Written by
Maya Angelou |
(also referred to as The Rock Cries Out To Us Today)
A Rock, A River, A Tree
Hosts to species long since departed,
Mark the mastodon.
The dinosaur, who left dry tokens
Of their sojourn here
On our planet floor,
Any broad alarm of their of their hastening doom
Is lost in the gloom of dust and ages.
But today, the Rock cries out to us, clearly, forcefully,
Come, you may stand upon my
Back and face your distant destiny,
But seek no haven in my shadow.
I will give you no hiding place down here.
You, created only a little lower than
The angels, have crouched too long in
The bruising darkness,
Have lain too long
Face down in ignorance.
Your mouths spelling words
Armed for slaughter.
The rock cries out today, you may stand on me,
But do not hide your face.
Across the wall of the world,
A river sings a beautiful song,
Come rest here by my side.
Each of you a bordered country,
Delicate and strangely made proud,
Yet thrusting perpetually under siege.
Your armed struggles for profit
Have left collars of waste upon
My shore, currents of debris upon my breast.
Yet, today I call you to my riverside,
If you will study war no more.
Come, clad in peace and I will sing the songs
The Creator gave to me when I
And the tree and stone were one.
Before cynicism was a bloody sear across your brow
And when you yet knew you still knew nothing.
The river sings and sings on.
There is a true yearning to respond to
The singing river and the wise rock.
So say the Asian, the Hispanic, the Jew,
The African and Native American, the Sioux,
The Catholic, the Muslim, the French, the Greek,
The Irish, the Rabbi, the Priest, the Sheikh,
The Gay, the Straight, the Preacher,
The privileged, the homeless, the teacher.
They hear. They all hear
The speaking of the tree.
Today, the first and last of every tree
Speaks to humankind. Come to me, here beside the river.
Plant yourself beside me, here beside the river.
Each of you, descendant of some passed on
Traveller, has been paid for.
You, who gave me my first name,
You Pawnee, Apache and Seneca,
You Cherokee Nation, who rested with me,
Then forced on bloody feet,
Left me to the employment of other seekers--
Desperate for gain, starving for gold.
You, the Turk, the Swede, the German, the Scot...
You the Ashanti, the Yoruba, the Kru,
Bought, sold, stolen, arriving on a nightmare
Praying for a dream.
Here, root yourselves beside me.
I am the tree planted by the river,
Which will not be moved.
I, the rock, I the river, I the tree
I am yours--your passages have been paid.
Lift up your faces, you have a piercing need
For this bright morning dawning for you.
History, despite its wrenching pain,
Cannot be unlived, and if faced with courage,
Need not be lived again.
Lift up your eyes upon
The day breaking for you.
Give birth again
To the dream.
Women, children, men,
Take it into the palms of your hands.
Mold it into the shape of your most
Private need. Sculpt it into
The image of your most public self.
Lift up your hearts.
Each new hour holds new chances
For new beginnings.
Do not be wedded forever
To fear, yoked eternally
To brutishness.
The horizon leans forward,
Offering you space to place new steps of change.
Here, on the pulse of this fine day
You may have the courage
To look up and out upon me,
The rock, the river, the tree, your country.
No less to Midas than the mendicant.
No less to you now than the mastodon then.
Here on the pulse of this new day
You may have the grace to look up and out
And into your sister's eyes,
Into your brother's face, your country
And say simply
Very simply
With hope
Good morning.
|
Written by
Maya Angelou |
A Rock, A River, A Tree
Hosts to species long since departed,
Marked the mastodon.
The dinosaur, who left dry tokens
Of their sojourn here
On our planet floor,
Any broad alarm of their hastening doom
Is lost in the gloom of dust and ages.
But today, the Rock cries out to us, clearly, forcefully,
Come, you may stand upon my
Back and face your distant destiny,
But seek no haven in my shadow.
I will give you no more hiding place down here.
You, created only a little lower than
The angels, have crouched too long in
The bruising darkness,
Have lain too long
Face down in ignorance.
Your mouths spilling words
Armed for slaughter.
The Rock cries out today, you may stand on me,
But do not hide your face.
Across the wall of the world,
A River sings a beautiful song,
Come rest here by my side.
Each of you a bordered country,
Delicate and strangely made proud,
Yet thrusting perpetually under siege.
Your armed struggles for profit
Have left collars of waste upon
My shore, currents of debris upon my breast.
Yet, today I call you to my riverside,
If you will study war no more. Come,
Clad in peace and I will sing the songs
The Creator gave to me when I and the
Tree and the stone were one.
Before cynicism was a bloody sear across your
Brow and when you yet knew you still
Knew nothing.
The River sings and sings on.
There is a true yearning to respond to
The singing River and the wise Rock.
So say the Asian, the Hispanic, the Jew
The African and Native American, the Sioux,
The Catholic, the Muslim, the French, the Greek
The Irish, the Rabbi, the Priest, the Sheikh,
The Gay, the Straight, the Preacher,
The privileged, the homeless, the Teacher.
They hear. They all hear
The speaking of the Tree.
Today, the first and last of every Tree
Speaks to humankind. Come to me, here beside the River.
Plant yourself beside me, here beside the River.
Each of you, descendant of some passed
On traveller, has been paid for.
You, who gave me my first name, you
Pawnee, Apache and Seneca, you
Cherokee Nation, who rested with me, then
Forced on bloody feet, left me to the employment of
Other seekers--desperate for gain,
Starving for gold.
You, the Turk, the Swede, the German, the Scot ...
You the Ashanti, the Yoruba, the Kru, bought
Sold, stolen, arriving on a nightmare
Praying for a dream.
Here, root yourselves beside me.
I am the Tree planted by the River,
Which will not be moved.
I, the Rock, I the River, I the Tree
I am yours--your Passages have been paid.
Lift up your faces, you have a piercing need
For this bright morning dawning for you.
History, despite its wrenching pain,
Cannot be unlived, and if faced
With courage, need not be lived again.
Lift up your eyes upon
The day breaking for you.
Give birth again
To the dream.
Women, children, men,
Take it into the palms of your hands.
Mold it into the shape of your most
Private need. Sculpt it into
The image of your most public self.
Lift up your hearts
Each new hour holds new chances
For new beginnings.
Do not be wedded forever
To fear, yoked eternally
To brutishness.
The horizon leans forward,
Offering you space to place new steps of change.
Here, on the pulse of this fine day
You may have the courage
To look up and out upon me, the
Rock, the River, the Tree, your country.
No less to Midas than the mendicant.
No less to you now than the mastodon then.
Here on the pulse of this new day
You may have the grace to look up and out
And into your sister's eyes, into
Your brother's face, your country
And say simply
Very simply
With hope
Good morning.
|
Written by
Maya Angelou |
A Rock, A River, A Tree
Hosts to species long since departed,
Mark the mastodon.
The dinosaur, who left dry tokens
Of their sojourn here
On our planet floor,
Any broad alarm of their of their hastening doom
Is lost in the gloom of dust and ages.
But today, the Rock cries out to us, clearly, forcefully,
Come, you may stand upon my
Back and face your distant destiny,
But seek no haven in my shadow.
I will give you no hiding place down here.
You, created only a little lower than
The angels, have crouched too long in
The bruising darkness,
Have lain too long
Face down in ignorance.
Your mouths spelling words
Armed for slaughter.
The rock cries out today, you may stand on me,
But do not hide your face.
Across the wall of the world,
A river sings a beautiful song,
Come rest here by my side.
Each of you a bordered country,
Delicate and strangely made proud,
Yet thrusting perpetually under siege.
Your armed struggles for profit
Have left collars of waste upon
My shore, currents of debris upon my breast.
Yet, today I call you to my riverside,
If you will study war no more.
Come, clad in peace and I will sing the songs
The Creator gave to me when I
And the tree and stone were one.
Before cynicism was a bloody sear across your brow
And when you yet knew you still knew nothing.
The river sings and sings on.
There is a true yearning to respond to
The singing river and the wise rock.
So say the Asian, the Hispanic, the Jew,
The African and Native American, the Sioux,
The Catholic, the Muslim, the French, the Greek,
The Irish, the Rabbi, the Priest, the Sheikh,
The Gay, the Straight, the Preacher,
The privileged, the homeless, the teacher.
They hear. They all hear
The speaking of the tree.
Today, the first and last of every tree
Speaks to humankind. Come to me, here beside the river.
Plant yourself beside me, here beside the river.
Each of you, descendant of some passed on
Traveller, has been paid for.
You, who gave me my first name,
You Pawnee, Apache and Seneca,
You Cherokee Nation, who rested with me,
Then forced on bloody feet,
Left me to the employment of other seekers--
Desperate for gain, starving for gold.
You, the Turk, the Swede, the German, the Scot...
You the Ashanti, the Yoruba, the Kru,
Bought, sold, stolen, arriving on a nightmare
Praying for a dream.
Here, root yourselves beside me.
I am the tree planted by the river,
Which will not be moved.
I, the rock, I the river, I the tree
I am yours--your passages have been paid.
Lift up your faces, you have a piercing need
For this bright morning dawning for you.
History, despite its wrenching pain,
Cannot be unlived, and if faced with courage,
Need not be lived again.
Lift up your eyes upon
The day breaking for you.
Give birth again
To the dream.
Women, children, men,
Take it into the palms of your hands.
Mold it into the shape of your most
Private need. Sculpt it into
The image of your most public self.
Lift up your hearts.
Each new hour holds new chances
For new beginnings.
Do not be wedded forever
To fear, yoked eternally
To brutishness.
The horizon leans forward,
Offering you space to place new steps of change.
Here, on the pulse of this fine day
You may have the courage
To look up and out upon me,
The rock, the river, the tree, your country.
No less to Midas than the mendicant.
No less to you now than the mastodon then.
Here on the pulse of this new day
You may have the grace to look up and out
And into your sister's eyes,
Into your brother's face, your country
And say simply
Very simply
With hope
Good morning.
|
Written by
Robert William Service |
Oh the wife she tried to tell me that 'twas nothing but the thrumming
Of a wood-pecker a-rapping on the hollow of a tree;
And she thought that I was fooling when I said it was the drumming
Of the mustering of legions, and 'twas calling unto me;
'Twas calling me to pull my freight and hop across the sea.
And a-mending of my fish-nets sure I started up in wonder,
For I heard a savage roaring and 'twas coming from afar;
Oh the wife she tried to tell me that 'twas only summer thunder,
And she laughed a bit sarcastic when I told her it was War;
'Twas the chariots of battle where the mighty armies are.
Then down the lake came Half-breed Tom with russet sail a-flying,
And the word he said was "War" again, so what was I to do?
Oh the dogs they took to howling, and the missis took to crying,
As I flung my silver foxes in the little birch canoe:
Yes, the old girl stood a-blubbing till an island hid the view.
Says the factor: "Mike, you're crazy! They have soldier men a-plenty.
You're as grizzled as a badger, and you're sixty year or so."
"But I haven't missed a scrap," says I, "since I was one and twenty.
And shall I miss the biggest? You can bet your whiskers -- no!"
So I sold my furs and started . . . and that's eighteen months ago.
For I joined the Foreign Legion, and they put me for a starter
In the trenches of the Argonne with the Boche a step away;
And the partner on my right hand was an apache from Montmartre;
On my left there was a millionaire from Pittsburg, U. S. A.
(Poor fellow! They collected him in bits the other day.)
But I'm sprier than a chipmunk, save a touch of the lumbago,
And they calls me Old Methoosalah, and `blagues' me all the day.
I'm their exhibition sniper, and they work me like a Dago,
And laugh to see me plug a Boche a half a mile away.
Oh I hold the highest record in the regiment, they say.
And at night they gather round me, and I tell them of my roaming
In the Country of the Crepuscule beside the Frozen Sea,
Where the musk-ox runs unchallenged, and the cariboo goes homing;
And they sit like little children, just as quiet as can be:
Men of every crime and colour, how they harken unto me!
And I tell them of the Furland, of the tumpline and the paddle,
Of secret rivers loitering, that no one will explore;
And I tell them of the ranges, of the pack-strap and the saddle,
And they fill their pipes in silence, and their eyes beseech for more;
While above the star-shells fizzle and the high explosives roar.
And I tell of lakes fish-haunted, where the big bull moose are calling,
And forests still as sepulchres with never trail or track;
And valleys packed with purple gloom, and mountain peaks appalling,
And I tell them of my cabin on the shore at Fond du Lac;
And I find myself a-thinking: Sure I wish that I was back.
So I brag of bear and beaver while the batteries are roaring,
And the fellows on the firing steps are blazing at the foe;
And I yarn of fur and feather when the `marmites' are a-soaring,
And they listen to my stories, seven `poilus' in a row,
Seven lean and lousy poilus with their cigarettes aglow.
And I tell them when it's over how I'll hike for Athabaska;
And those seven greasy poilus they are crazy to go too.
And I'll give the wife the "pickle-tub" I promised, and I'll ask her
The price of mink and marten, and the run of cariboo,
And I'll get my traps in order, and I'll start to work anew.
For I've had my fill of fighting, and I've seen a nation scattered,
And an army swung to slaughter, and a river red with gore,
And a city all a-smoulder, and . . . as if it really mattered,
For the lake is yonder dreaming, and my cabin's on the shore;
And the dogs are leaping madly, and the wife is singing gladly,
And I'll rest in Athabaska, and I'll leave it nevermore.
|
Written by
Robert William Service |
You've heard of Julot the apache, and Gigolette, his mome. . . .
Montmartre was their hunting-ground, but Belville was their home.
A little chap just like a boy, with smudgy black mustache, --
Yet there was nothing juvenile in Julot the apache.
From head to heel as tough as steel, as nimble as a cat,
With every trick of twist and kick, a master of savate.
And Gigolette was tall and fair, as stupid as a cow,
With three combs in the greasy hair she banged upon her brow.
You'd see her on the Place Pigalle on any afternoon,
A primitive and strapping wench as brazen as the moon.
And yet there is a tale that's told of Clichy after dark,
And two gendarmes who swung their arms with Julot for a mark.
And oh, but they'd have got him too; they banged and blazed away,
When like a flash a woman leapt between them and their prey.
She took the medicine meant for him; she came down with a crash . . .
"Quick now, and make your get-away, O Julot the apache!" . . .
But no! He turned, ran swiftly back, his arms around her met;
They nabbed him sobbing like a kid, and kissing Gigolette.
Now I'm a reckless painter chap who loves a jamboree,
And one night in Cyrano's bar I got upon a spree;
And there were trollops all about, and crooks of every kind,
But though the place was reeling round I didn't seem to mind.
Till down I sank, and all was blank when in the bleary dawn
I woke up in my studio to find -- my money gone;
Three hundred francs I'd scraped and squeezed to pay my quarter's rent.
"Some one has pinched my wad," I wailed; "it never has been spent."
And as I racked my brains to seek how I could raise some more,
Before my cruel landlord kicked me cowering from the door:
A knock . . . "Come in," I gruffly groaned; I did not raise my head,
Then lo! I heard a husky voice, a swift and silky tread:
"You got so blind, last night, mon vieux, I collared all your cash --
Three hundred francs. . . . There! Nom de Dieu," said Julot the apache.
And that was how I came to know Julot and Gigolette,
And we would talk and drink a bock, and smoke a cigarette.
And I would meditate upon the artistry of crime,
And he would tell of cracking cribs and cops and doing time;
Or else when he was flush of funds he'd carelessly explain
He'd biffed some bloated bourgeois on the border of the Seine.
So gentle and polite he was, just like a man of peace,
And not a desperado and the terror of the police.
Now one day in a bistro that's behind the Place Vendôme
I came on Julot the apache, and Gigolette his mome.
And as they looked so very grave, says I to them, says I,
"Come on and have a little glass, it's good to rinse the eye.
You both look mighty serious; you've something on the heart."
"Ah, yes," said Julot the apache, "we've something to impart.
When such things come to folks like us, it isn't very gay . . .
It's Gigolette -- she tells me that a gosse is on the way."
Then Gigolette, she looked at me with eyes like stones of gall:
"If we were honest folks," said she, "I wouldn't mind at all.
But then . . . you know the life we lead; well, anyway I mean
(That is, providing it's a girl) to call her Angeline."
"Cheer up," said I; "it's all in life. There's gold within the dross.
Come on, we'll drink another verre to Angeline the gosse."
And so the weary winter passed, and then one April morn
The worthy Julot came at last to say the babe was born.
"I'd like to chuck it in the Seine," he sourly snarled, "and yet
I guess I'll have to let it live, because of Gigolette."
I only laughed, for sure I saw his spite was all a bluff,
And he was prouder than a prince behind his manner gruff.
Yet every day he'd blast the brat with curses deep and grim,
And swear to me that Gigolette no longer thought of him.
And then one night he dropped the mask; his eyes were sick with dread,
And when I offered him a smoke he groaned and shook his head:
"I'm all upset; it's Angeline . . . she's covered with a rash . . .
She'll maybe die, my little gosse," cried Julot the apache.
But Angeline, I joy to say, came through the test all right,
Though Julot, so they tell me, watched beside her day and night.
And when I saw him next, says he: "Come up and dine with me.
We'll buy a beefsteak on the way, a bottle and some brie."
And so I had a merry night within his humble home,
And laughed with Angeline the gosse and Gigolette the mome.
And every time that Julot used a word the least obscene,
How Gigolette would frown at him and point to Angeline:
Oh, such a little innocent, with hair of silken floss,
I do not wonder they were proud of Angeline the gosse.
And when her arms were round his neck, then Julot says to me:
"I must work harder now, mon vieux, since I've to work for three."
He worked so very hard indeed, the police dropped in one day,
And for a year behind the bars they put him safe away.
So dark and silent now, their home; they'd gone -- I wondered where,
Till in a laundry near I saw a child with shining hair;
And o'er the tub a strapping wench, her arms in soapy foam;
Lo! it was Angeline the gosse, and Gigolette the mome.
And so I kept an eye on them and saw that all went right,
Until at last came Julot home, half crazy with delight.
And when he'd kissed them both, says he: "I've had my fill this time.
I'm on the honest now, I am; I'm all fed up with crime.
You mark my words, the page I turn is going to be clean,
I swear it on the head of her, my little Angeline."
And so, to finish up my tale, this morning as I strolled
Along the boulevard I heard a voice I knew of old.
I saw a rosy little man with walrus-like mustache . . .
I stopped, I stared. . . . By all the gods! 'twas Julot the apache.
"I'm in the garden way," he said, "and doing mighty well;
I've half an acre under glass, and heaps of truck to sell.
Come out and see. Oh come, my friend, on Sunday, wet or shine . . .
Say! -- it's the First Communion of that little girl of mine."
|
Written by
Robert William Service |
My Lady is dancing so lightly,
The belle of the Embassy Ball;
I lied as I kissed her politely,
And hurried away from it all.
I'm taxiing up to Montmartre,
With never a pang of regret,
To toy for awhile with the garter
Of her whom I know as Babette.
My Lady's an exquisite creature,
As rare as a queen on a throne;
She's faultless in form and in feature,
But oh, she is cold as a stone.
And so from her presence I hurry,
Her iciness quick to forget
In sensuous joy as I bury
My face in the breast of Babette.
She's only a flower of the pavement;
With Paris and Spring in her eyes;
Yet I who foresaw what the grave meant
Of passion behold with surprise,
When she greets me as gay as a linnet,
Afar from life's fever and fret
I'm twenty years younger the minute
I enter the room of Babette.
The poor little supper she offers
Is more than a banquet to me;
A different bif-tik she proffers,
Pommes frit and a morsel of Brie;
We finish with coffee and kisses,
Then sit on the sofa and pet . . .
At the Embassy Mumm never misses,
But pinard's my drink with Babette.
Somehow and somewhere to my thinking,
There's a bit of apache in us all;
In bistros I'd rather be drinking,
Than dance at the Embassy Ball.
How often I feel I would barter
My place in the social set,
To roam in a moonlit Montmartre,
Alone with my little Babette.
I'm no longer young and I'm greying;
I'm tailored, top-hatted, kid-gloved,
And though in dark ways i be straying,
It's heaven to love and beloved;
The passion of youth to re-capture. . . .
My Lady's perfection and yet
When I kiss her I think of the rapture
I find in the charms of Babette -
Entwined in the arms of Babettte.
|
Written by
Carl Sandburg |
Let a joy keep you.
Reach out your hands
And take it when it runs by,
As the Apache dancer
Clutches his woman.
I have seen them
Live long and laugh loud,
Sent on singing, singing,
Smashed to the heart
Under the ribs
With a terrible love.
Joy always,
Joy everywhere--
Let joy kill you!
Keep away from the little deaths.
|