Written by
Edgar Allan Poe |
Once upon a midnight dreary, while I pondered, weak and weary,
Over many a quaint and curious volume of forgotten lore—
While I nodded, nearly napping, suddenly there came a tapping,
As of some one gently rapping, rapping at my chamber door.
“’Tis some visitor,” I muttered, “tapping at my chamber door—
Only this and nothing more.”
Ah, distinctly I remember it was in the bleak December;
And each separate dying ember wrought its ghost upon the floor.
Eagerly I wished the morrow;—vainly I had sought to borrow
From my books surcease of sorrow—sorrow for the lost Lenore—
For the rare and radiant maiden whom the angels name Lenore—
Nameless here for evermore.
And the silken, sad, uncertain rustling of each purple curtain
Thrilled me—filled me with fantastic terrors never felt before;
So that now, to still the beating of my heart, I stood repeating
“’Tis some visitor entreating entrance at my chamber door—
Some late visitor entreating entrance at my chamber door;—
This it is and nothing more.”
Presently my soul grew stronger; hesitating then no longer,
“Sir,” said I, “or Madam, truly your forgiveness I implore;
But the fact is I was napping, and so gently you came rapping,
And so faintly you came tapping, tapping at my chamber door,
That I scarce was sure I heard you”—here I opened wide the door;—
Darkness there and nothing more.
Deep into that darkness peering, long I stood there wondering, fearing,
Doubting, dreaming dreams no mortal ever dared to dream before;
But the silence was unbroken, and the stillness gave no token,
And the only word there spoken was the whispered word, “Lenore?”
This I whispered, and an echo murmured back the word, “Lenore!”—
Merely this and nothing more.
Back into the chamber turning, all my soul within me burning,
Soon again I heard a tapping somewhat louder than before.
“Surely,” said I, “surely that is something at my window lattice;
Let me see, then, what thereat is, and this mystery explore—
Let my heart be still a moment and this mystery explore;—
’Tis the wind and nothing more!”
Open here I flung the shutter, when, with many a flirt and flutter,
In there stepped a stately Raven of the saintly days of yore;
Not the least obeisance made he; not a minute stopped or stayed he;
But, with mien of lord or lady, perched above my chamber door—
Perched upon a bust of Pallas just above my chamber door—
Perched, and sat, and nothing more.
Then this ebony bird beguiling my sad fancy into smiling,
By the grave and stern decorum of the countenance it wore,
“Though thy crest be shorn and shaven, thou,” I said, “art sure no craven,
Ghastly grim and ancient Raven wandering from the Nightly shore—
Tell me what thy lordly name is on the Night’s Plutonian shore!”
Quoth the Raven “Nevermore.”
Much I marvelled this ungainly fowl to hear discourse so plainly,
Though its answer little meaning—little relevancy bore;
For we cannot help agreeing that no living human being
Ever yet was blessed with seeing bird above his chamber door—
Bird or beast upon the sculptured bust above his chamber door,
With such name as “Nevermore.”
But the Raven, sitting lonely on the placid bust, spoke only
That one word, as if his soul in that one word he did outpour.
Nothing farther then he uttered—not a feather then he fluttered—
Till I scarcely more than muttered “Other friends have flown before—
On the morrow he will leave me, as my Hopes have flown before.”
Then the bird said “Nevermore.”
Startled at the stillness broken by reply so aptly spoken,
“Doubtless,” said I, “what it utters is its only stock and store
Caught from some unhappy master whom unmerciful Disaster
Followed fast and followed faster till his songs one burden bore—
Till the dirges of his Hope that melancholy burden bore
Of ‘Never—nevermore’.”
But the Raven still beguiling all my fancy into smiling,
Straight I wheeled a cushioned seat in front of bird, and bust and door;
Then, upon the velvet sinking, I betook myself to linking
Fancy unto fancy, thinking what this ominous bird of yore—
What this grim, ungainly, ghastly, gaunt, and ominous bird of yore
Meant in croaking “Nevermore.”
This I sat engaged in guessing, but no syllable expressing
To the fowl whose fiery eyes now burned into my bosom’s core;
This and more I sat divining, with my head at ease reclining
On the cushion’s velvet lining that the lamp-light gloated o’er,
But whose velvet-violet lining with the lamp-light gloating o’er,
She shall press, ah, nevermore!
Then, methought, the air grew denser, perfumed from an unseen censer
Swung by Seraphim whose foot-falls tinkled on the tufted floor.
“Wretch,” I cried, “thy God hath lent thee—by these angels he hath sent thee
Respite—respite and nepenthe from thy memories of Lenore;
Quaff, oh quaff this kind nepenthe and forget this lost Lenore!”
Quoth the Raven “Nevermore.”
“Prophet!” said I, “thing of evil!—prophet still, if bird or devil!—
Whether Tempter sent, or whether tempest tossed thee here ashore,
Desolate yet all undaunted, on this desert land enchanted—
On this home by Horror haunted—tell me truly, I implore—
Is there—is there balm in Gilead?—tell me—tell me, I implore!”
Quoth the Raven “Nevermore.”
“Prophet!” said I, “thing of evil!—prophet still, if bird or devil!
By that Heaven that bends above us—by that God we both adore—
Tell this soul with sorrow laden if, within the distant Aidenn,
It shall clasp a sainted maiden whom the angels name Lenore—
Clasp a rare and radiant maiden whom the angels name Lenore.”
Quoth the Raven “Nevermore.”
“Be that word our sign of parting, bird or fiend!” I shrieked, upstarting—
“Get thee back into the tempest and the Night’s Plutonian shore!
Leave no black plume as a token of that lie thy soul hath spoken!
Leave my loneliness unbroken!—quit the bust above my door!
Take thy beak from out my heart, and take thy form from off my door!”
Quoth the Raven “Nevermore.”
And the Raven, never flitting, still is sitting, still is sitting
On the pallid bust of Pallas just above my chamber door;
And his eyes have all the seeming of a demon’s that is dreaming,
And the lamp-light o’er him streaming throws his shadow on the floor;
And my soul from out that shadow that lies floating on the floor
Shall be lifted—nevermore!
|
Written by
Thomas Carew |
THINK not, 'cause men flattering say
You're fresh as April, sweet as May,
Bright as is the morning star,
That you are so ; or, though you are,
Be not therefore proud, and deem
All men unworthy your esteem :
For, being so, you lose the pleasure
Of being fair, since that rich treasure
Of rare beauty and sweet feature
Was bestow'd on you by nature
To be enjoy'd ; and 'twere a sin
There to be scarce, where she hath bin
So prodigal of her best graces.
Thus common beauties and mean faces
Shall have more pastime, and enjoy
The sport you lose by being coy.
Did the thing for which I sue
Only concern myself, not you ;
Were men so framed as they alone
Reap'd all the pleasure, women none ;
Then had you reason to be scant :
But 'twere a madness not to grant
That which affords (if you consent)
To you the giver, more content
Than me, the beggar. Oh, then be
Kind to yourself, if not to me.
Starve not yourself, because you may
Thereby make me pine away ;
Nor let brittle beauty make
You your wiser thoughts forsake ;
For that lovely face will fail.
Beauty's sweet, but beauty's frail,
'Tis sooner past, 'tis sooner done,
Than summer's rain, or winter's sun ;
Most fleeting, when it is most dear,
'Tis gone, while we but say 'tis here.
These curious locks, so aptly twined,
Whose every hair a soul doth bind,
Will change their auburn hue and grow
White and cold as winter's snow.
That eye, which now is Cupid's nest,
Will prove his grave, and all the rest
Will follow ; in the cheek, chin, nose,
Nor lily shall be found, nor rose.
And what will then become of all
Those whom now you servants call ?
Like swallows, when your summer's done,
They'll fly, and seek some warmer sun.
Then wisely choose one to your friend
Whose love may, when your beauties end,
Remain still firm : be provident,
And think, before the summer's spent,
Of following winter ; like the ant,
In plenty hoard for time of scant.
Cull out, amongst the multitude
Of lovers, that seek to intrude
Into your favour, one that may
Love for an age, not for a day ;
One that will quench your youthful fires,
And feed in age your hot desires.
For when the storms of time have moved
Waves on that cheek which was beloved,
When a fair lady's face is pined,
And yellow spread where once red shined ;
When beauty, youth, and all sweets leave her,
Love may return, but lover never :
And old folks say there are no pains
Like itch of love in aged veins.
O love me, then, and now begin it,
Let us not lose this present minute ;
For time and age will work that wrack
Which time or age shall ne'er call back.
The snake each year fresh skin resumes,
And eagles change their aged plumes ;
The faded rose each spring receives
A fresh red tincture on her leaves :
But if your beauties once decay,
You never know a second May.
O then, be wise, and whilst your season
Affords you days for sport, do reason ;
Spend not in vain your life's short hour,
But crop in time your beauty's flower,
Which will away, and doth together
Both bud and fade, both blow and wither.
|
Written by
Francesco Petrarch |
SONNET XXXVIII. L' oro e le perle, e i fior vermigli e i bianchi. HE INVEIGHS AGAINST LAURA'S MIRROR, BECAUSE IT MAKES HER FORGET HIM. Those golden tresses, teeth of pearly white,Those cheeks' fair roses blooming to decay,Do in their beauty to my soul conveyThe poison'd arrows from my aching sight.Thus sad and briefly must my days take flight,For life with woe not long on earth will stay;But more I blame that mirror's flattering sway,Which thou hast wearied with thy self-delight.Its power my bosom's sovereign too hath still'd,Who pray'd thee in my suit—now he is mute,Since thou art captured by thyself alone:Death's seeds it hath within my heart instill'd,For Lethe's stream its form doth constitute,And makes thee lose each image but thine own. Wollaston. The gold and pearls, the lily and the roseWhich weak and dry in winter wont to be,Are rank and poisonous arrow-shafts to me,As my sore-stricken bosom aptly shows:Thus all my days now sadly shortly close,For seldom with great grief long years agree;But in that fatal glass most blame I see,That weary with your oft self-liking grows.[Pg 48]It on my lord placed silence, when my suitHe would have urged, but, seeing your desireEnd in yourself alone, he soon was mute.'Twas fashion'd in hell's wave and o'er its fire,And tinted in eternal Lethe: thenceThe spring and secret of my death commence. Macgregor.
|