Written by
Carl Sandburg |
I ASKED the professors who teach the meaning of life to tell
me what is happiness.
And I went to famous executives who boss the work of
thousands of men.
They all shook their heads and gave me a smile as though
I was trying to fool with them
And then one Sunday afternoon I wandered out along
the Desplaines river
And I saw a crowd of Hungarians under the trees with
their women and children
and a keg of beer and an
accordion.
|
Written by
Robert William Service |
Some carol of the banjo, to its measure keeping time;
Of viol or of lute some make a song.
My battered old accordion, you're worthy of a rhyme,
You've been my friend and comforter so long.
Round half the world I've trotted you, a dozen years or more;
You've given heaps of people lots of fun;
You've set a host of happy feet a-tapping on the floor .
.
.
Alas! your dancing days are nearly done.
I've played you from the palm-belt to the suburbs of the Pole;
From the silver-tipped sierras to the sea.
The gay and gilded cabin and the grimy glory-hole
Have echoed to your impish melody.
I've hushed you in the dug-out when the trench was stiff with dead;
I've lulled you by the coral-laced lagoon;
I've packed you on a camel from the dung-fire on the bled,
To the hell-for-breakfast Mountains of the Moon.
I've ground you to the shanty men, a-whooping heel and toe,
And the hula-hula graces in the glade.
I've swung you in the igloo to the lousy Esquimau,
And the Haussa at a hundred in the shade.
The ****** on the levee, and the Dinka by the Nile
have shuffled to your insolent appeal.
I've rocked with glee the chimpanzee, and mocked the crocodile,
And shocked the pompous penquin and the seal.
I've set the yokels singing in a little Surrey pub,
Apaches swinging in a Belville bar.
I've played an obligato to the tom-tom's rub-a-dub,
And the throb of Andalusian guitar.
From the Horn to Honolulu, from the Cape to Kalamazoo,
From Wick to Wicklow, Samarkand to Spain,
You've roughed it with my kilt-bag like a comrade tried and true.
.
.
.
Old pal! We'll never hit the trail again.
Oh I know you're cheap and vulgar, you're an instrumental crime.
In drawing-rooms you haven't got a show.
You're a musical abortion, you're the voice of grit and grime,
You're the spokesman of the lowly and the low.
You're a democratic devil, you're the darling of the mob;
You're a wheezy, breezy blasted bit of glee.
You're the headache of the high-bow, you're the horror of the snob,
but you're worth your weight in ruddy gold to me.
For you've chided me in weakness and you've cheered me in defeat;
You've been an anodyne in hours of pain;
And when the slugging jolts of life have jarred me off my feet,
You've ragged me back into the ring again.
I'll never go to Heaven, for I know I am not fit,
The golden harps of harmony to swell;
But with asbestos bellows, if the devil will permit,
I'll swing you to the fork-tailed imps of Hell.
Yes, I'll hank you, and I'll spank you,
And I'll everlasting yank you
To the cinder-swinging satellites of Hell.
|
Written by
Robert Lowell |
1
Only today and just for this minute,
when the sunslant finds its true angle,
you can see yellow and pinkish leaves spangle
our gentle, fluffy tree—
suddenly the green summer is momentary.
.
.
Autumn is my favorite season—
why does it change clothes and withdraw?
This week the house went on the market—
suddenly I woke up among strangers;
when I go into a room, it moves
with embarrassment, and joins another room.
I don't need conversation, but you to laugh with—
you and a room and a fire,
cold starlight blowing through an open window—
whither?
2
After sunfall, heaven is melodramatic,
a temporary, puckering, burning green.
The patched-up oak
and blacker, indelible pines
have the indigestible meagerness of spines.
One wishes heaven had less solemnity:
a sensual table
with five half-filled bottles of red wine
set round the hectic carved roast—
Bohemia for ourselves
and the familiars of a lifetime
charmed to communion by resurrection—
running together in the rain to mail a single letter,
not the chafe and cling
of this despondent chaff.
3
Yet for a moment, the children
could play truant from their tuition.
4
When I look back, I see a collapsing
accordion of my receding houses,
and myself receding
to a boy of twenty-five or thirty,
too shopworn for less, too impressionable for more—
blackmaned, illmade
in a washed blue workshirt and coalblack trousers,
moving from house to house,
still seeking a boy's license
to see the countryside without arrival.
Hell?
Darling,
terror in happiness may not cure the hungry future,
the time when any illness is chronic,
and the years of discretion are spent on complaint—
until the wristwatch is taken from the wrist.
|
Written by
Thomas Blackburn |
'Of course,' I said, 'we cannot hope to find
What we are looking for in anyone;
They glitter, maybe, but are not the sun,
This pebble here, that bit of apple rind.
Still, it's the Alpine sun that makes them burn,
And what we're looking for, some indirect
Glint of itself each of us may reflect,
And so shed light about us as we turn.
'
Sideways she looked and said, 'How you go on!'
And was the stone and rind, their shinings gone.
'It is some hard dry scale we must break through,
A deadness round the life.
I cannot make
That pebble shine.
Its clarity must take
Sunlight unto itself and prove it true.
It is our childishness that clutters up
With scales out of the past a present speech,
So that the sun's white finger cannot reach
An adult prism.
'
'Will they never stop,
Your words?' she said and settled to the dark.
'But we use words, we cannot grunt or bark,
Use any surer means to make that first
Sharp glare of origin again appear
Through the marred glass,' I cried, 'but can you hear?'
'Quite well, you needn't shout.
' I felt the thirst
Coil back into my body till it shook,
And, 'Are you cold?' she said, then ceased to look
And picked a bit of cotton from her dress.
Out in the square a child began to cry,
What was not said buzzed round us like a fly.
I knew quite well that silence was my cue,
But jabbered out, 'This meeting place we need,
If we can't find it, still the desire may feed
And strengthen on the acts it cannot do.
By suffered depredations we may grow
To bear our energies just strong enough,
And at the last through perdurable stuff
A little of their radiance may show:
I f we keep still.
' Then she, 'It's getting late.
'
A waiter came and took away a plate.
Then from the darkness an accordion;
'These pauses, love, perhaps in them, made free,
Life slips out of its gross machinery,
And turns upon itself in unison.
'
It was quite dark now you must understand
And something of a red mouth on a wall
Joined with the music and the alcohol
And pushed me to the fingers of her hand.
Well, there it was, itself and quite complete,
Accountable, small bones there were and meat.
It did not press on mine or shrink away,
And, since no outgone need can long invest
Oblivion with a living interest,
I drew back and had no more words to say.
Outside the streets were like us and quite dead.
Yet anything more suited to my will,
I can't imagine, than our very still
Return to no place;
As the darkness shed
Increasing whiteness on the far icefall,
A growth of light there was; and that is all.
|
Written by
Carl Sandburg |
Shine on, O moon of summer.
Shine to the leaves of grass, catalpa and oak,
All silver under your rain to-night.
An Italian boy is sending songs to you to-night from an
accordion.
A Polish boy is out with his best girl; they marry next
month; to-night they are throwing you kisses.
An old man next door is dreaming over a sheen that sits
in a cherry tree in his back yard.
The clocks say I must go--I stay here sitting on the
back porch drinking white thoughts you rain down.
Shine on, O moon,
Shake out more and more silver changes.
|
Written by
Robert William Service |
(The Dark Side)
My mind goes back to Fumin Wood, and how we stuck it out,
Eight days of hunger, thirst and cold, mowed down by steel and flame;
Waist-deep in mud and mad with woe, with dead men all about,
We fought like fiends and waited for relief that never came.
Eight days and nights they rolled on us in battle-frenzied mass!
"Debout les morts!" We hurled them back.
By God! they did not pass.
They pinned two medals on my chest, a yellow and a brown,
And lovely ladies made me blush, such pretty words they said.
I felt a cheerful man, almost, until my eyes went down,
And there I saw the blankets -- how they sagged upon my bed.
And then again I drank the cup of sorrow to the dregs:
Oh, they can keep their medals if they give me back my legs.
I think of how I used to run and leap and kick the ball,
And ride and dance and climb the hills and frolic in the sea;
And all the thousand things that now I'll never do at all.
.
.
.
Mon Dieu! there's nothing left in life, it often seems to me.
And as the nurses lift me up and strap me in my chair,
If they would chloroform me off I feel I wouldn't care.
Ah yes! we're "heroes all" to-day -- they point to us with pride;
To-day their hearts go out to us, the tears are in their eyes!
But wait a bit; to-morrow they will blindly look aside;
No more they'll talk of what they owe, the dues of sacrifice
(One hates to be reminded of an everlasting debt).
It's all in human nature.
Ah! the world will soon forget.
My mind goes back to where I lay wound-rotted on the plain,
And ate the muddy mangold roots, and drank the drops of dew,
And dragged myself for miles and miles when every move was pain,
And over me the carrion-crows were retching as they flew.
Oh, ere I closed my eyes and stuck my rifle in the air
I wish that those who picked me up had passed and left me there.
(The Bright Side)
Oh, one gets used to everything!
I hum a merry song,
And up the street and round the square
I wheel my chair along;
For look you, how my chest is sound
And how my arms are strong!
Oh, one gets used to anything!
It's awkward at the first,
And jolting o'er the cobbles gives
A man a grievous thirst;
But of all ills that one must bear
That's surely not the worst.
For there's the cafe open wide,
And there they set me up;
And there I smoke my caporal
Above my cider cup;
And play manille a while before
I hurry home to sup.
At home the wife is waiting me
With smiles and pigeon-pie;
And little Zi-Zi claps her hands
With laughter loud and high;
And if there's cause to growl, I fail
To see the reason why.
And all the evening by the lamp
I read some tale of crime,
Or play my old accordion
With Marie keeping time,
Until we hear the hour of ten
From out the steeple chime.
Then in the morning bright and soon,
No moment do I lose;
Within my little cobbler's shop
To gain the silver sous
(Good luck one has no need of legs
To make a pair of shoes).
And every Sunday -- oh, it's then
I am the happy man;
They wheel me to the river-side,
And there with rod and can
I sit and fish and catch a dish
Of goujons for the pan.
Aye, one gets used to everything,
And doesn't seem to mind;
Maybe I'm happier than most
Of my two-legged kind;
For look you at the darkest cloud,
Lo! how it's silver-lined.
|
Written by
Barry Tebb |
From the French of Andr? Fr?naud
France was born there and it is from there she sings
Of Joan of Ark and Varlin both.
We must dig deep, o motherland,
Beneath those heavy cobbles.
Country of the Commune, so dear to me,
My very own which make my blood burn
And that same blood will one day flow again
Between those very stones.
It is there when I see people dance
Beneath the veined clouds under the May sun
Especially when the notes of the accordion
Pied-piped them away from the urgencies of the day.
It is the people’s special gift beneath the waving banner
To have such gentle hearts.
Mine beats still
At the kindness of strangers.
After the Night of the Long Knives
That same heart still beats
At the goodwill of those souls buried
Beneath stones laughing and weeping even now.
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