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Best Famous Adopt Poems

Here is a collection of the all-time best famous Adopt poems. This is a select list of the best famous Adopt poetry. Reading, writing, and enjoying famous Adopt poetry (as well as classical and contemporary poems) is a great past time. These top poems are the best examples of adopt poems.

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Written by A R Ammons | Create an image from this poem

Still

 I said I will find what is lowly
and put the roots of my identity
down there:
each day I'll wake up
and find the lowly nearby,
a handy focus and reminder,
a ready measure of my significance,
the voice by which I would be heard,
the wills, the kinds of selfishness
I could
freely adopt as my own:

but though I have looked everywhere,
I can find nothing
to give myself to:
everything is

magnificent with existence, is in 
surfeit of glory:
nothing is diminished,
nothing has been diminished for me:

I said what is more lowly than the grass:
ah, underneath,
a ground-crust of dry-burnt moss:
I looked at it closely
and said this can be my habitat: but
nestling in I
found
below the brown exterior
green mechanisms beyond the intellect
awaiting resurrection in rain: so I got up

and ran saying there is nothing lowly in the universe:
I found a beggar:
he had stumps for legs: nobody was paying
him any attention: everybody went on by:
I nestled in and found his life:
there, love shook his body like a devastation:
I said
though I have looked everywhere
I can find nothing lowly
in the universe:

I whirled though transfigurations up and down,
transfigurations of size and shape and place:

at one sudden point came still,
stood in wonder:
moss, beggar, weed, tick, pine, self, magnificent
with being!


Written by Andrew Barton Paterson | Create an image from this poem

A Dogs Mistake

 He had drifted in among us as a straw drifts with the tide, 
He was just a wand'ring mongrel from the weary world outside; 
He was not aristocratic, being mostly ribs and hair, 
With a hint of spaniel parents and a touch of native bear. 
He was very poor and humble and content with what he got, 
So we fed him bones and biscuits, till he heartened up a lot; 
Then he growled and grew aggressive, treating orders with disdain, 
Till at last he bit the butcher, which would argue want of brain. 

Now the butcher, noble fellow, was a sport beyond belief, 
And instead of bringing actions he brought half a shin of beef, 
Which he handed on to Fido, who received it as a right 
And removed it to the garden, where he buried it at night. 

'Twas the means of his undoing, for my wife, who'd stood his friend, 
To adopt a slang expression, "went in off the deepest end", 
For among the pinks and pansies, the gloxinias and the gorse 
He had made an excavation like a graveyard for a horse. 

Then we held a consultation which decided on his fate: 
'Twas in anger more than sorrow that we led him to the gate, 
And we handed him the beef-bone as provision for the day, 
Then we opened wide the portal and we told him, "On your way."
Written by Walt Whitman | Create an image from this poem

With Antecedents

 1
WITH antecedents; 
With my fathers and mothers, and the accumulations of past ages; 
With all which, had it not been, I would not now be here, as I am: 
With Egypt, India, Phenicia, Greece and Rome; 
With the Kelt, the Scandinavian, the Alb, and the Saxon;
With antique maritime ventures,—with laws, artizanship, wars and journeys; 
With the poet, the skald, the saga, the myth, and the oracle; 
With the sale of slaves—with enthusiasts—with the troubadour, the crusader, and
 the
 monk; 
With those old continents whence we have come to this new continent; 
With the fading kingdoms and kings over there;
With the fading religions and priests; 
With the small shores we look back to from our own large and present shores; 
With countless years drawing themselves onward, and arrived at these years; 
You and Me arrived—America arrived, and making this year; 
This year! sending itself ahead countless years to come.

2
O but it is not the years—it is I—it is You; 
We touch all laws, and tally all antecedents; 
We are the skald, the oracle, the monk, and the knight—we easily include them, and
 more; 
We stand amid time, beginningless and endless—we stand amid evil and good; 
All swings around us—there is as much darkness as light;
The very sun swings itself and its system of planets around us; 
Its sun, and its again, all swing around us. 
As for me, (torn, stormy, even as I, amid these vehement days,) 
I have the idea of all, and am all, and believe in all; 
I believe materialism is true, and spiritualism is true—I reject no part.

Have I forgotten any part? 
Come to me, whoever and whatever, till I give you recognition. 

I respect Assyria, China, Teutonia, and the Hebrews; 
I adopt each theory, myth, god, and demi-god; 
I see that the old accounts, bibles, genealogies, are true, without exception;
I assert that all past days were what they should have been; 
And that they could no-how have been better than they were, 
And that to-day is what it should be—and that America is, 
And that to-day and America could no-how be better than they are. 

3
In the name of These States, and in your and my name, the Past,
And in the name of These States, and in your and my name, the Present time. 

I know that the past was great, and the future will be great, 
And I know that both curiously conjoint in the present time, 
(For the sake of him I typify—for the common average man’s sake—your sake,
 if
 you are
 he;) 
And that where I am, or you are, this present day, there is the centre of all days, all
 races,
And there is the meaning, to us, of all that has ever come of races and days, or ever will
 come.
Written by George (Lord) Byron | Create an image from this poem

Reply to Some Verses of J.M.B. Pigot Esq

 Why, Pigot, complain of this damsel's disdain,
Why thus in despair do you fret?
For months you may try, yet, believe me, a sigh
Will never obtain a coquette.

Would you teach her to love? for a time seem to rove;
At first she may frown in a pet;
But leave her awhile, she shortly will smile,
And then you may kiss your coquette.

For such are the airs of these fanciful fairs,
They think all our homage a debt:
Yet a partial neglect soon takes an effect,
And humbles the proudest coquette.

Dissemble your pain, and lengthen your chain,
And seem her hauteur to regret;
If again you shall sigh, she no more will deny,
That yours is the rosy coquette.

If still, from false pride, your pangs she deride,
This whimsical virgin forget;
Some other adiaiire, who will melt with your fire,
And laugh at the little coquette.

For me I adore some twenty or more, 
And love them most dearly but yet
Though my heart they enthral, I'd abandon them all,
Did they act like your blooming coquette.

No longer repine, adopt this design,
And break through her slight-woven net;
Away with despair, no longer forbear 
To fly from the captious coquette.

Then quit her, my friend your bosom defend,
Ere quite with her snares you're beset;
Lest your deep-wounded heart, when incensed by the smart, Should lead you to curse the coquette.
Written by Edgar Lee Masters | Create an image from this poem

Elsa Wertman

 I was a peasant girl from Germany,
Blue-eyed, rosy, happy and strong.
And the first place I worked was at Thomas Greene's.
On a summer's day when she was away
He stole into the kitchen and took me
Right in his arms and kissed me on my throat,
I turning my head. Then neither of us
Seemed to know what happened.
And I cried for what would become of me.
And cried and cried as my secret began to show.
One day Mrs. Greene said she understood,
And would make no trouble for me,
And, being childless, would adopt it.
(He had given her a farm to be still. )
So she hid in the house and sent out rumors,
As if it were going to happen to her.
And all went well and the child was born -- They were so kind to me.
Later I married Gus Wertman, and years passed.
But -- at political rallies when sitters-by thought I was crying
At the eloquence of Hamilton Greene --
That was not it.
No! I wanted to say:
That's my son!
That's my son!


Written by Mary Darby Robinson | Create an image from this poem

Monody to the Memory of Chatterton

 Chill penury repress'd his noble rage, 
And froze the genial current of his soul.
GRAY. 


IF GRIEF can deprecate the wrath of Heaven, 
Or human frailty hope to be forgiven ! 
Ere now thy sainted spirit bends its way 
To the bland regions of celestial day; 
Ere now, thy soul, immers'd in purest air 
Smiles at the triumphs of supreme Despair; 
Or bath'd in seas of endless bliss, disdains 
The vengeful memory of mortal pains; 
Yet shall the MUSE a fond memorial give 
To shield thy name, and bid thy GENIUS live. 

Too proud for pity, and too poor for praise, 
No voice to cherish, and no hand to raise; 
Torn, stung, and sated, with this "mortal coil," 
This weary, anxious scene of fruitless toil; 
Not all the graces that to youth belong, 
Nor all the energies of sacred song; 
Nor all that FANCY, all that GENIUS gave, 
Could snatch thy wounded spirit from the grave. 

Hard was thy lot, from every comfort torn; 
In POVERTY'S cold arms condemn'd to mourn; 
To live by mental toil, e'en when the brain 
Could scarce its trembling faculties sustain; 
To mark the dreary minutes slowly creep: 
Each day to labour, and each night to weep; 
'Till the last murmur of thy frantic soul, 
In proud concealment from its mansion stole, 
While ENVY springing from her lurid cave, 
Snatch'd the young LAURELS from thy rugged grave. 
So the pale primrose, sweetest bud of May, 
Scarce wakes to beauty, ere it feels decay; 
While baleful weeds their hidden n poisons pour, 
Choke the green sod, and wither every flow'r. 

Immur'd in shades, from busy scenes remov'd; 
No sound to solace,­but the verse he lov'd: 
No soothing numbers harmoniz'd his ear; 
No feeling bosom gave his griefs a tear; 
Obscurely born­no gen'rous friend he found 
To lead his trembling steps o'er classic ground. 
No patron fill'd his heart with flatt'ring hope, 
No tutor'd lesson gave his genius scope; 
Yet, while poetic ardour nerv'd each thought, 
And REASON sanction'd what AMBITION taught; 
He soar'd beyond the narrow spells that bind 
The slow perceptions of the vulgar mind; 
The fire once kindled by the breath of FAME, 
Her restless pinions fann'd the glitt'ring flame; 
Warm'd by its rays, he thought each vision just; 
For conscious VIRTUE seldom feels DISTRUST. 

Frail are the charms delusive FANCY shows, 
And short the bliss her fickle smile bestows; 
Yet the bright prospect pleas'd his dazzled view, 
Each HOPE seem'd ripened, and each PHANTOM true; 
Fill'd with delight, his unsuspecting mind 
Weigh'd not the grov'ling treach'ries of mankind; 
For while a niggard boon his Savants supply'd, 
And NATURE'S claims subdued the voice of PRIDE: 
His timid talents own'd a borrow'd name, 
And gain'd by FICTION what was due to FAME. 

With secret labour, and with taste refin'd, 
This son of mis'ry form'd his infant mind !
When op'ning Reason's earliest scenes began, 
The dawn of childhood mark'd the future man ! 
He scorn'd the puerile sports of vulgar boys, 
His little heart aspir'd to nobler joys; 
Creative Fancy wing'd his few short hours, 
While soothing Hope adorn'd his path with flow'rs, 
Yet FAME'S recording hand no trophy gave, 
Save the sad TEAR­to decorate his grave. 

Yet in this dark, mysterious scene of woe, 
Conviction's flame shall shed a radiant glow; 
His infant MUSE shall bind with nerves of fire 
The sacrilegious hand that stabs its sire. 
Methinks, I hear his wand'ring shade complain,
While mournful ECHO lingers on the strain; 
Thro' the lone aisle his restless spirit calls, 
His phantom glides along the minster's § walls; 
Where many an hour his devious footsteps trod, 
Ere Fate resign'd him TO HIS PITYING GOD. 

Yet, shall the MUSE to gentlest sorrow prone
Adopt his cause, and make his griefs her own; 
Ne'er shall her CHATTERTON's neglected name, 
Fade in inglorious dreams of doubtful fame; 
Shall he, whose pen immortal GENIUS gave, 
Sleep unlamented in an unknown grave? 
No, ­the fond MUSE shall spurn the base neglect, 
The verse she cherish'd she shall still protect. 

And if unpitied pangs the mind can move, 
Or graceful numbers warm the heart to love; 
If the fine raptures of poetic fire 
Delight to vibrate on the trembling lyre; 
If sorrow claims the kind embalming tear, 
Or worth oppress'd, excites a pang sincere? 
Some kindred soul shall pour the song divine, 
And with the cypress bough the laurel twine,
Whose weeping leaves the wint'ry blast shall wave 
In mournful murmurs o'er thy unbless'd grave. 

And tho' no lofty VASE or sculptur'd BUST 
Bends o'er the sod that hides thy sacred dust; 
Tho' no long line of ancestry betrays 
The PRIDE of RELATIVES, or POMP of PRAISE. 
Tho' o'er thy name a blushing nation rears 
OBLIVION'S wing­ to hide REFLECTION'S tears! 
Still shall thy verse in dazzling lustre live, 
And claim a brighter wreath THAN WEALTH CAN GIVE.
Written by Robert Browning | Create an image from this poem

Two In The Campagna

 I wonder how you feel to-day
As I have felt since, hand in hand,
We sat down on the grass, to stray
In spirit better through the land,
This morn of Rome and May?

For me, I touched a thought, I know,
Has tantalized me many times,
(Like turns of thread the spiders throw
Mocking across our path) for rhymes
To catch at and let go.

Help me to hold it! First it left
The yellow fennel, run to seed
There, branching from the brickwork's cleft,
Some old tomb's ruin: yonder weed
Took up the floating weft,

Where one small orange cup amassed
Five beetles,—blind and green they grope
Among the honey meal: and last,
Everywhere on the grassy slope
O traced it. Hold it fast!

The champaign with its endless fleece
Of feathery grasses everywhere!
Silence and passion, joy and peace,
An everlasting wash of air—
Rome's ghost since her decease.

Such life here, through such lengths of hours,
Such miracles performed in play,
Such primal naked forms of flowers,
Such letting nature have her way
While heaven looks from its towers!

How say you? Let us, O my dove,
Let us be unashamed of soul,
As earth lies bare to heaven above!
How is it under our control
To love or not to love?
I would that you were all to me,
You that are just so much, no more.
Nor yours nor mine, nor slave nor free!
Where does the fault lie? What the core
O' the wound, since wound must be?

I would I could adopt your will,
See with your eyes, and set my heart
Beating by yours, and drink my fill
At your soul's springs,— your part my part
In life, for good and ill.

No. I yearn upward, touch you close,
Then stand away. I kiss your cheek,
Catch your soul's warmth,— I pluck the rose
And love it more than tongue can speak—
Then the good minute goes.

Already how am I so far
Our of that minute? Must I go
Still like the thistle-ball, no bar,
Onward, whenever light winds blow,
Fixed by no friendly star?

Just when I seemed about to learn!
Where is the thread now? Off again!
The Old trick! Only I discern—
Infinite passion, and the pain
Of finite hearts that yearn.
Written by Omar Khayyam | Create an image from this poem

Ye, who cease not to drink on common days,

Ye, who cease not to drink on common days,
Do not on Friday quit your drinking ways;
Adopt my creed, and count all days the same,
Be worshippers of God, and not of days.

Book: Reflection on the Important Things