10 Best Famous Aires Poems

Here is a collection of the top 10 all-time best famous Aires poems. This is a select list of the best famous Aires poetry. Reading, writing, and enjoying famous Aires poetry (as well as classical and contemporary poems) is a great past time. These top poems are the best examples of aires poems.

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That One

by Jorge Luis Borges
 Oh days devoted to the useless burden
of putting out of mind the biography
of a minor poet of the Southem Hemisphere,
to whom the fates or perhaps the stars have given
a body which will leave behind no child,
and blindness, which is semi-darkness and jail,
and old age, which is the dawn of death,
and fame, which absolutely nobody deserves,
and the practice of weaving hendecasyllables,
and an old love of encyclopedias
and fine handmade maps and smooth ivory,
and an incurable nostalgia for the Latin,
and bits of memories of Edinburgh and Geneva
and the loss of memory of names and dates,
and the cult of the East, which the varied peoples
of the teeming East do not themselves share,
and evening trembling with hope or expectation,
and the disease of entymology,
and the iron of Anglo-Saxon syllables,
and the moon, that always catches us by surprise,
and that worse of all bad habits, Buenos Aires,
and the subtle flavor of water, the taste of grapes,
and chocolate, oh Mexican delicacy,
and a few coins and an old hourglass,
and that an evening, like so many others,
be given over to these lines of verse.

A Dialogue Between the Resolved Soul And Created Pleasure

by Andrew Marvell
 Courage my Soul, now learn to wield
The weight of thine immortal Shield.
Close on thy Head thy Helmet bright.
Ballance thy Sword against the Fight.
See where an Army, strong as fair,
With silken Banners spreads the air.
Now, if thou bee'st that thing Divine,
In this day's Combat let it shine:
And shew that Nature wants an Art
To conquer one resolved Heart.

Pleasure
Welcome the Creations Guest,
Lord of Earth, and Heavens Heir.
Lay aside that Warlike Crest,
And of Nature's banquet share:
Where the Souls of fruits and flow'rs
Stand prepar'd to heighten yours.

Soul
I sup above, and cannot stay
To bait so long upon the way.

Pleasure
On these downy Pillows lye,
Whose soft Plumes will thither fly:
On these Roses strow'd so plain
Lest one Leaf thy Side should strain.

Soul
My gentler Rest is on a Thought,
Conscious of doing what I ought.

Pleasure
If thou bee'st with Perfumes pleas'd,
Such as oft the Gods appeas'd,
Thou in fragrant Clouds shalt show
Like another God below.

Soul
A Soul that knowes not to presume
Is Heaven's and its own perfume.

Pleasure
Every thing does seem to vie
Which should first attract thine Eye:
But since none deserves that grace,
In this Crystal view thy face.

Soul
When the Creator's skill is priz'd,
The rest is all but Earth disguis'd.

Pleasure
Heark how Musick then prepares
For thy Stay these charming Aires ;
Which the posting Winds recall,
And suspend the Rivers Fall.

Soul
Had I but any time to lose,
On this I would it all dispose.
Cease Tempter. None can chain a mind
Whom this sweet Chordage cannot bind.

Chorus
Earth cannot shew so brave a Sight
As when a single Soul does fence
The Batteries of alluring Sense,
And Heaven views it with delight.
Then persevere: for still new Charges sound:
And if thou overcom'st thou shalt be crown'd.

Pleasure
All this fair, and cost, and sweet,
Which scatteringly doth shine,
Shall within one Beauty meet,
And she be only thine.

Soul
If things of Sight such Heavens be,
What Heavens are those we cannot see?

Pleasure
Where so e're thy Foot shall go
The minted Gold shall lie;
Till thou purchase all below,
And want new Worlds to buy.

Soul
Wer't not a price who 'ld value Gold?
And that's worth nought that can be sold.

Pleasure
Wilt thou all the Glory have
That War or Peace commend?
Half the World shall be thy Slave
The other half thy Friend.

Soul
What Friends, if to my self untrue?
What Slaves, unless I captive you?

Pleasure
Thou shalt know each hidden Cause;
And see the future Time:
Try what depth the Centre draws;
And then to Heaven climb.

Soul
None thither mounts by the degree
Of Knowledge, but Humility.

Chorus
Triumph, triumph, victorious Soul;
The World has not one Pleasure more:
The rest does lie beyond the pole,
And is thine everlasting Store.

Elegy

by Jorge Luis Borges
 Oh destiny of Borges
to have sailed across the diverse seas of the world
or across that single and solitary sea of diverse
names,
to have been a part of Edinburgh, of Zurich, of the
two Cordobas,
of Colombia and of Texas,
to have returned at the end of changing generations
to the ancient lands of his forebears,
to Andalucia, to Portugal and to those counties
where the Saxon warred with the Dane and they
mixed their blood,
to have wandered through the red and tranquil
labyrinth of London,
to have grown old in so many mirrors,
to have sought in vain the marble gaze of the statues,
to have questioned lithographs, encyclopedias,
atlases,
to have seen the things that men see,
death, the sluggish dawn, the plains,
and the delicate stars,
and to have seen nothing, or almost nothing
except the face of a girl from Buenos Aires
a face that does not want you to remember it.
Oh destiny of Borges,
perhaps no stranger than your own.

Bridge Over The Aire Book 3

by Barry Tebb
 THE KINGDOM OF MY HEART





1



The halcyon settled on the Aire of our days

Kingfisher-blue it broke my heart in two

Shall I forget you? Shall I forget you?



I am the mad poet first love

You never got over

You are my blue-eyed

Madonna virgin bride

I shall carve ‘MG loves BT’

On the bark of every 

Wind-bent tree in 

East End Park



2



The park itself will blossom

And grow in chiaroscuro

The Victorian postcard’s view

Of avenue upon avenue

With palms and pagodas

Lakes and waterfalls and

A fountain from Versailles.





3



You shall be my queen

In the Kingdom of Deira

Land of many rivers

Aire the greatest

Isara the strong one

Robed in stillness

Wide, deep and dark.





4



In Middleton Woods

Margaret and I played

Truth or dare

She bared her breasts

To the watching stars.





5



“Milk, milk,

Lemonade, round

The corner

Chocolate spread”

Nancy chanted at

Ten in the binyard

Touching her ****,

Her ****, her bum,

Margaret joined in

Chanting in unison.





6



The skipping rope

Turned faster

And faster, slapping

The hot pavement,

Margaret skipped

In rhythm, never

Missing a beat,

Lifting the pleat

Of her skirt

Whirling and twirling.





7



Giggling and red

Margaret said

In a whisper

“When we were

Playing at Nancy’s

She pushed a spill

Of paper up her

You-know-what

She said she’d

Let you watch

If you wanted.”





8



Margaret, this Saturday morning in June

There is a queue at the ‘Princess’ for

The matin?e, down the alley by the blank

Concrete of the cinema’s side I hide

With you, we are counting our picture

Money, I am counting the stars in your

Hair, bound with a cheap plastic comb.





9



You have no idea of my need for you

A lifetime long, every wrong decision

I made betrayed my need; forty years on

Hear my song and take my hand and move

Us to the house of love where we belong.





10



Margaret we sat in the cinema dark

Warm with the promise of a secret kiss

The wall lights glowed amber on the



Crumbling plaster, we looked with longing

At the love seats empty in the circle,

Vowing we would share one.



11



There is shouting and echoes

Of wild splashing from York

Road baths; forty years on

It stirs my memory and

Will not be gone.





12



The ghosts of tramtracks

Light up lanes

To nowhere

In Leeds Ten.



Every road

Leads nowhere

In Leeds Nine.



Motorways have cut

The city’s heart

In two; Margaret,

Our home lies buried

Under sixteen feet

Of stone.

13



Our families moved

And we were lost

I was not there to hear

The whispered secret

Of your first period.





14



God is courage’s infinite ground

Tillich said; God, give me enough

To stand another week without her

Every day gets longer, every sleep

Less deep.





15



Why can’t I find you,

Touch you,

Bind your straw-gold hair

The colour of lank

February grass?



16



Under the stone canopy

Of the Grand Arcade

I pass Europa Nightclub;

In black designer glass

I watch the faces pass

But none is like your’s,

No voice, no eyes,

No smile at all

Like your’s.





17



From Kirkstall Lock

The rhubarb crop

To Knostrop’s forcing sheds

The roots ploughed up

Arranged in beds

Of perfect darkness

Where the buds burst

With a pip, rich pink

Stalks and yellow leaves

Hand-picked by

Candle-light to

Keep the colour right

So every night the

Rhubarb train

Could go from Leeds

To Covent Garden.





18



The smell of Saturday morning

Is the smell of freedom

How the bounds may grow

Slowly slowly as I go.



“Rag-bone rag-bone

White donkey stone”

Auntie Nellie scoured

Her door step, polished

The brass knocker

Till I saw my face

Bunched like a fist

Complete with goggles

Grinning like a monkey

In a mile of mirrors.





19



Every door step had a stop

A half-stone iron weight

To hold it back and every 

Step was edged with donkey

Stone in yellow or white

From the ragman or the potman

With his covered cart jingling

Jangling as it jerked hundreds

Of cups on hooks pint and

Half pint mugs and stacks of

Willow-patterned plates

From Burmantofts.





20



We heard him a mile off

Nights in summer when

He trundled round the

Corner over the cobbles

Jamming the wood brake

Blocks whoaing the horses

With their gleaming brasses

And our mams were always

Waiting where he stopped.





21



Double summer-time made

The nights go on for ever

And no-one cared any more

How long we played what

Or where and we were left

Alone and that’s all I wanted

Then or now to be left alone

Never to be called in from

The Hollows never to be

Called from Margaret.





22



City of back-to-backs

From Armley Heights

Laid out in rows

Like trees or grass

I watch you pass.



23



The Aire is slow and almost

Still



In the Bridgefield

The Joshua Tetley clock

Over the Atkinson Grimshaw

Print

Is stopped at nineteen fifty

Four

The year I left.





24



Grimshaw’s home was

Half a mile away

In Knostrop Hall

Margaret and I

Climbed the ruined

Walls her hair was

Blowing in the wind

Her eyes were stars

In the green night

Her hands were holding 

My hands.





25



Half a century later

I look out over Leeds Nine

What little’s left is broken

Or changed Saturday night

Is silent and empty

The paths over the Hollows

Deserted the bell

Of St. Hilda’s still.



26



On a single bush

The yellow roses blush

Pink in the amber light

Night settles on the

Fewstons and the Copperfields

No mothers’ voices calling us.



Lilac and velvet clover

Grew all over the Hollows

It was all the luck

We knew and when we left

Our luck went too.





27



Solid black

Velvet basalt

Polished jet

Millstone grit

Leeds Town Hall

Built with it

Soaks up the fog

Is sealed with smog

Battered buttressed

Blackened plinths

White lions’ paws

Were soft their

Smiles like your’s.

28



Narrow lanes, steep inclines,

Steps, blank walls, tight

And secret openings’

The lanes are your hips

The inclines the lines

Of your thighs, the steps

Your breasts, blank walls

Your buttocks, tight and

Secret openings your

Taut vagina’s lips.





29



There is a keening and a honing

And a winnowing in the wind

I am the surge and flow

In Winwaed’s water the last breath

Of Elmete’s King.



I am Penda crossing the Aire

Camping at Killingbeck

Conquered by Aethalwald

Ruler of Deira.





30



Life is a bird hovering

In the Hall of the King

Between darkness and darkness flickering

The stone of Scone at last lifted

And borne on the wind, Dunedin, take it

Hold it hard and fast its light

Is leaping it is freedom’s

Touchstone and firestone.





31



Eir, Ayer or Aire

I’ll still be there

Your wanderings off course

Old Ea, Old Eye, Dead Eye

Make no difference to me.

Eg-an island - is Aire’s

True source, names

Not places matter

With the risings

Of a river

Ea land-by-water

I’ll make my own way

Free, going down river

To the far-off sea.





32



Poetry is my business, my affair.

My cri-de-coeur, jongleur

Of Mercia and Elmete, Margaret,

Open your door I am heaping

Imbroglios of stars on the floor

Meet me by the Office Lock

At midnight or by the Town Hall Clock.



33



Nennius nine times have I knocked

On the door of your grave, nine times

More have I made Pilgrimage to Elmete’s

Wood where long I lay by beck and bank

Waiting for your tongue to flame

With Pentecostal fire.





34



Margaret you rode in the hollow of my hand

In the harp of my heart, searching for you

I wandered in Kirkgate Market’s midnight

Down avenues of shuttered stalls, our secrets

Kept through all the years.

From the Imperial on Beeston Hill

I watch the city spill glass towers

Of light over the horizon’s rim.





35



The railyard’s straights

Are buckled plates

Red bricks for aggregate

All lost like me

Ledsham and Ledston

Both belong to Leeds

But Ledston Luck

Is where Aire leads.



36



Held of the Crown

By seven thanes

In Saxon times

‘In regione Loidis’

Baeda scripsit

Leeds, Leeds,

You answer

All my needs.





37



A horse shoe stuck for luck

Behind a basement window:

Margaret, now we’ll see

What truth there is

In dreams and poetry!



I am at one with everyone

There is poetry

Falling from the air

And you have put it there.





38



The sign for John Eaton Street

Is planted in the back garden

Of the transport caf? between

The strands of a wire mesh fence

Straddling the cobbles of a street

That is no more, a washing line

And an abandoned caravan.



39



‘This open land to let’

Is what you get on the Hollows

Thousands of half-burned tyres

The rusty barrel of a Trumix lorry

Concrete slabs, foxgloves and condoms,

The Go-Kart Arena’s signboards,

Half the wall of Ellerby Lane School.





40



There is a mermaid singing

On East Street on an IBM poster

Her hair is lack-lustre

Her breasts are facing the camera

Her tail is like a worn-out brush.



Chimney stacks

Blind black walls

Of factories

Grimy glass

Flickering firelight

 In black-leaded grates.





41



Hunslet de Ledes

Hop-scotch, hide and seek,

Bogies-on-wheels

Not one tree in Hunslet

Except in the cemetery

The lake filled in

For fifty years,

The bluebell has rung

Its last perfumed peal.





42



I couldn’t play out on Sunday

Mam and dad thought us a cut

Above the rest, it was another

Test I failed, keeping me and

Margaret apart was like the Aztecs

Tearing the heart from the living flesh.





43



Father, your office job

Didn’t save you

From the drugs

They never gave you.





44



Isaiah, my son,

You made it back

From Balliol to Beeston

At a run via the

Playing fields of Eton.



There is a keening and a honing

And a winnowing in the wind

Winwaed’s water with red bluid blent.

A Dialogue Between the Resolved Soul And Created Pleasure

by Andrew Marvell
 Courage my Soul, now learn to wield
The weight of thine immortal Shield.
Close on thy Head thy Helmet bright.
Ballance thy Sword against the Fight.
See where an Army, strong as fair,
With silken Banners spreads the air.
Now, if thou bee'st that thing Divine,
In this day's Combat let it shine:
And shew that Nature wants an Art
To conquer one resolved Heart.

Pleasure
Welcome the Creations Guest,
Lord of Earth, and Heavens Heir.
Lay aside that Warlike Crest,
And of Nature's banquet share:
Where the Souls of fruits and flow'rs
Stand prepar'd to heighten yours.

Soul
I sup above, and cannot stay
To bait so long upon the way.

Pleasure
On these downy Pillows lye,
Whose soft Plumes will thither fly:
On these Roses strow'd so plain
Lest one Leaf thy Side should strain.

Soul
My gentler Rest is on a Thought,
Conscious of doing what I ought.

Pleasure
If thou bee'st with Perfumes pleas'd,
Such as oft the Gods appeas'd,
Thou in fragrant Clouds shalt show
Like another God below.

Soul
A Soul that knowes not to presume
Is Heaven's and its own perfume.

Pleasure
Every thing does seem to vie
Which should first attract thine Eye:
But since none deserves that grace,
In this Crystal view thy face.

Soul
When the Creator's skill is priz'd,
The rest is all but Earth disguis'd.

Pleasure
Heark how Musick then prepares
For thy Stay these charming Aires ;
Which the posting Winds recall,
And suspend the Rivers Fall.

Soul
Had I but any time to lose,
On this I would it all dispose.
Cease Tempter. None can chain a mind
Whom this sweet Chordage cannot bind.

Chorus
Earth cannot shew so brave a Sight
As when a single Soul does fence
The Batteries of alluring Sense,
And Heaven views it with delight.
Then persevere: for still new Charges sound:
And if thou overcom'st thou shalt be crown'd.

Pleasure
All this fair, and cost, and sweet,
Which scatteringly doth shine,
Shall within one Beauty meet,
And she be only thine.

Soul
If things of Sight such Heavens be,
What Heavens are those we cannot see?

Pleasure
Where so e're thy Foot shall go
The minted Gold shall lie;
Till thou purchase all below,
And want new Worlds to buy.

Soul
Wer't not a price who 'ld value Gold?
And that's worth nought that can be sold.

Pleasure
Wilt thou all the Glory have
That War or Peace commend?
Half the World shall be thy Slave
The other half thy Friend.

Soul
What Friends, if to my self untrue?
What Slaves, unless I captive you?

Pleasure
Thou shalt know each hidden Cause;
And see the future Time:
Try what depth the Centre draws;
And then to Heaven climb.

Soul
None thither mounts by the degree
Of Knowledge, but Humility.

Chorus
Triumph, triumph, victorious Soul;
The World has not one Pleasure more:
The rest does lie beyond the pole,
And is thine everlasting Store.

Upon a Little Lady Under the Discipline of an Excellent Person

by Anne Killigrew
 I. 
HOw comes the Day orecast ? the Flaming Sun
Darkn'd at Noon, as if his Course were run ? 
He never rose more proud, more glad, more gay, 
Ne're courted Daphne with a brighter Ray ! 
 And now in Clouds he wraps his Head, 
As if not Daphne, but himself were dead ! 
 And all the little Winged Troop
 Forbear to sing, and sit and droop; 
 The Flowers do languish on their Beds,
 And fading hang their Mourning Heads; 
 The little Cupids discontented, shew, 
 In Grief and Rage one breaks his Bow, 
 An other tares his Cheeks and Haire, 
A third sits blubring in Despaire, 

 Confessing though, in Love, he be, 
 A Powerful, Dreadful Deitie, 
A Child, in Wrath, can do as much as he: 
 Whence is this Evil hurl'd, 
 On all the sweetness of the World ? 
 Among those Things with Beauty shine, 
 (Both Humane natures, and Divine)
 There was not so much sorrow spi'd, 
No, no that Day the sweet Adonis died ! 

II. 
Ambitious both to know the Ill, and to partake, 
 The little Weeping Gods I thus bespake. 
 Ye Noblest Pow'rs and Gentlest that Above, 
 Govern us Men, but govern still with Love, 
 Vouchsafe to tell, what can that Sorrow be, 
 Disorders Heaven, and wounds a Deitie. 
 My Prayer not spoken out, 
 One of the Winged Rout, 
 With Indignation great, 
 Sprung from his Airie-Seat, 
 And mounting to a Higher Cloud, 
 With Thunder, or a Voice as loud 

Cried, Mortal there, there seek the Grief o'th'Gods, 
Where thou findst Plagues, and their revengeful Rods !
 And in the Instant that the Thing was meant, 
He bent his Bow, his Arrow plac't, and to the mark it sent ! 
 I follow'd with my watchful Eye, 
 To the Place where the Shaft did flie, 
 But O unheard-of Prodigy. 
 It was retorted back again, 
 And he that sent it, felt the pain, 
Alas! I think the little God was therewith slain ! 
 But wanton Darts ne're pierce where Honours found, 
 And those that shoot them, do their own Breasts wound. 

III. 
The Place from which the Arrow did return, 
Swifter than sent, and with the speed did burn, 
Was a Proud Pile which Marble Columnes bare, 
Tarrast beneath, and open to the Aire, 
On either side, Cords of wove Gold did tie
A purfl'd Curtain, hanging from on high, 
To clear the Prospect of the stately Bower, 
And boast the Owners Dignity and Power ! 
 This shew'd the Scene from whence Loves grief arose, 
And Heaven and Nature both did discompose, 

A little Nymph whose Limbs divinely bright, 
Lay like a Body of Collected Light, 
But not to Love and Courtship so disclos'd, 
But to the Rigour of a Dame oppos'd, 
Who instant on the Faire with Words and Blows, 
Now chastens Error, and now Virtue shews. 

IV. 
 But O thou no less Blind, 
 Than Wild and Savage Mind, 
 Who Discipline dar'st name, 
 Thy Outrage and thy shame, 
 And hop'st a Radiant Crown to get
 All Stars and Glory to thy Head made fit, 
Know that this Curse alone shall Serpent-like incircle it! 
May'st thou henceforth, be ever seen to stand, 
Grasping a Scourge of Vipers in thy Hand, 
Thy Hand, that Furie like------But see! 
 By Apollos Sacred Tree, 
 By his ever Tuneful Lyre, 
 And his bright Image the Eternal Fire, 
 Eudoras she has done this Deed 
 And made the World thus in its Darling bleed ! 

 I know the Cruel Dame, 
 Too well instructed by my Flame ! 
 But see her shape ! But see her Face ! 
 In her Temple such is Diana's Grace ! 
Behold her Lute upon the Pavement lies, 
When Beautie's wrong'd, no wonder Musick dies ! 

V. 
What blood of Centaurs did thy Bosom warme, 
And boyle the Balsome there up to a Storme ? 
Nay Balsome flow'd not with so soft a Floud, 
As thy Thoughts Evenly Virtuous, Mildly Good ! 
How could thy Skilful and Harmonious Hand, 
That Rage of Seas, and People could command, 
And calme Diseases with the Charming strings, 
Such Discords make in the whole Name of Things ? 
 But now I see the Root of thy Rash Pride, 
Because thou didst Excel the World beside, 
And it in Beauty and in Fame out-shine, 
Thou would'st compare thy self to things Divine !
And 'bove thy Standard what thou there didst see, 
Thou didst Condemn, because 'twas unlike thee, 
And punisht in the Lady as unfit, 
What Bloomings were of a Diviner Wit. 

Divine she is, or else Divine must be, 
A Borne or else a Growing Deitie ! 

VI. 
 While thus I did exclaime, 
 And wildly rage and blame, 
 Behold the Sylvan-Quire
 Did all at one conspire, 
 With shrill and cheerful Throats, 
 T'assume their chirping Notes; 
 The Heav'ns refulgent Eye
 Dance't in the clear'd-up Skie, 
 And so triumphant shon, 
 As seven-days Beams he had on ! 
The little Loves burn'd with nobler fier.
Each chang'd his wanton Bow, and took a Lyre, 
Singing chast Aires unto the tuneful strings, 
And time'd soft Musick with their downy Wings. 
 I turn'd the little Nymph to view, 
 She singing and did smiling shew; 
 Eudora led a heav'nly strain, 
Her Angels Voice did eccho it again ! 

I then decreed no Sacriledge was wrought, 
But neerer Heav'n this Piece of Heaven was brought. 
She also brighter seem'd, than she had been, 
Vertue darts forth a Light'ning 'bove the Skin. 
Eudora also shew'd as heretofore, 
When her soft Graces I did first adore. 
 I saw, what one did Nobly Will, 
 The other sweetly did fulfil;
 Their Actions all harmoniously did sute, 
And she had only tun'd the Lady like her Lute.

Sonnet 13

by John Milton
 XIII

To Mr. H. Lawes, on his Aires.

Harry whose tuneful and well measur'd Song
First taught our English Musick how to span
Words with just note and accent, not to scan
With Midas Ears, committing short and long;
Thy worth and skill exempts thee from the throng,
With praise enough for Envy to look wan;
To after age thou shalt be writ the man,
That with smooth aire couldst humor best our tongue
Thou honour'st Verse, and Verse must send her wing
To honour thee, the Priest of Phoebus Quire 
That tun'st their happiest lines in Hymn or Story
Dante shall give Fame leave to set thee higher
Then his Casella, whom he woo'd to sing
Met in the milder shades of Purgatory.

Note: 9 send] lend Cambridge Autograph MS.

Movimiento estudiantil

by Taja Kramberger
My dear students,
little pigeons from the Forja factory in Buenos Aires.
The institution we built together has become
a hangar for hanging pieces of discounted meat.

Go out into the world with bright faces –
leave the twilight of ignorance and dullness, you have experienced all
that is necessary to understand the meaning
and responsibility of the creative person in the world.

Göttingen 1937, Tlatelolco 1968, Koper 2010.
Important burnt-out sites of hopes and comprehensions, 
the only worthy investments in the future.

Nothing can excuse the actions of madness,
what is left after is merely the disinfectant
smell of crime and some newly
decorated vultures.

Beware of them! The smiles
on their faces
are veils of death.

© Taja Kramberger, Z roba klifa / From the Edge of a Cliff, CSK, Ljubljana, 2011
© Translation by Špela Drnovšek Zorko, 2012

On A Gentlewoman That Sung And Playd Upon A Lute

by William Strode
 Be silent you still musique of the Sphears,
And every sense make haste to be all ears,
And give devout attention to her aires,
To which the Gods doe listen as to prayers
Of pious votaries; the which to heare
Tumult would be attentive, and would swear
To keep lesse noise at Nile, if there she sing,
Or with a happy touch grace but the string.
Among so many auditors, such throngs
Of Gods and men that presse to hear her songs,
O let me have an unespied room,
And die with such an anthem ore my tomb
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