a shawl,
And turning toward the window, should say:
"That is not it at all,
That is not what I meant, at all."
No! I am not Prince Hamlet, nor was meant to be;
Am an attendant lord, one that will do
To swell a progress, start a scene or two,
Advise the prince; no doubt, an easy tool
Deferential, glad to be of use,
Politic, cautious, and meticulous;
Full of high sentence, but a bit obtuse;
At times, indeed, almost ridiculous—
Almost, at times, the Fool.
I grow old ... I grow old ...
I shall wear the bottoms of my trousers rolled.
Shall I part my hair behind? Do I dare to eat a peach?
I shall wear white flannel trousers, and walk upon the beach.
I have heard the mermaids singing, each to each.
I do not think that they will sing to me.
I have seen them riding seaward on the waves
Combing the white hair of the waves blown back
When the wind blows the water white and black.
We have lingered in the chambers of the sea
By sea-girls wreathed with seaweed red and brown
Till human voices wake us, and we drown.
|
Written by
Hilaire Belloc |
To exalt, enthrone, establish and defend,
To welcome home mankind's mysterious friend
Wine, true begetter of all arts that be;
Wine, privilege of the completely free;
Wine the recorder; wine the sagely strong;
Wine, bright avenger of sly-dealing wrong,
Awake, Ausonian Muse, and sing the vineyard song!
Sing how the Charioteer from Asia came,
And on his front the little dancing flame
Which marked the God-head. Sing the Panther-team,
The gilded Thrysus twirling, and the gleam
Of cymbals through the darkness. Sing the drums.
He comes; the young renewer of Hellas comes!
The Seas await him. Those Aegean Seas
Roll from the dawning, ponderous, ill at ease,
In lifts of lead, whose cresting hardly breaks
To ghostly foam, when suddenly there awakes
A mountain glory inland. All the skies
Are luminous; and amid the sea bird cries
The mariner hears a morning breeze arise.
Then goes the Pageant forward. The sea-way
Silvers the feet of that august array
Trailing above the waters, through the airs;
And as they pass a wind before them bears
The quickening word, the influence magical.
The Islands have received it, marble-tall;
The long shores of the mainland. Something fills
The warm Euboean combes, the sacred hills
Of Aulis and of Argos. Still they move
Touching the City walls, the Temple grove,
Till, far upon the horizon-glint, a gleam
Of light, of trembling light, revealed they seem
Turned to a cloud, but to a cloud that shines,
And everywhere as they pass, the Vines! The Vines!
The Vines, the conquering Vines! And the Vine
breaths
Her savour through the upland, empty heaths
Of treeless wastes; the Vines have come to where
The dark Pelasgian steep defends the lair
Of the wolf's hiding; to the empty fields
By Aufidus, the dry campaign that yields
No harvest for the husbandman, but now
Shall bear a nobler foison than the plough;
To where, festooned along the tall elm trees,
Tendrils are mirrored in Tyrrhenian seas;
To where the South awaits them; even to where
Stark, African informed of burning air,
Upturned to Heaven the broad Hipponian plain
Extends luxurious and invites the main.
Guelma's a mother: barren Thaspsa breeds;
And northward in the valleys, next the meads
That sleep by misty river banks, the Vines
Have struck to spread below the solemn pines.
The Vines are on the roof-trees. All the Shrines
And Homes of men are consecrate with Vines.
And now the task of that triumphant day
Has reached to victory. In the reddening ray
With all his train, from hard Iberian lands
Fulfilled, apparent, that Creator stands
Halted on Atlas. Far Beneath him, far,
The strength of Ocean darkening and the star
Beyond all shores. There is a silence made.
It glorifies: and the gigantic shade
Of Hercules adores him from the West.
Dead Lucre: burnt Ambition: Wine is best.
But what are these that from the outer murk
Of dense mephitic vapours creeping lurk
To breathe foul airs from that corrupted well
Which oozes slime along the floor of Hell?
These are the stricken palsied brood of sin
In whose vile veins, poor, poisonous and thin,
Decoctions of embittered hatreds crawl:
These are the Water-Drinkers, cursed all!
On what gin-sodden Hags, what flaccid sires
Bred these White Slugs from what exhaust desires?
In what close prison's horror were their wiles
Watched by what tyrant power with evil smiles;
Or in what caverns, blocked from grace and air
Received they, then, the mandates of despair?
What! Must our race, our tragic race, that roam
All exiled from our first, and final, home:
That in one moment of temptation lost
Our heritage, and now wander, hunger-tost
Beyond the Gates (still speaking with our eyes
For ever of remembered Paradise),
Must we with every gift accepted, still,
With every joy, receive attendant ill?
Must some lewd evil follow all our good
And muttering dog our brief beatitude?
A primal doom, inexorable, wise,
Permitted, ordered, even these to rise.
Even in the shadow of so bright a Lord
Must swarm and propagate the filthy horde
Debased, accursed I say, abhorrent and abhorred.
Accursed and curse-bestowing. For whosoe'er
Shall suffer their contagion, everywhere
Falls from the estate of man and finds his end
To the mere beverage of the beast condemned.
For such as these in vain the Rhine has rolled
Imperial centuries by hills of gold;
For such as these the flashing Rhone shall rage
In vain its lightning through the Hermitage
Or level-browed divine Touraine receive
The tribute of her vintages at eve.
For such as these Burgundian heats in vain
Swell the rich slope or load the empurpled plain.
Bootless for such as these the mighty task
Of bottling God the Father in a flask
And leading all Creation down distilled
To one small ardent sphere immensely filled.
With memories empty, with experience null,
With vapid eye-balls meaningless and dull
They pass unblest through the unfruitful light;
And when we open the bronze doors of Night,
When we in high carousal, we reclined,
Spur up to Heaven the still ascending mind,
Pass with the all inspiring, to and fro,
The torch of genius and the Muse's glow,
They, lifeless, stare at vacancy alone
Or plan mean traffic, or repeat their moan.
We, when repose demands us, welcomed are
In young white arms, like our great Exemplar
Who, wearied with creation, takes his rest
And sinks to sleep on Ariadne's breast.
They through the darkness into darkness press
Despised, abandoned and companionless.
And when the course of either's sleep has run
We leap to life like heralds of the sun;
We from the couch in roseate mornings gay
Salute as equals the exultant day
While they, the unworthy, unrewarded, they
The dank despisers of the Vine, arise
To watch grey dawns and mourn indifferent skies.
Forget them! Form the Dionysian ring
And pulse the ground, and Io, Io, sing.
Father Lenaean, to whom our strength belongs,
Our loves, our wars, our laughter and our songs,
Remember our inheritance, who praise
Your glory in these last unhappy days
When beauty sickens and a muddied robe
Of baseness fouls the universal globe.
Though all the Gods indignant and their train
Abandon ruined man, do thou remain!
By thee the vesture of our life was made,
The Embattled Gate, the lordly Colonnade,
The woven fabric's gracious hues, the sound
Of trumpets, and the quivering fountain-round,
And, indestructible, the Arch, and, high,
The Shaft of Stone that stands against the sky,
And, last, the guardian-genius of them, Rhyme,
Come from beyond the world to conquer time:
All these are thine, Lenaean.
By thee do seers the inward light discern;
By thee the statue lives, the Gods return;
By thee the thunder and the falling foam
Of loud Acquoria's torrent call to Rome;
Alba rejoices in a thousand springs,
Gensano laughs, and Orvieto sings...
But, Ah! With Orvieto, with that name
Of dark, Eturian, subterranean flame
The years dissolve. I am standing in that hour
Of majesty Septembral, and the power
Which swells the clusters when the nights are still
With autumn stars on Orvieto hill.
Had these been mine, Ausonian Muse, to know
The large contented oxen heaving slow;
To count my sheaves at harvest; so to spend
Perfected days in peace until the end;
With every evening's dust of gold to hear
The bells upon the pasture height, the clear
Full horn of herdsmen gathering in the kine
To ancient byres in hamlets Appenine,
And crown abundant age with generous ease:
Had these, Ausonian Muse, had these, had these.....
But since I would not, since I could not stay,
Let me remember even in this my day
How, when the ephemeral vision's lure is past
All, all, must face their Passion at the last
Was there not one that did to Heaven complain
How, driving through the midnight and the rain,
He struck, the Atlantic seethe and surge before,
Wrecked in the North along a lonely shore
To make the lights of home and hear his name no
more.
Was there not one that from a desperate field
Rode with no guerdon but a rifted shield;
A name disherited; a broken sword;
Wounds unrenowned; battle beneath no Lord;
Strong blows, but on the void, and toil without
reward.
When from the waste of such long labour done
I too must leave the grape-ennobling sun
And like the vineyard worker take my way
Down the long shadows of declining day,
Bend on the sombre plain my clouded sight
And leave the mountain to the advancing night,
Come to the term of all that was mine own
With nothingness before me, and alone;
Then to what hope of answer shall I turn?
Comrade-Commander whom I dared not earn,
What said You then to trembling friends and
few?
"A moment, and I drink it with you new:
But in my Father's Kingdom." So, my Friend,
Let not Your cup desert me in the end.
But when the hour of mine adventure's near
Just and benignant, let my youth appear
Bearing a Chalice, open, golden, wide,
With benediction graven on its side.
So touch my dying lip: so bridge that deep:
So pledge my waking from the gift of sleep,
And, sacramental, raise me the Divine:
Strong brother in God and last companion, Wine.
|
Written by
Alexander Pope |
He said, and pass'd with sad presaging heart
To seek his spouse, his soul's far dearer part;
At home he sought her, but he sought in vain:
She, with one maid of all her menial train,
Had thence retir'd; and, with her second joy,
The young Astyanax, the hope of Troy,
Pensive she stood on Ilion's tow'ry height,
Beheld the war, and sicken'd at the sight;
There her sad eyes in vain her lord explore,
Or weep the wounds her bleeding country bore.
But he, who found not whom his soul desir'd,
Whose virtue charm'd him as her beauty fir'd,
Stood in the gates, and ask'd what way she bent
Her parting steps; if to the fane she went,
Where late the mourning matrons made resort,
Or sought her sisters in the Trojan court.
"Not to the court" replied th' attendant train,
"Nor, mixed with matrons, to Minerva's fane;
To Ilion's steepy tow'r she bent her way,
To mark the fortunes of the doubtful day.
Troy fled, she heard, before the Grecian sword;
She heard, and trembled for her absent lord.
Distracted with surprise, she seem'd to fly,
Fear on her cheek and sorrow in her eye.
The nurse attended with her infant boy,
The young Astyanax, the hope of Troy."
Hector, this heard, return'd without delay;
Swift through the town he trod his former way
Through streets of palaces and walks of state,
And met the mourner at the Scæan gate.
With haste to meet him sprung the joyful fair,
His blameless wife, E{"e}tion's wealthy heir
(Cilician Thebè great E{"e}tion sway'd,
And Hippoplacus' wide-extended shade);
The nurse stood near, in whose embraces prest
His only hope hung smiling at her breast,
Whom each soft charm and early grace adorn,
Fair as the new-born star that gilds the morn.
To this lov'd infant Hector gave the name
Scamandrius, from Scamander's honour'd stream;
Astyanax the Trojans call'd the boy,
From his great father, the defence of Troy.
Silent the warrior smil'd, and pleas'd, resign'd
To tender passions all his mighty mind:
His beauteous princess cast a mournful look,
Hung on his hand, and then dejected spoke;
Her bosom labour'd with a boding sigh,
And the big tear stood trembling in her eye.
"Too daring prince! ah whither dost thou run?
Ah, too forgetful of thy wife and son!
And think'st thou not how wretched we shall be,
A widow I, a helpless orphan he!
For sure such courage length of life denies,
And thou must fall, thy virtue's sacrifice.
Greece in her single heroes strove in vain;
Now hosts oppose thee, and thou must be slain!
Oh, grant me, gods! e'er Hector meets his doom,
All I can ask of heav'n, an early tomb!
So shall my days in one sad tenor run,
And end with sorrows as they first begun.
No parent now remains, my griefs to share,
No father's aid, no mother's tender care.
The fierce Achilles wrapp'd our walls in fire,
Laid Thebè waste, and slew my warlike sire!
His fate compassion in the victor bred;
Stern as he was, he yet rever'd the dead,
His radiant arms preserv'd from hostile spoil,
And laid him decent on the fun'ral pile;
Then rais'd a mountain where his bones were burn'd:
The mountain nymphs the rural tomb adorn'd;
Jove's sylvan daughters bade their elms bestow
A barren shade, and in his honour grow.
"By the same arm my sev'n brave brothers fell;
In one sad day beheld the gates of hell:
While the fat herds and snowy flocks they fed,
Amid their fields the hapless heroes bled!
My mother liv'd to bear the victor's bands,
The queen of Hippoplacia's sylvan lands;
Redeem'd too late, she scarce beheld again
Her pleasing empire and her native plain,
When, ah! oppress'd by life-consuming woe,
She fell a victim to Diana's bow.
"Yet while my Hector still survives, I see
My father, mother, brethren, all, in thee:
Alas! my parents, brothers, kindred, all,
Once more will perish if my Hector fall.
Thy wife, thy infant, in thy danger share:
Oh, prove a husband's and a father's care!
That quarter most the skilful Greeks annoy,
Where yon wild fig-trees join the wall of Troy:
Thou from this tow'r defend th' important post
There Agamemnon points his dreadful host,
That pass Tydides, Ajax, strive to gain,
And there the vengeful Spartan fires his train.
Thrice our bold foes the fierce attack have giv'n,
Or led by hopes, or dictated from heav'n.
Let others in the field their arms employ,
But stay my Hector here, and guard his Troy."
The chief replied: "That post shall be my care,
Not that alone, but all the works of war.
How would the sons of Troy, in arms renown'd,
And Troy's proud dames, whose garments sweep the ground,
Attaint the lustre of my former name,
Should Hector basely quit the field of fame?
My early youth was bred to martial pains,
My soul impels me to th' embattled plains:
Let me be foremost to defend the throne,
And guard my father's glories, and my own.
Yet come it will, the day decreed by fates,
(How my heart trembles while my tongue relates!)
The day when thou, imperial Troy! must bend,
And see thy warriors fall, thy glories end.
And yet no dire presage so wounds my mind,
My mother's death, the ruin of my kind,
Not Priam's hoary hairs defil'd with gore,
Not all my brothers gasping on the shore,
As thine, Andromache! thy griefs I dread;
I see thee trembling, weeping, captive led.
In Argive looms our battles to design,
And woes, of which so large a part was thine!
To bear the victor's hard commands, or bring
The weight of waters from Hyperia's spring!
There, while you groan beneath the load of life,
They cry, 'Behold the mighty Hector's wife!'
Some haughty Greek, who lives thy tears to see,
Embitters all thy woes by naming me.
The thoughts of glory past and present shame,
A thousand griefs, shall waken at the name!
May I lie cold before that dreadful day,
Press'd with a load of monumental clay!
Thy Hector, wrapp'd in everlasting sleep,
Shall neither hear thee sigh, nor see thee weep."
Thus having spoke, th' illustrious chief of Troy
Stretch'd his fond arms to clasp the lovely boy.
The babe clung crying to his nurse's breast,
Scar'd at the dazzling helm and nodding crest.
With secret pleasure each fond parent smil'd,
And Hector hasted to relieve his child;
The glitt'ring terrors from his brows unbound,
And plac'd the beaming helmet on the ground.
Then kiss'd the child, and, lifting high in air,
Thus to the gods preferr'd a father's pray'r:
"O thou! whose glory fills th' ethereal throne,
And all ye deathless pow'rs! protect my son!
Grant him, like me, to purchase just renown,
To guard the Trojans, to defend the crown,
Against his country's foes the war to wage,
And rise the Hector of the future age!
So when, triumphant from successful toils,
Of heroes slain he bears the reeking spoils,
Whole hosts may hail him with deserv'd acclaim,
And say, 'This chief transcends his father's fame':
While pleas'd, amidst the gen'ral shouts of Troy,
His mother's conscious heart o'erflows with joy."
He spoke, and fondly gazing on her charms,
Restor'd the pleasing burthen to her arms;
Soft on her fragrant breast the babe she laid,
Hush'd to repose, and with a smile survey'd.
The troubled pleasure soon chastis'd by fear,
She mingled with the smile a tender tear.
The soften'd chief with kind compassion view'd,
And dried the falling drops, and thus pursu'd:
"Andromache! my soul's far better part,
Why with untimely sorrows heaves thy heart?
No hostile hand can antedate my doom,
Till fate condemns me to the silent tomb.
Fix'd is the term to all the race of earth,
And such the hard condition of our birth.
No force can then resist, no flight can save;
All sink alike, the fearful and the brave.
No more--but hasten to thy tasks at home,
There guide the spindle, and direct the loom;
Me glory summons to the martial scene,
The field of combat is the sphere for men.
Where heroes war, the foremost place I claim,
The first in danger as the first in fame."
|
Written by
Hilaire Belloc |
Who was cursed with the Sin of Pride, and Became a Boot-Black.
Godolphin Horne was Nobly Born;
He held the Human Race in Scorn,
And lived with all his Sisters where
His father lived, in Berkeley Square.
And oh! The Lad was Deathly Proud!
He never shook your Hand or Bowed,
But merely smirked and nodded thus:
How perfectly ridiculous!
Alas! That such Affected Tricks
Should flourish in a Child of Six!
(For such was Young Godolphin's age).
Just then, the Court required a Page,
Whereat the Lord High Chamberlain
(The Kindest and the Best of Men),
He went good-naturedly and took
A perfectly enormous Book
Called People Qualified to Be
Attendant on His Majesty,
And murmured, as he scanned the list
(To see that no one should be missed),
"There's William Coutts has got the Flu,
And Billy Higgs would never do,
And Guy de Vere is far too young,
And ... wasn't D'Alton's father hung?
And as for Alexander Byng!-...
I think I know the kind of thing,
A Churchman, cleanly, nobly born,
Come, let us say Godolphin Horne?"
But hardly had he said the word
When Murmurs of Dissent were heard.
The King of Iceland's Eldest Son
Said, "Thank you! I am taking none!"
The Aged Duchess of Athlone
Remarked, in her sub-acid tone,
"I doubt if He is what we need!"
With which the Bishops all agreed;
And even Lady Mary Flood
(So kind, and oh! So really good)
Said, "No! He wouldn't do at all,
He'd make us feel a lot too small."
The Chamberlain said, "Well, well, well!
No doubt you're right. One cannot tell!"
He took his Gold and Diamond Pen
And scratched Godolphin out again.
So now Godolphin is the Boy
Who Blacks the Boots at the Savoy.
|
Written by
Wallace Stevens |
I
1 Just as my fingers on these keys
2 Make music, so the self-same sounds
3 On my spirit make a music, too.
4 Music is feeling, then, not sound;
5 And thus it is that what I feel,
6 Here in this room, desiring you,
7 Thinking of your blue-shadowed silk,
8 Is music. It is like the strain
9 Waked in the elders by Susanna;
10 Of a green evening, clear and warm,
11 She bathed in her still garden, while
12 The red-eyed elders, watching, felt
13 The basses of their beings throb
14 In witching chords, and their thin blood
15 Pulse pizzicati of Hosanna.
II
16 In the green water, clear and warm,
17 Susanna lay.
18 She searched
19 The touch of springs,
20 And found
21 Concealed imaginings.
22 She sighed,
23 For so much melody.
24 Upon the bank, she stood
25 In the cool
26 Of spent emotions.
27 She felt, among the leaves,
28 The dew
29 Of old devotions.
30 She walked upon the grass,
31 Still quavering.
32 The winds were like her maids,
33 On timid feet,
34 Fetching her woven scarves,
35 Yet wavering.
36 A breath upon her hand
37 Muted the night.
38 She turned --
39 A cymbal crashed,
40 Amid roaring horns.
III
41 Soon, with a noise like tambourines,
42 Came her attendant Byzantines.
43 They wondered why Susanna cried
44 Against the elders by her side;
45 And as they whispered, the refrain
46 Was like a willow swept by rain.
47 Anon, their lamps' uplifted flame
48 Revealed Susanna and her shame.
49 And then, the simpering Byzantines
50 Fled, with a noise like tambourines.
IV
51 Beauty is momentary in the mind --
52 The fitful tracing of a portal;
53 But in the flesh it is immortal.
54 The body dies; the body's beauty lives.
55 So evenings die, in their green going,
56 A wave, interminably flowing.
57 So gardens die, their meek breath scenting
58 The cowl of winter, done repenting.
59 So maidens die, to the auroral
60 Celebration of a maiden's choral.
61 Susanna's music touched the bawdy strings
62 Of those white elders; but, escaping,
63 Left only Death's ironic scraping.
64 Now, in its immortality, it plays
65 On the clear viol of her memory,
66 And makes a constant sacrament of praise.
|
Written by
Phillis Wheatley |
Indulgent muse! my grov'ling mind inspire,
And fill my bosom with celestial fire.
See from Jamaica's fervid shore she moves,
Like the fair mother of the blooming loves,
When from above the Goddess with her hand
Fans the soft breeze, and lights upon the land;
Thus she on Neptune's wat'ry realm reclin'd
Appear'd, and thus invites the ling'ring wind.
"Arise, ye winds, America explore,
"Waft me, ye gales, from this malignant shore;
"The Northern milder climes I long to greet,
"There hope that health will my arrival meet."
Soon as she spoke in my ideal view
The winds assented, and the vessel flew.
Madam, your spouse bereft of wife and son,
In the grove's dark recesses pours his moan;
Each branch, wide-spreading to the ambient sky,
Forgets its verdure, and submits to die.
From thence I turn, and leave the sultry plain,
And swift pursue thy passage o'er the main:
The ship arrives before the fav'ring wind,
And makes the Philadelphian port assign'd,
Thence I attend you to Bostonia's arms,
Where gen'rous friendship ev'ry bosom warms:
Thrice welcome here! may health revive again,
Bloom on thy cheek, and bound in ev'ry vein!
Then back return to gladden ev'ry heart,
And give your spouse his soul's far dearer part,
Receiv'd again with what a sweet surprise,
The tear in transport starting from his eyes!
While his attendant son with blooming grace
Springs to his father's ever dear embrace.
With shouts of joy Jamaica's rocks resound,
With shouts of joy the country rings around.
|