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Best Famous Accented Poems

Here is a collection of the all-time best famous Accented poems. This is a select list of the best famous Accented poetry. Reading, writing, and enjoying famous Accented poetry (as well as classical and contemporary poems) is a great past time. These top poems are the best examples of accented poems.

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Written by Vachel Lindsay | Create an image from this poem

The Congo: A Study of the ***** Race

 I.
THEIR BASIC SAVAGERY Fat black bucks in a wine-barrel room, Barrel-house kings, with feet unstable, Sagged and reeled and pounded on the table, A deep rolling bass.
Pounded on the table, Beat an empty barrel with the handle of a broom, Hard as they were able, Boom, boom, BOOM, With a silk umbrella and the handle of a broom, Boomlay, boomlay, boomlay, BOOM.
THEN I had religion, THEN I had a vision.
I could not turn from their revel in derision.
THEN I SAW THE CONGO, CREEPING THROUGH THE BLACK, More deliberate.
Solemnly chanted.
CUTTING THROUGH THE FOREST WITH A GOLDEN TRACK.
Then along that riverbank A thousand miles Tattooed cannibals danced in files; Then I heard the boom of the blood-lust song And a thigh-bone beating on a tin-pan gong.
A rapidly piling climax of speed & racket.
And "BLOOD" screamed the whistles and the fifes of the warriors, "BLOOD" screamed the skull-faced, lean witch-doctors, "Whirl ye the deadly voo-doo rattle, Harry the uplands, Steal all the cattle, Rattle-rattle, rattle-rattle, Bing.
Boomlay, boomlay, boomlay, BOOM," A roaring, epic, rag-time tune With a philosophic pause.
From the mouth of the Congo To the Mountains of the Moon.
Death is an Elephant, Torch-eyed and horrible, Shrilly and with a heavily accented metre.
Foam-flanked and terrible.
BOOM, steal the pygmies, BOOM, kill the Arabs, BOOM, kill the white men, HOO, HOO, HOO.
Listen to the yell of Leopold's ghost Like the wind in the chimney.
Burning in Hell for his hand-maimed host.
Hear how the demons chuckle and yell Cutting his hands off, down in Hell.
Listen to the creepy proclamation, Blown through the lairs of the forest-nation, Blown past the white-ants' hill of clay, Blown past the marsh where the butterflies play: -- "Be careful what you do, Or Mumbo-Jumbo, God of the Congo, All the "O" sounds very golden.
Heavy accents very heavy.
Light accents very light.
Last line whispered.
And all of the other Gods of the Congo, Mumbo-Jumbo will hoo-doo you, Mumbo-Jumbo will hoo-doo you, Mumbo-Jumbo will hoo-doo you.
" II.
THEIR IRREPRESSIBLE HIGH SPIRITS Wild crap-shooters with a whoop and a call Rather shrill and high.
Danced the juba in their gambling-hall And laughed fit to kill, and shook the town, And guyed the policemen and laughed them down With a boomlay, boomlay, boomlay, BOOM.
THEN I SAW THE CONGO, CREEPING THROUGH THE BLACK, Read exactly as in first section.
CUTTING THROUGH THE FOREST WITH A GOLDEN TRACK.
A ***** fairyland swung into view, Lay emphasis on the delicate ideas.
Keep as light-footed as possible.
A minstrel river Where dreams come true.
The ebony palace soared on high Through the blossoming trees to the evening sky.
The inlaid porches and casements shone With gold and ivory and elephant-bone.
And the black crowd laughed till their sides were sore At the baboon butler in the agate door, And the well-known tunes of the parrot band That trilled on the bushes of that magic land.
A troupe of skull-faced witch-men came With pomposity.
Through the agate doorway in suits of flame, Yea, long-tailed coats with a gold-leaf crust And hats that were covered with diamond-dust.
And the crowd in the court gave a whoop and a call And danced the juba from wall to wall.
But the witch-men suddenly stilled the throng With a great deliberation & ghostliness.
With a stern cold glare, and a stern old song: -- "Mumbo-Jumbo will hoo-doo you.
" .
.
.
Just then from the doorway, as fat as shotes, With overwhelming assurance, good cheer, and pomp.
Came the cake-walk princes in their long red coats, Canes with a brilliant lacquer shine, And tall silk hats that were red as wine.
And they pranced with their butterfly partners there, With growing speed and sharply marked dance-rhythm Coal-black maidens with pearls in their hair, Knee-skirts trimmed with the jassamine sweet, And bells on their ankles and little black-feet.
And the couples railed at the chant and the frown Of the witch-men lean, and laughed them down.
(O rare was the revel, and well worth while That made those glowering witch-men smile.
) The cake-walk royalty then began To walk for a cake that was tall as a man To the tune of "Boomlay, boomlay, BOOM," While the witch-men laughed, with a sinister air, With a touch of ***** dialect, and as rapidly as possible toward the end.
And sang with the scalawags prancing there: -- "Walk with care, walk with care, Or Mumbo-Jumbo, God of the Congo, And all the other Gods of the Congo, Mumbo-Jumbo will hoo-doo you.
Beware, beware, walk with care, Boomlay, boomlay, boomlay, boom.
Boomlay, boomlay, boomlay, boom.
Boomlay, boomlay, boomlay, boom.
Boomlay, boomlay, boomlay, BOOM.
" Oh rare was the revel, and well worth while Slow philosophic calm.
That made those glowering witch-men smile.
III.
THE HOPE OF THEIR RELIGION A good old ***** in the slums of the town Heavy bass.
With a literal imitation of camp-meeting racket, and trance.
Preached at a sister for her velvet gown.
Howled at a brother for his low-down ways, His prowling, guzzling, sneak-thief days.
Beat on the Bible till he wore it out Starting the jubilee revival shout.
And some had visions, as they stood on chairs, And sang of Jacob, and the golden stairs, And they all repented, a thousand strong From their stupor and savagery and sin and wrong And slammed with their hymn books till they shook the room With "glory, glory, glory," And "Boom, boom, BOOM.
" THEN I SAW THE CONGO, CREEPING THROUGH THE BLACK, Exactly as in the first section.
Begin with terror and power, end with joy.
CUTTING THROUGH THE FOREST WITH A GOLDEN TRACK.
And the gray sky opened like a new-rent veil And showed the Apostles with their coats of mail.
In bright white steel they were seated round And their fire-eyes watched where the Congo wound.
And the twelve Apostles, from their thrones on high Thrilled all the forest with their heavenly cry: -- "Mumbo-Jumbo will die in the jungle; Sung to the tune of "Hark, ten thousand harps and voices.
" Never again will he hoo-doo you, Never again will he hoo-doo you.
" Then along that river, a thousand miles With growing deliberation and joy.
The vine-snared trees fell down in files.
Pioneer angels cleared the way For a Congo paradise, for babes at play, For sacred capitals, for temples clean.
Gone were the skull-faced witch-men lean.
There, where the wild ghost-gods had wailed In a rather high key -- as delicately as possible.
A million boats of the angels sailed With oars of silver, and prows of blue And silken pennants that the sun shone through.
'Twas a land transfigured, 'twas a new creation.
Oh, a singing wind swept the ***** nation And on through the backwoods clearing flew: -- "Mumbo-Jumbo is dead in the jungle.
To the tune of "Hark, ten thousand harps and voices.
" Never again will he hoo-doo you.
Never again will he hoo-doo you.
Redeemed were the forests, the beasts and the men, And only the vulture dared again By the far, lone mountains of the moon To cry, in the silence, the Congo tune: -- "Mumbo-Jumbo will hoo-doo you, Dying down into a penetrating, terrified whisper.
"Mumbo-Jumbo will hoo-doo you.
Mumbo .
.
.
Jumbo .
.
.
will .
.
.
hoo-doo .
.
.
you.
"


Written by Rudyard Kipling | Create an image from this poem

An American

 If the Led Striker call it a strike,
 Or the papers call it a war,
They know not much what I am like,
 Nor what he is, My Avatar.
Throuh many roads, by me possessed, He shambles forth in cosmic guise; He is the Jester and the Jest, And he the Text himself applies.
The Celt is in his heart and hand, The Gaul is in his brain and nerve; Where, cosmopolitanly planned, He guards the Redskin's dry reserve His easy unswept hearth he lends From Labrador to Guadeloupe; Till, elbowed out by sloven friends, He camps, at sufferance, on the stoop.
Calm-eyed he scoffs at Sword and Crown, Or, panic-blinded, stabs and slays: Blatant he bids the world bow down, Or cringing begs a crust of praise; Or, sombre-drunk, at mine and mart, He dubs his dreary breathren Kings.
His hands are black with blood -- his heart Leaps, as a babe's, at little things.
But, through the shift of mood and mood, Mine ancient humour saves him whole -- The cynic devil in his blood That bids him mock his hurrying soul; That bids him flout the Law he makes, That bids him make the Law he flouts, Till, dazed by many doubts, he wakes The drumming guns that -- have no doubts; That checks him foolish-hot and fond, That chuckles through his deepest ire, That gilds the slough of his despond But dims the goal of his desire; Inopportune, shrill-accented, The acrid Asiatic mirth That leaves him, careless 'mid his dead, The scandal of the elder earth.
How shall he clear himself, how reach Your bar or weighed defence prefer -- A brother hedged with alien speech And lacking all interpreter? Which knowledge vexes him a space; But, while Reproof around him rings, He turns a keen untroubled face Home, to the instant need of things.
Enslaved, illogical, elate, He greets the embarrassed Gods, nor fears To shake the iron hand of Fate Or match with Destiny for beers.
Lo, imperturbable he rules, Unkempt, desreputable, vast -- And, in the teeth of all the schools, I -- I shall save him at the last!
Written by Emily Dickinson | Create an image from this poem

To know just how He suffered -- would be dear --

 To know just how He suffered -- would be dear --
To know if any Human eyes were near
To whom He could entrust His wavering gaze --
Until it settle broad -- on Paradise --

To know if He was patient -- part content --
Was Dying as He thought -- or different --
Was it a pleasant Day to die --
And did the Sunshine face his way --

What was His furthest mind -- Of Home -- or God --
Or what the Distant say --
At news that He ceased Human Nature
Such a Day --

And Wishes -- Had He Any --
Just His Sigh -- Accented --
Had been legible -- to Me --
And was He Confident until
Ill fluttered out -- in Everlasting Well --

And if He spoke -- What name was Best --
What last
What One broke off with
At the Drowsiest --

Was He afraid -- or tranquil --
Might He know
How Conscious Consciousness -- could grow --
Till Love that was -- and Love too best to be --
Meet -- and the Junction be Eternity

Book: Shattered Sighs