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Best Famous Aristocratic Poems

Here is a collection of the all-time best famous Aristocratic poems. This is a select list of the best famous Aristocratic poetry. Reading, writing, and enjoying famous Aristocratic poetry (as well as classical and contemporary poems) is a great past time. These top poems are the best examples of aristocratic poems.

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Written by Vladimir Mayakovsky | Create an image from this poem

At the Top of My voice

 My most respected
 comrades of posterity!
Rummaging among
 these days’ 
 petrified crap,
exploring the twilight of our times,
you,
 possibly,
 will inquire about me too.
And, possibly, your scholars will declare, with their erudition overwhelming a swarm of problems; once there lived a certain champion of boiled water, and inveterate enemy of raw water.
Professor, take off your bicycle glasses! I myself will expound those times and myself.
I, a latrine cleaner and water carrier, by the revolution mobilized and drafted, went off to the front from the aristocratic gardens of poetry - the capricious wench She planted a delicious garden, the daughter, cottage, pond and meadow.
Myself a garden I did plant, myself with water sprinkled it.
some pour their verse from water cans; others spit water from their mouth - the curly Macks, the clever jacks - but what the hell’s it all about! There’s no damming al this up - beneath the walls they mandoline: “Tara-tina, tara-tine, tw-a-n-g.
.
.
” It’s no great honor, then, for my monuments to rise from such roses above the public squares, where consumption coughs, where whores, hooligans and syphilis walk.
Agitprop sticks in my teeth too, and I’d rather compose romances for you - more profit in it and more charm.
But I subdued myself, setting my heel on the throat of my own song.
Listen, comrades of posterity, to the agitator the rabble-rouser.
Stifling the torrents of poetry, I’ll skip the volumes of lyrics; as one alive, I’ll address the living.
I’ll join you in the far communist future, I who am no Esenin super-hero.
My verse will reach you across the peaks of ages, over the heads of governments and poets.
My verse will reach you not as an arrow in a cupid-lyred chase, not as worn penny Reaches a numismatist, not as the light of dead stars reaches you.
My verse by labor will break the mountain chain of years, and will present itself ponderous, crude, tangible, as an aqueduct, by slaves of Rome constructed, enters into our days.
When in mounds of books, where verse lies buried, you discover by chance the iron filings of lines, touch them with respect, as you would some antique yet awesome weapon.
It’s no habit of mine to caress the ear with words; a maiden’s ear curly-ringed will not crimson when flicked by smut.
In parade deploying the armies of my pages, I shall inspect the regiments in line.
Heavy as lead, my verses at attention stand, ready for death and for immortal fame.
The poems are rigid, pressing muzzle to muzzle their gaping pointed titles.
The favorite of all the armed forces the cavalry of witticisms ready to launch a wild hallooing charge, reins its chargers still, raising the pointed lances of the rhymes.
and all these troops armed to the teeth, which have flashed by victoriously for twenty years, all these, to their very last page, I present to you, the planet’s proletarian.
The enemy of the massed working class is my enemy too inveterate and of long standing.
Years of trial and days of hunger ordered us to march under the red flag.
We opened each volume of Marx as we would open the shutters in our own house; but we did not have to read to make up our minds which side to join, which side to fight on.
Our dialectics were not learned from Hegel.
In the roar of battle it erupted into verse, when, under fire, the bourgeois decamped as once we ourselves had fled from them.
Let fame trudge after genius like an inconsolable widow to a funeral march - die then, my verse, die like a common soldier, like our men who nameless died attacking! I don’t care a spit for tons of bronze; I don’t care a spit for slimy marble.
We’re men of kind, we’ll come to terms about our fame; let our common monument be socialism built in battle.
Men of posterity examine the flotsam of dictionaries: out of Lethe will bob up the debris of such words as “prostitution,” “tuberculosis,” “blockade.
” For you, who are now healthy and agile, the poet with the rough tongue of his posters, has licked away consumptives’ spittle.
With the tail of my years behind me, I begin to resemble those monsters, excavated dinosaurs.
Comrade life, let us march faster, march faster through what’s left of the five-year plan.
My verse has brought me no rubles to spare: no craftsmen have made mahogany chairs for my house.
In all conscience, I need nothing except a freshly laundered shirt.
When I appear before the CCC of the coming bright years, by way of my Bolshevik party card, I’ll raise above the heads of a gang of self-seeking poets and rogues, all the hundred volumes of my communist-committed books.
Transcribed: by Mitch Abidor.


Written by Rita Dove | Create an image from this poem

The Bistro Styx

 She was thinner, with a mannered gauntness
as she paused just inside the double
glass doors to survey the room, silvery cape
billowing dramatically behind her.
What's this, I thought, lifting a hand until she nodded and started across the parquet; that's when I saw she was dressed all in gray, from a kittenish cashmere skirt and cowl down to the graphite signature of her shoes.
"Sorry I'm late," she panted, though she wasn't, sliding into the chair, her cape tossed off in a shudder of brushed steel.
We kissed.
Then I leaned back to peruse my blighted child, this wary aristocratic mole.
"How's business?" I asked, and hazarded a motherly smile to keep from crying out: Are you content to conduct your life as a cliché and, what's worse, an anachronism, the brooding artist's demimonde? Near the rue Princesse they had opened a gallery cum souvenir shop which featured fuzzy off-color Monets next to his acrylics, no doubt, plus beared African drums and the occasional miniature gargoyle from Notre Dame the Great Artist had carved at breakfast with a pocket knife.
"Tourists love us.
The Parisians, of course"-- she blushed--"are amused, though not without a certain admiration .
.
.
" The Chateaubriand arrived on a bone-white plate, smug and absolute in its fragrant crust, a black plug steaming like the heart plucked from the chest of a worthy enemy; one touch with her fork sent pink juices streaming.
"Admiration for what?"Wine, a bloody Pinot Noir, brought color to her cheeks.
"Why, the aplomb with which we've managed to support our Art"--meaning he'd convinced her to pose nude for his appalling canvases, faintly futuristic landscapes strewn with carwrecks and bodies being chewed by rabid cocker spaniels.
"I'd like to come by the studio," I ventured, "and see the new stuff.
" "Yes, if you wish .
.
.
"A delicate rebuff before the warning: "He dresses all in black now.
Me, he drapes in blues and carmine-- and even though I think it's kinda cute, in company I tend toward more muted shades.
" She paused and had the grace to drop her eyes.
She did look ravishing, spookily insubstantial, a lipstick ghost on tissue, or as if one stood on a fifth-floor terrace peering through a fringe of rain at Paris' dreaming chimney pots, each sooty issue wobbling skyward in an ecstatic oracular spiral.
"And he never thinks of food.
I wish I didn't have to plead with him to eat.
.
.
.
"Fruit and cheese appeared, arrayed on leaf-green dishes.
I stuck with café crème.
"This Camembert's so ripe," she joked, "it's practically grown hair," mucking a golden glob complete with parsley sprig onto a heel of bread.
Nothing seemed to fill her up: She swallowed, sliced into a pear, speared each tear-shaped lavaliere and popped the dripping mess into her pretty mouth.
Nowhere the bright tufted fields, weighted vines and sun poured down out of the south.
"But are you happy?"Fearing, I whispered it quickly.
"What?You know, Mother"-- she bit into the starry rose of a fig-- "one really should try the fruit here.
" I've lost her, I thought, and called for the bill.
Written by Andrew Barton Paterson | Create an image from this poem

A Dogs Mistake

 He had drifted in among us as a straw drifts with the tide, 
He was just a wand'ring mongrel from the weary world outside; 
He was not aristocratic, being mostly ribs and hair, 
With a hint of spaniel parents and a touch of native bear.
He was very poor and humble and content with what he got, So we fed him bones and biscuits, till he heartened up a lot; Then he growled and grew aggressive, treating orders with disdain, Till at last he bit the butcher, which would argue want of brain.
Now the butcher, noble fellow, was a sport beyond belief, And instead of bringing actions he brought half a shin of beef, Which he handed on to Fido, who received it as a right And removed it to the garden, where he buried it at night.
'Twas the means of his undoing, for my wife, who'd stood his friend, To adopt a slang expression, "went in off the deepest end", For among the pinks and pansies, the gloxinias and the gorse He had made an excavation like a graveyard for a horse.
Then we held a consultation which decided on his fate: 'Twas in anger more than sorrow that we led him to the gate, And we handed him the beef-bone as provision for the day, Then we opened wide the portal and we told him, "On your way.
"
Written by Hermann Hesse | Create an image from this poem

The Poet

 Only on me, the lonely one,
The unending stars of the night shine,
The stone fountain whispers its magic song,
To me alone, to me the lonely one
The colorful shadows of the wandering clouds
Move like dreams over the open countryside.
Neither house nor farmland, Neither forest nor hunting privilege is given to me, What is mine belongs to no one, The plunging brook behind the veil of the woods, The frightening sea, The bird whir of children at play, The weeping and singing, lonely in the evening, of a man secretly in love.
The temples of the gods are mine also, and mine the aristocratic groves of the past.
And no less, the luminous Vault of heaven in the future is my home: Often in full flight of longing my soul storms upward, To gaze on the future of blessed men, Love, overcoming the law, love from people to people.
I find them all again, nobly transformed: Farmer, king, tradesman, busy sailors, Shepherd and gardener, all of them Gratefully celebrate the festival of the future world.
Only the poet is missing, The lonely one who looks on, The bearer of human longing, the pale image Of whom the future, the fulfillment of the world Has no further need.
Many garlands Wilt on his grave, But no one remembers him.
Written by Robert Pinsky | Create an image from this poem

The Night Game

 Some of us believe
We would have conceived romantic
Love out of our own passions
With no precedents,
Without songs and poetry--
Or have invented poetry and music
As a comb of cells for the honey.
Shaped by ignorance, A succession of new worlds, Congruities improvised by Immigrants or children.
I once thought most people were Italian, Jewish or Colored.
To be white and called Something like Ed Ford Seemed aristocratic, A rare distinction.
Possibly I believed only gentiles And blonds could be left-handed.
Already famous After one year in the majors, Whitey Ford was drafted by the Army To play ball in the flannels Of the Signal Corps, stationed In Long Branch, New Jersey.
A night game, the silver potion Of the lights, his pink skin Shining like a burn.
Never a player I liked or hated: a Yankee, A mere success.
But white the chalked-off lines In the grass, white and green The immaculate uniform, And white the unpigmented Halo of his hair When he shifted his cap: So ordinary and distinct, So close up, that I felt As if I could have made him up, Imagined him as I imagined The ball, a scintilla High in the black backdrop Of the sky.
Tight red stitches.
Rawlings.
The bleached Horsehide white: the color Of nothing.
Color of the past And of the future, of the movie screen At rest and of blank paper.
"I could have.
" The mind.
The black Backdrop, the white Fly picked out by the towering Lights.
A few years later On a blanket in the grass By the same river A girl and I came into Being together To the faint muttering Of unthinkable Troubadours and radios.
The emerald Theater, the night.
Another time, I devised a left-hander Even more gifted Than Whitey Ford: A Dodger.
People were amazed by him.
Once, when he was young, He refused to pitch on Yom Kippur.


Written by Robert William Service | Create an image from this poem

The Black Sheep

 "The aristocratic ne'er-do-well in Canada frequently finds his way
into the ranks of the Royal North-West Mounted Police.
" -- Extract.
Hark to the ewe that bore him: "What has muddied the strain? Never his brothers before him Showed the hint of a stain.
" Hark to the tups and wethers; Hark to the old gray ram: "We're all of us white, but he's black as night, And he'll never be worth a damn.
" I'm up on the bally wood-pile at the back of the barracks yard; "A damned disgrace to the force, sir", with a comrade standing guard; Making the bluff I'm busy, doing my six months hard.
"Six months hard and dismissed, sir.
" Isn't that rather hell? And all because of the liquor laws and the wiles of a native belle-- Some "hooch" I gave to a siwash brave who swore that he wouldn't tell.
At least they say that I did it.
It's so in the town report.
All that I can recall is a night of revel and sport, When I woke with a "head" in the guard-room, and they dragged me sick into court.
And the O.
C.
said: "You are guilty", and I said never a word; For, hang it, you see I couldn't--I didn't know what had occurred, And, under the circumstances, denial would be absurd.
But the one that cooked my bacon was Grubbe, of the City Patrol.
He fagged for my room at Eton, and didn't I devil his soul! And now he is getting even, landing me down in the hole.
Plugging away on the wood-pile; doing chores round the square.
There goes an officer's lady--gives me a haughty stare-- Me that's an earl's own nephew--that is the hardest to bear.
To think of the poor old mater awaiting her prodigal son.
Tho' I broke her heart with my folly, I was always the white-haired one.
(That fatted calf that they're cooking will surely be overdone.
) I'll go back and yarn to the Bishop; I'll dance with the village belle; I'll hand round tea to the ladies, and everything will be well.
Where I have been won't matter; what I have seen I won't tell.
I'll soar to their ken like a comet.
They'll see me with never a stain; But will they reform me? --far from it.
We pay for our pleasure with pain; But the dog will return to his vomit, the hog to his wallow again.
I've chewed on the rind of creation, and bitter I've tasted the same; Stacked up against hell and damnation, I've managed to stay in the game; I've had my moments of sorrow; I've had my seasons of shame.
That's past; when one's nature's a cracked one, it's too jolly hard to mend.
So long as the road is level, so long as I've cash to spend.
I'm bound to go to the devil, and it's all the same in the end.
The bugle is sounding for stables; the men troop off through the gloom; An orderly laying the tables sings in the bright mess-room.
(I'll wash in the prison bucket, and brush with the prison broom.
) I'll lie in my cell and listen; I'll wish that I couldn't hear The laugh and the chaff of the fellows swigging the canteen beer; The nasal tone of the gramophone playing "The Bandolier".
And it seems to me, though it's misty, that night of the flowing bowl, That the man who potlatched the whiskey and landed me into the hole Was Grubble, that unmerciful bounder, Grubble, of the City Patrol.

Book: Reflection on the Important Things