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Best Famous Antwerp Poems

Here is a collection of the all-time best famous Antwerp poems. This is a select list of the best famous Antwerp poetry. Reading, writing, and enjoying famous Antwerp poetry (as well as classical and contemporary poems) is a great past time. These top poems are the best examples of antwerp poems.

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Written by T S (Thomas Stearns) Eliot | Create an image from this poem

Gerontion

 Thou hast nor youth nor age
But as it were an after dinner sleep
Dreaming of both.


HERE I am, an old man in a dry month,
Being read to by a boy, waiting for rain.
I was neither at the hot gates
Nor fought in the warm rain
Nor knee deep in the salt marsh, heaving a cutlass,
Bitten by flies, fought.
My house is a decayed house,
And the jew squats on the window sill, the owner,
Spawned in some estaminet of Antwerp,
Blistered in Brussels, patched and peeled in London.
The goat coughs at night in the field overhead;
Rocks, moss, stonecrop, iron, merds.
The woman keeps the kitchen, makes tea,
Sneezes at evening, poking the peevish gutter.
I an old man,
A dull head among windy spaces.

Signs are taken for wonders. “We would see a sign!”
The word within a word, unable to speak a word,
Swaddled with darkness. In the juvescence of the year
Came Christ the tiger
In depraved May, dogwood and chestnut, flowering judas,
To be eaten, to be divided, to be drunk
Among whispers; by Mr. Silvero
With caressing hands, at Limoges
Who walked all night in the next room;

By Hakagawa, bowing among the Titians;
By Madame de Tornquist, in the dark room
Shifting the candles; Fräulein von Kulp
Who turned in the hall, one hand on the door. Vacant shuttles
Weave the wind. I have no ghosts,
An old man in a draughty house
Under a windy knob.

After such knowledge, what forgiveness? Think now
History has many cunning passages, contrived corridors
And issues, deceives with whispering ambitions,
Guides us by vanities. Think now
She gives when our attention is distracted
And what she gives, gives with such supple confusions
That the giving famishes the craving. Gives too late
What’s not believed in, or if still believed,
In memory only, reconsidered passion. Gives too soon
Into weak hands, what’s thought can be dispensed with
Till the refusal propagates a fear. Think
Neither fear nor courage saves us. Unnatural vices
Are fathered by our heroism. Virtues
Are forced upon us by our impudent crimes.
These tears are shaken from the wrath-bearing tree.

The tiger springs in the new year. Us he devours. Think at last
We have not reached conclusion, when I
Stiffen in a rented house. Think at last
I have not made this show purposelessly
And it is not by any concitation
Of the backward devils
I would meet you upon this honestly.
I that was near your heart was removed therefrom
To lose beauty in terror, terror in inquisition.
I have lost my passion: why should I need to keep it
Since what is kept must be adulterated?
I have lost my sight, smell, hearing, taste and touch:
How should I use them for your closer contact?
These with a thousand small deliberations
Protract the profit of their chilled delirium,
Excite the membrane, when the sense has cooled,
With pungent sauces, multiply variety
In a wilderness of mirrors. What will the spider do,
Suspend its operations, will the weevil
Delay? De Bailhache, Fresca, Mrs. Cammel, whirled
Beyond the circuit of the shuddering Bear
In fractured atoms. Gull against the wind, in the windy straits
Of Belle Isle, or running on the Horn,
White feathers in the snow, the Gulf claims,
And an old man driven by the Trades
To a sleepy corner.

Tenants of the house,
Thoughts of a dry brain in a dry season.


Written by Henry Van Dyke | Create an image from this poem

The Bells of Malines

 AUGUST 17, 1914 

The gabled roofs of old Malines
Are russet red and gray and green,
And o'er them in the sunset hour
Looms, dark and huge, St. Rombold's tower.
High in that rugged nest concealed,
The sweetest bells that ever pealed,
The deepest bells that ever rung,
The lightest bells that ever sung,
Are waiting for the master's hand
To fling their music o'er the land. 

And shall they ring to-night, Malines?
In nineteen hundred and fourteen,
The frightful year, the year of woe, 
When fire and blood and rapine flow 
Across the land from lost Liege, 
Storm-driven by the German rage?
The other carillons have ceased:
Fallen is Hasselt, fallen Diest,
From Ghent and Bruges no voices come, 
Antwerp is silent, Brussels dumb! 

But in thy belfry, O Malines,
The master of the bells unseen
Has climbed to where the keyboard stands,--
To-night his heart is in his hands!
Once more, before invasion's hell
Breaks round the tower he loves so well, 
Once more he strikes the well-worn keys, 
And sends aerial harmonies
Far-floating through the twilight dim
In patriot song and holy hymn. 

O listen, burghers of Malines!
Soldier and workman, pale beguine, 
And mother with a trembling flock 
Of children clinging to thy frock,--
Look up and listen, listen all!
What tunes are these that gently fall 
Around you like a benison?
"The Flemish Lion," "Brabanconne," 
"O brave Liege," and all the airs 
That Belgium in her bosom bears. 

Ring up, ye silvery octaves high,
Whose notes like circling swallows fly; 
And ring, each old sonorous bell,--
'' Jesu," "Maria," "Michael!"
Weave in and out, and high and low, 
The magic music that you know,
And let it float and flutter down
To cheer the heart of the troubled town. 
Ring out, "Salvator," lord of all,--
"Roland" in Ghent may hear thee call! 

O brave bell-music of Malines,
In this dark hour how much you mean! 
The dreadful night of blood and tears 
Sweeps down on Belgium, but she hears 
Deep in her heart the melody
Of songs she learned when she was free. 
She will not falter, faint, nor fail,
But fight until her rights prevail
And all her ancient belfries ring
"The Flemish Lion," "God Save the King!"

Book: Reflection on the Important Things