Robert Hayden |
The Triumph of Wit Over Suffering
Head alone shows you in the prodigious act
Of digesting what centuries alone digest:
The mammoth, lumbering statuary of sorrow,
Indissoluble enough to riddle the guts
Of a whale with holes and holes, and bleed him white
Into salt seas.
Hercules had a simple time,
Rinsing those stables: a baby's tears would do it.
But who'd volunteer to gulp the Laocoon,
The Dying Gaul and those innumerable pietas
Festering on the dim walls of Europe's chapels,
Museums and sepulchers? You.
Who borrowed feathers for your feet, not lead,
Not nails, and a mirror to keep the snaky head
In safe perspective, could outface the gorgon-grimace
Of human agony: a look to numb
Limbs: not a basilisk-blink, nor a double whammy,
But all the accumulated last grunts, groans,
Cries and heroic couplets concluding the million
Enacted tragedies on these blood-soaked boards,
And every private twinge a hissing asp
To petrify your eyes, and every village
Catastrophe a writhing length of cobra,
And the decline of empires the thick coil of a vast
Imagine: the world
Fisted to a foetus head, ravined, seamed
With suffering from conception upwards, and there
You have it in hand.
Grit in the eye or a sore
Thumb can make anyone wince, but the whole globe
Expressive of grief turns gods, like kings, to rocks.
Those rocks, cleft and worn, themselves then grow
Ponderous and extend despair on earth's
So might rigor mortis come to stiffen
All creation, were it not for a bigger belly
Still than swallows joy.
You enter now,
Armed with feathers to tickle as well as fly,
And a fun-house mirror that turns the tragic muse
To the beheaded head of a sullen doll, one braid,
A bedraggled snake, hanging limp as the absurd mouth
Hangs in its lugubious pout.
The classic limbs of stubborn Antigone?
The red, royal robes of Phedre? The tear-dazzled
Sorrows of Malfi's gentle duchess?
In the deep convulsion gripping your face, muscles
And sinews bunched, victorious, as the cosmic
Laugh does away with the unstitching, plaguey wounds
Of an eternal sufferer.
Perseus, the palm, and may you poise
And repoise until time stop, the celestial balance
Which weighs our madness with our sanity.
Oscar Wilde |
Is it thy will that I should wax and wane,
Barter my cloth of gold for hodden grey,
And at thy pleasure weave that web of pain
Whose brightest threads are each a wasted day?
Is it thy will - Love that I love so well -
That my Soul's House should be a tortured spot
Wherein, like evil paramours, must dwell
The quenchless flame, the worm that dieth not?
Nay, if it be thy will I shall endure,
And sell ambition at the common mart,
And let dull failure be my vestiture,
And sorrow dig its grave within my heart.
Perchance it may be better so - at least
I have not made my heart a heart of stone,
Nor starved my boyhood of its goodly feast,
Nor walked where Beauty is a thing unknown.
Many a man hath done so; sought to fence
In straitened bonds the soul that should be free,
Trodden the dusty road of common sense,
While all the forest sang of liberty,
Not marking how the spotted hawk in flight
Passed on wide pinion through the lofty air,
To where some steep untrodden mountain height
Caught the last tresses of the Sun God's hair.
Or how the little flower he trod upon,
The daisy, that white-feathered shield of gold,
Followed with wistful eyes the wandering sun
Content if once its leaves were aureoled.
But surely it is something to have been
The best beloved for a little while,
To have walked hand in hand with Love, and seen
His purple wings flit once across thy smile.
Ay! though the gorged asp of passion feed
On my boy's heart, yet have I burst the bars,
Stood face to face with Beauty, known indeed
The Love which moves the Sun and all the stars!
Aleister Crowley |
Thrill with lissome lust of the light,
O man ! My man !
Come careering out of the night
Of Pan ! Io Pan .
Io Pan ! Io Pan ! Come over the sea
From Sicily and from Arcady !
Roaming as Bacchus, with fauns and pards
And nymphs and styrs for thy guards,
On a milk-white ***, come over the sea
To me, to me,
Coem with Apollo in bridal dress
(Spheperdess and pythoness)
Come with Artemis, silken shod,
And wash thy white thigh, beautiful God,
In the moon, of the woods, on the marble mount,
The dimpled dawn of of the amber fount !
Dip the purple of passionate prayer
In the crimson shrine, the scarlet snare,
The soul that startles in eyes of blue
To watch thy wantoness weeping through
The tangled grove, the gnarled bole
Of the living tree that is spirit and soul
And body and brain -come over the sea,
(Io Pan ! Io Pan !)
Devil or god, to me, to me,
My man ! my man !
Come with trumpets sounding shrill
Over the hill !
Come with drums low muttering
From the spring !
Come with flute and come with pipe !
Am I not ripe ?
I, who wait and writhe and wrestle
With air that hath no boughs to nestle
My body, weary of empty clasp,
Strong as a lion, and sharp as an asp-
Come, O come !
I am numb
With the lonely lust of devildom.
Thrust the sword through the galling fetter,
All devourer, all begetter;
Give me the sign of the Open Eye
And the token erect of thorny thigh
And the word of madness and mystery,
O pan ! Io Pan !
Io Pan ! Io Pan ! Pan Pan ! Pan,
I am a man:
Do as thou wilt, as a great god can,
O Pan ! Io Pan !
Io pan ! Io Pan Pan ! Iam awake
In the grip of the snake.
The eagle slashes with beak and claw;
The gods withdraw:
The great beasts come, Io Pan ! I am borne
To death on the horn
Of the Unicorn.
I am Pan ! Io Pan ! Io Pan Pan ! Pan !
I am thy mate, I am thy man,
Goat of thy flock, I am gold , I am god,
Flesh to thy bone, flower to thy rod.
With hoofs of steel I race on the rocks
Through solstice stubborn to equinox.
And I rave; and I rape and I rip and I rend
Everlasting, world without end.
Mannikin, maiden, maenad, man,
In the might of Pan.
Io Pan ! Io Pan Pan ! Pan ! Io Pan !
Aleister Crowley |
To-night I tread the unsubstantial way
That looms before me, as the thundering night
Falls on the ocean: I must stop, and pray
One little prayer, and then - what bitter fight
Flames at the end beyond the darkling goal?
These are my passions that my feet must read;
This is my sword, the fervour of my soul;
This is my Will, the crown upon my head.
For see! the darkness beckons: I have gone,
Before this terrible hour, towards the gloom,
Braved the wild dragon, called the tiger on
With whirling cries of pride, sought out the tomb
Where lurking vampires battened, and my steel
Has wrought its splendour through the gates of death
My courage did not falter: now I feel
My heart beat wave-wise, and my throat catch breath
As if I choked; some horror creeps between
The spirit of my will and its desire,
Some just reluctance to the Great Unseen
That coils its nameless terrors, and its dire
Fear round my heart; a devil cold as ice
Breathes somewhere, for I feel his shudder take
My veins: some deadlier asp or cockatrice
Slimes in my senses: I am half awake,
Half automatic, as I move along
Wrapped in a cloud of blackness deep as hell,
Hearing afar some half-forgotten song
As of disruption; yet strange glories dwell
Above my head, as if a sword of light,
Rayed of the very Dawn, would strike within
The limitations of this deadly night
That folds me for the sign of death and sin -
O Light! descend! My feet move vaguely on
In this amazing darkness, in the gloom
That I can touch with trembling sense.
Once, in my misty memory, in the womb
Of some unformulated thought, the flame
And smoke of mighty pillars; yet my mind
Is clouded with the horror of this same
Path of the wise men: for my soul is blind
Yet: and the foemen I have never feared
I could not see (if such should cross the way),
And therefore I am strange: my soul is seared
With desolation of the blinding day
I have come out from: yes, that fearful light
Was not the Sun: my life has been the death,
This death may be the life: my spirit sight
Knows that at last, at least.
My doubtful breath
Is breathing in a nobler air; I know,
I know it in my soul, despite of this,
The clinging darkness of the Long Ago,
Cruel as death, and closer than a kiss,
This horror of great darkness.
I am come
Into this darkness to attain the light:
To gain my voice I make myself as dumb:
That I may see I close my outer sight:
So, I am here.
My brows are bent in prayer:
I kneel already in the Gates of Dawn;
And I am come, albeit unaware,
To the deep sanctuary: my hope is drawn
From wells profounder than the very sea.
Yea, I am come, where least I guessed it so,
Into the very Presence of the Three
That Are beyond all Gods.
And now I know
What spiritual Light is drawing me
Up to its stooping splendour.
In my soul
I feel the Spring, the all-devouring Dawn,
Rush with my Rising.
There, beyond the goal,
The Veil is rent!
Yes: let the veil be drawn.
Aleister Crowley |
How should I seek to make a song for thee
When all my music is to moan thy name?
That long sad monotone - the same - the same -
Matching the mute insatiable sea
That throbs with life's bewitching agony,
Too long to measure and too fierce to tame!
An hurtful joy, a fascinating shame
Is this great ache that grips the heart of me.
Even as a cancer, so this passion gnaws
Away my soul, and will not ease its jaws
Till I am dead.
Then let me die! Who knows
But that this corpse committed to the earth
May be the occasion of some happier birth?
Spring's earliest snowdrop? Summer's latest rose?
Thou knowest what asp hath fixed its lethal tooth
In the white breast that trembled like a flower
At thy name whispered.
thou hast marked how hour
By hour its poison hath dissolved my youth,
Half skilled to agonise, half skilled to soothe
This passion ineluctable, this power
Slave to its single end, to storm the tower
That holdeth thee, who art Authentic Truth.
O golden hawk! O lidless eye! Behold
How the grey creeps upon the shuddering gold!
Still I will strive! That thou mayst sweep
Swift on the dead from thine all-seeing steep -
And the unutterable word by spoken.
Robert Southey |
Small is the new-born plant scarce seen
Amid the soft encircling green,
Where yonder budding acorn rears,
Just o'er the waving grass, its tender head:
Slow pass along the train of years,
And on the growing plant, their dews and showers they shed.
Anon it rears aloft its giant form,
And spreads its broad-brown arms to meet the storm.
Beneath its boughs far shadowing o'er the plain,
From summer suns, repair the grateful village train.
Nor BEDFORD will my friend survey
The book of Nature with unheeding eye;
For never beams the rising orb of day,
For never dimly dies the refluent ray,
But as the moralizer marks the sky,
He broods with strange delight upon futurity.
And we must muse my friend! maturer years
Arise, and other Hopes and other Fears,
For we have past the pleasant plains of Youth.
Oh pleasant plains! that we might stray
For ever o'er your faery ground--
For ever roam your vales around,
Nor onward tempt the dangerous way--
For oh--what numerous foes assail
The Traveller, from that chearful vale!
With toil and heaviness opprest
Seek not the flowery bank for rest,
Tho' there the bowering woodbine spread
Its fragrant shelter o'er thy head,
Tho' Zephyr there should linger long
To hear the sky-lark's wildly-warbled song,
There heedless Youth shalt thou awake
The vengeance of the coiling snake!
Tho' fairly smiles the vernal mead
To tempt thy pilgrim feet, proceed
Hold on thy steady course aright,
Else shalt thou wandering o'er the pathless plain,
When damp and dark descends the night
Shivering and shelterless, repent in vain.
And yet--tho' Dangers lurk on every side
Receive not WORLDLY WISDOM for thy guide!
Beneath his care thou wilt not know
The throb of unavailing woe,
No tear shall tremble in thine eye
Thy breast shall struggle with no sigh,
He will security impart,
But he will apathize thy heart!
Fly Fly that fatal foe,
Virtue shall shrink from his torpedo grasp--
For not more fatal thro' the Wretches veins
Benumb'd in Death's cold pains
Creeps the chill poison of the deadly asp.
Serener joys my friend await
Maturer manhood's steady state.
The wild brook bursting from its source
Meanders on its early course,
Delighting there with winding way
Amid the vernal vale to stray,
Emerging thence more widely spread
It foams along its craggy bed,
And shatter'd with the mighty shock
Rushes from the giddy rock--
Hurl'd headlong o'er the dangerous steep
On runs the current to the deep,
And gathering waters as it goes
Serene and calm the river flows,
Diffuses plenty o'er the smiling coast,
Rolls on its stately waves and is in ocean lost.
Francesco Petrarch |
Non dall' Ispano Ibero all' Indo Idaspe.
HIS WOES ARE UNEXAMPLED.
From Spanish Ebro to Hydaspes old,
Exploring ocean in its every nook,
[Pg 191]From the Red Sea to the cold Caspian shore,
In earth, in heaven one only Phœnix dwells.
What fortunate, or what disastrous bird
Omen'd my fate? which Parca winds my yarn,
That I alone find Pity deaf as asp,
And wretched live who happy hoped to be?
Let me not speak of her, but him her guide,
Who all her heart with love and sweetness fills—
Gifts which, from him o'erflowing, follow her,
Who, that my sweets may sour and cruel be,
Dissembleth, careth not, or will not see
That silver'd, ere my time, these temples are.
George Meredith |
Full faith I have she holds that rarest gift
To beauty, Common Sense.
To see her lie
With her fair visage an inverted sky
Bloom-covered, while the underlids uplift,
Would almost wreck the faith; but when her mouth
(Can it kiss sweetly? sweetly!) would address
The inner me that thirsts for her no less,
And has so long been languishing in drouth,
I feel that I am matched; that I am man!
One restless corner of my heart or head,
That holds a dying something never dead,
Still frets, though Nature giveth all she can.
It means, that woman is not, I opine,
Her sex's antidote.
Who seeks the asp
For serpent's bites? 'Twould calm me could I clasp
Shrieking Bacchantes with their souls of wine!
John Milton |
A Book was writ of late call'd Tetrachordon;
And wov'n close, both matter, form and stile;
The Subject new: it walk'd the Town a while,
Numbring good intellects; now seldom por'd on.
Cries the stall-reader, bless us! what a word on
A title page is this! and some in file
Stand spelling fals, while one might walk to Mile-
Why is it harder Sirs then Gordon,
Colkitto, or Macdonnel, or Galasp?
Those rugged names to our like mouths grow sleek
That would have made Quintilian stare and gasp.
Thy age, like ours, O Soul of Sir John Cheek,
Hated not Learning wors then Toad or Asp;
When thou taught'st Cambridge, and King Edward Greek.
Autograph supplies title, On the Detraction which
followed my writing certain Treatises.