Written by
Thomas Gray |
Daughter of Jove, relentless Power,
Thou tamer of the human breast,
Whose iron scourge and tort'ring hour
The Bad affright, afflict the Best!
Bound in thy adamantine chain
The Proud are taught to taste of pain,
And purple Tyrants vainly groan
With pangs unfelt before, unpitied and alone.
When first thy Sire to send on earth
Virtue, his darling child, designed,
To thee he gave the heav'nly Birth,
And bade to form her infant mind.
Stern rugged Nurse! thy rigid lore
With patience many a year she bore:
What sorrow was, thou bad'st her know,
And from her own she learned to melt at others' woe.
Scared at thy frown terrific, fly
Self-pleasing Folly's idle brood,
Wild Laughter, Noise, and thoughtless Joy,
And leave us leisure to be good.
Light they disperse, and with them go
The summer Friend, the flatt'ring Foe;
By vain Prosperity received,
To her they vow their truth, and are again believed.
Wisdom in sable garb arrayed
Immersed in rapt'rous thought profound,
And Melancholy, silent maid
With leaden eye, that loves the ground,
Still on thy solemn steps attend:
Warm Charity, the gen'ral Friend,
With Justice, to herself severe,
And Pity dropping soft the sadly-pleasing tear.
Oh, gently on thy Suppliant's head,
Dread Goddess, lay thy chast'ning hand!
Not in thy Gorgon terrors clad,
Not circled with the vengeful Band
(As by the Impious thou art seen),
With thund'ring voice, and threat'ning mien,
With screaming Horror's funeral cry,
Despair, and fell Disease, and ghastly Poverty.
Thy form benign, O Goddess, wear,
Thy milder influence impart,
Thy philosophic Train be there
To soften, not to wound my heart.
The gen'rous spark extinct revive,
Teach me to love and to forgive,
Exact my own defects to scan,
What others are, to feel, and know myself a Man.
|
Written by
John Milton |
Part of an entertainment presented to the Countess Dowager of
Darby at Harefield, by som Noble persons of her Family, who
appear on the Scene in pastoral habit, moving toward the seat
of State with this Song.
I. SONG.
Look Nymphs, and Shepherds look,
What sudden blaze of majesty
Is that which we from hence descry
Too divine to be mistook:
This this is she
To whom our vows and wishes bend,
Heer our solemn search hath end.
Fame that her high worth to raise,
Seem'd erst so lavish and profuse,
We may justly now accuse
Of detraction from her praise,
Less then half we find exprest,
Envy bid conceal the rest.
Mark what radiant state she spreds,
In circle round her shining throne,
Shooting her beams like silver threds,
This this is she alone,
Sitting like a Goddes bright,
In the center of her light.
Might she the wise Latona be,
Or the towred Cybele,
Mother of a hunderd gods;
Juno dare's not give her odds;
Who had thought this clime had held
A deity so unparalel'd?
As they com forward, the genius of the Wood appears, and
turning toward them, speaks.
GEN. Stay gentle Swains, for though in this disguise,
I see bright honour sparkle through your eyes,
Of famous Arcady ye are, and sprung
Of that renowned flood, so often sung,
Divine Alpheus, who by secret sluse,
Stole under Seas to meet his Arethuse;
And ye the breathing Roses of the Wood,
Fair silver-buskind Nymphs as great and good,
I know this quest of yours, and free intent
Was all in honour and devotion ment
To the great Mistres of yon princely shrine,
Whom with low reverence I adore as mine,
And with all helpful service will comply
To further this nights glad solemnity;
And lead ye where ye may more neer behold
What shallow-searching Fame hath left untold;
Which I full oft amidst these shades alone
Have sate to wonder at, and gaze upon:
For know by lot from Jove I am the powr
Of this fair wood, and live in Oak'n bowr,
To nurse the Saplings tall, and curl the grove
With Ringlets quaint, and wanton windings wove.
And all my Plants I save from nightly ill,
Of noisom winds, and blasting vapours chill.
And from the Boughs brush off the evil dew,
And heal the harms of thwarting thunder blew,
Or what the cross dire-looking Planet smites,
Or hurtfull Worm with canker'd venom bites.
When Eev'ning gray doth rise, I fetch my round
Over the mount, and all this hallow'd ground,
And early ere the odorous breath of morn
Awakes the slumbring leaves, or tasseld horn
Shakes the high thicket, haste I all about,
Number my ranks, and visit every sprout
With puissant words, and murmurs made to bless,
But els in deep of night when drowsines
Hath lockt up mortal sense, then listen I
To the celestial Sirens harmony,
That sit upon the nine enfolded Sphears,
And sing to those that hold the vital shears,
And turn the Adamantine spindle round,
On which the fate of gods and men is wound.
Such sweet compulsion doth in musick ly,
To lull the daughters of Necessity,
And keep unsteddy Nature to her law,
And the low world in measur'd motion draw
After the heavenly tune, which none can hear
Of human mould with grosse unpurged ear;
And yet such musick worthiest were to blaze
The peerles height of her immortal praise,
Whose lustre leads us, and for her most fit,
If my inferior hand or voice could hit
Inimitable sounds, yet as we go,
What ere the skill of lesser gods can show,
I will assay, her worth to celebrate,
And so attend ye toward her glittering state;
Where ye may all that are of noble stemm
Approach, and kiss her sacred vestures hemm.
2. SONG.
O're the smooth enameld green
Where no print of step hath been,
Follow me as I sing,
And touch the warbled string.
Under the shady roof
Of branching Elm Star-proof,
Follow me,
I will bring you where she sits
Clad in splendor as befits
Her deity.
Such a rural Queen
All Arcadia hath not seen.
3. SONG.
Nymphs and Shepherds dance no more
By sandy Ladons Lillied banks.
On old Lycaeus or Cyllene hoar,
Trip no more in twilight ranks,
Though Erynanth your loss deplore,
A better soyl shall give ye thanks.
From the stony Maenalus,
Bring your Flocks, and live with us,
Here ye shall have greater grace,
To serve the Lady of this place.
Though Syrinx your Pans Mistres were,
Yet Syrinx well might wait on her.
Such a rural Queen
All Arcadia hath not seen.
Note: 22 hunderd] Milton's own spelling here is hundred. But in
the Errata to Paradise Lost (i. 760) he corrects hundred to hunderd.
|
Written by
Rupert Brooke |
Because God put His adamantine fate
Between my sullen heart and its desire,
I swore that I would burst the Iron Gate,
Rise up, and curse Him on His throne of fire.
Earth shuddered at my crown of blasphemy,
But Love was as a flame about my feet;
Proud up the Golden Stair I strode; and beat
Thrice on the Gate, and entered with a cry --
All the great courts were quiet in the sun,
And full of vacant echoes: moss had grown
Over the glassy pavement, and begun
To creep within the dusty council-halls.
An idle wind blew round an empty throne
And stirred the heavy curtains on the walls.
|
Written by
Gerard Manley Hopkins |
A buglar boy from barrack (it is over the hill
There)—boy bugler, born, he tells me, of Irish
Mother to an English sire (he
Shares their best gifts surely, fall how things will),
This very very day came down to us after a boon he on
My late being there begged of me, overflowing
Boon in my bestowing,
Came, I say, this day to it—to a First Communion.
Here he knelt then ín regimental red.
Forth Christ from cupboard fetched, how fain I of feet
To his youngster take his treat!
Low-latched in leaf-light housel his too huge godhead.
There! and your sweetest sendings, ah divine,
By it, heavens, befall him! as a heart Christ's darling, dauntless;
Tongue true, vaunt- and tauntless;
Breathing bloom of a chastity in mansex fine.
Frowning and forefending angel-warder
Squander the hell-rook ranks sally to molest him;
March, kind comrade, abreast him;
Dress his days to a dexterous and starlight order.
How it dóes my heart good, visiting at that bleak hill,
When limber liquid youth, that to all I teach
Yields tender as a pushed peach,
Hies headstrong to its wellbeing of a self-wise self-will!
Then though I should tread tufts of consolation
Dáys áfter, só I in a sort deserve to
And do serve God to serve to
Just such slips of soldiery Christ's royal ration.
Nothing élse is like it, no, not all so strains
Us: fresh youth fretted in a bloomfall all portending
That sweet's sweeter ending;
Realm both Christ is heir to and thére réigns.
O now well work that sealing sacred ointment!
O for now charms, arms, what bans off bad
And locks love ever in a lad!
Let mé though see no more of him, and not disappointment
Those sweet hopes quell whose least me quickenings lift,
In scarlet or somewhere of some day seeing
That brow and bead of being,
An our day's God's own Galahad. Though this child's drift
Seems by a divíne doom chánnelled, nor do I cry
Disaster there; but may he not rankle and roam
In backwheels though bound home?—
That left to the Lord of the Eucharist, I here lie by;
Recorded only, I have put my lips on pleas
Would brandle adamantine heaven with ride and jar, did
Prayer go disregarded:
Forward-like, but however, and like favourable heaven heard these.
|
Written by
William Lisle Bowles |
Milton, our noblest poet, in the grace
Of youth, in those fair eyes and clustering hair,
That brow untouched by one faint line of care,
To mar its openness, we seem to trace
The front of the first lord of the human race,
Mid thine own Paradise portrayed so fair,
Ere Sin or Sorrow scathed it: such the air
That characters thy youth. Shall time efface
These lineaments as crowding cares assail!
It is the lot of fallen humanity.
What boots it! armed in adamantine mail,
The unconquerable mind, and genius high,
Right onward hold their way through weal and woe,
Or whether life's brief lot be high or low!
|
Written by
William Cowper |
England, with all thy faults, I love thee still--
My country! and, while yet a nook is left
Where English minds and manners may be found,
Shall be constrain'd to love thee. Though thy clime
Be fickle, and thy year most part deform'd
With dripping rains, or wither'd by a frost,
I would not yet exchange thy sullen skies,
And fields without a flow'r, for warmer France
With all her vines; nor for Ausonia's groves
Of golden fruitage, and her myrtle bow'rs.
To shake thy senate, and from heights sublime
Of patriot eloquence to flash down fire
Upon thy foes, was never meant my task:
But I can feel thy fortunes, and partake
Thy joys and sorrows, with as true a heart
As any thund'rer there. And I can feel
Thy follies, too; and with a just disdain
Frown at effeminates, whose very looks
Reflect dishonour on the land I love.
How, in the name of soldiership and sense,
Should England prosper, when such things, as smooth
And tender as a girl, all essenc'd o'er
With odours, and as profligate as sweet;
Who sell their laurel for a myrtle wreath,
And love when they should fight; when such as these
Presume to lay their hand upon the ark
Of her magnificent and awful cause?
Time was when it was praise and boast enough
In ev'ry clime, and travel where we might,
That we were born her children. Praise enough
To fill th' ambition of a private man,
That Chatham's language was his mother tongue,
And Wolfe's great name compatriot with his own.
Farewell those honours, and farewell with them
The hope of such hereafter! They have fall'n
Each in his field of glory; one in arms,
And one in council--Wolfe upon the lap
Of smiling victory that moment won,
And Chatham heart-sick of his country's shame!
They made us many soldiers. Chatham, still
Consulting England's happiness at home,
Secur'd it by an unforgiving frown
If any wrong'd her. Wolfe, where'er he fought,
Put so much of his heart into his act,
That his example had a magnet's force,
And all were swift to follow whom all lov'd.
Those suns are set. Oh, rise some other such!
Or all that we have left is empty talk
Of old achievements, and despair of new....
There is a pleasure in poetic pains
Which only poets know. The shifts and turns,
Th' expedients and inventions multiform
To which the mind resorts in chase of terms
Thought apt, yet coy, and difficult to win,
T' arrest the fleeting images that fill
The mirror of the mind, and hold them fast,
And force them sit, till he has pencill'd off
A faithful likeness of the forms he views;
Then to dispose his copies with such art
That each may find its most propitious light,
And shine by situation hardly less
Than by the labour and the skill it cost,
Are occupations of the poet's mind
So pleasing, and that steal away the thought
With such address from themes of sad import,
That, lost in his own musings, happy man!
He feels th' anxieties of life, denied
Their wonted entertainment, all retire.
Such joys has he that sings. But ah! not such,
Or seldom such, the hearers of his song.
Fastidious, or else listless, or perhaps
Aware of nothing arduous in a task
They never undertook, they little note
His dangers or escapes, and haply find
Their least amusement where he found the most.
But is amusement all? Studious of song,
And yet ambitious not to sing in vain,
I would not trifle merely, though the world
Be loudest in their praise who do no more.
Yet what can satire, whether grave or gay?
It may correct a foible, may chastise
The freaks of fashion, regulate the dress,
Retrench a sword-blade, or displace a patch;
But where are its sublimer trophies found?
What vice has it subdu'd? whose heart reclaim'd
By rigour, or whom laugh'd into reform?
Alas! Leviathan is not so tam'd.
Laugh'd at, he laughs again; and, stricken hard,
Turns to the stroke his adamantine scales,
That fear no discipline of human hands.
The pulpit, therefore, (and I name it fill'd
With solemn awe, that bids me well beware
With what intent I touch that holy thing)--
The pulpit (when the satirist has at last,
Strutting and vapouring in an empty school,
Spent all his force, and made no proselyte)--
I say the pulpit (in the sober use
Of its legitimate, peculiar pow'rs)
Must stand acknowledg'd, while the world shall stand,
The most important and effectual guard,
Support, and ornament of Virtue's cause.....
|
Written by
Thomas Carew |
IN Celia's face a question did arise,
Which were more beautiful, her lips or eyes ?
“ We,” said the eyes, “send forth those pointed darts
Which pierce the hardest adamantine hearts.”
“ From us,” repli'd the lips, “proceed those blisses
Which lovers reap by kind words and sweet kisses.”
Then wept the eyes, and from their springs did pour
Of liquid oriental pearl a shower ;
Whereat the lips, moved with delight and pleasure,
Through a sweet smile unlock'd their pearly treasure
And bad Love judge, whether did add more grace
Weeping or smiling pearls to Celia's face.
|
Written by
Thomas Campbell |
Of Nelson and the North
Sing the glorious day's renown,
When to battle fierce came forth
All the might of Denmark's crown,
And her arms along the deep proudly shone;
By each gun the lighted brand
In a bold determined hand,
And the Prince of all the land
Led them on.
Like leviathans afloat
Lay their bulwarks on the brine,
While the sign of battle flew
On the lofty British line:
It was ten of April morn by the chime:
As they drifted on their path
There was silence deep as death,
And the boldest held his breath
For a time.
But the might of England flush'd
To anticipate the scene;
And her van the fleeter rush'd
O'er the deadly space between:
'Hearts of oak!' our captains cried, when each gun
From its adamantine lips
Spread a death-shade round the ships,
Like the hurricane eclipse
Of the sun.
Again! again! again!
And the havoc did not slack,
Till a feeble cheer the Dane
To our cheering sent us back;—
Their shots along the deep slowly boom:—
Then ceased—and all is wail,
As they strike the shatter'd sail,
Or in conflagration pale
Light the gloom.
Out spoke the victor then
As he hail'd them o'er the wave:
'Ye are brothers! ye are men!
And we conquer but to save:—
So peace instead of death let us bring:
But yield, proud foe, thy fleet,
With the crews, at England's feet,
And make submission meet
To our King.'...
Now joy, old England, raise!
For the tidings of thy might,
By the festal cities' blaze,
Whilst the wine-cup shines in light!
And yet amidst that joy and uproar,
Let us think of them that sleep
Full many a fathom deep,
By thy wild and stormy steep,
Elsinore!
|
Written by
William Blake |
O Winter! bar thine adamantine doors:
The north is thine; there hast thou built thy dark
Deep-founded habitation. Shake not thy roofs,
Nor bend thy pillars with thine iron car.'
He hears me not, but o'er the yawning deep
Rides heavy; his storms are unchain'd, sheath?d
In ribb?d steel; I dare not lift mine eyes,
For he hath rear'd his sceptre o'er the world.
Lo! now the direful monster, whose 1000 skin clings
To his strong bones, strides o'er the groaning rocks:
He withers all in silence, and in his hand
Unclothes the earth, and freezes up frail life.
He takes his seat upon the cliffs,--the mariner
Cries in vain. Poor little wretch, that deal'st
With storms!--till heaven smiles, and the monster
Is driv'n yelling to his caves beneath mount Hecla.
|
Written by
Johann Wolfgang von Goethe |
[This Cantata was written for Prince Frederick
of Gotha, and set to music by Winter, the Prince singing the part
of Rinaldo.--See the Annalen.]
(* See Tasso's Gerusalemme Liberata, Canto XVI.)
CHORUS.
To the strand! quick, mount the bark!
If no favouring zephyrs blow,
Ply the oar and nimbly row,
And with zeal your prowess mark!
O'er the sea we thus career.
RINALDO.
Oh, let me linger one short moment here!
'Tis heaven's decree, I may not hence away.
The rugged cliffs, the wood-encircled bay,
Hold me a prisoner, and my flight delay.
Ye were so fair, but now that dream is o'er;
The charms of earth, the charms of heaven are nought.
What keeps me in this spot so terror-fraught?
My only joy is fled for evermore.
Let me taste those days so sweet,
Heav'n-descended, once again!
Heart, dear heart! ay, warmly beat!
Spirit true, recall those days
Freeborn breath thy gentle lays
Mingled are with joy and pain.
Round the beds, so richly gleaming,
Rises up a palace fair;
All with rosy fragrance teeming,
As in dream thou saw'st it ne'er.
And this spacious garden round,
Far extend the galleries;
Roses blossom near the ground,
High in air, too, bloom the trees.
Wat'ry flakes and jets are falling.
Sweet and silv'ry strains arise;
While the turtle-dove is calling,
And the nightingale replies.
CHORUS.
Gently come! feel no alarm,
On a noble duty bent;
Vanish'd now is ev'ry charm
That by magic power was lent.
Friendly words and greetings calm
On his wounds will pour soft balm.
Fill his mind with sweet content.
RINALDO.
Hark! the turtle-dove is calling,
And the nightingale replies;
Wat'ry flakes and jets are falling,
Mingling with their melodies.
But all of them say:
Her only we mean;
But all fly away,
As soon as she's seen,--
The beauteous young maiden,
With graces so rife,
Then lily and rose
In wreaths are entwining;
In dancing combining,
Each zephyr that blows
Its brother is greeting,
All flying and meeting,
With balsam full laden,
When waken'd to life.
CHORUS.
No! no longer may we wait;
Rouse him from his vision straight!
Show the adamantine shield!
RINALDO.
Woe! what form is here reveal'd!
CHORUS.
'Twill disclose the cheat to thee.
RINALDO.
Am I doom'd myself to see
Thus degraded evermore?
CHORUS.
Courage take, and all is o'er.
RINALDO.
Be it so! I'll take fresh heart,
From the spot beloved depart,
Leave Armida once again,--
Come then! here no more remain.
CHORUS.
Yes, 'tis well! no more remain.
SEMI-CHORUS.
Away then! let's fly
O'er the zephyr-kiss'd ocean!
The soul-lighted eye
Sees armies in motion,
See proud banners wave
O'er the dust-sprinkled course.
CHORUS.
From his forefathers brave
Draws the hero new force.
RINALDO.
With sorrow laden,
Within this valley's
All-silent alleys
The fairest maiden
Again I see.
Twice can this be?
What! shall I hear it,
And not have spirit
To ease her pains?
CHORUS.
Unworthy chains?
RINALDO.
And now I've see her,
Alas! how changed!
With cold demeanour.
And looks estranged,
With ghostly tread,--
All hope is fled,
Yes, fled for ever.
The lightnings quiver,
Each palace falls;
The godlike halls,
Each joyous hour
Of spirit-power,
With love's sweet day
All fade away!
CHORUS.
Yes, fade away!
SEMI-CHORUS.
Already are heard
The prayers of the pious.
Why longer deny us?
The favouring zephyr
Forbids all delay.
CHORUS.
Away, then! away!
RINALDO.
With heart sadly stirr'd,
Your command I receive;
Ye force me to leave.
Unkind is the zephyr,--
Oh, wherefore not stay?
CHORUS.
Away, then! away!
1811.
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