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Best Famous Adapted Poems

Here is a collection of the all-time best famous Adapted poems. This is a select list of the best famous Adapted poetry. Reading, writing, and enjoying famous Adapted poetry (as well as classical and contemporary poems) is a great past time. These top poems are the best examples of adapted poems.

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Written by John Betjeman | Create an image from this poem

Mortality

 The first-class brains of a senior civil servant
Shiver and shatter and fall
As the steering column of his comfortable Humber
Batters in the bony wall.
All those delicate re-adjustments "On the one hand, if we proceed With the ad hoc policy hitherto adapted To individual need.
.
.
On the other hand, too rigid an arrangement Might, of itself, perforce.
.
.
I would like to submit for the Minister's concurrence The following alternative course, Subject to revision and reconsideration In the light of our experience gains.
.
.
" And this had to happen at the corner where the by-pass Comes into Egham out of Staines.
That very near miss for an All Souls' Fellowship The recent compensation of a 'K' - The first-class brains of a senior civil servant Are sweetbread on the road today.


Written by Elizabeth Barrett Browning | Create an image from this poem

Lord Walters Wife

 I

'But where do you go?' said the lady, while both sat under the yew,
And her eyes were alive in their depth, as the kraken beneath the sea-blue.
II 'Because I fear you,' he answered;--'because you are far too fair, And able to strangle my soul in a mesh of your golfd-coloured hair.
' III 'Oh that,' she said, 'is no reason! Such knots are quickly undone, And too much beauty, I reckon, is nothing but too much sun.
' IV 'Yet farewell so,' he answered; --'the sunstroke's fatal at times.
I value your husband, Lord Walter, whose gallop rings still from the limes.
V 'Oh that,' she said, 'is no reason.
You smell a rose through a fence: If two should smell it what matter? who grumbles, and where's the pretense? VI 'But I,' he replied, 'have promised another, when love was free, To love her alone, alone, who alone from afar loves me.
' VII 'Why, that,' she said, 'is no reason.
Love's always free I am told.
Will you vow to be safe from the headache on Tuesday, and think it will hold? VIII 'But you,' he replied, 'have a daughter, a young child, who was laid In your lap to be pure; so I leave you: the angels would make me afraid.
" IX 'Oh that,' she said, 'is no reason.
The angels keep out of the way; And Dora, the child, observes nothing, although you should please me and stay.
' X At which he rose up in his anger,--'Why now, you no longer are fair! Why, now, you no longer are fatal, but ugly and hateful, I swear.
' XI At which she laughed out in her scorn: 'These men! Oh these men overnice, Who are shocked if a colour not virtuous is frankly put on by a vice.
' XII Her eyes blazed upon him--'And you! You bring us your vices so near That we smell them! You think in our presence a thought 'twould defame us to hear! XIII 'What reason had you, and what right,--I appel to your soul from my life,-- To find me so fair as a woman? Why, sir, I am pure, and a wife.
XIV 'Is the day-star too fair up above you? It burns you not.
Dare you imply I brushed you more close than the star does, when Walter had set me as high? XV 'If a man finds a woman too fair, he means simply adapted too much To use unlawful and fatal.
The praise! --shall I thank you for such? XVI 'Too fair?--not unless you misuse us! and surely if, once in a while, You attain to it, straightaway you call us no longer too fair, but too vile.
XVII 'A moment,--I pray your attention!--I have a poor word in my head I must utter, though womanly custom would set it down better unsaid.
XVIII 'You grew, sir, pale to impertinence, once when I showed you a ring.
You kissed my fan when I dropped it.
No matter! I've broken the thing.
XIX 'You did me the honour, perhaps, to be moved at my side now and then In the senses--a vice, I have heard, which is common to beasts and some men.
XX 'Love's a virtue for heroes!--as white as the snow on high hills, And immortal as every great soul is that struggles, endures, and fulfils.
XXI 'I love my Walter profoundly,--you, Maude, though you faltered a week, For the sake of .
.
.
what is it--an eyebrow? or, less still, a mole on the cheek? XXII 'And since, when all's said, you're too noble to stoop to the frivolous cant About crimes irresistable, virtues that swindle, betray and supplant.
XXIII 'I determined to prove to yourself that, whate'er you might dream or avow By illusion, you wanted precisely no more of me than you have now.
XXIV 'There! Look me full in the face!--in the face.
Understand, if you can, That the eyes of such women as I am are clean as the palm of a man.
XXV 'Drop his hand, you insult him.
Avoid us for fear we should cost you a scar-- You take us for harlots, I tell you, and not for the women we are.
XXVI 'You wronged me: but then I considered .
.
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there's Walter! And so at the end I vowed that he should not be mulcted, by me, in the hand of a friend.
XXVII 'Have I hurt you indeed? We are quits then.
Nay, friend of my Walter, be mine! Come, Dora, my darling, my angel, and help me to ask him to dine.
'
Written by Lewis Carroll | Create an image from this poem

Phantasmagoria CANTO IV ( Hys Nouryture )

 "OH, when I was a little Ghost, 
A merry time had we! 
Each seated on his favourite post, 
We chumped and chawed the buttered toast 
They gave us for our tea.
" "That story is in print!" I cried.
"Don't say it's not, because It's known as well as Bradshaw's Guide!" (The Ghost uneasily replied He hardly thought it was).
"It's not in Nursery Rhymes? And yet I almost think it is - 'Three little Ghosteses' were set 'On posteses,' you know, and ate Their 'buttered toasteses.
' "I have the book; so if you doubt it - " I turned to search the shelf.
"Don't stir!" he cried.
"We'll do without it: I now remember all about it; I wrote the thing myself.
"It came out in a 'Monthly,' or At least my agent said it did: Some literary swell, who saw It, thought it seemed adapted for The Magazine he edited.
"My father was a Brownie, Sir; My mother was a Fairy.
The notion had occurred to her, The children would be happier, If they were taught to vary.
"The notion soon became a craze; And, when it once began, she Brought us all out in different ways - One was a Pixy, two were Fays, Another was a Banshee; "The Fetch and Kelpie went to school And gave a lot of trouble; Next came a Poltergeist and Ghoul, And then two Trolls (which broke the rule), A Goblin, and a Double - "(If that's a snuff-box on the shelf," He added with a yawn, "I'll take a pinch) - next came an Elf, And then a Phantom (that's myself), And last, a Leprechaun.
"One day, some Spectres chanced to call, Dressed in the usual white: I stood and watched them in the hall, And couldn't make them out at all, They seemed so strange a sight.
"I wondered what on earth they were, That looked all head and sack; But Mother told me not to stare, And then she twitched me by the hair, And punched me in the back.
"Since then I've often wished that I Had been a Spectre born.
But what's the use?" (He heaved a sigh.
) "THEY are the ghost-nobility, And look on US with scorn.
"My phantom-life was soon begun: When I was barely six, I went out with an older one - And just at first I thought it fun, And learned a lot of tricks.
"I've haunted dungeons, castles, towers - Wherever I was sent: I've often sat and howled for hours, Drenched to the skin with driving showers, Upon a battlement.
"It's quite old-fashioned now to groan When you begin to speak: This is the newest thing in tone - " And here (it chilled me to the bone) He gave an AWFUL squeak.
"Perhaps," he added, "to YOUR ear That sounds an easy thing? Try it yourself, my little dear! It took ME something like a year, With constant practising.
"And when you've learned to squeak, my man, And caught the double sob, You're pretty much where you began: Just try and gibber if you can! That's something LIKE a job! "I'VE tried it, and can only say I'm sure you couldn't do it, e- ven if you practised night and day, Unless you have a turn that way, And natural ingenuity.
"Shakspeare I think it is who treats Of Ghosts, in days of old, Who 'gibbered in the Roman streets,' Dressed, if you recollect, in sheets - They must have found it cold.
"I've often spent ten pounds on stuff, In dressing as a Double; But, though it answers as a puff, It never has effect enough To make it worth the trouble.
"Long bills soon quenched the little thirst I had for being funny.
The setting-up is always worst: Such heaps of things you want at first, One must be made of money! "For instance, take a Haunted Tower, With skull, cross-bones, and sheet; Blue lights to burn (say) two an hour, Condensing lens of extra power, And set of chains complete: "What with the things you have to hire - The fitting on the robe - And testing all the coloured fire - The outfit of itself would tire The patience of a Job! "And then they're so fastidious, The Haunted-House Committee: I've often known them make a fuss Because a Ghost was French, or Russ, Or even from the City! "Some dialects are objected to - For one, the IRISH brogue is: And then, for all you have to do, One pound a week they offer you, And find yourself in Bogies!
Written by Ralph Waldo Emerson | Create an image from this poem

Musketaquid

 Because I was content with these poor fields, 
Low, open meads, slender and sluggish streams, 
And found a home in haunts which others scorned, 
The partial wood-gods overpaid my love, 
And granted me the freedom of their state, 
And in their secret senate have prevailed 
With the dear, dangerous lords that rule our life, 
Made moon and planets parties to their bond, 
And through my rock-like, solitary wont 
Shot million rays of thought and tenderness.
For me, in showers, insweeping showers, the Spring Visits the valley;--break away the clouds,-- I bathe in the morn's soft and silvered air, And loiter willing by yon loitering stream.
Sparrows far off, and nearer, April's bird, Blue-coated, flying before from tree to tree, Courageous sing a delicate overture To lead the tardy concert of the year.
Onward and nearer rides the sun of May; And wide around, the marriage of the plants Is sweetly solemnized.
Then flows amain The surge of summer's beauty; dell and crag, Hollow and lake, hillside and pine arcade, Are touched with genius.
Yonder ragged cliff Has thousand faces in a thousand hours.
Beneath low hills, in the broad interval Through which at will our Indian rivulet Winds mindful still of sannup and of squaw, Whose pipe and arrow oft the plough unburies, Here in pine houses built of new-fallen trees, Supplanters of the tribe, the farmers dwell.
Traveller, to thee, perchance, a tedious road, Or, it may be, a picture; to these men, The landscape is an armory of powers, Which, one by one, they know to draw and use.
They harness beast, bird, insect, to their work; They prove the virtues of each bed of rock, And, like the chemist 'mid his loaded jars Draw from each stratum its adapted use To drug their crops or weapon their arts withal.
They turn the frost upon their chemic heap, They set the wind to winnow pulse and grain, They thank the spring-flood for its fertile slime, And, on cheap summit-levels of the snow, Slide with the sledge to inaccessible woods O'er meadows bottomless.
So, year by year, They fight the elements with elements (That one would say, meadow and forest walked.
Transmuted in these men to rule their like), And by the order in the field disclose The order regnant in the yeoman's brain.
What these strong masters wrote at large in miles, I followed in small copy in my acre; For there's no rood has not a star above it; The cordial quality of pear or plum Ascends as gladly in a single tree As in broad orchards resonant with bees; And every atom poises for itself, And for the whole.
The gentle deities Showed me the lore of colors and of sounds, The innumerable tenements of beauty, The miracle of generative force, Far-reaching concords of astronomy Felt in the plants and in the punctual birds; Better, the linked purpose of the whole, And, chiefest prize, found I true liberty In the glad home plain-dealing Nature gave.
The polite found me impolite; the great Would mortify me, but in vain; for still I am a willow of the wilderness, Loving the wind that bent me.
All my hurts My garden spade can heal.
A woodland walk, A quest of river-grapes, a mocking thrush, A wild-rose, or rock-loving columbine, Salve my worst wounds.
For thus the wood-gods murmured in my ear: 'Dost love our mannersi Canst thou silent lie? Canst thou, thy pride forgot, like Nature pass Into the winter night's extinguished mood? Canst thou shine now, then darkle, And being latent, feel thyself no less? As, when the all-worshipped moon attracts the eye, The river, hill, stems, foliage are obscure, Yet envies none, none are unenviable.
'
Written by Ralph Waldo Emerson | Create an image from this poem

Musketaquid

 Because I was content with these poor fields,
Low open meads, slender and sluggish streams,
And found a home in haunts which others scorned,
The partial wood-gods overpaid my love,
And granted me the freedom of their state,
And in their secret senate have prevailed
With the dear dangerous lords that rule our life,
Made moon and planets parties to their bond,
And pitying through my solitary wont
Shot million rays of thought and tenderness.
For me in showers, in sweeping showers, the spring Visits the valley:—break away the clouds, I bathe in the morn's soft and silvered air, And loiter willing by yon loitering stream.
Sparrows far off, and, nearer, yonder bird Blue-coated, flying before, from tree to tree, Courageous sing a delicate overture, To lead the tardy concert of the year.
Onward, and nearer draws the sun of May, And wide around the marriage of the plants Is sweetly solemnized; then flows amain The surge of summer's beauty; dell and crag, Hollow and lake, hill-side, and pine arcade, Are touched with genius.
Yonder ragged cliff Has thousand faces in a thousand hours.
Here friendly landlords, men ineloquent, Inhabit, and subdue the spacious farms.
Traveller! to thee, perchance, a tedious road, Or soon forgotten picture,— to these men The landscape is an armory of powers, Which, one by one, they know to draw and use.
They harness, beast, bird, insect, to their work; They prove the virtues of each bed of rock, And, like a chemist 'mid his loaded jars, Draw from each stratum its adapted use, To drug their crops, or weapon their arts withal.
They turn the frost upon their chemic heap; They set the wind to winnow vetch and grain; They thank the spring-flood for its fertile slime; And, on cheap summit-levels of the snow, Slide with the sledge to inaccessible woods, O'er meadows bottomless.
So, year by year, They fight the elements with elements, (That one would say, meadow and forest walked Upright in human shape to rule their like.
) And by the order in the field disclose, The order regnant in the yeoman's brain.
What these strong masters wrote at large in miles, I followed in small copy in my acre: For there's no rood has not a star above it; The cordial quality of pear or plum Ascends as gladly in a single tree, As in broad orchards resonant with bees; And every atom poises for itself, And for the whole.
The gentle Mother of all Showed me the lore of colors and of sounds; The innumerable tenements of beauty; The miracle of generative force; Far-reaching concords of astronomy Felt in the plants and in the punctual birds; Mainly, the linked purpose of the whole; And, chiefest prize, found I true liberty, The home of homes plain-dealing Nature gave.
The polite found me impolite; the great Would mortify me, but in vain: I am a willow of the wilderness, Loving the wind that bent me.
All my hurts My garden-spade can heal.
A woodland walk, A wild rose, or rock-loving columbine, Salve my worst wounds, and leave no cicatrice.
For thus the wood-gods murmured in my ear, Dost love our manners? Canst thou silent lie? Canst thou, thy pride forgot, like nature pass Into the winter night's extinguished mood? Canst thou shine now, then darkle, And being latent, feel thyself no less? As when the all-worshipped moon attracts the eye, The river, hill, stems, foliage, are obscure, Yet envies none, none are unenviable.


Written by Victor Hugo | Create an image from this poem

THE GIANT IN GLEE

 ("Ho, guerriers! je suis né dans le pays des Gaules.") 
 
 {V., March 11, 1825.} 


 Ho, warriors! I was reared in the land of the Gauls; 
 O'er the Rhine my ancestors came bounding like balls 
 Of the snow at the Pole, where, a babe, I was bathed 
 Ere in bear and in walrus-skin I was enswathed. 
 
 Then my father was strong, whom the years lowly bow,— 
 A bison could wallow in the grooves of his brow. 
 He is weak, very old—he can scarcely uptear 
 A young pine-tree for staff since his legs cease to bear; 
 
 But here's to replace him!—I can toy with his axe; 
 As I sit on the hill my feet swing in the flax, 
 And my knee caps the boulders and troubles the trees. 
 How they shiver, yea, quake if I happen to sneeze! 
 
 I was still but a springald when, cleaving the Alps, 
 I brushed snowy periwigs off granitic scalps, 
 And my head, o'er the pinnacles, stopped the fleet clouds, 
 Where I captured the eagles and caged them by crowds. 
 
 There were tempests! I blew them back into their source! 
 And put out their lightnings! More than once in a course, 
 Through the ocean I went wading after the whale, 
 And stirred up the bottom as did never a gale. 
 
 Fond of rambling, I hunted the shark 'long the beach, 
 And no osprey in ether soared out of my reach; 
 And the bear that I pinched 'twixt my finger and thumb, 
 Like the lynx and the wolf, perished harmless and dumb. 
 
 But these pleasures of childhood have lost all their zest; 
 It is warfare and carnage that now I love best: 
 The sounds that I wish to awaken and hear 
 Are the cheers raised by courage, the shrieks due to fear; 
 
 When the riot of flames, ruin, smoke, steel and blood, 
 Announces an army rolls along as a flood, 
 Which I follow, to harry the clamorous ranks, 
 Sharp-goading the laggards and pressing the flanks, 
 Till, a thresher 'mid ripest of corn, up I stand 
 With an oak for a flail in my unflagging hand. 
 
 Rise the groans! rise the screams! on my feet fall vain tears 
 As the roar of my laughter redoubles their fears. 
 I am naked. At armor of steel I should joke— 
 True, I'm helmed—a brass pot you could draw with ten yoke. 
 
 I look for no ladder to invade the king's hall— 
 I stride o'er the ramparts, and down the walls fall, 
 Till choked are the ditches with the stones, dead and quick, 
 Whilst the flagstaff I use 'midst my teeth as a pick. 
 
 Oh, when cometh my turn to succumb like my prey, 
 May brave men my body snatch away from th' array 
 Of the crows—may they heap on the rocks till they loom 
 Like a mountain, befitting a colossus' tomb! 
 
 Foreign Quarterly Review (adapted) 


 




Written by Andrew Barton Paterson | Create an image from this poem

Swinging the Lead

 Said the soldier to the Surgeon, "I've got noises in me head 
And a kind o' filled up feeling after every time I'm fed; 
I can sleep all night on picket, but I can't sleep in my bed".
And the Surgeon said, "That's Lead!" Said the soldier to the Surgeon, "Do you think they'll send me back? For I really ain't adapted to be carrying a pack Though I've humped a case of whisky half a mile upon my back".
And the Surgeon said, "That's Lead!" "And my legs have swelled up cruel, I can hardly walk at all, Bur when the Taubes come over you should see me start to crawl; When we're sprinting for the dugout, I can easy beat 'em all".
And the Surgeon said, "That's Lead!" So they sent him to the trenches where he landed safe and sound, And he drew his ammunition, just about two fifty round: "Oh Sergeant, what's this heavy stuff I've got to hump around?" And the Sergeant said, "That's Lead!"

Book: Shattered Sighs