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Best Famous Abides Poems

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Written by Ezra Pound | Create an image from this poem

The Seafarer

 (From the early Anglo-Saxon text) 

May I for my own self song's truth reckon,
Journey's jargon, how I in harsh days
Hardship endured oft.
Bitter breast-cares have I abided, Known on my keel many a care's hold, And dire sea-surge, and there I oft spent Narrow nightwatch nigh the ship's head While she tossed close to cliffs.
Coldly afflicted, My feet were by frost benumbed.
Chill its chains are; chafing sighs Hew my heart round and hunger begot Mere-weary mood.
Lest man know not That he on dry land loveliest liveth, List how I, care-wretched, on ice-cold sea, Weathered the winter, wretched outcast Deprived of my kinsmen; Hung with hard ice-flakes, where hail-scur flew, There I heard naught save the harsh sea And ice-cold wave, at whiles the swan cries, Did for my games the gannet's clamour, Sea-fowls, loudness was for me laughter, The mews' singing all my mead-drink.
Storms, on the stone-cliffs beaten, fell on the stern In icy feathers; full oft the eagle screamed With spray on his pinion.
Not any protector May make merry man faring needy.
This he little believes, who aye in winsome life Abides 'mid burghers some heavy business, Wealthy and wine-flushed, how I weary oft Must bide above brine.
Neareth nightshade, snoweth from north, Frost froze the land, hail fell on earth then Corn of the coldest.
Nathless there knocketh now The heart's thought that I on high streams The salt-wavy tumult traverse alone.
Moaneth alway my mind's lust That I fare forth, that I afar hence Seek out a foreign fastness.
For this there's no mood-lofty man over earth's midst, Not though he be given his good, but will have in his youth greed; Nor his deed to the daring, nor his king to the faithful But shall have his sorrow for sea-fare Whatever his lord will.
He hath not heart for harping, nor in ring-having Nor winsomeness to wife, nor world's delight Nor any whit else save the wave's slash, Yet longing comes upon him to fare forth on the water.
Bosque taketh blossom, cometh beauty of berries, Fields to fairness, land fares brisker, All this admonisheth man eager of mood, The heart turns to travel so that he then thinks On flood-ways to be far departing.
Cuckoo calleth with gloomy crying, He singeth summerward, bodeth sorrow, The bitter heart's blood.
Burgher knows not -- He the prosperous man -- what some perform Where wandering them widest draweth.
So that but now my heart burst from my breast-lock, My mood 'mid the mere-flood, Over the whale's acre, would wander wide.
On earth's shelter cometh oft to me, Eager and ready, the crying lone-flyer, Whets for the whale-path the heart irresistibly, O'er tracks of ocean; seeing that anyhow My lord deems to me this dead life On loan and on land, I believe not That any earth-weal eternal standeth Save there be somewhat calamitous That, ere a man's tide go, turn it to twain.
Disease or oldness or sword-hate Beats out the breath from doom-gripped body.
And for this, every earl whatever, for those speaking after -- Laud of the living, boasteth some last word, That he will work ere he pass onward, Frame on the fair earth 'gainst foes his malice, Daring ado, .
.
.
So that all men shall honour him after And his laud beyond them remain 'mid the English, Aye, for ever, a lasting life's-blast, Delight mid the doughty.
Days little durable, And all arrogance of earthen riches, There come now no kings nor Cæsars Nor gold-giving lords like those gone.
Howe'er in mirth most magnified, Whoe'er lived in life most lordliest, Drear all this excellence, delights undurable! Waneth the watch, but the world holdeth.
Tomb hideth trouble.
The blade is layed low.
Earthly glory ageth and seareth.
No man at all going the earth's gait, But age fares against him, his face paleth, Grey-haired he groaneth, knows gone companions, Lordly men are to earth o'ergiven, Nor may he then the flesh-cover, whose life ceaseth, Nor eat the sweet nor feel the sorry, Nor stir hand nor think in mid heart, And though he strew the grave with gold, His born brothers, their buried bodies Be an unlikely treasure hoard.


Written by Charles Simic | Create an image from this poem

White

 A New Version: 1980

 What is that little black thing I see there
 in the white?
 Walt Whitman


One

Out of poverty
To begin again: 

With the color of the bride
And that of blindness,

Touch what I can
Of the quick,

Speak and then wait,
As if this light

Will continue to linger
On the threshold.
All that is near, I no longer give it a name.
Once a stone hard of hearing, Once sharpened into a knife.
.
.
Now only a chill Slipping through.
Enough glow to kneel by and ask To be tied to its tail When it goes marrying Its cousins, the stars.
Is it a cloud? If it's a cloud it will move on.
The true shape of this thought, Migrant, waning.
Something seeks someone, It bears him a gift Of himself, a bit Of snow to taste, Glimpse of his own nakedness By which to imagine the face.
On a late afternoon of snow In a dim badly-aired grocery, Where a door has just rung With a short, shrill echo, A little boy hands the old, Hard-faced woman Bending low over the counter, A shiny nickel for a cupcake.
Now only that shine, now Only that lull abides.
That your gaze Be merciful, Sister, bride Of my first hopeless insomnia.
Kind nurse, show me The place of salves.
Teach me the song That makes a man rise His glass at dusk Until a star dances in it.
Who are you? Are you anybody A moonrock would recognize? There are words I need.
They are not near men.
I went searching.
Is this a deathmarch? You bend me, bend me, Oh toward what flower! Little-known vowel, Noose big for us all.
As strange as a shepherd In the Arctic Circle.
Someone like Bo-peep.
All his sheep are white And he can't get any sleep Over lost sheep.
And he's got a flute Which says Bo-peep, Which says Poor boy, Take care of your snow-sheep.
to A.
S.
Hamilton Then all's well and white, And no more than white.
Illinois snowbound.
Indiana with one bare tree.
Michigan a storm-cloud.
Wisconsin empty of men.
There's a trap on the ice Laid there centuries ago.
The bait is still fresh.
The metal glitters as the night descends.
Woe, woe, it sings from the bough.
Our Lady, etc.
.
.
You had me hoodwinked.
I see your brand new claws.
Praying, what do I betray By desiring your purity? There are old men and women, All bandaged up, waiting At the spiked, wrought-iron gate Of the Great Eye and Ear Infirmery.
We haven't gone far.
.
.
Fear lives there too.
Five ears of my fingertips Against the white page.
What do you hear? We hear holy nothing Blindfolding itself.
It touched you once, twice, And tore like a stitch Out of a new wound.
Two What are you up to son of a gun? I roast on my heart's dark side.
What do you use as a skewer sweetheart? I use my own crooked backbone.
What do you salt yourself with loverboy? I grind the words out of my spittle.
And how will you know when you're done chump? When the half-moons on my fingernails set.
With what knife will you carve yourself smartass? The one I hide in my tongue's black boot.
Well, you can't call me a wrestler If my own dead weight has me pinned down.
Well, you can't call me a cook If the pot's got me under its cover.
Well, you can't call me a king if the flies hang their hats in my mouth.
Well, you can't call me smart, When the rain's falling my cup's in the cupboard.
Nor can you call me a saint, If I didn't err, there wouldn't be these smudges.
One has to manage as best as one can.
The poppies ate the sunset for supper.
One has to manage as best as one can.
Who stole my blue thread, the one I tied around my pinky to remember? One has to manage as best as one can.
The flea I was standing on, jumped.
One has to manage as best as one can.
I think my head went out for a walk.
One has to manage as best as one can.
This is breath, only breath, Think it over midnight! A fly weighs twice as much.
The struck match nods as it passes, But when I shout, Its true name sticks in my throat.
It has to be cold So the breath turns white, And then mother, who's fast enough To write his life on it? A song in prison And for prisoners, Made of what the condemned Have hidden from the jailers.
White--let me step aside So that the future may see you, For when this sheet is blown away, What else is left But to set the food on the table, To cut oneself a slice of bread? In an unknown year Of an algebraic century, An obscure widow Wrapped in the colors of widowhood, Met a true-blue orphan On an indeterminate street-corner.
She offered him A tiny sugar cube In the hand so wizened All the lines said: fate.
Do you take this line Stretching to infinity? I take this chipped tooth On which to cut it in half.
Do you take this circle Bounded by a single curved line? I take this breath That it cannot capture.
Then you may kiss the spot Where her bridal train last rustled.
Winter can come now, The earth narrow to a ditch-- And the sky with its castles and stone lions Above the empty plains.
The snow can fall.
.
.
What other perennials would you plant, My prodigals, my explorers Tossing and turning in the dark For those remote, finely honed bees, The December stars? Had to get through me elsewhere.
Woe to bone That stood in their way.
Woe to each morsel of flesh.
White ants In a white anthill.
The rustle of their many feet Scurrying--tiptoing too.
Gravedigger ants.
Village-idiot ants.
This is the last summoning.
Solitude--as in the beginning.
A zero burped by a bigger zero-- It's an awful licking I got.
And fear--that dead letter office.
And doubt--that Chinese shadow play.
Does anyone still say a prayer Before going to bed? White sleeplessness.
No one knows its weight.
What The White Had To Say For how could anything white be distinct from or divided from whiteness? Meister Eckhart Because I am the bullet That has gone through everyone already, I thought of you long before you thought of me.
Each one of you still keeps a blood-stained handkerchief In which to swaddle me, but it stays empty And even the wind won't remain in it long.
Cleverly you've invented name after name for me, Mixed the riddles, garbled the proverbs, Shook you loaded dice in a tin cup, But I do not answer back even to your curses, For I am nearer to you than your breath.
One sun shines on us both through a crack in the roof.
A spoon brings me through the window at dawn.
A plate shows me off to the four walls While with my tail I swing at the flies.
But there's no tail and the flies are your thoughts.
Steadily, patiently I life your arms.
I arrange them in the posture of someone drowning, And yet the sea in which you are sinking, And even this night above it, is myself.
Because I am the bullet That has baptized each one of your senses, Poems are made of our lusty wedding nights.
.
.
The joy of words as they are written.
The ear that got up at four in the morning To hear the grass grow inside a word.
Still, the most beautiful riddle has no answer.
I am the emptiness that tucks you in like a mockingbird's nest, The fingernail that scratched on your sleep's blackboard.
Take a letter: From cloud to onion.
Say: There was never any real choice.
One gaunt shadowy mother wiped our asses, The same old orphanage taught us loneliness.
Street-organ full of blue notes, I am the monkey dancing to your grinding-- And still you are afraid-and so, It's as if we had not budged from the beginning.
Time slopes.
We are falling head over heels At the speed of night.
That milk tooth You left under the pillow, it's grinning.
1970-1980 This currently out-of-print edition: Copyright ©1980 Logbridge-Rhodes, Inc.
An earlier version of White was first published by New Rivers Press in 1972.
Written by Henry Van Dyke | Create an image from this poem

God of the Open Air

 I

Thou who hast made thy dwelling fair
With flowers beneath, above with starry lights,
And set thine altars everywhere,--
On mountain heights,
In woodlands dim with many a dream,
In valleys bright with springs,
And on the curving capes of every stream:
Thou who hast taken to thyself the wings
Of morning, to abide
Upon the secret places of the sea,
And on far islands, where the tide
Visits the beauty of untrodden shores,
Waiting for worshippers to come to thee
In thy great out-of-doors!
To thee I turn, to thee I make my prayer,
God of the open air.
II Seeking for thee, the heart of man Lonely and longing ran, In that first, solitary hour, When the mysterious power To know and love the wonder of the morn Was breathed within him, and his soul was born; And thou didst meet thy child, Not in some hidden shrine, But in the freedom of the garden wild, And take his hand in thine,-- There all day long in Paradise he walked, And in the cool of evening with thee talked.
III Lost, long ago, that garden bright and pure, Lost, that calm day too perfect to endure, And lost the childlike love that worshipped and was sure! For men have dulled their eyes with sin, And dimmed the light of heaven with doubt, And built their temple walls to shut thee in, And framed their iron creeds to shut thee out.
But not for thee the closing of the door, O Spirit unconfined! Thy ways are free As is the wandering wind, And thou hast wooed thy children, to restore Their fellowship with thee, In peace of soul and simpleness of mind.
IV Joyful the heart that, when the flood rolled by, Leaped up to see the rainbow in the sky; And glad the pilgrim, in the lonely night, For whom the hills of Haran, tier on tier, Built up a secret stairway to the height Where stars like angel eyes were shining clear.
From mountain-peaks, in many a land and age, Disciples of the Persian seer Have hailed the rising sun and worshipped thee; And wayworn followers of the Indian sage Have found the peace of God beneath a spreading tree.
But One, but One,--ah, child most dear, And perfect image of the Love Unseen,-- Walked every day in pastures green, And all his life the quiet waters by, Reading their beauty with a tranquil eye.
To him the desert was a place prepared For weary hearts to rest; The hillside was a temple blest; The grassy vale a banquet-room Where he could feed and comfort many a guest.
With him the lily shared The vital joy that breathes itself in bloom; And every bird that sang beside the nest Told of the love that broods o'er every living thing.
He watched the shepherd bring His flock at sundown to the welcome fold, The fisherman at daybreak fling His net across the waters gray and cold, And all day long the patient reaper swing His curving sickle through the harvest-gold.
So through the world the foot-path way he trod, Drawing the air of heaven in every breath; And in the evening sacrifice of death Beneath the open sky he gave his soul to God.
Him will I trust, and for my Master take; Him will I follow; and for his dear sake, God of the open air, To thee I make my prayer.
V >From the prison of anxious thought that greed has builded, >From the fetters that envy has wrought and pride has gilded, >From the noise of the crowded ways and the fierce confusion, >From the folly that wastes its days in a world of illusion, (Ah, but the life is lost that frets and languishes there!) I would escape and be free in the joy of the open air.
By the breadth of the blue that shines in silence o'er me, By the length of the mountain-lines that stretch before me, By the height of the cloud that sails, with rest in motion, Over the plains and the vales to the measureless ocean, (Oh, how the sight of the things that are great enlarges the eyes!) Lead me out of the narrow life, to the peace of the hills and the skies.
While the tremulous leafy haze on the woodland is spreading, And the bloom on the meadow betrays where May has been treading; While the birds on the branches above, and the brooks flowing under, Are singing together of love in a world full of wonder, (Lo, in the marvel of Springtime, dreams are changed into truth!) Quicken my heart, and restore the beautiful hopes of youth.
By the faith that the flowers show when they bloom unbidden, By the calm of the river's flow to a goal that is hidden, By the trust of the tree that clings to its deep foundation, By the courage of wild birds' wings on the long migration, (Wonderful secret of peace that abides in Nature's breast!) Teach me how to confide, and live my life, and rest.
For the comforting warmth of the sun that my body embraces, For the cool of the waters that run through the shadowy places, For the balm of the breezes that brush my face with their fingers, For the vesper-hymn of the thrush when the twilight lingers, For the long breath, the deep breath, the breath of a heart without care,-- I will give thanks and adore thee, God of the open air! VI These are the gifts I ask Of thee, Spirit serene: Strength for the daily task, Courage to face the road, Good cheer to help me bear the traveller's load, And, for the hours of rest that come between, An inward joy in all things heard and seen.
These are the sins I fain Would have thee take away: Malice, and cold disdain, Hot anger, sullen hate, Scorn of the lowly, envy of the great, And discontent that casts a shadow gray On all the brightness of the common day.
These are the things I prize And hold of dearest worth: Light of the sapphire skies, Peace of the silent hills, Shelter of forests, comfort of the grass, Music of birds, murmur of little rills, Shadow of clouds that swiftly pass, And, after showers, The smell of flowers And of the good brown earth,-- And best of all, along the way, friendship and mirth.
So let me keep These treasures of the humble heart In true possession, owning them by love; And when at last I can no longer move Among them freely, but must part From the green fields and from the waters clear, Let me not creep Into some darkened room and hide From all that makes the world so bright and dear; But throw the windows wide To welcome in the light; And while I clasp a well-beloved hand, Let me once more have sight Of the deep sky and the far-smiling land,-- Then gently fall on sleep, And breathe my body back to Nature's care, My spirit out to thee, God of the open air.
Written by Matthew Arnold | Create an image from this poem

Morality

 We cannot kindle when we will
The fire which in the heart resides;
The spirit bloweth and is still,
In mystery our soul abides.
But tasks in hours of insight will'd Can be through hours of gloom fulfill'd.
With aching hands and bleeding feet We dig and heap, lay stone on stone; We bear the burden and the heat Of the long day, and wish 'twere done.
Not till the hours of light return, All we have built do we discern.
Then, when the clouds are off the soul, When thou dost bask in Nature's eye, Ask, how she view'd thy self-control, Thy struggling, task'd morality-- Nature, whose free, light, cheerful air, Oft made thee, in thy gloom, despair.
And she, whose censure thou dost dread, Whose eye thou wast afraid to seek, See, on her face a glow is spread, A strong emotion on her cheek! 'Ah, child!' she cries, 'that strife divine, Whence was it, for it is not mine? 'There is no effort on my brow-- I do not strive, I do not weep; I rush with the swift spheres and glow In joy, and when I will, I sleep.
Yet that severe, that earnest air, I saw, I felt it once--but where? 'I knew not yet the gauge of time, Nor wore the manacles of space; I felt it in some other clime, I saw it in some other place.
'Twas when the heavenly house I trod, And lay upon the breast of God.
'
Written by Stanley Kunitz | Create an image from this poem

King of the River

 If the water were clear enough,
if the water were still,
but the water is not clear,
the water is not still,
you would see yourself,
slipped out of your skin,
nosing upstream,
slapping, thrashing,
tumbling
over the rocks
till you paint them
with your belly's blood:
Finned Ego,
yard of muscle that coils,
uncoils.
If the knowledge were given you, but it is not given, for the membrane is clouded with self-deceptions and the iridescent image swims through a mirror that flows, you would surprise yourself in that other flesh heavy with milt, bruised, battering toward the dam that lips the orgiastic pool.
Come.
Bathe in these waters.
Increase and die.
If the power were granted you to break out of your cells, but the imagination fails and the doors of the senses close on the child within, you would dare to be changed, as you are changing now, into the shape you dread beyond the merely human.
A dry fire eats you.
Fat drips from your bones.
The flutes of your gills discolor.
You have become a ship for parasites.
The great clock of your life is slowing down, and the small clocks run wild.
For this you were born.
You have cried to the wind and heard the wind's reply: "I did not choose the way, the way chose me.
" You have tasted the fire on your tongue till it is swollen black with a prophetic joy: "Burn with me! The only music is time, the only dance is love.
" If the heart were pure enough, but it is not pure, you would admit that nothing compels you any more, nothing at all abides, but nostalgia and desire, the two-way ladder between heaven and hell.
On the threshold of the last mystery, at the brute absolute hour, you have looked into the eyes of your creature self, which are glazed with madness, and you say he is not broken but endures, limber and firm in the state of his shining, forever inheriting his salt kingdom, from which he is banished forever.


Written by Stanley Kunitz | Create an image from this poem

The Layers

 I have walked through many lives,
some of them my own,
and I am not who I was,
though some principle of being
abides, from which I struggle
not to stray.
When I look behind, as I am compelled to look before I can gather strength to proceed on my journey, I see the milestones dwindling toward the horizon and the slow fires trailing from the abandoned camp-sites, over which scavenger angels wheel on heavy wings.
Oh, I have made myself a tribe out of my true affections, and my tribe is scattered! How shall the heart be reconciled to its feast of losses? In a rising wind the manic dust of my friends, those who fell along the way, bitterly stings my face.
Yet I turn, I turn, exulting somewhat, with my will intact to go wherever I need to go, and every stone on the road precious to me.
In my darkest night, when the moon was covered and I roamed through wreckage, a nimbus-clouded voice directed me: "Live in the layers, not on the litter.
" Though I lack the art to decipher it, no doubt the next chapter in my book of transformations is already written.
I am not done with my changes.
Written by Alfred Lord Tennyson | Create an image from this poem

Ulysses

 It little profits that an idle king,
By this still hearth, among these barren crags,
Matched with an aged wife, I mete and dole
Unequal laws unto a savage race,
That hoard, and sleep, and feed, and know not me.
I cannot rest from travel: I will drink Life to the lees: all times I have enjoyed Greatly, have suffered greatly, both with those That loved me, and alone; on shore, and when Through scudding drifts the rainy Hyades Vest the dim sea: I am become a name; For always roaming with a hungry heart Much have I seen and known; cities of men And manners, climates, councils, governments, Myself not least, but honoured of them all; And drunk delight of battle with my peers; Far on the ringing plains of windy Troy.
I am part of all that I have met; Yet all experience is an arch wherethrough Gleams that untravelled world, whose margin fades For ever and for ever when I move.
How dull it is to pause, to make an end, To rust unburnished, not to shine in use! As though to breath were life.
Life piled on life Were all to little, and of one to me Little remains: but every hour is saved From that eternal silence, something more, A bringer of new things; and vile it were For some three suns to store and hoard myself, And this gray spirit yearning in desire To follow knowledge like a sinking star, Beyond the utmost bound of human thought.
This is my son, mine own Telemachus, To whom I leave the scepter and the isle— Well-loved of me, discerning to fulfill This labour, by slow prudence to make mild A rugged people, and through soft degrees Subdue them to the useful and the good.
Most blameless is he, centered in the sphere Of common duties, decent not to fail In offices of tenderness, and pay Meet adoration to my household gods, When I am gone.
He works his work, I mine.
There lies the port; the vessel puffs her sail: There gloom the dark broad seas.
My mariners, Souls that have toiled, and wrought, and thought with me— That ever with a frolic welcome took The thunder and the sunshine, and opposed Free hearts, free foreheads—you and I are old; Old age had yet his honour and his toil; Death closes all: but something ere the end, Some work of noble note, may yet be done, Not unbecoming men that strove with Gods.
The lights begin to twinkle from the rocks: The long day wanes: the slow moon climbs: the deep Moans round with many voices.
Come, my friends, 'Tis not too late to seek a newer world.
Push off, and sitting well in order smite The sounding furrows; for my purpose holds To sail beyond the sunset, and the baths Of all the western stars, until I die.
It may be that the gulfs will wash us down: It may be we shall touch the Happy Isles, And see the great Achilles, whom we knew.
Though much is taken, much abides; and though We are not now that strength which in the old days Moved earth and heaven; that which we are, we are, One equal-temper of heroic hearts, Made weak by time and fate, but strong in will To strive, to seek, to find, and not to yield.
Written by Robert Browning | Create an image from this poem

From ‘Paracelsus'

 I

TRUTH is within ourselves; it takes no rise 
From outward things, whate’er you may believe.
There is an inmost centre in us all, Where truth abides in fullness; and around, Wall upon wall, the gross flesh hems it in, This perfect, clear perception—which is truth.
A baffling and perverting carnal mesh Binds it, and makes all error: and, to KNOW, Rather consists in opening out a way Whence the imprisoned splendour may escape, Than in effecting entry for a light Supposed to be without.
II I knew, I felt, (perception unexpressed, Uncomprehended by our narrow thought, But somehow felt and known in every shift And change in the spirit,—nay, in every pore Of the body, even,)—what God is, what we are What life is—how God tastes an infinite joy In infinite ways—one everlasting bliss, From whom all being emanates, all power Proceeds; in whom is life for evermore, Yet whom existence in its lowest form Includes; where dwells enjoyment there is he: With still a flying point of bliss remote, A happiness in store afar, a sphere Of distant glory in full view; thus climbs Pleasure its heights for ever and for ever.
The centre-fire heaves underneath the earth, And the earth changes like a human face; The molten ore bursts up among the rocks, Winds into the stone’s heart, outbranches bright In hidden mines, spots barren river-beds, Crumbles into fine sand where sunbeams bask— God joys therein! The wroth sea’s waves are edged With foam, white as the bitten lip of hate, When, in the solitary waste, strange groups Of young volcanos come up, cyclops-like, Staring together with their eyes on flame— God tastes a pleasure in their uncouth pride.
Then all is still; earth is a wintry clod: But spring-wind, like a dancing psaltress, passes Over its breast to waken it, rare verdure Buds tenderly upon rough banks, between The withered tree-roots and the cracks of frost, Like a smile striving with a wrinkled face; The grass grows bright, the boughs are swoln with blooms Like chrysalids impatient for the air, The shining dorrs are busy, beetles run Along the furrows, ants make their ade; Above, birds fly in merry flocks, the lark Soars up and up, shivering for very joy; Afar the ocean sleeps; white fishing-gulls Flit where the strand is purple with its tribe Of nested limpets; savage creatures seek Their loves in wood and plain—and God renews His ancient rapture.
Thus He dwells in all, From life’s minute beginnings, up at last To man—the consummation of this scheme Of being, the completion of this sphere Of life: whose attributes had here and there Been scattered o’er the visible world before, Asking to be combined, dim fragments meant To be united in some wondrous whole, Imperfect qualities throughout creation, Suggesting some one creature yet to make, Some point where all those scattered rays should meet Convergent in the faculties of man.
Written by John Clare | Create an image from this poem

Summer

 See what delights in sylvan scenes appear!
Descending Gods have found Elysium here.
In woods bright Venus with Adonis stray'd, And chaste Diana haunts the forest shade.
Come lovely nymph, and bless the silent hours, When swains from shearing seek their nightly bow'rs; When weary reapers quit the sultry field, And crown'd with corn, their thanks to Ceres yield.
This harmless grove no lurking viper hides, But in my breast the serpent Love abides.
Here bees from blossoms sip the rosy dew, But your Alexis knows no sweets but you.
Oh deign to visit our forsaken seats, The mossy fountains, and the green retreats! Where-e'er you walk, cool gales shall fan the glade, Trees, where you sit, shall crowd into a shade, Where-e'er you tread, the blushing flow'rs shall rise, And all things flourish where you turn your eyes.
Oh! How I long with you to pass my days, Invoke the muses, and resound your praise; Your praise the birds shall chant in ev'ry grove, And winds shall waft it to the pow'rs above.
But wou'd you sing, and rival Orpheus' strain, The wond'ring forests soon shou'd dance again, The moving mountains hear the pow'rful call, And headlong streams hang list'ning in their fall! But see, the shepherds shun the noon-day heat, The lowing herds to murm'ring brooks retreat, To closer shades the panting flocks remove, Ye Gods! And is there no relief for Love? But soon the sun with milder rays descends To the cool ocean, where his journey ends; On me Love's fiercer flames for every prey, By night he scorches, as he burns by day.
Written by Robert Browning | Create an image from this poem

The Englishman In Italy

 (PIANO DI SORRENTO.
) Fortu, Frotu, my beloved one, Sit here by my side, On my knees put up both little feet! I was sure, if I tried, I could make you laugh spite of Scirocco; Now, open your eyes— Let me keep you amused till he vanish In black from the skies, With telling my memories over As you tell your beads; All the memories plucked at Sorrento —The flowers, or the weeds, Time for rain! for your long hot dry Autumn Had net-worked with brown The white skin of each grape on the bunches, Marked like a quail's crown, Those creatures you make such account of, Whose heads,—specked with white Over brown like a great spider's back, As I told you last night,— Your mother bites off for her supper; Red-ripe as could be.
Pomegranates were chapping and splitting In halves on the tree: And betwixt the loose walls of great flintstone, Or in the thick dust On the path, or straight out of the rock side, Wherever could thrust Some burnt sprig of bold hardy rock-flower Its yellow face up, For the prize were great butterflies fighting, Some five for one cup.
So, I guessed, ere I got up this morning, What change was in store, By the quick rustle-down of the quail-nets Which woke me before I could open my shutter, made fast With a bough and a stone, And look through the twisted dead vine-twigs, Sole lattice that's known! Quick and sharp rang the rings down the net-poles, While, busy beneath, Your priest and his brother tugged at them, The rain in their teeth: And out upon all the flat house-roofs Where split figs lay drying, The girls took the frails under cover: Nor use seemed in trying To get out the boats and go fishing, For, under the cliff, Fierce the black water frothed o'er the blind-rock No seeing our skiff Arrive about noon from Amalfi, —Our fisher arrive, And pitch down his basket before us, All trembling alive With pink and grey jellies, your sea-fruit, —You touch the strange lumps, And mouths gape there, eyes open, all manner Of horns and of humps.
Which only the fisher looks grave at, While round him like imps Cling screaming the children as naked And brown as his shrimps; Himself too as bare to the middle— —You see round his neck The string and its brass coin suspended, That saves him from wreck.
But today not a boat reached Salerno, So back to a man Came our friends, with whose help in the vineyards Grape-harvest began: In the vat, half-way up in our house-side, Like blood the juice spins, While your brother all bare-legged is dancing Till breathless he grins Dead-beaten, in effort on effort To keep the grapes under, Since still when he seems all but master, In pours the fresh plunder From girls who keep coming and going With basket on shoulder, And eyes shut against the rain's driving, Your girls that are older,— For under the hedges of aloe, And where, on its bed Of the orchard's black mould, the love-apple Lies pulpy and red, All the young ones are kneeling and filling Their laps with the snails Tempted out by this first rainy weather,— Your best of regales, As tonight will be proved to my sorrow, When, supping in state, We shall feast our grape-gleaners (two dozen, Three over one plate) With lasagne so tempting to swallow In slippery ropes, And gourds fried in great purple slices, That colour of popes.
Meantime, see the grape-bunch they've brought you,— The rain-water slips O'er the heavy blue bloom on each globe Which the wasp to your lips Still follows with fretful persistence— Nay, taste, while awake, This half of a curd-white smooth cheese-ball, That peels, flake by flake, Like an onion's, each smoother and whiter; Next, sip this weak wine From the thin green glass flask, with its stopper, A leaf of the vine,— And end with the prickly-pear's red flesh That leaves through its juice The stony black seeds on your pearl-teeth .
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Scirocco is loose! Hark! the quick, whistling pelt of the olives Which, thick in one's track, Tempt the stranger to pick up and bite them, Though not yet half black! How the old twisted olive trunks shudder! The medlars let fall Their hard fruit, and the brittle great fig-trees Snap off, figs and all,— For here comes the whole of the tempest No refuge, but creep Back again to my side and my shoulder, And listen or sleep.
O how will your country show next week When all the vine-boughs Have been stripped of their foliage to pasture The mules and the cows? Last eve, I rode over the mountains; Your brother, my guide, Soon left me, to feast on the myrtles That offered, each side, Their fruit-balls, black, glossy and luscious,— Or strip from the sorbs A treasure, so rosy and wondrous, Of hairy gold orbs! But my mule picked his sure, sober path out, Just stopping to neigh When he recognized down in the valley His mates on their way With the faggots, and barrels of water; And soon we emerged From the plain, where the woods could scarce follow And still as we urged Our way, the woods wondered, and left us, As up still we trudged Though the wild path grew wilder each instant, And place was e'en grudged 'Mid the rock-chasms, and piles of loose stones (Like the loose broken teeth Of some monster, which climbed there to die From the ocean beneath) Place was grudged to the silver-grey fume-weed That clung to the path, And dark rosemary, ever a-dying, That, 'spite the wind's wrath, So loves the salt rock's face to seaward,— And lentisks as staunch To the stone where they root and bear berries,— And.
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what shows a branch Coral-coloured, transparent, with circlets Of pale seagreen leaves— Over all trod my mule with the caution Of gleaners o'er sheaves, Still, foot after foot like a lady— So, round after round, He climbed to the top of Calvano, And God's own profound Was above me, and round me the mountains, And under, the sea, And within me, my heart to bear witness What was and shall be! Oh Heaven, and the terrible crystal! No rampart excludes Your eye from the life to be lived In the blue solitudes! Oh, those mountains, their infinite movement! Still moving with you— For, ever some new head and breast of them Thrusts into view To observe the intruder—you see it If quickly you turn And, before they escape you, surprise them— They grudge you should learn How the soft plains they look on, lean over, And love (they pretend) -Cower beneath them; the flat sea-pine crouches The wild fruit-trees bend, E'en the myrtle-leaves curl, shrink and shut— All is silent and grave— 'Tis a sensual and timorous beauty— How fair, but a slave! So, I turned to the sea,—and there slumbered As greenly as ever Those isles of the siren, your Galli; No ages can sever The Three, nor enable their sister To join them,—half-way On the voyage, she looked at Ulysses— No farther today; Though the small one, just launched in the wave, Watches breast-high and steady From under the rock, her bold sister Swum half-way already.
Fortu, shall we sail there together And see from the sides Quite new rocks show their faces—new haunts Where the siren abides? Shall we sail round and round them, close over The rocks, though unseen, That ruffle the grey glassy water To glorious green? Then scramble from splinter to splinter, Reach land and explore, On the largest, the strange square black turret With never a door, Just a loop to admit the quick lizards; Then, stand there and hear The birds' quiet singing, that tells us What life is, so clear! The secret they sang to Ulysses, When, ages ago, He heard and he knew this life's secret, I hear and I know! Ah, see! The sun breaks o'er Calvano— He strikes the great gloom And flutters it o'er the mount's summit In airy gold fume! All is over! Look out, see the gipsy, Our tinker and smith, Has arrived, set up bellows and forge, And down-squatted forthwith To his hammering, under the wall there; One eye keeps aloof The urchins that itch to be putting His jews'-harps to proof, While the other, through locks of curled wire, Is watching how sleek Shines the hog, come to share in the windfalls —An abbot's own cheek! All is over! Wake up and come out now, And down let us go, And see the fine things got in order At Church for the show Of the Sacrament, set forth this evening; Tomorrow's the Feast Of the Rosary's Virgin, by no means Of Virgins the least— As you'll hear in the off-hand discourse Which (all nature, no art) The Dominican brother, these three weeks, Was getting by heart.
Not a post nor a pillar but's dizened With red and blue papers; All the roof waves with ribbons, each altar A-blaze with long tapers; But the great masterpiece is the scaffold Rigged glorious to hold All the fiddlers and fifers and drummers And trumpeters bold, Not afraid of Bellini nor Auber, Who, when the priest's hoarse, Will strike us up something that's brisk For the feast's second course.
And then will the flaxen-wigged Image Be carried in pomp Through the plain, while in gallant procession The priests mean to stomp.
And all round the glad church lie old bottles With gunpowder stopped, Which will be, when the Image re-enters, Religiously popped.
And at night from the crest of Calvano Great bonfires will hang, On the plain will the trumpets join chorus, And more poppers bang! At all events, come—to the garden, As far as the wall, See me tap with a hoe on the plaster Till out there shall fall A scorpion with wide angry nippers! .
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"Such trifles"—you say? Fortu, in my England at home, Men meet gravely today And debate, if abolishing Corn-laws Is righteous and wise —If 'tis proper, Scirocco should vanish In black from the skies!

Book: Shattered Sighs