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Best Famous Archangel Poems

Here is a collection of the all-time best famous Archangel poems. This is a select list of the best famous Archangel poetry. Reading, writing, and enjoying famous Archangel poetry (as well as classical and contemporary poems) is a great past time. These top poems are the best examples of archangel poems.

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Written by Thomas Campbell | Create an image from this poem

Ode to Winter

 When first the fiery-mantled sun 
His heavenly race begun to run; 
Round the earth and ocean blue, 
His children four the Seasons flew. 
First, in green apparel dancing, 
The young Spring smiled with angel grace; 
Rosy summer next advancing, 
Rushed into her sire's embrace:- 
Her blue-haired sire, who bade her keep 
For ever nearest to his smile, 
On Calpe's olive-shaded steep, 
On India's citron-covered isles: 
More remote and buxom-brown, 
The Queen of vintage bowed before his throne, 
A rich pomegranate gemmed her gown, 
A ripe sheaf bound her zone. 
But howling Winter fled afar, 
To hills that prop the polar star, 
And lives on deer-borne car to ride 
With barren darkness at his side, 
Round the shore where loud Lofoden 
Whirls to death the roaring whale, 
Round the hall where runic Odin 
Howls his war-song to the gale; 
Save when adown the ravaged globe 
He travels on his native storm, 
Deflowering Nature's grassy robe, 
And trampling on her faded form:- 
Till light's returning lord assume 
The shaft the drives him to his polar field, 
Of power to pierce his raven plume 
And crystal-covered shield. 
Oh, sire of storms! whose savage ear 
The Lapland drum delights to hear, 
When frenzy with her blood-shot eye 
Implores thy dreadful deity, 
Archangel! power of desolation! 
Fast descending as thou art, 
Say, hath mortal invocation 
Spells to touch thy stony heart? 
Then, sullen Winter, hear my prayer, 
And gently rule the ruined year; 
Nor chill the wanders bosom bare, 
Nor freeze the wretch's falling tear;- 
To shuddering Want's unmantled bed 
Thy horror-breathing agues cease to lead, 
And gently on the orphan head 
Of innocence descend.- 
But chiefly spare, O king of clouds! 
The sailor on his airy shrouds; 
When wrecks and beacons strew the steep, 
And specters walk along the deep. 
Milder yet thy snowy breezes 
Pour on yonder tented shores, 
Where the Rhine's broad billow freezes, 
Or the Dark-brown Danube roars. 
Oh, winds of winter! List ye there 
To many a deep and dying groan; 
Or start, ye demons of the midnight air, 
At shrieks and thunders louder than your own. 
Alas! Even unhallowed breath 
May spare the victim fallen low; 
But man will ask no truce of death,- 
No bounds to human woe.


Written by Derek Walcott | Create an image from this poem

Forest Of Europe

 The last leaves fell like notes from a piano
and left their ovals echoing in the ear;
with gawky music stands, the winter forest
looks like an empty orchestra, its lines
ruled on these scattered manuscripts of snow.

The inlaid copper laurel of an oak
shines though the brown-bricked glass above your head
as bright as whisky, while the wintry breath
of lines from Mandelstam, which you recite,
uncoils as visibly as cigarette smoke.

"The rustling of ruble notes by the lemon Neva."
Under your exile's tongue, crisp under heel,
the gutturals crackle like decaying leaves,
the phrase from Mandelstam circles with light
in a brown room, in barren Oklahoma.

There is a Gulag Archipelago
under this ice, where the salt, mineral spring
of the long Trail of Tears runnels these plains
as hard and open as a herdsman's face
sun-cracked and stubbled with unshaven snow.

Growing in whispers from the Writers' Congress,
the snow circles like cossacks round the corpse
of a tired Choctaw till it is a blizzard
of treaties and white papers as we lose
sight of the single human through the cause.

So every spring these branches load their shelves,
like libraries with newly published leaves,
till waste recycles them—paper to snow—
but, at zero of suffering, one mind
lasts like this oak with a few brazen leaves.

As the train passed the forest's tortured icons,
ths floes clanging like freight yards, then the spires
of frozen tears, the stations screeching steam,
he drew them in a single winters' breath
whose freezing consonants turned into stone.

He saw the poetry in forlorn stations
under clouds vast as Asia, through districts
that could gulp Oklahoma like a grape,
not these tree-shaded prairie halts but space
so desolate it mocked destinations.

Who is that dark child on the parapets
of Europe, watching the evening river mint
its sovereigns stamped with power, not with poets,
the Thames and the Neva rustling like banknotes,
then, black on gold, the Hudson's silhouettes?

>From frozen Neva to the Hudson pours,
under the airport domes, the echoing stations,
the tributary of emigrants whom exile
has made as classless as the common cold,
citizens of a language that is now yours,

and every February, every "last autumn",
you write far from the threshing harvesters
folding wheat like a girl plaiting her hair,
far from Russia's canals quivering with sunstroke,
a man living with English in one room.

The tourist archipelagoes of my South
are prisons too, corruptible, and though
there is no harder prison than writing verse,
what's poetry, if it is worth its salt,
but a phrase men can pass from hand to mouth?

>From hand to mouth, across the centuries,
the bread that lasts when systems have decayed,
when, in his forest of barbed-wire branches,
a prisoner circles, chewing the one phrase
whose music will last longer than the leaves,

whose condensation is the marble sweat
of angels' foreheads, which will never dry
till Borealis shuts the peacock lights
of its slow fan from L.A. to Archangel,
and memory needs nothing to repeat.

Frightened and starved, with divine fever
Osip Mandelstam shook, and every
metaphor shuddered him with ague,
each vowel heavier than a boundary stone,
"to the rustling of ruble notes by the lemon Neva,"

but now that fever is a fire whose glow
warms our hands, Joseph, as we grunt like primates
exchanging gutturals in this wintry cave
of a brown cottage, while in drifts outside
mastodons force their systems through the snow.
Written by Elizabeth Barrett Browning | Create an image from this poem

From ‘The Soul's Travelling'

 God, God! 
With a child’s voice I cry, 
Weak, sad, confidingly— 
God, God! 
Thou knowest, eyelids, raised not always up 
Unto Thy love (as none of ours are), droop 
As ours, o’er many a tear! 
Thou knowest, though Thy universe is broad, 
Two little tears suffice to cover all: 
Thou knowest, Thou, who art so prodigal 
Of beauty, we are oft but stricken deer 
Expiring in the woods—that care for none 
Of those delightsome flowers they die upon. 

O blissful Mouth which breathed the mournful breath 
We name our souls, self-spoilt!—by that strong passion 
Which paled Thee once with sighs,—by that strong death 
Which made Thee once unbreathing—from the wrack 
Themselves have called around them, call them back, 
Back to Thee in continuous aspiration! 
For here, O Lord, 
For here they travel vainly,—vainly pass 
From city-pavement to untrodden sward, 
Where the lark finds her deep nest in the grass 
Cold with the earth’s last dew. Yea, very vain 
The greatest speed of all these souls of men 
Unless they travel upward to the throne 
Where sittest THOU, the satisfying ONE, 
With help for sins and holy perfectings 
For all requirements—while the archangel, raising 
Unto Thy face his full ecstatic gazing, 
Forgets the rush and rapture of his wings.
Written by Czeslaw Milosz | Create an image from this poem

I Sleep a Lot

 I sleep a lot and read St. Thomas Aquinas
Or The Death of God (that's a Protestant book).
To the right the bay as if molten tin,
Beyond the bay, city, beyond the city, ocean,
Beyond the ocean, ocean, till Japan.
To the left dry hills with white grass,
Beyond the hills an irrigated valley where rice is grown,
Beyond the valley, mountains and Ponderosa pines,
Beyond the mountains, desert and sheep.

When I couldn't do without alcohol, I drove myself on alcohol,
When I couldn't do without cigarettes and coffee, I drove myself
On cigarettes and coffee.
I was courageous. Industrious. Nearly a model of virtue.
But that is good for nothing.

I feel a pain.
not here. Even I don't know.
many islands and continents,
words, bazaars, wooden flutes,
Or too much drinking to the mirror, without beauty,
Though one was to be a kind of archangel
Or a Saint George, over there, on St. George Street.
Please, Doctor,
Not here. No,
Maybe it's too
Unpronounced

Please, Medicine Man, I feel a pain.
I always believed in spells and incantations.
Sure, women have only one, Catholic, soul,
But we have two. When you start to dance
You visit remote pueblos in your sleep
And even lands you have never seen.
Put on, I beg you, charms made of feathers,
Now it's time to help one of your own.
I have read many books but I don't believe them.
When it hurts we return to the banks of certain rivers.

I remember those crosses with chiseled suns and moons
And wizards, how they worked during an outbreak of typhus.
Send your second soul beyond the mountains, beyond time.
Tell me what you saw, I will wait.
Written by Rainer Maria Rilke | Create an image from this poem

The Second Elegy

Every angel is terrifying. And yet alas
I invoked you almost deadly birds of the soul
knowing about you. Where are the days of Tobias
when one of you veiling his radiance stood at the front door  
slightly disguised for the journey no longer appalling;
(a young man like the one who curiously peeked through the window).
But if the archangel now perilous from behind the stars
took even one step down toward us: our own heart beating
higher and higher would bear us to death. Who are you?

Early successes Creation's pampered favorites
mountain-ranges peaks growing red in the dawn
of all Beginning -pollen of the flowering godhead
joints of pure light corridors stairways thrones
space formed from essence shields made of ecstasy storms
of emotion whirled into rapture and suddenly alone:
mirrors which scoop up the beauty that has streamed from their face
and gather it back into themselves entire.

But we when moved by deep feeling evaporate; we
breathe ourselves out and away; from moment to moment
our emotion grows fainter like a perfume. Though someone may tell us:
Yes, you've entered my bloodstream, the room, the whole springtime
is filled with you¡­ -what does it matter? he can't contain us
we vanish inside him and around him. And those who are beautiful
oh who can retain them? Appearance ceaselessly rises
in their face and is gone. Like dew from the morning grass
what is ours floats into the air like steam from a dish
of hot food. O smile where are you going? O upturned glance:
new warm receding wave on the sea of the heart¡­
alas but that is what we are. Does the infinite space
we dissolve into taste of us then? Do the angels really
reabsorb only the radiance that streamed out from themselves or
sometimes as if by an oversight is there a trace
of our essence in it as well? Are we mixed in with their
features even as slightly as that vague look
in the faces of pregnant women? They do not notice it
(how could they notice) in their swirling return to themselves.

Lovers if they knew how might utter strange marvelous
Words in the night air. For it seems that everything
hides us. Look: trees do exist; the houses
that we live in still stand. We alone
fly past all things as fugitive as the wind.
And all things conspire to keep silent about us half
out of shame perhaps half as unutterable hope.

Lovers gratified in each other I am asking you
about us. You hold each other. Where is your proof?
Look sometimes I find that my hands have become aware
of each other or that my time-worn face
shelters itself inside them. That gives me a slight
sensation. But who would dare to exist just for that?
You though who in the other's passion
grow until overwhelmed he begs you:
No more¡­ ; you who beneath his hands
swell with abundance like autumn grapes;
you who may disappear because the other has wholly
emerged: I am asking you about us. I know
you touch so blissfully because the caress preserves
because the place you so tenderly cover
does not vanish; because underneath it 
you feel pure duration. So you promise eternity almost
from the embrace. And yet when you have survived
the terror of the first glances the longing at the window
and the first walk together once only through the garden:
lovers are you the same? When you lift yourselves up
to each other's mouth and your lips join drink against drink:
oh how strangely each drinker seeps away from his action.

Weren't you astonished by the caution of human gestures
on Attic gravestones? Wasn't love and departure
placed so gently on shoulders that is seemed to be made
of a different substance than in our world? Remember the hands
how weightlessly they rest though there is power in the torsos.
These self-mastered figures know: "We can go this far
This is ours to touch one another this lightly; the gods
Can press down harder upon us. But that is the gods' affair."

If only we too could discover a pure contained
human place our own strip of fruit-bearing soil
between river and rock. For our own heart always exceeds us
as theirs did. And we can no longer follow it gazing
into images that soothe it into the godlike bodies
where measured more greatly if achieves a greater repose.


Written by Thomas Campbell | Create an image from this poem

The Dirge of Wallace

 When Scotland's great Regent, our warrior most dear, 
The debt of his nature did pay, 
T' was Edward, the cruel, had reason to fear, 
And cause to be struck with dismay. 

At the window of Edward the raven did croak, 
Though Scotland a widow became; 
Each tie of true honor to Wallace he broke- 
The raven croaked "Sorrow and shame!" 

At Eldersie Castle no raven was heard, 
But soothings of honor and truth; 
His spirit inspired the soul of the bard 
To comfort the Love of his youth! 

They lighted the tapers at dead of night, 
And chanted their holiest hymn; 
But her brow and her bosom were all damp with affright, 
Her eye was all sleepless and dim! 

And the lady of Eldersie wept for her lord, 
With a death-watch beat in her lonely room, 
When her curtain shook of its own accord, 
And the raven flapped at her window board 
To tell of her warrior's doom. 

Now sing ye the death-song, and loudly pray 
For the soul of my knight so dear! 
And call me a widow, this wretched day, 
Since the warning of God is here. 

For a nightmare rests on my strangled sleep; 
The lord of my bosom is doomed to die! 
His valorous heart they have wounded deep, 
And the blood-red tears his country shall weep 
For Wallace of Elderslie. 

Yet knew not his country, that ominous hour, 
Ere the loud matin-bell was rung, 
That the trumpet of death on an English tower, 
The dirge of her champion sung. 

When his dungeon light looked dim and red 
On the high-born blood of a martyr slain, 
No anthem was sung at his lowly death-bed,- 
No weeping was there when his bosom bled, 
And his heart was rent in twain. 

When he strode o'er the wreck of each well-fought field, 
With the yellow-haired chiefs of his native land; 
For his lace was not shivered on helmet or shield, 
And the sword that was fit for archangel to wield 
Was light in his terrible hand. 

Yet, bleeding and bound, though the "Wallacewight" 
For his long-loved country die,, 
The bugle ne'er sung to a braver night 
Than William of Elderslie. 

But the day of his triumphs shall never depart; 
His head, unemtombed, shall with glory be palmed: 
From its blood streaming altar his spirit shall start; 
Though the raven has fed on his mouldering heart, 
A nobler was never embalmed!
Written by Anthony Hecht | Create an image from this poem

Paradise Lost Book 5: An Epitome

 Higgledy piggeldy
Archangel Rafael,
Speaking of Satan's re-
Bellion from God:

"Chap was decidedly
Turgiversational,
Given to lewdness and
Rodomontade."

Book: Radiant Verses: A Journey Through Inspiring Poetry