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Best Famous Asks Poems

Here is a collection of the all-time best famous Asks poems. This is a select list of the best famous Asks poetry. Reading, writing, and enjoying famous Asks poetry (as well as classical and contemporary poems) is a great past time. These top poems are the best examples of asks poems.

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Written by Carl Sandburg | Create an image from this poem

Under the Harvest Moon

 Under the harvest moon,
When the soft silver
Drips shimmering
Over the garden nights,
Death, the gray mocker,
Comes and whispers to you
As a beautiful friend
Who remembers.
Under the summer roses When the flagrant crimson Lurks in the dusk Of the wild red leaves, Love, with little hands, Comes and touches you With a thousand memories, And asks you Beautiful, unanswerable questions.


Written by Adrienne Rich | Create an image from this poem

Cartographies of Silence

 1.
A conversation begins with a lie.
and each speaker of the so-called common language feels the ice-floe split, the drift apart as if powerless, as if up against a force of nature A poem can being with a lie.
And be torn up.
A conversation has other laws recharges itself with its own false energy, Cannot be torn up.
Infiltrates our blood.
Repeats itself.
Inscribes with its unreturning stylus the isolation it denies.
2.
The classical music station playing hour upon hour in the apartment the picking up and picking up and again picking up the telephone The syllables uttering the old script over and over The loneliness of the liar living in the formal network of the lie twisting the dials to drown the terror beneath the unsaid word 3.
The technology of silence The rituals, etiquette the blurring of terms silence not absence of words or music or even raw sounds Silence can be a plan rigorously executed the blueprint of a life It is a presence it has a history a form Do not confuse it with any kind of absence 4.
How calm, how inoffensive these words begin to seem to me though begun in grief and anger Can I break through this film of the abstract without wounding myself or you there is enough pain here This is why the classical of the jazz music station plays? to give a ground of meaning to our pain? 5.
The silence strips bare: In Dreyer's Passion of Joan Falconetti's face, hair shorn, a great geography mutely surveyed by the camera If there were a poetry where this could happen not as blank space or as words stretched like skin over meaningsof a night through which two people have talked till dawn.
6.
The scream of an illegitimate voice It has ceased to hear itself, therefore it asks itself How do I exist? This was the silence I wanted to break in you I had questions but you would not answer I had answers but you could not use them The is useless to you and perhaps to others 7.
It was an old theme even for me: Language cannot do everything- chalk it on the walls where the dead poets lie in their mausoleums If at the will of the poet the poem could turn into a thing a granite flank laid bare, a lifted head alight with dew If it could simply look you in the face with naked eyeballs, not letting you turn till you, and I who long to make this thing, were finally clarified together in its stare 8.
No.
Let me have this dust, these pale clouds dourly lingering, these words moving with ferocious accuracy like the blind child's fingers or the newborn infant's mouth violent with hunger No one can give me, I have long ago taken this method whether of bran pouring from the loose-woven sack or of the bunsen-flame turned low and blue If from time to time I envy the pure annunciation to the eye the visio beatifica if from time to time I long to turn like the Eleusinian hierophant holding up a single ear of grain for the return to the concrete and everlasting world what in fact I keep choosing are these words, these whispers, conversations from which time after time the truth breaks moist and green.
Written by John Wilmot | Create an image from this poem

A Satyre Against Mankind

 Were I - who to my cost already am
One of those strange, prodigious creatures, man -
A spirit free to choose for my own share
What sort of flesh and blood I pleased to wear,
I'd be a dog, a monkey, or a bear,
Or anything but that vain animal,
Who is so proud of being rational.
His senses are too gross; and he'll contrive A sixth, to contradict the other five; And before certain instinct will prefer Reason, which fifty times for one does err.
Reason, an ignis fatuus of the mind, Which leaving light of nature, sense, behind, Pathless and dangerous wand'ring ways it takes, Through Error's fenny bogs and thorny brakes; Whilst the misguided follower climbs with pain Mountains of whimsey's, heaped in his own brain; Stumbling from thought to thought, falls headlong down, Into Doubt's boundless sea where, like to drown, Books bear him up awhile, and make him try To swim with bladders of Philosophy; In hopes still to o'ertake the escaping light; The vapour dances, in his dancing sight, Till spent, it leaves him to eternal night.
Then old age and experience, hand in hand, Lead him to death, make him to understand, After a search so painful, and so long, That all his life he has been in the wrong: Huddled In dirt the reasoning engine lies, Who was so proud, so witty, and so wise.
Pride drew him in, as cheats their bubbles catch, And made him venture; to be made a wretch.
His wisdom did has happiness destroy, Aiming to know that world he should enjoy; And Wit was his vain, frivolous pretence Of pleasing others, at his own expense.
For wits are treated just like common whores, First they're enjoyed, and then kicked out of doors; The pleasure past, a threatening doubt remains, That frights th' enjoyer with succeeding pains: Women and men of wit are dangerous tools, And ever fatal to admiring fools.
Pleasure allures, and when the fops escape, 'Tis not that they're beloved, but fortunate, And therefore what they fear, at heart they hate: But now, methinks some formal band and beard Takes me to task; come on sir, I'm prepared: "Then by your Favour, anything that's writ Against this jibing, jingling knack called Wit Likes me abundantly: but you take care Upon this point not to be too severe.
Perhaps my Muse were fitter for this part, For I profess I can be very smart On Wit, which I abhor with all my heart; I long to lash it in some sharp essay, But your grand indiscretion bids me stay, And turns my tide of ink another way.
What rage Torments in your degenerate mind, To make you rail at reason, and mankind Blessed glorious man! To whom alone kind heaven An everlasting soul hath freely given; Whom his great maker took such care to make, That from himself he did the image take; And this fair frame in shining reason dressed, To dignify his nature above beast.
Reason, by whose aspiring influence We take a flight beyond material sense, Dive into mysteries, then soaring pierce The flaming limits of the universe, Search heaven and hell, Find out what's acted there, And give the world true grounds of hope and fear.
" Hold mighty man, I cry, all this we know, From the pathetic pen of Ingelo; From Patrlck's Pilgrim, Sibbes' Soliloquies, And 'tis this very reason I despise, This supernatural gift that makes a mite Think he's an image of the infinite; Comparing his short life, void of all rest, To the eternal, and the ever-blessed.
This busy, pushing stirrer-up of doubt, That frames deep mysteries, then finds them out; Filling with frantic crowds of thinking fools The reverend bedlam's, colleges and schools; Borne on whose wings each heavy sot can pierce The limits of the boundless universe; So charming ointments make an old witch fly, And bear a crippled carcass through the sky.
'Tis the exalted power whose business lies In nonsense and impossibilities.
This made a whimsical philosopher Before the spacious world his tub prefer, And we have modern cloistered coxcombs, who Retire to think 'cause they have nought to do.
But thoughts are given for action's government; Where action ceases, thought's impertinent: Our sphere of action is life's happiness, And he that thinks beyond thinks like an ass.
Thus, whilst against false reasoning I inveigh.
I own right reason, which I would obey: That reason which distinguishes by sense, And gives us rules of good and ill from thence; That bounds desires.
with a reforming will To keep 'em more in vigour, not to kill.
- Your reason hinders, mine helps to enjoy, Renewing appetites yours would destroy.
My reason is my friend, yours is a cheat, Hunger calls out, my reason bids me eat; Perversely.
yours your appetite does mock: This asks for food, that answers, 'what's o'clock' This plain distinction, sir, your doubt secures, 'Tis not true reason I despise, but yours.
Thus I think reason righted, but for man, I'll ne'er recant, defend him if you can: For all his pride, and his philosophy, 'Tis evident: beasts are in their own degree As wise at least, and better far than he.
Those creatures are the wisest who attain.
- By surest means.
the ends at which they aim.
If therefore Jowler finds and kills the hares, Better than Meres supplies committee chairs; Though one's a statesman, th' other but a hound, Jowler in justice would be wiser found.
You see how far man's wisdom here extends.
Look next if human nature makes amends; Whose principles are most generous and just, - And to whose morals you would sooner trust: Be judge yourself, I'll bring it to the test, Which is the basest creature, man or beast Birds feed on birds, beasts on each other prey, But savage man alone does man betray: Pressed by necessity; they kill for food, Man undoes man, to do himself no good.
With teeth and claws, by nature armed, they hunt Nature's allowance, to supply their want.
But man, with smiles, embraces.
friendships.
Praise, Inhumanely his fellow's life betrays; With voluntary pains works his distress, Not through necessity, but wantonness.
For hunger or for love they bite, or tear, Whilst wretched man is still in arms for fear.
For fear he arms, and is of arms afraid: From fear, to fear, successively betrayed.
Base fear, the source whence his best passions came.
His boasted honour, and his dear-bought fame.
The lust of power, to whom he's such a slave, And for the which alone he dares be brave; To which his various projects are designed, Which makes him generous, affable, and kind.
For which he takes such pains to be thought wise, And screws his actions, in a forced disguise; Leads a most tedious life in misery, Under laborious, mean hypocrisy.
Look to the bottom of his vast design, Wherein man's wisdom, power, and glory join: The good he acts.
the ill he does endure.
'Tis all from fear, to make himself secure.
Merely for safety after fame they thirst, For all men would be cowards if they durst.
And honesty's against all common sense, Men must be knaves, 'tis in their own defence.
Mankind's dishonest: if you think it fair Among known cheats to play upon the square, You'll be undone.
Nor can weak truth your reputation save, The knaves will all agree to call you knave.
Wronged shall he live, insulted o'er, oppressed, Who dares be less a villain than the rest.
Thus sir, you see what human nature craves, Most men are cowards, all men should be knaves; The difference lies, as far as I can see.
Not in the thing itself, but the degree; And all the subject matter of debate Is only, who's a knave of the first rate All this with indignation have I hurled At the pretending part of the proud world, Who, swollen with selfish vanity, devise, False freedoms, holy cheats, and formal lies, Over their fellow slaves to tyrannise.
But if in Court so just a man there be, (In Court, a just man - yet unknown to me) Who does his needful flattery direct Not to oppress and ruin, but protect: Since flattery, which way soever laid, Is still a tax: on that unhappy trade.
If so upright a statesman you can find, Whose passions bend to his unbiased mind, Who does his arts and policies apply To raise his country, not his family; Nor while his pride owned avarice withstands, Receives close bribes, from friends corrupted hands.
Is there a churchman who on God relies Whose life, his faith and doctrine justifies Not one blown up, with vain prelatic pride, Who for reproofs of sins does man deride; Whose envious heart makes preaching a pretence With his obstreperous, saucy eloquence, To chide at kings, and rail at men of sense; Who from his pulpit vents more peevlsh lies, More bitter railings, scandals, calumnies, Than at a gossiping are thrown about When the good wives get drunk, and then fall out.
None of that sensual tribe, whose talents lie In avarice, pride, sloth, and gluttony.
Who hunt good livings; but abhor good lives, Whose lust exalted, to that height arrives, They act adultery with their own wives.
And ere a score of years completed be, Can from the loftiest pulpit proudly see, Half a large parish their own progeny.
Nor doting bishop, who would be adored For domineering at the Council board; A greater fop, in business at fourscore, Fonder of serious toys, affected more, Than the gay, glittering fool at twenty proves, With all his noise, his tawdry clothes and loves.
But a meek, humble man, of honest sense, Who preaching peace does practise continence; Whose pious life's a proof he does believe Mysterious truths which no man can conceive.
If upon Earth there dwell such god-like men, I'll here recant my paradox to them, Adores those shrines of virtue, homage pay, And with the rabble world their laws obey.
If such there are, yet grant me this at least, Man differs more from man than man from beast.
Written by Tupac Shakur | Create an image from this poem

Untitled 2

With all this extra stressing the question I wonder is after death
After my last breath
When will I finally get to rest from this oppression?
They punish the people that's asking questions
And those that possess steal from the ones without possessions
The message I stress
To make you stop study your lessons
Don't settle for less
Even the genius asks his questions
Be grateful for blessings
Don't ever change, keep your essense
The power is in the people and politics we address
Always do your best
Don't let the pressure make you panic
And when you get stranded and things don't go the way you planned it
Dreaming of riches in the position of making a difference
Politicians is hypocrites
They don't want to listen
If I'm insane it's the fame
I ain't about to change
It ain't nothing like the game
It's just me against the world 
Written by Walt Whitman | Create an image from this poem

Faces

 1
SAUNTERING the pavement, or riding the country by-road—lo! such faces! 
Faces of friendship, precision, caution, suavity, ideality; 
The spiritual, prescient face—the always welcome, common, benevolent face, 
The face of the singing of music—the grand faces of natural lawyers and judges, broad
 at
 the
 back-top; 
The faces of hunters and fishers, bulged at the brows—the shaved blanch’d faces
 of
 orthodox citizens;
The pure, extravagant, yearning, questioning artist’s face; 
The ugly face of some beautiful Soul, the handsome detested or despised face; 
The sacred faces of infants, the illuminated face of the mother of many children; 
The face of an amour, the face of veneration; 
The face as of a dream, the face of an immobile rock;
The face withdrawn of its good and bad, a castrated face; 
A wild hawk, his wings clipp’d by the clipper; 
A stallion that yielded at last to the thongs and knife of the gelder.
Sauntering the pavement, thus, or crossing the ceaseless ferry, faces, and faces, and faces: I see them, and complain not, and am content with all.
2 Do you suppose I could be content with all, if I thought them their own finale? This now is too lamentable a face for a man; Some abject louse, asking leave to be—cringing for it; Some milk-nosed maggot, blessing what lets it wrig to its hole.
This face is a dog’s snout, sniffing for garbage; Snakes nest in that mouth—I hear the sibilant threat.
This face is a haze more chill than the arctic sea; Its sleepy and wobbling icebergs crunch as they go.
This is a face of bitter herbs—this an emetic—they need no label; And more of the drug-shelf, laudanum, caoutchouc, or hog’s-lard.
This face is an epilepsy, its wordless tongue gives out the unearthly cry, Its veins down the neck distended, its eyes roll till they show nothing but their whites, Its teeth grit, the palms of the hands are cut by the turn’d-in nails, The man falls struggling and foaming to the ground while he speculates well.
This face is bitten by vermin and worms, And this is some murderer’s knife, with a half-pull’d scabbard.
This face owes to the sexton his dismalest fee; An unceasing death-bell tolls there.
3 Those then are really men—the bosses and tufts of the great round globe! Features of my equals, would you trick me with your creas’d and cadaverous march? Well, you cannot trick me.
I see your rounded, never-erased flow; I see neath the rims of your haggard and mean disguises.
Splay and twist as you like—poke with the tangling fores of fishes or rats; You’ll be unmuzzled, you certainly will.
I saw the face of the most smear’d and slobbering idiot they had at the asylum; And I knew for my consolation what they knew not; I knew of the agents that emptied and broke my brother, The same wait to clear the rubbish from the fallen tenement; And I shall look again in a score or two of ages, And I shall meet the real landlord, perfect and unharm’d, every inch as good as myself.
4 The Lord advances, and yet advances; Always the shadow in front—always the reach’d hand bringing up the laggards.
Out of this face emerge banners and horses—O superb! I see what is coming; I see the high pioneer-caps—I see the staves of runners clearing the way, I hear victorious drums.
This face is a life-boat; This is the face commanding and bearded, it asks no odds of the rest; This face is flavor’d fruit, ready for eating; This face of a healthy honest boy is the programme of all good.
These faces bear testimony, slumbering or awake; They show their descent from the Master himself.
Off the word I have spoken, I except not one—red, white, black, are all deific; In each house is the ovum—it comes forth after a thousand years.
Spots or cracks at the windows do not disturb me; Tall and sufficient stand behind, and make signs to me; I read the promise, and patiently wait.
This is a full-grown lily’s face, She speaks to the limber-hipp’d man near the garden pickets, Come here, she blushingly cries—Come nigh to me, limber-hipp’d man, Stand at my side till I lean as high as I can upon you, Fill me with albescent honey, bend down to me, Rub to me with your chafing beard, rub to my breast and shoulders.
5 The old face of the mother of many children! Whist! I am fully content.
Lull’d and late is the smoke of the First-day morning, It hangs low over the rows of trees by the fences, It hangs thin by the sassafras, the wild-cherry, and the cat-brier under them.
I saw the rich ladies in full dress at the soiree, I heard what the singers were singing so long, Heard who sprang in crimson youth from the white froth and the water-blue, Behold a woman! She looks out from her quaker cap—her face is clearer and more beautiful than the sky.
She sits in an arm-chair, under the shaded porch of the farmhouse, The sun just shines on her old white head.
Her ample gown is of cream-hued linen, Her grandsons raised the flax, and her granddaughters spun it with the distaff and the wheel.
The melodious character of the earth, The finish beyond which philosophy cannot go, and does not wish to go, The justified mother of men.


Written by Barry Tebb | Create an image from this poem

TO THE SOUND OF VIOLINS

 Give me life at its most garish

Friday night in the Square, pink sequins dazzle

And dance on clubbers bare to the midriff

Young men in crisp shirts and pressed pants

‘Dress code smart’ gyrate to ‘Sex Bomb, Sex Bomb’

And sing along its lyrics to the throng of which I’m one

My shorts, shoulder bag and white beard

Making me stand out in the teeming swarm

Of teens and twenties this foetid Friday night

On my way from the ward where our son paces

And fulminates I throw myself into the drowning

Tide of Friday to be rescued by sheer normality.
The mill girl with her mates asks anxiously "Are you on your own? Come and join us What’s your name?" Age has driven my shyness away As I join the crowd beneath the turning purple screens Bannered ‘****** lasts for ever’ and sip unending Halves of bitter, as I circulate among the crowd, Being complete in itself and out for a good night out, A relief from factory, shop floor and market stall Running from the reality of the ward where my son Pounds the ledge with his fist and seems out to blast My very existence with words like bullets.
The need to anaesthetise the pain resurfaces Again and again.
In Leeds City Square where Pugin’s church, the Black Prince and the Central Post Office In its Edwardian grandeur are startled by the arching spumes Or white water fountains and the steel barricades of Novotel Rise from the ruins of a sixties office block.
I hurry past and join Boar Lane’s Friday crew From Keighley and Dewsbury’s mills, hesitating At the thought of being told I’m past my Sell-by-date and turned away by the West Indian Bouncers, black-suited and city-council badged Who checked my bag but smiled at ‘The Lights of Leeds’ and ‘Poets of Our Time’ tucked away as carefully as condoms- Was it guns or drugs they were after I wondered as I crossed the bare boards to the bar.
I stayed near the fruit machine which no-one played, Where the crowd was thickest, the noise drowned out the pain ‘Sex Bomb, Sex Bomb’ the chorus rang The girls joined in but the young men knew The words no more than me.
Dancing as we knew it In the sixties has gone, you do your own thing And follow the beat, hampered by my bag I just kept going, letting the music and the crowd Hold me, my camera eye moving in search, in search… What I’m searching for I don’t know Searching’s a way of life that has to grow "All of us who are patients here are searchers after truth" My son kept saying, his legs shaking from the side effects Of God-knows- what, pacing the tiny ward kitchen cum smoking room, Denouncing his ‘illegal section’ and ‘poisonous medication’ To an audience of one.
The prospect of TV, Seroxat and Diazepan fazed me: I was beyond unravelling Meltzer on differentiation Of self and object or Rosine Josef Perelberg on ‘Dreaming and Thinking’ Or even the simpler ‘Rise and Crisis of Psychoanalysis in the United States’ So I went out with West Yorkshire on a Friday night.
Nothing dramatic happened; perhaps I’m a little too used To acute wards or worse where chairs fly across rooms, Windows disintegrate and double doors are triple locked And every nurse carries a white panic button and black pager To pinpoint the moment’s crisis.
Normality was a bit of adrenaline, A wild therapy that drew me in, sanity had won the night.
"Are you on your own, love? Come and join us" People kept asking if I was alright and why I had that damned great shoulder bag.
I was introduced To three young men about to tie the knot, a handsome lothario In his midforties winked at me constantly, Dancing with practised ease with sixteen year olds Who all seemed to know him and determined to show him.
Three hours passed in as many minutes and then the crowds Disappeared to catch the last bus home.
The young aren’t As black as they are painted, one I danced with reminded me Of how Margaret would have been at sixteen With straw gold hair Yeats would have immortalised.
People seemed to guess I was haunted by an inner demon I’d tried to leave in the raftered lofts of City Square But failed to.
Girls from sixteen to twenty six kept grabbing me And making me dance and I found my teenage inhibitions Gone at sixty-one and wildly gyrated to ‘Sex Bomb, Sex Bomb’ Egged on by the throng by the fruit machine and continuous Thumbs-up signs from passing men.
I had to forgo A cheerful group of Aussies were intent on taking me clubbing "I’d get killed or turned into a pumpkin If I get home after midnight" I quipped to their delight But being there had somehow put things right.
Written by Rudyard Kipling | Create an image from this poem

A Tale of Two Cities

 Where the sober-colored cultivator smiles
 On his byles;
Where the cholera, the cyclone, and the crow
 Come and go;
Where the merchant deals in indigo and tea,
 Hides and ghi;
Where the Babu drops inflammatory hints
 In his prints;
Stands a City -- Charnock chose it -- packed away
 Near a Bay --
By the Sewage rendered fetid, by the sewer
 Made impure,
By the Sunderbunds unwholesome, by the swamp
 Moist and damp;
And the City and the Viceroy, as we see,
 Don't agree.
Once, two hundered years ago, the trader came Meek and tame.
Where his timid foot first halted, there he stayed, Till mere trade Grew to Empire, and he sent his armies forth South and North Till the country from Peshawur to Ceylon Was his own.
Thus the midday halt of Charnock -- more's the pity! Grew a City.
As the fungus sprouts chaotic from its bed, So it spread -- Chance-directed, chance-erected, laid and built On the silt -- Palace, byre, hovel -- poverty and pride -- Side by side; And, above the packed and pestilential town, Death looked down.
But the Rulers in that City by the Sea Turned to flee -- Fled, with each returning spring-tide from its ills To the Hills.
From the clammy fogs of morning, from the blaze Of old days, From the sickness of the noontide, from the heat, Beat retreat; For the country from Peshawur to Ceylon Was their own.
But the Merchant risked the perils of the Plain For his gain.
Now the resting-place of Charnock, 'neath the palms, Asks an alms, And the burden of its lamentation is, Briefly, this: "Because for certain months, we boil and stew, So should you.
Cast the Viceroy and his Council, to perspire In our fire!" And for answer to the argument, in vain We explain That an amateur Saint Lawrence cannot fry: "All must fry!" That the Merchant risks the perils of the Plain For gain.
Nor can Rulers rule a house that men grow rich in, From its kitchen.
Let the Babu drop inflammatory hints In his prints; And mature -- consistent soul -- his plan for stealing To Darjeeling: Let the Merchant seek, who makes his silver pile, England's isle; Let the City Charnock pitched on -- evil day! Go Her way.
Though the argosies of Asia at Her doors Heap their stores, Though Her enterprise and energy secure Income sure, Though "out-station orders punctually obeyed" Swell Her trade -- Still, for rule, administration, and the rest, Simla's best.
Written by A S J Tessimond | Create an image from this poem

Discovery

 When you are slightly drunk
Things are so close, so friendly.
The road asks to be walked upon, The road rewards you for walking With firm upward contact answering your downward contact Like the pressure of a hand in yours.
You think - this studious balancing Of right leg while left leg advances, of left while right, How splendid Like somebody-or-other-on-a-peak-in-Darien! How cleverly that seat shapes the body of the girl who sits there.
How well, how skilfully that man there walks towards you, Arms hanging, swinging, waiting.
You move the muscles of your cheeks, How cunningly a smile responds.
And now you are actually speaking Round sounding words Magnificent As that lady's hat!
Written by Robert William Service | Create an image from this poem

The Revelation

 The same old sprint in the morning, boys, to the same old din and smut;
Chained all day to the same old desk, down in the same old rut;
Posting the same old greasy books, catching the same old train:
Oh, how will I manage to stick it all, if I ever get back again?

We've bidden good-bye to life in a cage, we're finished with pushing a pen;
They're pumping us full of bellicose rage, they're showing us how to be men.
We're only beginning to find ourselves; we're wonders of brawn and thew; But when we go back to our Sissy jobs, -- oh, what are we going to do? For shoulders curved with the counter stoop will be carried erect and square; And faces white from the office light will be bronzed by the open air; And we'll walk with the stride of a new-born pride, with a new-found joy in our eyes, Scornful men who have diced with death under the naked skies.
And when we get back to the dreary grind, and the bald-headed boss's call, Don't you think that the dingy window-blind, and the dingier office wall, Will suddenly melt to a vision of space, of violent, flame-scarred night? Then .
.
.
oh, the joy of the danger-thrill, and oh, the roar of the fight! Don't you think as we peddle a card of pins the counter will fade away, And again we'll be seeing the sand-bag rims, and the barb-wire's misty grey? As a flat voice asks for a pound of tea, don't you fancy we'll hear instead The night-wind moan and the soothing drone of the packet that's overhead? Don't you guess that the things we're seeing now will haunt us through all the years; Heaven and hell rolled into one, glory and blood and tears; Life's pattern picked with a scarlet thread, where once we wove with a grey To remind us all how we played our part in the shock of an epic day? Oh, we're booked for the Great Adventure now, we're pledged to the Real Romance; We'll find ourselves or we'll lose ourselves somewhere in giddy old France; We'll know the zest of the fighter's life; the best that we have we'll give; We'll hunger and thirst; we'll die .
.
.
but first -- we'll live; by the gods, we'll live! We'll breathe free air and we'll bivouac under the starry sky; We'll march with men and we'll fight with men, and we'll see men laugh and die; We'll know such joy as we never dreamed; we'll fathom the deeps of pain: But the hardest bit of it all will be -- when we come back home again.
For some of us smirk in a chiffon shop, and some of us teach in a school; Some of us help with the seat of our pants to polish an office stool; The merits of somebody's soap or jam some of us seek to explain, But all of us wonder what we'll do when we have to go back again.
Written by Robert Burns | Create an image from this poem

395. Sonnet on the Author's Birthday

 SING on, sweet thrush, upon the leafless bough,
 Sing on, sweet bird, I listen to thy strain,
 See aged Winter, ’mid his surly reign,
At thy blythe carol, clears his furrowed brow.
So in lone Poverty’s dominion drear, Sits meek Content with light, unanxious heart; Welcomes the rapid moments, bids them part, Nor asks if they bring ought to hope or fear.
I thank thee, Author of this opening day! Thou whose bright sun now gilds yon orient skies! Riches denied, thy boon was purer joys— What wealth could never give nor take away! Yet come, thou child of poverty and care, The mite high heav’n bestow’d, that mite with thee I’ll share.

Book: Reflection on the Important Things