Written by
Emily Dickinson |
'Tis whiter than an Indian Pipe --
'Tis dimmer than a Lace --
No stature has it, like a Fog
When you approach the place --
Nor any voice imply it here
Or intimate it there
A spirit -- how doth it accost --
What function hat the Air?
This limitless Hyperbole
Each one of us shall be --
'Tis Drama -- if Hypothesis
It be not Tragedy --
|
Written by
Lewis Carroll |
"MY First - but don't suppose," he said,
"I'm setting you a riddle -
Is - if your Victim be in bed,
Don't touch the curtains at his head,
But take them in the middle,
"And wave them slowly in and out,
While drawing them asunder;
And in a minute's time, no doubt,
He'll raise his head and look about
With eyes of wrath and wonder.
"And here you must on no pretence
Make the first observation.
Wait for the Victim to commence:
No Ghost of any common sense
Begins a conversation.
"If he should say 'HOW CAME YOU HERE?'
(The way that YOU began, Sir,)
In such a case your course is clear -
'ON THE BAT'S BACK, MY LITTLE DEAR!'
Is the appropriate answer.
"If after this he says no more,
You'd best perhaps curtail your
Exertions - go and shake the door,
And then, if he begins to snore,
You'll know the thing's a failure.
"By day, if he should be alone -
At home or on a walk -
You merely give a hollow groan,
To indicate the kind of tone
In which you mean to talk.
"But if you find him with his friends,
The thing is rather harder.
In such a case success depends
On picking up some candle-ends,
Or butter, in the larder.
"With this you make a kind of slide
(It answers best with suet),
On which you must contrive to glide,
And swing yourself from side to side -
One soon learns how to do it.
"The Second tells us what is right
In ceremonious calls:-
'FIRST BURN A BLUE OR CRIMSON LIGHT'
(A thing I quite forgot to-night),
'THEN SCRATCH THE DOOR OR WALLS.
'"
I said "You'll visit HERE no more,
If you attempt the Guy.
I'll have no bonfires on MY floor -
And, as for scratching at the door,
I'd like to see you try!"
"The Third was written to protect
The interests of the Victim,
And tells us, as I recollect,
TO TREAT HIM WITH A GRAVE RESPECT,
AND NOT TO CONTRADICT HIM.
"
"That's plain," said I, "as Tare and Tret,
To any comprehension:
I only wish SOME Ghosts I've met
Would not so CONSTANTLY forget
The maxim that you mention!"
"Perhaps," he said, "YOU first transgressed
The laws of hospitality:
All Ghosts instinctively detest
The Man that fails to treat his guest
With proper cordiality.
"If you address a Ghost as 'Thing!'
Or strike him with a hatchet,
He is permitted by the King
To drop all FORMAL parleying -
And then you're SURE to catch it!
"The Fourth prohibits trespassing
Where other Ghosts are quartered:
And those convicted of the thing
(Unless when pardoned by the King)
Must instantly be slaughtered.
"That simply means 'be cut up small':
Ghosts soon unite anew.
The process scarcely hurts at all -
Not more than when YOU're what you call
'Cut up' by a Review.
"The Fifth is one you may prefer
That I should quote entire:-
THE KING MUST BE ADDRESSED AS 'SIR.
'
THIS, FROM A SIMPLE COURTIER,
IS ALL THE LAWS REQUIRE:
"BUT, SHOULD YOU WISH TO DO THE THING
WITH OUT-AND-OUT POLITENESS,
ACCOST HIM AS 'MY GOBLIN KING!
AND ALWAYS USE, IN ANSWERING,
THE PHRASE 'YOUR ROYAL WHITENESS!'
"I'm getting rather hoarse, I fear,
After so much reciting :
So, if you don't object, my dear,
We'll try a glass of bitter beer -
I think it looks inviting.
"
|
Written by
William Cullen Bryant |
Matron! the children of whose love,
Each to his grave, in youth have passed,
And now the mould is heaped above
The dearest and the last!
Bride! who dost wear the widow's veil
Before the wedding flowers are pale!
Ye deem the human heart endures
No deeper, bitterer grief than yours.
Yet there are pangs of keener wo,
Of which the sufferers never speak,
Nor to the world's cold pity show
The tears that scald the cheek,
Wrung from their eyelids by the shame
And guilt of those they shrink to name,
Whom once they loved, with cheerful will,
And love, though fallen and branded, still.
Weep, ye who sorrow for the dead,
Thus breaking hearts their pain relieve;
And graceful are the tears ye shed,
And honoured ye who grieve.
The praise of those who sleep in earth,
The pleasant memory of their worth,
The hope to meet when life is past,
Shall heal the tortured mind at last.
But ye, who for the living lost
That agony in secret bear,
Who shall with soothing words accost
The strength of your despair?
Grief for your sake is scorn for them
Whom ye lament and all condemn;
And o'er the world of spirits lies
A gloom from which ye turn your eyes.
|
Written by
Rudyard Kipling |
As our mother the Frigate, bepainted and fine,
Made play for her bully the Ship of the Line;
So we, her bold daughters by iron and fire,
Accost and decoy to our masters' desire.
Now, pray you, consider what toils we endure,
Night-walking wet sea-lanes, a guard and a lure;
Since half of our trade is that same pretty sort
As mettlesome wenches do practise in port.
For this is our office: to spy and make room,
As hiding yet guiding the foe to their doom.
Surrounding, confounding, we bait and betray
And tempt them to battle the seas' width away.
The pot-bellied merchant foreboding no wrong
With headlight and sidelight he lieth along,
Till, lightless and lightfoot and lurking, leap we
To force him discover his business by sea.
And when we have wakened the lust of a foe,
To draw him by flight toward our bullies we go,
Till, 'ware of strange smoke stealing nearer, he flies
Or our bullies close in for to make him good prize.
So, when we have spied on the path of their host,
One flieth to carry that word to the coast;
And, lest by false doublings they turn and go free,
One lieth behind them to follow and see.
Anon we return, being gathered again,
Across the sad valleys all drabbled with rain --
Across the grey ridges all crisped and curled --
To join the long dance round the curve of the world.
The bitter salt spindrift, the sun-glare likewise,
The moon-track a-tremble, bewilders our eyes,
Where, linking and lifting, our sisters we hail
'Twixt wrench of cross-surges or plunge of head-gale.
As maidens awaiting the bride to come forth
Make play with light jestings and wit of no worth,
So, widdershins circling the bride-bed of death,
Each fleereth her neighbour and signeth and saith: --
"What see ye? Their signals, or levin afar?
"What hear ye? God's thunder, or guns of our war?
"What mark ye? Their smoke, or the cloud-rack outblown?
"What chase ye? Their lights, or the Daystar low down?"
So, times past all number deceived by false shows,
Deceiving we cumber the road of our foes,
For this is our virtue: to track and betray;
Preparing great battles a sea's width away.
Now peace is at end and our peoples take heart,
For the laws are clean gone that restrained our art;
Up and down the near headlands and against the far wind
We are loosed (O be swift!) to the work of our kind!
|
Written by
Emily Dickinson |
The Soul has Bandaged moments --
When too appalled to stir --
She feels some ghastly Fright come up
And stop to look at her --
Salute her -- with long fingers --
Caress her freezing hair --
Sip, Goblin, from the very lips
The Lover -- hovered -- o'er --
Unworthy, that a thought so mean
Accost a Theme -- so -- fair --
The soul has moments of Escape --
When bursting all the doors --
She dances like a Bomb, abroad,
And swings upon the Hours,
As do the Bee -- delirious borne --
Long Dungeoned from his Rose --
Touch Liberty -- then know no more,
But Noon, and Paradise --
The Soul's retaken moments --
When, Felon led along,
With shackles on the plumed feet,
And staples, in the Song,
The Horror welcomes her, again,
These, are not brayed of Tongue --
|
Written by
Emily Dickinson |
I'm saying every day
"If I should be a Queen, tomorrow" --
I'd do this way --
And so I deck, a little,
If it be, I wake a Bourbon,
None on me, bend supercilious --
With "This was she --
Begged in the Market place --
Yesterday.
"
Court is a stately place --
I've heard men say --
So I loop my apron, against the Majesty
With bright Pins of Buttercup --
That not too plain --
Rank -- overtake me --
And perch my Tongue
On Twigs of singing -- rather high --
But this, might be my brief Term
To qualify --
Put from my simple speech all plain word --
Take other accents, as such I heard
Though but for the Cricket -- just,
And but for the Bee --
Not in all the Meadow --
One accost me --
Better to be ready --
Than did next morn
Meet me in Aragon --
My old Gown -- on --
And the surprised Air
Rustics -- wear --
Summoned -- unexpectedly --
To Exeter --
|
Written by
Emily Dickinson |
Air has no Residence, no Neighbor,
No Ear, no Door,
No Apprehension of Another
Oh, Happy Air!
Ethereal Guest at e'en an Outcast's Pillow --
Essential Host, in Life's faint, wailing Inn,
Later than Light thy Consciousness accost me
Till it depart, persuading Mine --
|
Written by
Emily Dickinson |
My Reward for Being, was This.
My premium -- My Bliss --
An Admiralty, less --
A Sceptre -- penniless --
And Realms -- just Dross --
When Thrones accost my Hands --
With "Me, Miss, Me" --
I'll unroll Thee --
Dominions dowerless -- beside this Grace --
Election -- Vote --
The Ballots of Eternity, will show just that.
|
Written by
Emily Dickinson |
We never know we go when we are going --
We jest and shut the Door --
Fate -- following -- behind us bolts it --
And we accost no more --
|
Written by
Emily Dickinson |
So the Eyes accost -- and sunder
In an Audience --
Stamped -- occasionally -- forever --
So may Countenance
Entertain -- without addressing
Countenance of One
In a Neighboring Horizon --
Gone -- as soon as known --
|