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Best Famous Adder Poems

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Written by William Shakespeare | Create an image from this poem

Venus and Adonis

 Lo, here the gentle lark, weary of rest,
From his moist cabinet mounts up on high,
And wakes the morning, from whose silver breast
The sun ariseth in his majesty;
Who doth the world so gloriously behold
That cedar-tops and hills seem burnish'd gold.

Venus salutes him with this fair good-morrow;
"O thou clear god, and patron of all light,
From whom each lamp and shining star doth borrow
The beauteous influence that makes him bright,
There lives a son that suck'd an earthly mother,
May lend thee light, as thou dost lend to other."

This said, she hasteth to a myrtle grove,
Musing the morning is so much o'erworn,
And yet she hears no tidings of her love:
She hearkens for his hounds and for his horn:
Anon she hears them chant it lustily,
And all in haste she coasteth to the cry.

And as she runs, the bushes in the way
Some catch her by the neck, some kiss her face,
Some twine about her thigh to make her stay:
She wildly breaketh from their strict embrace,
Like a milch doe, whose swelling dugs do ache,
Hasting to feed her fawn, hid in some brake.

By this she hears the hounds are at a bay;
Whereat she starts, like one that spies an adder
Wreath'd up in fatal folds just in his way,
The fear whereof doth make him shake and shudder;
Even so the timorous yelping of the hounds
Appals her senses and her spirit confounds.

For now she knows it is no gentle chase,
But the blunt boar, rough bear, or lion proud,
Because the cry remaineth in one place,
Where fearfully the dogs exclaim aloud:
Finding their enemy to be so curst,
They all strain court'sy who shall cope him first.

This dismal cry rings sadly in her ear,
Through which it enters to surprise her heart;
Who, overcome by doubt and bloodless fear,
With cold-pale weakness numbs each feeling part:
Like soldiers, when their captain once doth yield,
They basely fly and dare not stay the field.

Thus stands she in a trembling ecstasy;
Till, cheering up her senses all dismay'd,
She tells them 'tis a causeless fantasy,
And childish error, that they are afraid;
Bids them leave quaking, bids them fear no more:--
And with that word she spied the hunted boar;

Whose frothy mouth, bepainted all with red,
Like milk and blood being mingled both together,
A second fear through all her sinews spread,
Which madly hurries her she knows not whither:
This way she runs, and now she will no further,
But back retires to rate the boar for murther.

A thousand spleens bear her a thousand ways;
She treads the path that she untreads again;
Her more than haste is mated with delays,
Like the proceedings of a drunken brain,
Full of respects, yet nought at all respecting;
In hand with all things, nought at all effecting.

Here kennell'd in a brake she finds a hound,
And asks the weary caitiff for his master,
And there another licking of his wound,
'Gainst venom'd sores the only sovereign plaster;
And here she meets another sadly scowling,
To whom she speaks, and he replies with howling.

When he hath ceas'd his ill-resounding noise,
Another flap-mouth'd mourner, black and grim,
Against the welkin volleys out his voice;
Another, and another, answer him,
Clapping their proud tails to the ground below,
Shaking their scratch'd ears, bleeding as they go.

Look, how the world's poor people are amazed
At apparitions, signs, and prodigies,
Whereon with fearful eyes they long have gazed,
Infusing them with dreadful prophecies;
So she at these sad signs draws up her breath
And sighing it again, exclaims on Death.

"Hard-favour'd tyrant, ugly, meagre, lean,
Hateful divorce of love,"--thus chides she Death,--
"Grim-grinning ghost, earth's worm, what dost thou mean
To stifle beauty and to steal his breath,
Who when he liv'd, his breath and beauty set
Gloss on the rose, smell to the violet?

"If he be dead,--O no, it cannot be,
Seeing his beauty, thou shouldst strike at it:--
O yes, it may; thou hast no eyes to see,
But hatefully at random dost thou hit.
Thy mark is feeble age, but thy false dart
Mistakes that aim and cleaves an infant's heart.

"Hadst thou but bid beware, then he had spoke,
And, hearing him, thy power had lost his power.
The Destinies will curse thee for this stroke;
They bid thee crop a weed, thou pluck'st a flower:
Love's golden arrow at him should have fled,
And not Death's ebon dart, to strike him dead.

"Dost thou drink tears, that thou provok'st such weeping?
What may a heavy groan advantage thee?
Why hast thou cast into eternal sleeping
Those eyes that taught all other eyes to see?
Now nature cares not for thy mortal vigour,
Since her best work is ruin'd with thy rigour."

Here overcome, as one full of despair,
She vail'd her eyelids, who, like sluices, stopt
The crystal tide that from her two cheeks fair
In the sweet channel of her bosom dropt;
But through the flood-gates breaks the silver rain,
And with his strong course opens them again.

O, how her eyes and tears did lend and borrow!
Her eyes seen in the tears, tears in her eye;
Both crystals, where they view'd each other's sorrow,
Sorrow that friendly sighs sought still to dry;
But like a stormy day, now wind, now rain,
Sighs dry her cheeks, tears make them wet again.

Variable passions throng her constant woe,
As striving who should best become her grief;
All entertain'd, each passion labours so,
That every present sorrow seemeth chief,
But none is best: then join they all together,
Like many clouds consulting for foul weather.

By this, far off she hears some huntsman hollo;
A nurse's song ne'er pleased her babe so well:
The dire imagination she did follow
This sound of hope doth labour to expel;
For now reviving joy bids her rejoice,
And flatters her it is Adonis' voice.

Whereat her tears began to turn their tide,
Being prison'd in her eye like pearls in glass;
Yet sometimes falls an orient drop beside,
Which her cheek melts, as scorning it should pass,
To wash the foul face of the sluttish ground,
Who is but drunken when she seemeth drown'd.

O hard-believing love, how strange it seems
Not to believe, and yet too credulous!
Thy weal and woe are both of them extremes;
Despair and hope make thee ridiculous:
The one doth flatter thee in thoughts unlikely,
In likely thoughts the other kills thee quickly.

Now she unweaves the web that she hath wrought;
Adonis lives, and Death is not to blame;
It was not she that call'd him all to naught:
Now she adds honours to his hateful name;
She clepes him king of graves and grave for kings,
Imperious supreme of all mortal things.

"No, no," quoth she, "sweet Death, I did but jest;
Yet pardon me I felt a kind of fear
When as I met the boar, that bloody beast,
Which knows no pity, but is still severe;
Then, gentle shadow,--truth I must confess,--
I rail'd on thee, fearing my love's decease.

"'Tis not my fault: the boar provok'd my tongue;
Be wreak'd on him, invisible commander;
'Tis he, foul creature, that hath done thee wrong;
I did but act, he's author of thy slander:
Grief hath two tongues, and never woman yet
Could rule them both without ten women's wit."

Thus hoping that Adonis is alive,
Her rash suspect she doth extenuate;
And that his beauty may the better thrive,
With Death she humbly doth insinuate;
Tells him of trophies, statues, tombs, and stories
His victories, his triumphs and his glories.

"O Jove," quoth she, "how much a fool was I
To be of such a weak and silly mind
To wail his death who lives and must not die
Till mutual overthrow of mortal kind;
For he being dead, with him is beauty slain,
And, beauty dead, black chaos comes again.

"Fie, fie, fond love, thou art so full of fear
As one with treasure laden, hemm'd with thieves;
Trifles, unwitnessed with eye or ear,
Thy coward heart with false bethinking grieves."
Even at this word she hears a merry horn,
Whereat she leaps that was but late forlorn.

As falcon to the lure, away she flies;
The grass stoops not, she treads on it so light;
And in her haste unfortunately spies
The foul boar's conquest on her fair delight;
Which seen, her eyes, as murder'd with the view,
Like stars asham'd of day, themselves withdrew;

Or, as the snail, whose tender horns being hit,
Shrinks backward in his shelly cave with pain,
And there, all smother'd up, in shade doth sit,
Long after fearing to creep forth again;
So, at his bloody view, her eyes are fled
Into the deep dark cabins of her head:

Where they resign their office and their light
To the disposing of her troubled brain;
Who bids them still consort with ugly night,
And never wound the heart with looks again;
Who, like a king perplexed in his throne,
By their suggestion gives a deadly groan,

Whereat each tributary subject quakes;
As when the wind, imprison'd in the ground,
Struggling for passage, earth's foundation shakes,
Which with cold terror doth men's minds confound.
This mutiny each part doth so surprise
That from their dark beds once more leap her eyes;

And, being open'd, threw unwilling light
Upon the wide wound that the boar had trench'd
In his soft flank; whose wonted lily white
With purple tears, that his wound wept, was drench'd:
No flower was nigh, no grass, herb, leaf, or weed,
But stole his blood and seem'd with him to bleed.

This solemn sympathy poor Venus noteth;
Over one shoulder doth she hang her head;
Dumbly she passions, franticly she doteth;
She thinks he could not die, he is not dead:
Her voice is stopt, her joints forget to bow;
Her eyes are mad that they have wept till now.


Written by Aleister Crowley | Create an image from this poem

The Garden of Janus

 I

The cloud my bed is tinged with blood and foam.
The vault yet blazes with the sun
Writhing above the West, brave hippodrome
Whose gladiators shock and shun
As the blue night devours them, crested comb
Of sleep's dead sea
That eats the shores of life, rings round eternity!

II

So, he is gone whose giant sword shed flame
Into my bowels; my blood's bewitched;
My brain's afloat with ecstasy of shame.
That tearing pain is gone, enriched
By his life-spasm; but he being gone, the same
Myself is gone
Sucked by the dragon down below death's horizon.

III
I woke from this. I lay upon the lawn;
They had thrown roses on the moss 
With all their thorns; we came there at the dawn,
My lord and I; God sailed across
The sky in's galleon of amber, drawn
By singing winds
While we wove garlands of the flowers of our minds.

IV

All day my lover deigned to murder me,
Linking his kisses in a chain
About my neck; demon-embroidery!
Bruises like far-ff mountains stain
The valley of my body of ivory!
Then last came sleep.
I wake, and he is gone; what should I do but weep?

V

Nay, for I wept enough --- more sacred tears! ---
When first he pinned me, gripped
My flesh, and as a stallion that rears,
Sprang, hero-thewed and satyr-lipped;
Crushed, as a grape between his teeth, my fears;
Sucked out my life
And stamped me with the shame, the monstrous word of
wife.

VI

I will not weep; nay, I will follow him
Perchance he is not far, 
Bathing his limbs in some delicious dim
Depth, where the evening star
May kiss his mouth, or by the black sky's rim
He makes his prayer
To the great serpent that is coiled in rapture there.

VII

I rose to seek him. First my footsteps faint
Pressed the starred moss; but soon
I wandered, like some sweet sequestered saint,
Into the wood, my mind. The moon
Was staggered by the trees; with fierce constraint
Hardly one ray
Pierced to the ragged earth about their roots that lay.

VIII

I wandered, crying on my Lord. I wandered
Eagerly seeking everywhere.
The stories of life that on my lips he squandered
Grew into shrill cries of despair,
Until the dryads frightened and dumfoundered
Fled into space ---
Like to a demon-king's was grown my maiden face!

XI

At last I came unto the well, my soul
In that still glass, I saw no sign 
Of him, and yet --- what visions there uproll
To cloud that mirror-soul of mine?
Above my head there screams a flying scroll
Whose word burnt through
My being as when stars drop in black disastrous dew.

X

For in that scroll was written how the globe
Of space became; of how the light
Broke in that space and wrapped it in a robe
Of glory; of how One most white
Withdrew that Whole, and hid it in the lobe
Of his right Ear,
So that the Universe one dewdrop did appear.

IX

Yea! and the end revealed a word, a spell,
An incantation, a device
Whereby the Eye of the Most Terrible
Wakes from its wilderness of ice
To flame, whereby the very core of hell
Bursts from its rind,
Sweeping the world away into the blank of mind.

XII

So then I saw my fault; I plunged within
The well, and brake the images
That I had made, as I must make - Men spin 
The webs that snare them - while the knee
Bend to the tyrant God - or unto Sin
The lecher sunder!
Ah! came that undulant light from over or from under?

XIII

It matters not. Come, change! come, Woe! Come, mask!
Drive Light, Life, Love into the deep!
In vain we labour at the loathsome task
Not knowing if we wake or sleep;
But in the end we lift the plumed casque
Of the dead warrior;
Find no chaste corpse therein, but a soft-smiling whore.

XIV

Then I returned into myself, and took
All in my arms, God's universe:
Crushed its black juice out, while His anger shook
His dumbness pregnant with a curse.
I made me ink, and in a little book
I wrote one word
That God himself, the adder of Thought, had never heard.

XV

It detonated. Nature, God, mankind
Like sulphur, nitre, charcoal, once 
Blended, in one annihilation blind
Were rent into a myriad of suns.
Yea! all the mighty fabric of a Mind
Stood in the abyss,
Belching a Law for "That" more awful than for "This."

XVI

Vain was the toil. So then I left the wood
And came unto the still black sea,
That oily monster of beatitude!
('Hath "Thee" for "Me," and "Me" for "Thee!")
There as I stood, a mask of solitude
Hiding a face
Wried as a satyr's, rolled that ocean into space.

XVII

Then did I build an altar on the shore
Of oyster-shells, and ringed it round
With star-fish. Thither a green flame I bore
Of phosphor foam, and strewed the ground
With dew-drops, children of my wand, whose core
Was trembling steel
Electric that made spin the universal Wheel.

XVIII

With that a goat came running from the cave
That lurked below the tall white cliff. 
Thy name! cried I. The answer that gave
Was but one tempest-whisper - "If!"
Ah, then! his tongue to his black palate clave;
For on soul's curtain
Is written this one certainty that naught is certain!

XIX

So then I caught that goat up in a kiss.
And cried Io Pan! Io Pan! Io Pan!
Then all this body's wealth of ambergris,
(Narcissus-scented flesh of man!)
I burnt before him in the sacrifice;
For he was sure -
Being the Doubt of Things, the one thing to endure!

XX

Wherefore, when madness took him at the end,
He, doubt-goat, slew the goat of doubt;
And that which inward did for ever tend
Came at the last to have come out;
And I who had the World and God to friend
Found all three foes!
Drowned in that sea of changes, vacancies, and woes!

XXI

Yet all that Sea was swallowed up therein;
So they were not, and it was not. 
As who should sweat his soul out through the skin
And find (sad fool!) he had begot
All that without him that he had left in,
And in himself
All he had taken out thereof, a mocking elf!

XXII

But now that all was gone, great Pan appeared.
Him then I strove to woo, to win,
Kissing his curled lips, playing with his beard,
Setting his brain a-shake, a-spin,
By that strong wand, and muttering of the weird
That only I
Knew of all souls alive or dead beneath the sky.

XXIII

So still I conquered, and the vision passed.
Yet still was beaten, for I knew
Myself was He, Himself, the first and last;
And as an unicorn drinks dew
From under oak-leaves, so my strength was cast
Into the mire;
For all I did was dream, and all I dreamt desire.

XXIV

More; in this journey I had clean forgotten
The quest, my lover. But the tomb 
Of all these thoughts, the rancid and the rotten,
Proved in the end to be my womb
Wherein my Lord and lover had begotten
A little child
To drive me, laughing lion, into the wanton wild!

XXV

This child hath not one hair upon his head,
But he hath wings instead of ears.
No eyes hath he, but all his light is shed
Within him on the ordered sphere
Of nature that he hideth; and in stead
Of mouth he hath
One minute point of jet; silence, the lightning path!

XXVI

Also his nostrils are shut up; for he
Hath not the need of any breath;
Nor can the curtain of eternity
Cover that head with life or death.
So all his body, a slim almond-tree,
Knoweth no bough
Nor branch nor twig nor bud, from never until now.

XXVII

This thought I bred within my bowels, I am.
I am in him, as he in me; 
And like a satyr ravishing a lamb
So either seems, or as the sea
Swallows the whale that swallows it, the ram
Beats its own head
Upon the city walls, that fall as it falls dead.

XXVIII

Come, let me back unto the lilied lawn!
Pile me the roses and the thorns,
Upon this bed from which he hath withdrawn!
He may return. A million morns
May follow that first dire daemonic dawn
When he did split
My spirit with his lightnings and enveloped it!

XXIX

So I am stretched out naked to the knife,
My whole soul twitching with the stress
Of the expected yet surprising strife,
A martyrdom of blessedness.
Though Death came, I could kiss him into life;
Though Life came, I
Could kiss him into death, and yet nor live nor die!

***

Yet I that am the babe, the sire, the dam,
Am also none of these at all; 
For now that cosmic chaos of I AM
Bursts like a bubble. Mystical
The night comes down, a soaring wedge of flame
Woven therein
To be a sign to them who yet have never been.

XXXI

The universe I measured with my rod.
The blacks were balanced with the whites;
Satan dropped down even as up soared God;
Whores prayed and danced with anchorites.
So in my book the even matched the odd:
No word I wrote
Therein, but sealed it with the signet of the goat.

XXXII

This also I seal up. Read thou herein
Whose eyes are blind! Thou may'st behold
Within the wheel (that alway seems to spin
All ways) a point of static gold.
Then may'st thou out therewith, and fit it in
That extreme spher
Whose boundless farness makes it infinitely near.
Written by Eugene Field | Create an image from this poem

The peter-bird

 Out of the woods by the creek cometh a calling for Peter,
And from the orchard a voice echoes and echoes it over;
Down in the pasture the sheep hear that strange crying for Peter,
Over the meadows that call is aye and forever repeated.
So let me tell you the tale, when, where, and how it all happened,
And, when the story is told, let us pay heed to the lesson.

Once on a time, long ago, lived in the State of Kentucky
One that was reckoned a witch--full of strange spells and devices;
Nightly she wandered the woods, searching for charms voodooistic--
Scorpions, lizards, and herbs, dormice, chameleons, and plantains!
Serpents and caw-caws and bats, screech-owls and crickets and adders--
These were the guides of that witch through the dank deeps of the forest.
Then, with her roots and her herbs, back to her cave in the morning
Ambled that hussy to brew spells of unspeakable evil;
And, when the people awoke, seeing that hillside and valley
Sweltered in swathes as of mist--"Look!" they would whisper in terror--
"Look! the old witch is at work brewing her spells of great evil!"
Then would they pray till the sun, darting his rays through the vapor,
Lifted the smoke from the earth and baffled the witch's intentions.

One of the boys at that time was a certain young person named Peter,
Given too little to work, given too largely to dreaming;
Fonder of books than of chores, you can imagine that Peter
Led a sad life on the farm, causing his parents much trouble.
"Peter!" his mother would call, "the cream is a'ready for churning!"
"Peter!" his father would cry, "go grub at the weeds in the garden!"
So it was "Peter!" all day--calling, reminding, and chiding--
Peter neglected his work; therefore that nagging at Peter!

Peter got hold of some books--how, I'm unable to tell you;
Some have suspected the witch--this is no place for suspicions!
It is sufficient to stick close to the thread of the legend.
Nor is it stated or guessed what was the trend of those volumes;
What thing soever it was--done with a pen and a pencil,
Wrought with a brain, not a hoe--surely 't was hostile to farming!

"Fudge on all readin'!" they quoth; or "that's what's the ruin of
Peter!"

So, when the mornings were hot, under the beech or the maple,
Cushioned in grass that was blue, breathing the breath of the blossoms,
Lulled by the hum of the bees, the coo of the ring-doves a-mating,
Peter would frivol his time at reading, or lazing, or dreaming.
"Peter!" his mother would call, "the cream is a'ready for churning!"
"Peter!" his father would cry, "go grub at the weeds in the garden!"
"Peter!" and "Peter!" all day--calling, reminding, and chiding--
Peter neglected his chores; therefore that outcry for Peter;
Therefore the neighbors allowed evil would surely befall him--
Yes, on account of these things, ruin would come upon Peter!

Surely enough, on a time, reading and lazing and dreaming
Wrought the calamitous ill all had predicted for Peter;
For, of a morning in spring when lay the mist in the valleys--
"See," quoth the folk, "how the witch breweth her evil decoctions!
See how the smoke from her fire broodeth on woodland and meadow!
Grant that the sun cometh out to smother the smudge of her caldron!
She hath been forth in the night, full of her spells and devices,
Roaming the marshes and dells for heathenish magical nostrums;
Digging in leaves and at stumps for centipedes, pismires, and spiders,
Grubbing in poisonous pools for hot salamanders and toadstools;
Charming the bats from the flues, snaring the lizards by twilight,
Sucking the scorpion's egg and milking the breast of the adder!"

Peter derided these things held in such faith by the farmer,
Scouted at magic and charms, hooted at Jonahs and hoodoos--
Thinking and reading of books must have unsettled his reason!
"There ain't no witches," he cried; "it isn't smoky, but foggy!
I will go out in the wet--you all can't hender me, nuther!"

Surely enough he went out into the damp of the morning,
Into the smudge that the witch spread over woodland and meadow,
Into the fleecy gray pall brooding on hillside and valley.
Laughing and scoffing, he strode into that hideous vapor;
Just as he said he would do, just as he bantered and threatened,
Ere they could fasten the door, Peter had done gone and done it!
Wasting his time over books, you see, had unsettled his reason--
Soddened his callow young brain with semi-pubescent paresis,
And his neglect of his chores hastened this evil condition.

Out of the woods by the creek cometh a calling for Peter
And from the orchard a voice echoes and echoes it over;
Down in the pasture the sheep hear that shrill crying for Peter,
Up from the spring house the wail stealeth anon like a whisper,
Over the meadows that call is aye and forever repeated.
Such were the voices that whooped wildly and vainly for Peter
Decades and decades ago down in the State of Kentucky--
Such are the voices that cry now from the woodland and meadow,
"Peter--O Peter!" all day, calling, reminding, and chiding--
Taking us back to the time when Peter he done gone and done it!
These are the voices of those left by the boy in the farmhouse
When, with his laughter and scorn, hatless and bootless and sockless,
Clothed in his jeans and his pride, Peter sailed out in the weather,
Broke from the warmth of his home into that fog of the devil,
Into the smoke of that witch brewing her damnable porridge!

Lo, when he vanished from sight, knowing the evil that threatened,
Forth with importunate cries hastened his father and mother.
"Peter!" they shrieked in alarm, "Peter!" and evermore "Peter!"--
Ran from the house to the barn, ran from the barn to the garden,
Ran to the corn-crib anon, then to the smoke-house proceeded;
Henhouse and woodpile they passed, calling and wailing and weeping,
Through the front gate to the road, braving the hideous vapor--
Sought him in lane and on pike, called him in orchard and meadow,
Clamoring "Peter!" in vain, vainly outcrying for Peter.
Joining the search came the rest, brothers and sisters and cousins,
Venting unspeakable fears in pitiful wailing for Peter!
And from the neighboring farms gathered the men and the women,
Who, upon hearing the news, swelled the loud chorus for Peter.

Farmers and hussifs and maids, bosses and field-hands and niggers,
Colonels and jedges galore from cornfields and mint-beds and thickets,
All that had voices to voice, all to those parts appertaining,
Came to engage in the search, gathered and bellowed for Peter.
The Taylors, the Dorseys, the Browns, the Wallers, the Mitchells, the
Logans,
The Yenowines, Crittendens, Dukes, the Hickmans, the Hobbses, the Morgans;
The Ormsbys, the Thompsons, the Hikes, the Williamsons, Murrays, and
Hardins,

The Beynroths, the Sherleys, the Hokes, the Haldermans, Harneys, and
Slaughters--
All, famed in Kentucky of old for prowess prodigious at farming,
Now surged from their prosperous homes to join in that hunt for the
truant,
To ascertain where he was at, to help out the chorus for Peter.

Still on those prosperous farms where heirs and assigns of the people
Specified hereinabove and proved by the records of probate--
Still on those farms shall you hear (and still on the turnpikes
adjacent)
That pitiful, petulant call, that pleading, expostulant wailing,
That hopeless, monotonous moan, that crooning and droning for Peter.
Some say the witch in her wrath transmogrified all those good people;
That, wakened from slumber that day by the calling and bawling for Peter,
She out of her cave in a thrice, and, waving the foot of a rabbit
(Crossed with the caul of a coon and smeared with the blood of a chicken),
She changed all those folk into birds and shrieked with demoniac venom:
"Fly away over the land, moaning your Peter forever,
Croaking of Peter, the boy who didn't believe there were hoodoos,
Crooning of Peter, the fool who scouted at stories of witches,
Crying of Peter for aye, forever outcalling for Peter!"

This is the story they tell; so in good sooth saith the legend;
As I have told it to you, so tell the folk and the legend.
That it is true I believe, for on the breezes this morning
Come the shrill voices of birds calling and calling for Peter;
Out of the maple and beech glitter the eyes of the wailers,
Peeping and peering for him who formerly lived in these places--
Peter, the heretic lad, lazy and careless and dreaming,
Sorely afflicted with books and with pubescent paresis,
Hating the things of the farm, care of the barn and the garden,
Always neglecting his chores--given to books and to reading,
Which, as all people allow, turn the young person to mischief,
Harden his heart against toil, wean his affections from tillage.

This is the legend of yore told in the state of Kentucky
When in the springtime the birds call from the beeches and maples,
Call from the petulant thorn, call from the acrid persimmon;
When from the woods by the creek and from the pastures and meadows,
When from the spring house and lane and from the mint-bed and orchard,
When from the redbud and gum and from the redolent lilac,
When from the dirt roads and pikes cometh that calling for Peter;
Cometh the dolorous cry, cometh that weird iteration
Of "Peter" and "Peter" for aye, of "Peter" and "Peter" forever!
This is the legend of old, told in the tum-titty meter
Which the great poets prefer, being less labor than rhyming
(My first attempt at the same, my last attempt, too, I reckon!);
Nor have I further to say, for the sad story is ended.
Written by Robert William Service | Create an image from this poem

Death In The Arctic

 I

I took the clock down from the shelf;
"At eight," said I, "I shoot myself."
It lacked a minute of the hour,
And as I waited all a-cower,
A skinful of black, boding pain,
Bits of my life came back again. . . .

"Mother, there's nothing more to eat --
Why don't you go out on the street?
Always you sit and cry and cry;
Here at my play I wonder why.
Mother, when you dress up at night,
Red are your cheeks, your eyes are bright;
Twining a ribband in your hair,
Kissing good-bye you go down-stair.
Then I'm as lonely as can be.
Oh, how I wish you were with me!
Yet when you go out on the street,
Mother, there's always lots to eat. . . ."

II

For days the igloo has been dark;
But now the rag wick sends a spark
That glitters in the icy air,
And wakes frost sapphires everywhere;
Bright, bitter flames, that adder-like
Dart here and there, yet fear to strike
The gruesome gloom wherein they lie,
My comrades, oh, so keen to die!
And I, the last -- well, here I wait
The clock to strike the hour of eight. . . .

"Boy, it is bitter to be hurled
Nameless and naked on the world;
Frozen by night and starved by day,
Curses and kicks and clouts your pay.
But you must fight! Boy, look on me!
Anarch of all earth-misery;
Beggar and tramp and shameless sot;
Emblem of ill, in rags that rot.
Would you be foul and base as I?
Oh, it is better far to die!
Swear to me now you'll fight and fight,
Boy, or I'll kill you here to-night. . . ."

III

Curse this silence soft and black!
Sting, little light, the shadows back!
Dance, little flame, with freakish glee!
Twinkle with brilliant mockery!
Glitter on ice-robed roof and floor!
Jewel the bear-skin of the door!
Gleam in my beard, illume my breath,
Blanch the clock face that times my death!
But do not pierce that murk so deep,
Where in their sleeping-bags they sleep!
But do not linger where they lie,
They who had all the luck to die! . . .

"There is nothing more to say;
Let us part and go our way.
Since it seems we can't agree,
I will go across the sea.
Proud of heart and strong am I;
Not for woman will I sigh;
Hold my head up gay and glad:
You can find another lad. . . ."

IV

Above the igloo piteous flies
Our frayed flag to the frozen skies.
Oh, would you know how earth can be
A hell -- go north of Eighty-three!
Go, scan the snows day after day,
And hope for help, and pray and pray;
Have seal-hide and sea-lice to eat;
Melt water with your body's heat;
Sleep all the fell, black winter through
Beside the dear, dead men you knew.
(The walrus blubber flares and gleams --
O God! how long a minute seems!) . . .

"Mary, many a day has passed,
Since that morn of hot-head youth.
Come I back at last, at last,
Crushed with knowing of the truth;
How through bitter, barren years
You loved me, and me alone;
Waited, wearied, wept your tears --
Oh, could I atone, atone,
I would pay a million-fold!
Pay you for the love you gave.
Mary, look down as of old --
I am kneeling by your grave." . . .

V

Olaf, the Blonde, was first to go;
Bitten his eyes were by the snow;
Sightless and sealed his eyes of blue,
So that he died before I knew.
Here in those poor weak arms he died:
"Wolves will not get you, lad," I lied;
"For I will watch till Spring come round;
Slumber you shall beneath the ground."
Oh, how I lied! I scarce can wait:
Strike, little clock, the hour of eight! . . .

"Comrade, can you blame me quite?
The horror of the long, long night
Is on me, and I've borne with pain
So long, and hoped for help in vain.
So frail am I, and blind and dazed;
With scurvy sick, with silence crazed.
Beneath the Arctic's heel of hate,
Avid for Death I wait, I wait.
Oh if I falter, fail to fight,
Can you, dear comrade, blame me quite?" . . .

VI

Big Eric gave up months ago.
But seldom do men suffer so.
His feet sloughed off, his fingers died,
His hands shrunk up and mummified.
I had to feed him like a child;
Yet he was valiant, joked and smiled,
Talked of his wife and little one
(Thanks be to God that I have none),
Passed in the night without a moan,
Passed, and I'm here, alone, alone. . . .

"I've got to kill you, Dick.
Your life for mine, you know.
Better to do it quick,
A swift and sudden blow.
See! here's my hand to lick;
A hug before you go --
God! but it makes me sick:
Old dog, I love you so.
Forgive, forgive me, Dick --
A swift and sudden blow. . . ."

VII

Often I start up in the dark,
Thinking the sound of bells to hear.
Often I wake from sleep: "Oh, hark!
Help . . . it is coming . . . near and near."
Blindly I reel toward the door;
There the snow billows bleak and bare;
Blindly I seek my den once more,
Silence and darkness and despair.
Oh, it is all a dreadful dream!
Scurvy and cold and death and dearth;
I will awake to warmth and gleam,
Silvery seas and greening earth.
Life is a dream, its wakening,
Death, gentle shadow of God's wing. . . .

"Tick, little clock, my life away!
Even a second seems a day.
Even a minute seems a year,
Peopled with ghosts, that press and peer
Into my face so charnel white,
Lit by the devilish, dancing light.
Tick, little clock! mete out my fate:
Tortured and tense I wait, I wait. . . ."

VIII

Oh, I have sworn! the hour is nigh:
When it strikes eight, I die, I die.
Raise up the gun -- it stings my brow --
When it strikes eight . . . all ready . . . now --

* * * * *

Down from my hand the weapon dropped;
Wildly I stared. . . .
 THE CLOCK HAD STOPPED.

IX

Phantoms and fears and ghosts have gone.
Peace seems to nestle in my brain.
Lo! the clock stopped, I'm living on;
Heart-sick I was, and less than sane.
Yet do I scorn the thing I planned,
Hearing a voice: "O coward, fight!"
Then the clock stopped . . . whose was the hand?
Maybe 'twas God's -- ah well, all's right.
Heap on me darkness, fold on fold!
Pain! wrench and rack me! What care I?
Leap on me, hunger, thirst and cold!
I will await my time to die;
Looking to Heaven that shines above;
Looking to God, and love . . . and love.

X

Hark! what is that? Bells, dogs again!
Is it a dream? I sob and cry.
See! the door opens, fur-clad men
Rush to my rescue; frail am I;
Feeble and dying, dazed and glad.
There is the pistol where it dropped.
"Boys, it was hard -- but I'm not mad. . . .
Look at the clock -- it stopped, it stopped.
Carry me out. The heavens smile.
See! there's an arch of gold above.
Now, let me rest a little while --
Looking to God and Love . . .and Love . . ."
Written by Andrew Barton Paterson | Create an image from this poem

Johnson's Antidote

 Down along the Snakebite River, where the overlanders camp, 
Where the serpents are in millions, all of the most deadly stamp; 
Where the station-cook in terror, nearly every time he bakes, 
Mixes up among the doughboys half-a-dozen poison-snakes: 
Where the wily free-selector walks in armour-plated pants, 
And defies the stings of scorpions, and the bites of bull-dog ants: 
Where the adder and the viper tear each other by the throat,— 
There it was that William Johnson sought his snake-bite antidote. 
Johnson was a free-selector, and his brain went rather *****, 
For the constant sight of serpents filled him with a deadly fear; 
So he tramped his free-selection, morning, afternoon, and night, 
Seeking for some great specific that would cure the serpent’s bite. 
Till King Billy, of the Mooki, chieftain of the flour-bag head, 
Told him, “Spos’n snake bite pfeller, pfeller mostly drop down dead; 
Spos’n snake bite old goanna, then you watch a while you see, 
Old goanna cure himself with eating little pfeller tree.” 
“That’s the cure,” said William Johnson, “point me out this plant sublime,” 
But King Billy, feeling lazy, said he’d go another time. 
Thus it came to pass that Johnson, having got the tale by rote, 
Followed every stray goanna, seeking for the antidote. 


. . . . . 
Loafing once beside the river, while he thought his heart would break, 
There he saw a big goanna fighting with a tiger-snake, 
In and out they rolled and wriggled, bit each other, heart and soul, 
Till the valiant old goanna swallowed his opponent whole. 
Breathless, Johnson sat and watched him, saw him struggle up the bank, 
Saw him nibbling at the branches of some bushes, green and rank; 
Saw him, happy and contented, lick his lips, as off he crept, 
While the bulging in his stomach showed where his opponent slept. 
Then a cheer of exultation burst aloud from Johnson’s throat; 
“Luck at last,” said he, “I’ve struck it! ’tis the famous antidote. 

“Here it is, the Grand Elixir, greatest blessing ever known,— 
Twenty thousand men in India die each year of snakes alone. 
Think of all the foreign nations, *****, chow, and blackamoor, 
Saved from sudden expiration, by my wondrous snakebite cure. 
It will bring me fame and fortune! In the happy days to be, 
Men of every clime and nation will be round to gaze on me— 
Scientific men in thousands, men of mark and men of note, 
Rushing down the Mooki River, after Johnson’s antidote. 
It will cure delirium tremens, when the patient’s eyeballs stare 
At imaginary spiders, snakes which really are not there. 
When he thinks he sees them wriggle, when he thinks he sees them bloat, 
It will cure him just to think of Johnson’s Snakebite Antidote.” 

Then he rushed to the museum, found a scientific man— 
“Trot me out a deadly serpent, just the deadliest you can; 
I intend to let him bite me, all the risk I will endure, 
Just to prove the sterling value of my wondrous snakebite cure. 
Even though an adder bit me, back to life again I’d float; 
Snakes are out of date, I tell you, since I’ve found the antidote.” 
Said the scientific person, “If you really want to die, 
Go ahead—but, if you’re doubtful, let your sheep-dog have a try. 
Get a pair of dogs and try it, let the snake give both a nip; 
Give your dog the snakebite mixture, let the other fellow rip; 
If he dies and yours survives him, then it proves the thing is good. 
Will you fetch your dog and try it?” Johnson rather thought he would. 
So he went and fetched his canine, hauled him forward by the throat. 
“Stump, old man,” says he, “we’ll show them we’ve the genwine antidote.” 

Both the dogs were duly loaded with the poison-gland’s contents; 
Johnson gave his dog the mixture, then sat down to wait events. 
“Mark,” he said, “in twenty minutes Stump’ll be a-rushing round, 
While the other wretched creature lies a corpse upon the ground.” 
But, alas for William Johnson! ere they’d watched a half-hour’s spell 
Stumpy was as dead as mutton, t’other dog was live and well. 
And the scientific person hurried off with utmost speed, 
Tested Johnson’s drug and found it was a deadly poison-weed; 
Half a tumbler killed an emu, half a spoonful killed a goat, 
All the snakes on earth were harmless to that awful antidote. 


. . . . . 
Down along the Mooki River, on the overlanders’ camp, 
Where the serpents are in millions, all of the most deadly stamp, 
Wanders, daily, William Johnson, down among those poisonous hordes, 
Shooting every stray goanna, calls them “black and yaller frauds”. 
And King Billy, of the Mooki, cadging for the cast-off coat, 
Somehow seems to dodge the subject of the snake-bite antidote.


Written by Edna St. Vincent Millay | Create an image from this poem

The Singing-Woman From The Woods Edge

 What should I be but a prophet and a liar,
Whose mother was a leprechaun, whose father was a friar?
Teethed on a crucifix and cradled under water,
What should I be but the fiend's god-daughter?

And who should be my playmates but the adder and the frog,
That was got beneath a furze-bush and born in a bog?
And what should be my singing, that was christened at an altar,
But Aves and Credos and Psalms out of the Psalter?

You will see such webs on the wet grass, maybe,
As a pixie-mother weaves for her baby,
You will find such flame at the wave's weedy ebb
As flashes in the meshes of a mer-mother's web,

But there comes to birth no common spawn
From the love a a priest for a leprechaun,
And you never have seen and you never will see
Such things as the things that swaddled me!

After all's said and after all's done,
What should I be but a harlot and a nun?

In through the bushes, on any foggy day,
My Da would come a-swishing of the drops away,
With a prayer for my death and a groan for my birth,
A-mumbling of his beads for all that he was worth.

And there'd sit my Ma, with her knees beneath her chin,
A-looking in his face and a-drinking of it in,
And a-marking in the moss some funny little saying
That would mean just the opposite of all that he was praying!

He taught me the holy-talk of Vesper and of Matin,
He heard me my Greek and he heard me my Latin,
He blessed me and crossed me to keep my soul from evil,
And we watched him out of sight, and we conjured up the devil!

Oh, the things I haven't seen and the things I haven't known,
What with hedges and ditches till after I was grown,
And yanked both way by my mother and my father,
With a "Which would you better?" and a " Which would you
rather?"

With him for a sire and her for a dam,
What should I be but just what I am?
Written by Edna St. Vincent Millay | Create an image from this poem

The Singing-Woman from the Woods Edge

 What should I be but a prophet and a liar,
Whose mother was a leprechaun, whose father was a friar?
Teethed on a crucifix and cradled under water,
What should I be but the fiend's god-daughter?

And who should be my playmates but the adder and the frog,
That was got beneath a furze-bush and born in a bog?
And what should be my singing, that was christened at an altar,
But Aves and Credos and Psalms out of the Psalter?

You will see such webs on the wet grass, maybe,
As a pixie-mother weaves for her baby,
You will find such flame at the wave's weedy ebb
As flashes in the meshes of a mer-mother's web,

But there comes to birth no common spawn
From the love a a priest for a leprechaun,
And you never have seen and you never will see
Such things as the things that swaddled me!

After all's said and after all's done,
What should I be but a harlot and a nun?

In through the bushes, on any foggy day,
My Da would come a-swishing of the drops away,
With a prayer for my death and a groan for my birth,
A-mumbling of his beads for all that he was worth.

And there'd sit my Ma, with her knees beneath her chin,
A-looking in his face and a-drinking of it in,
And a-marking in the moss some funny little saying
That would mean just the opposite of all that he was praying!

He taught me the holy-talk of Vesper and of Matin,
He heard me my Greek and he heard me my Latin,
He blessed me and crossed me to keep my soul from evil,
And we watched him out of sight, and we conjured up the devil!

Oh, the things I haven't seen and the things I haven't known,
What with hedges and ditches till after I was grown,
And yanked both way by my mother and my father,
With a "Which would you better?" and a " Which would you
rather?"

With him for a sire and her for a dam,
What should I be but just what I am?
Written by Edwin Muir | Create an image from this poem

The Combat

 It was not meant for human eyes,
That combat on the shabby patch
Of clods and trampled turf that lies
Somewhere beneath the sodden skies
For eye of toad or adder to catch.

And having seen it I accuse
The crested animal in his pride,
Arrayed in all the royal hues
Which hide the claws he well can use
To tear the heart out of the side.

Body of leopard, eagle's head
And whetted beak, and lion's mane,
And frost-grey hedge of feathers spread
Behind -- he seemed of all things bred.
I shall not see his like again.

As for his enemy there came in
A soft round beast as brown as clay;
All rent and patched his wretched skin;
A battered bag he might have been,
Some old used thing to throw away.

Yet he awaited face to face
The furious beast and the swift attack.
Soon over and done. That was no place
Or time for chivalry or for grace.
The fury had him on his back.

And two small paws like hands flew out
To right and left as the trees stood by.
One would have said beyond a doubt
That was the very end of the bout,
But that the creature would not die.

For ere the death-stroke he was gone,
Writhed, whirled, into his den,
Safe somehow there. The fight was done,
And he had lost who had all but won.
But oh his deadly fury then.

A while the place lay blank, forlorn,
Drowsing as in relief from pain.
The cricket chirped, the grating thorn
Stirred, and a little sound was born.
The champions took their posts again.

And all began. The stealthy paw
Slashed out and in. Could nothing save
These rags and tatters from the claw?
Nothing. And yet I never saw
A beast so helpless and so brave.

And now, while the trees stand watching, still
The unequal battle rages there.
The killing beast that cannot kill
Swells and swells in his fury till
You'd almost think it was despair.
Written by Emily Dickinson | Create an image from this poem

We like March

 We like March.
His Shoes are Purple --
He is new and high --
Makes he Mud for Dog and Peddler.
Makes he Forests dry.
Knows the Adder Tongue his coming
And presents her Spot --
Stands the Sun so close and mighty
That our Minds are hot.

News is he of all the others --
Bold it were to die
With the Blue Birds exercising
On his British Sky.

---

We like March -- his shoes are Purple.
He is new and high --
Makes he Mud for Dog and Peddler --
Makes he Forests Dry --
Knows the Adder's Tongue his coming
And begets her spot --
Stands the Sun so close and mighty --
That our Minds are hot.
News is he of all the others --
Bold it were to die
With the Blue Birds buccaneering
On his British sky --
Written by Isaac Watts | Create an image from this poem

Psalm 58

 Warning to magistrates.

Judges, who rule the world by laws,
Will ye despise the righteous cause,
When th' injured poor before you stands?
Dare ye condemn the righteous poor,
And let rich sinners 'scape secure,
While gold and greatness bribe your hands?

Have ye forgot, or never knew,
That God will judge the judges too?
High in the heav'ns his justice reigns;
Yet you invade the rights of God,
And send your bold decrees abroad,
To bind the conscience in your chains.

A poisoned arrow is your tongue,
The arrow sharp, the poison strong,
And death attends where'er it wounds:
You hear no counsels, cries, or tears;
So the deaf adder stops her ears
Against the power of charming sounds.

Break out their teeth, eternal God,
Those teeth of lions dyed in blood;
And crush the serpents in the dust:
As empty chaff when whirlwinds rise
Before the sweeping tempest flies,
So let their hopes and names be lost.

Th' Almighty thunders from the sky,
Their grandeur melts, their titles die,
As hills of snow dissolve and run,
Or snails that perish in their slime,
Or births that come before their time,
Vain births, that never see the sun.

Thus shall the vengeance of the Lord
Safety and joy to saints afford;
And all that hear shall join and say,
"Sure there's a God that rules on high,
A God that hears his children cry,
And will their suff'rings well repay."

Book: Reflection on the Important Things