Written by
John Keats |
MY heart aches, and a drowsy numbness pains
My sense, as though of hemlock I had drunk,
Or emptied some dull opiate to the drains
One minute past, and Lethe-wards had sunk:
'Tis not through envy of thy happy lot, 5
But being too happy in thine happiness,
That thou, light-wing¨¨d Dryad of the trees,
In some melodious plot
Of beechen green, and shadows numberless,
Singest of summer in full-throated ease. 10
O for a draught of vintage! that hath been
Cool'd a long age in the deep-delv¨¨d earth,
Tasting of Flora and the country-green,
Dance, and Proven?al song, and sunburnt mirth!
O for a beaker full of the warm South! 15
Full of the true, the blushful Hippocrene,
With beaded bubbles winking at the brim,
And purple-stain¨¨d mouth;
That I might drink, and leave the world unseen,
And with thee fade away into the forest dim: 20
Fade far away, dissolve, and quite forget
What thou among the leaves hast never known,
The weariness, the fever, and the fret
Here, where men sit and hear each other groan;
Where palsy shakes a few, sad, last grey hairs, 25
Where youth grows pale, and spectre-thin, and dies;
Where but to think is to be full of sorrow
And leaden-eyed despairs;
Where beauty cannot keep her lustrous eyes,
Or new Love pine at them beyond to-morrow. 30
Away! away! for I will fly to thee,
Not charioted by Bacchus and his pards,
But on the viewless wings of Poesy,
Though the dull brain perplexes and retards:
Already with thee! tender is the night, 35
And haply the Queen-Moon is on her throne,
Cluster'd around by all her starry Fays
But here there is no light,
Save what from heaven is with the breezes blown
Through verdurous glooms and winding mossy ways. 40
I cannot see what flowers are at my feet,
Nor what soft incense hangs upon the boughs,
But, in embalm¨¨d darkness, guess each sweet
Wherewith the seasonable month endows
The grass, the thicket, and the fruit-tree wild; 45
White hawthorn, and the pastoral eglantine;
Fast-fading violets cover'd up in leaves;
And mid-May's eldest child,
The coming musk-rose, full of dewy wine,
The murmurous haunt of flies on summer eves. 50
Darkling I listen; and, for many a time
I have been half in love with easeful Death,
Call'd him soft names in many a mus¨¨d rhyme,
To take into the air my quiet breath;
Now more than ever seems it rich to die, 55
To cease upon the midnight with no pain,
While thou art pouring forth thy soul abroad
In such an ecstasy!
Still wouldst thou sing, and I have ears in vain¡ª
To thy high requiem become a sod. 60
Thou wast not born for death, immortal Bird!
No hungry generations tread thee down;
The voice I hear this passing night was heard
In ancient days by emperor and clown:
Perhaps the self-same song that found a path 65
Through the sad heart of Ruth, when, sick for home,
She stood in tears amid the alien corn;
The same that ofttimes hath
Charm'd magic casements, opening on the foam
Of perilous seas, in faery lands forlorn. 70
Forlorn! the very word is like a bell
To toll me back from thee to my sole self!
Adieu! the fancy cannot cheat so well
As she is famed to do, deceiving elf.
Adieu! adieu! thy plaintive anthem fades 75
Past the near meadows, over the still stream,
Up the hill-side; and now 'tis buried deep
In the next valley-glades:
Was it a vision, or a waking dream?
Fled is that music:¡ªdo I wake or sleep? 80
|
Written by
Elizabeth Barrett Browning |
I MIND me in the days departed,
How often underneath the sun
With childish bounds I used to run
To a garden long deserted.
The beds and walks were vanish'd quite; 5
And wheresoe'er had struck the spade,
The greenest grasses Nature laid,
To sanctify her right.
I call'd the place my wilderness,
For no one enter'd there but I. 10
The sheep look'd in, the grass to espy,
And pass'd it ne'ertheless.
The trees were interwoven wild,
And spread their boughs enough about
To keep both sheep and shepherd out, 15
But not a happy child.
Adventurous joy it was for me!
I crept beneath the boughs, and found
A circle smooth of mossy ground
Beneath a poplar-tree. 20
Old garden rose-trees hedged it in,
Bedropt with roses waxen-white,
Well satisfied with dew and light,
And careless to be seen.
Long years ago, it might befall, 25
When all the garden flowers were trim,
The grave old gardener prided him
On these the most of all.
Some Lady, stately overmuch,
Here moving with a silken noise, 30
Has blush'd beside them at the voice
That liken'd her to such.
Or these, to make a diadem,
She often may have pluck'd and twined;
Half-smiling as it came to mind, 35
That few would look at them.
O, little thought that Lady proud,
A child would watch her fair white rose,
When buried lay her whiter brows,
And silk was changed for shroud!¡ª 40
Nor thought that gardener (full of scorns
For men unlearn'd and simple phrase)
A child would bring it all its praise,
By creeping through the thorns!
To me upon my low moss seat, 45
Though never a dream the roses sent
Of science or love's compliment,
I ween they smelt as sweet.
It did not move my grief to see
The trace of human step departed: 50
Because the garden was deserted,
The blither place for me!
Friends, blame me not! a narrow ken
Hath childhood 'twixt the sun and sward:
We draw the moral afterward¡ª 55
We feel the gladness then.
And gladdest hours for me did glide
In silence at the rose-tree wall:
A thrush made gladness musical
Upon the other side. 60
Nor he nor I did e'er incline
To peck or pluck the blossoms white:¡ª
How should I know but that they might
Lead lives as glad as mine?
To make my hermit-home complete, 65
I brought clear water from the spring
Praised in its own low murmuring,
And cresses glossy wet.
And so, I thought, my likeness grew
(Without the melancholy tale) 70
To 'gentle hermit of the dale,'
And Angelina too.
For oft I read within my nook
Such minstrel stories; till the breeze
Made sounds poetic in the trees, 75
And then I shut the book.
If I shut this wherein I write,
I hear no more the wind athwart
Those trees, nor feel that childish heart
Delighting in delight. 80
My childhood from my life is parted,
My footstep from the moss which drew
Its fairy circle round: anew
The garden is deserted.
Another thrush may there rehearse 85
The madrigals which sweetest are;
No more for me!¡ªmyself afar
Do sing a sadder verse.
Ah me! ah me! when erst I lay
In that child's-nest so greenly wrought, 90
I laugh'd unto myself and thought,
'The time will pass away.'
And still I laugh'd, and did not fear
But that, whene'er was pass'd away
The childish time, some happier play 95
My womanhood would cheer.
I knew the time would pass away;
And yet, beside the rose-tree wall,
Dear God, how seldom, if at all,
Did I look up to pray! 100
The time is past: and now that grows
The cypress high among the trees,
And I behold white sepulchres
As well as the white rose,¡ª
When wiser, meeker thoughts are given, 105
And I have learnt to lift my face,
Reminded how earth's greenest place
The colour draws from heaven,¡ª
It something saith for earthly pain,
But more for heavenly promise free, 110
That I who was, would shrink to be
That happy child again.
|
Written by
John Keats |
THOU still unravish'd bride of quietness
Thou foster-child of Silence and slow Time
Sylvan historian who canst thus express
A flowery tale more sweetly than our rhyme:
What leaf-fringed legend haunts about thy shape 5
Of deities or mortals or of both
In Tempe or the dales of Arcady?
What men or gods are these? What maidens loth?
What mad pursuit? What struggle to escape?
What pipes and timbrels? What wild ecstasy? 10
Heard melodies are sweet but those unheard
Are sweeter; therefore ye soft pipes play on;
Not to the sensual ear but more endear'd
Pipe to the spirit ditties of no tone:
Fair youth beneath the trees thou canst not leave 15
Thy song nor ever can those trees be bare;
Bold Lover never never canst thou kiss
Though winning near the goal¡ªyet do not grieve;
She cannot fade though thou hast not thy bliss
For ever wilt thou love and she be fair! 20
Ah happy happy boughs! that cannot shed
Your leaves nor ever bid the Spring adieu;
And happy melodist unweari¨¨d
For ever piping songs for ever new;
More happy love! more happy happy love! 25
For ever warm and still to be enjoy'd
For ever panting and for ever young;
All breathing human passion far above
That leaves a heart high-sorrowful and cloy'd
A burning forehead and a parching tongue. 30
Who are these coming to the sacrifice?
To what green altar O mysterious priest
Lead'st thou that heifer lowing at the skies
And all her silken flanks with garlands drest?
What little town by river or sea-shore 35
Or mountain-built with peaceful citadel
Is emptied of its folk this pious morn?
And little town thy streets for evermore
Will silent be; and not a soul to tell
Why thou art desolate can e'er return. 40
O Attic shape! fair attitude! with brede
Of marble men and maidens overwrought
With forest branches and the trodden weed;
Thou silent form! dost tease us out of thought
As doth eternity: Cold Pastoral! 45
When old age shall this generation waste
Thou shalt remain in midst of other woe
Than ours a friend to man to whom thou say'st
'Beauty is truth truth beauty ¡ªthat is all
Ye know on earth and all ye need to know.' 50
|
Written by
Alfred Lord Tennyson |
ON either side the river lie
Long fields of barley and of rye,
That clothe the wold and meet the sky;
And thro' the field the road runs by
To many-tower'd Camelot; 5
And up and down the people go,
Gazing where the lilies blow
Round an island there below,
The island of Shalott.
Willows whiten, aspens quiver, 10
Little breezes dusk and shiver
Thro' the wave that runs for ever
By the island in the river
Flowing down to Camelot.
Four gray walls, and four gray towers, 15
Overlook a space of flowers,
And the silent isle imbowers
The Lady of Shalott.
By the margin, willow-veil'd,
Slide the heavy barges trail'd 20
By slow horses; and unhail'd
The shallop flitteth silken-sail'd
Skimming down to Camelot:
But who hath seen her wave her hand?
Or at the casement seen her stand? 25
Or is she known in all the land,
The Lady of Shalott?
Only reapers, reaping early
In among the bearded barley,
Hear a song that echoes cheerly 30
From the river winding clearly,
Down to tower'd Camelot:
And by the moon the reaper weary,
Piling sheaves in uplands airy,
Listening, whispers ''Tis the fairy 35
Lady of Shalott.'
PART II
There she weaves by night and day
A magic web with colours gay.
She has heard a whisper say,
A curse is on her if she stay 40
To look down to Camelot.
She knows not what the curse may be,
And so she weaveth steadily,
And little other care hath she,
The Lady of Shalott. 45
And moving thro' a mirror clear
That hangs before her all the year,
Shadows of the world appear.
There she sees the highway near
Winding down to Camelot: 50
There the river eddy whirls,
And there the surly village-churls,
And the red cloaks of market girls,
Pass onward from Shalott.
Sometimes a troop of damsels glad, 55
An abbot on an ambling pad,
Sometimes a curly shepherd-lad,
Or long-hair'd page in crimson clad,
Goes by to tower'd Camelot;
And sometimes thro' the mirror blue 60
The knights come riding two and two:
She hath no loyal knight and true,
The Lady of Shalott.
But in her web she still delights
To weave the mirror's magic sights, 65
For often thro' the silent nights
A funeral, with plumes and lights,
And music, went to Camelot:
Or when the moon was overhead,
Came two young lovers lately wed; 70
'I am half sick of shadows,' said
The Lady of Shalott.
PART III
A bow-shot from her bower-eaves,
He rode between the barley-sheaves,
The sun came dazzling thro' the leaves, 75
And flamed upon the brazen greaves
Of bold Sir Lancelot.
A red-cross knight for ever kneel'd
To a lady in his shield,
That sparkled on the yellow field, 80
Beside remote Shalott.
The gemmy bridle glitter'd free,
Like to some branch of stars we see
Hung in the golden Galaxy.
The bridle bells rang merrily 85
As he rode down to Camelot:
And from his blazon'd baldric slung
A mighty silver bugle hung,
And as he rode his armour rung,
Beside remote Shalott. 90
All in the blue unclouded weather
Thick-jewell'd shone the saddle-leather,
The helmet and the helmet-feather
Burn'd like one burning flame together,
As he rode down to Camelot. 95
As often thro' the purple night,
Below the starry clusters bright,
Some bearded meteor, trailing light,
Moves over still Shalott.
His broad clear brow in sunlight glow'd; 100
On burnish'd hooves his war-horse trode;
From underneath his helmet flow'd
His coal-black curls as on he rode,
As he rode down to Camelot.
From the bank and from the river 105
He flash'd into the crystal mirror,
'Tirra lirra,' by the river
Sang Sir Lancelot.
She left the web, she left the loom,
She made three paces thro' the room, 110
She saw the water-lily bloom,
She saw the helmet and the plume,
She look'd down to Camelot.
Out flew the web and floated wide;
The mirror crack'd from side to side; 115
'The curse is come upon me!' cried
The Lady of Shalott.
PART IV
In the stormy east-wind straining,
The pale yellow woods were waning,
The broad stream in his banks complaining, 120
Heavily the low sky raining
Over tower'd Camelot;
Down she came and found a boat
Beneath a willow left afloat,
And round about the prow she wrote 125
The Lady of Shalott.
And down the river's dim expanse¡ª
Like some bold seer in a trance,
Seeing all his own mischance¡ª
With a glassy countenance 130
Did she look to Camelot.
And at the closing of the day
She loosed the chain, and down she lay;
The broad stream bore her far away,
The Lady of Shalott. 135
Lying, robed in snowy white
That loosely flew to left and right¡ª
The leaves upon her falling light¡ª
Thro' the noises of the night
She floated down to Camelot: 140
And as the boat-head wound along
The willowy hills and fields among,
They heard her singing her last song,
The Lady of Shalott.
Heard a carol, mournful, holy, 145
Chanted loudly, chanted lowly,
Till her blood was frozen slowly,
And her eyes were darken'd wholly,
Turn'd to tower'd Camelot;
For ere she reach'd upon the tide 150
The first house by the water-side,
Singing in her song she died,
The Lady of Shalott.
Under tower and balcony,
By garden-wall and gallery, 155
A gleaming shape she floated by,
Dead-pale between the houses high,
Silent into Camelot.
Out upon the wharfs they came,
Knight and burgher, lord and dame, 160
And round the prow they read her name,
The Lady of Shalott.
Who is this? and what is here?
And in the lighted palace near
Died the sound of royal cheer; 165
And they cross'd themselves for fear,
All the knights at Camelot:
But Lancelot mused a little space;
He said, 'She has a lovely face;
God in His mercy lend her grace, 170
The Lady of Shalott.'
|
Written by
Percy Bysshe Shelley |
ARIEL to Miranda:¡ªTake
This slave of music for the sake
Of him who is the slave of thee;
And teach it all the harmony
In which thou canst and only thou 5
Make the delighted spirit glow
Till joy denies itself again
And too intense is turn'd to pain.
For by permission and command
Of thine own Prince Ferdinand 10
Poor Ariel sends this silent token
Of more than ever can be spoken;
Your guardian spirit Ariel who
From life to life must still pursue
Your happiness for thus alone 15
Can Ariel ever find his own.
From Prospero's enchanted cell
As the mighty verses tell
To the throne of Naples he
Lit you o'er the trackless sea 20
Flitting on your prow before
Like a living meteor.
When you die the silent Moon
In her interlunar swoon
Is not sadder in her cell 25
Than deserted Ariel:¡ª
When you live again on earth
Like an unseen Star of birth
Ariel guides you o'er the sea
Of life from your nativity:¡ª 30
Many changes have been run
Since Ferdinand and you begun
Your course of love and Ariel still
Has track'd your steps and served your will.
Now in humbler happier lot 35
This is all remember'd not;
And now alas the poor Sprite is
Imprison'd for some fault of his
In a body like a grave¡ª
From you he only dares to crave 40
For his service and his sorrow
A smile to-day a song to-morrow.
The artist who this viol wrought
To echo all harmonious thought
Fell'd a tree while on the steep 45
The woods were in their winter sleep
Rock'd in that repose divine
On the wind-swept Apennine;
And dreaming some of autumn past
And some of spring approaching fast 50
And some of April buds and showers
And some of songs in July bowers
And all of love; and so this tree ¡ª
Oh that such our death may be!¡ª
Died in sleep and felt no pain 55
To live in happier form again:
From which beneath heaven's fairest star
The artist wrought this loved guitar;
And taught it justly to reply
To all who question skilfully 60
In language gentle as thine own;
Whispering in enamour'd tone
Sweet oracles of woods and dells
And summer winds in sylvan cells.
For it had learnt all harmonies 65
Of the plains and of the skies
Of the forests and the mountains
And the many-voic¨¨d fountains;
The clearest echoes of the hills
The softest notes of falling rills 70
The melodies of birds and bees
The murmuring of summer seas
And pattering rain and breathing dew
And airs of evening; and it knew
That seldom-heard mysterious sound 75
Which driven on its diurnal round
As it floats through boundless day
Our world enkindles on its way:¡ª
All this it knows but will not tell
To those who cannot question well 80
The spirit that inhabits it:
It talks according to the wit
Of its companions; and no more
Is heard than has been felt before
By those who tempt it to betray 85
These secrets of an elder day.
But sweetly as its answers will
Flatter hands of perfect skill
It keeps its highest holiest tone
For one beloved Friend alone. 90
|
Written by
Charles Bukowski |
ah, christ, what a CREW:
more
poetry, always more
P O E T R Y .
if it doesn't come, coax it out with a
laxative. get your name in LIGHTS,
get it up there in
8 1/2 x 11 mimeo.
keep it coming like a miracle.
ah christ, writers are the most sickening
of all the louts!
yellow-toothed, slump-shouldered,
gutless, flea-bitten and
obvious . . . in tinker-toy rooms
with their flabby hearts
they tell us
what's wrong with the world-
as if we didn't know that a cop's club
can crack the head
and that war is a dirtier game than
marriage . . .
or down in a basement bar
hiding from a wife who doesn't appreciate him
and children he doesn't
want
he tells us that his heart is drowning in
vomit. hell, all our hearts are drowning in vomit,
in pork salt, in bad verse, in soggy
love.
but he thinks he's alone and
he thinks he's special and he thinks he's Rimbaud
and he thinks he's
Pound.
and death! how about death? did you know
that we all have to die? even Keats died, even
Milton!
and D. Thomas-THEY KILLED HIM, of course.
Thomas didn't want all those free drinks
all that free pussy-
they . . . FORCED IT ON HIM
when they should have left him alone so he could
write write WRITE!
poets.
and there's another
type. I've met them at their country
places (don't ask me what I was doing there because
I don't know).
they were born with money and
they don't have to dirty their hands in
slaughterhouses or washing
dishes in grease joints or
driving cabs or pimping or selling pot.
this gives them time to understand
Life.
they walk in with their cocktail glass
held about heart high
and when they drink they just
sip.
you are drinking green beer which you
brought with you
because you have found out through the years
that rich bastards are tight-
they use 5 cent stamps instead of airmail
they promise to have all sorts of goodies ready
upon your arrival
from gallons of whisky to
50 cent cigars. but it's never
there.
and they HIDE their women from you-
their wives, x-wives, daughters, maids, so forth,
because they've read your poems and
figure all you want to do is **** everybody and
everything. which once might have been
true but is no longer quite
true.
and-
he WRITES TOO.
POETRY, of
course. everybody
writes
poetry.
he has plenty of time and a
postoffice box in town
and he drives there 3 or 4 times a day
looking and hoping for accepted
poems.
he thinks that poverty is a weakness of the
soul.
he thinks your mind is ill because you are
drunk all the time and have to work in a
factory 10 or 12 hours a
night.
he brings his wife in, a beauty, stolen from a
poorer rich
man.
he lets you gaze for 30 seconds
then hustles her
out. she has been crying for some
reason.
you've got 3 or 4 days to linger in the
guesthouse he says,
"come on over to dinner
sometime."
but he doesn't say when or
where. and then you find out that you are not even
IN HIS HOUSE.
you are in
ONE of his houses but
his house is somewhere
else-
you don't know
where.
he even has x-wives in some of his
houses.
his main concern is to keep his x-wives away from
you. he doesn't want to give up a
damn thing. and you can't blame him:
his x-wives are all young, stolen, kept,
talented, well-dressed, schooled, with
varying French-German accents.
and!: they
WRITE POETRY TOO. or
PAINT. or
****.
but his big problem is to get down to that mail
box in town to get back his
rejected poems
and to keep his eye on all the other mail boxes
in all his other
houses.
meanwhile, the starving Indians
sell beads and baskets in the streets of the small desert
town.
the Indians are not allowed in his houses
not so much because they are a ****-threat
but because they are
dirty and
ignorant. dirty? I look down at my shirt
with the beerstain on the front.
ignorant? I light a 6 cent cigar and
forget about
it.
he or they or somebody was supposed to meet me at
the
train station.
of course, they weren't
there. "We'll be there to meet the great
Poet!"
well, I looked around and didn't see any
great poet. besides it was 7 a.m. and
40 degrees. those things
happen. the trouble was there were no
bars open. nothing open. not even a
jail.
he's a poet.
he's also a doctor, a head-shrinker.
no blood involved that
way. he won't tell me whether I am crazy or
not-I don't have the
money.
he walks out with his cocktail glass
disappears for 2 hours, 3 hours,
then suddenly comes walking back in
unannounced
with the same cocktail glass
to make sure I haven't gotten hold of
something more precious than
Life itself.
my cheap green beer is killing
me. he shows heart (hurrah) and
gives me a little pill that stops my
gagging.
but nothing decent to
drink.
he'd bought a small 6 pack
for my arrival but that was gone in an
hour and 15
minutes.
"I'll buy you barrels of beer," he had
said.
I used his phone (one of his phones)
to get deliveries of beer and
cheap whisky. the town was ten miles away,
downhill. I peeled my poor dollars from my poor
roll. and the boy needed a tip, of
course.
the way it was shaping up I could see that I was
hardly Dylan Thomas yet, not even
Robert Creeley. certainly Creeley wouldn't have
had beerstains on his
shirt.
anyhow, when I finally got hold of one of his
x-wives I was too drunk to
make it.
scared too. sure, I imagined him peering
through the window-
he didn't want to give up a damn thing-
and
leveling the luger while I was
working
while "The March to the Gallows" was playing over
the Muzak
and shooting me in the ass first and
my poor brain
later.
"an intruder," I could hear him telling them,
"ravishing one of my helpless x-wives."
I see him published in some of the magazines
now. not very good stuff.
a poem about me
too: the Polack.
the Polack whines too much. the Polack whines about his
country, other countries, all countries, the Polack
works overtime in a factory like a fool, among other
fools with "pre-drained spirits."
the Polack drinks seas of green beer
full of acid. the Polack has an ulcerated
hemorrhoid. the Polack picks on fags
"fragile fags." the Polack hates his
wife, hates his daughter. his daughter will become
an alcoholic, a prostitute. the Polack has an
"obese burned out wife." the Polack has a
spastic gut. the Polack has a
"rectal brain."
thank you, Doctor (and poet). any charge for
this? I know I still owe you for the
pill.
Your poem is not too good
but at least I got your starch up.
most of your stuff is about as lively as a
wet and deflated
beachball. but it is your round, you've won a round.
going to invite me out this
Summer? I might scrape up
trainfare. got an Indian friend who'd like to meet
you and yours. he swears he's got the biggest
pecker in the state of California.
and guess what?
he writes
POETRY
too!
|
Written by
John Keats |
Song of the Indian Maid
O SORROW!
Why dost borrow
The natural hue of health, from vermeil lips?¡ª
To give maiden blushes
To the white rose bushes? 5
Or is it thy dewy hand the daisy tips?
O Sorrow!
Why dost borrow
The lustrous passion from a falcon-eye?¡ª
To give the glow-worm light? 10
Or, on a moonless night,
To tinge, on siren shores, the salt sea-spry?
O Sorrow!
Why dost borrow
The mellow ditties from a mourning tongue?¡ª 15
To give at evening pale
Unto the nightingale,
That thou mayst listen the cold dews among?
O Sorrow!
Why dost borrow 20
Heart's lightness from the merriment of May?¡ª
A lover would not tread
A cowslip on the head,
Though he should dance from eve till peep of day¡ª
Nor any drooping flower 25
Held sacred for thy bower,
Wherever he may sport himself and play.
To Sorrow
I bade good morrow,
And thought to leave her far away behind; 30
But cheerly, cheerly,
She loves me dearly;
She is so constant to me, and so kind:
I would deceive her
And so leave her, 35
But ah! she is so constant and so kind.
Beneath my palm-trees, by the river side,
I sat a-weeping: in the whole world wide
There was no one to ask me why I wept,¡ª
And so I kept 40
Brimming the water-lily cups with tears
Cold as my fears.
Beneath my palm-trees, by the river side,
I sat a-weeping: what enamour'd bride,
Cheated by shadowy wooer from the clouds, 45
But hides and shrouds
Beneath dark palm-trees by a river side?
And as I sat, over the light blue hills
There came a noise of revellers: the rills
Into the wide stream came of purple hue¡ª 50
'Twas Bacchus and his crew!
The earnest trumpet spake, and silver thrills
From kissing cymbals made a merry din¡ª
'Twas Bacchus and his kin!
Like to a moving vintage down they came, 55
Crown'd with green leaves, and faces all on flame;
All madly dancing through the pleasant valley,
To scare thee, Melancholy!
O then, O then, thou wast a simple name!
And I forgot thee, as the berried holly 60
By shepherds is forgotten, when in June
Tall chestnuts keep away the sun and moon:¡ª
I rush'd into the folly!
Within his car, aloft, young Bacchus stood,
Trifling his ivy-dart, in dancing mood, 65
With sidelong laughing;
And little rills of crimson wine imbrued
His plump white arms and shoulders, enough white
For Venus' pearly bite;
And near him rode Silenus on his ass, 70
Pelted with flowers as he on did pass
Tipsily quaffing.
'Whence came ye, merry Damsels! whence came ye,
So many, and so many, and such glee?
Why have ye left your bowers desolate, 75
Your lutes, and gentler fate?'¡ª
'We follow Bacchus! Bacchus on the wing,
A-conquering!
Bacchus, young Bacchus! good or ill betide,
We dance before him thorough kingdoms wide:¡ª 80
Come hither, lady fair, and join¨¨d be
To our wild minstrelsy!'
'Whence came ye, jolly Satyrs! whence came ye,
So many, and so many, and such glee?
Why have ye left your forest haunts, why left 85
Your nuts in oak-tree cleft?'¡ª
'For wine, for wine we left our kernel tree;
For wine we left our heath, and yellow brooms,
And cold mushrooms;
For wine we follow Bacchus through the earth; 90
Great god of breathless cups and chirping mirth!
Come hither, lady fair, and join¨¨d be
To our mad minstrelsy!'
Over wide streams and mountains great we went,
And, save when Bacchus kept his ivy tent, 95
Onward the tiger and the leopard pants,
With Asian elephants:
Onward these myriads¡ªwith song and dance,
With zebras striped, and sleek Arabians' prance,
Web-footed alligators, crocodiles, 100
Bearing upon their scaly backs, in files,
Plump infant laughers mimicking the coil
Of seamen, and stout galley-rowers' toil:
With toying oars and silken sails they glide,
Nor care for wind and tide. 105
Mounted on panthers' furs and lions' manes,
From rear to van they scour about the plains;
A three days' journey in a moment done;
And always, at the rising of the sun,
About the wilds they hunt with spear and horn, 110
On spleenful unicorn.
I saw Osirian Egypt kneel adown
Before the vine-wreath crown!
I saw parch'd Abyssinia rouse and sing
To the silver cymbals' ring! 115
I saw the whelming vintage hotly pierce
Old Tartary the fierce!
The kings of Ind their jewel-sceptres vail,
And from their treasures scatter pearl¨¨d hail;
Great Brahma from his mystic heaven groans, 120
And all his priesthood moans,
Before young Bacchus' eye-wink turning pale.
Into these regions came I, following him,
Sick-hearted, weary¡ªso I took a whim
To stray away into these forests drear, 125
Alone, without a peer:
And I have told thee all thou mayest hear.
Young Stranger!
I've been a ranger
In search of pleasure throughout every clime; 130
Alas! 'tis not for me!
Bewitch'd I sure must be,
To lose in grieving all my maiden prime.
Come then, Sorrow,
Sweetest Sorrow! 135
Like an own babe I nurse thee on my breast:
I thought to leave thee,
And deceive thee,
But now of all the world I love thee best.
There is not one, 140
No, no, not one
But thee to comfort a poor lonely maid;
Thou art her mother,
And her brother,
Her playmate, and her wooer in the shade. 145
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Written by
Henry Wadsworth Longfellow |
THERE is no flock however watched and tended
But one dead lamb is there!
There is no fireside howsoe'er defended
But has one vacant chair!
The air is full of farewells to the dying 5
And mournings for the dead;
The heart of Rachel for her children crying
Will not be comforted!
Let us be patient! These severe afflictions
Not from the ground arise 10
But oftentimes celestial benedictions
Assume this dark disguise.
We see but dimly through the mists and vapors;
Amid these earthly damps
What seem to us but sad funereal tapers 15
May be heaven's distant lamps.
There is no Death! What seems so is transition;
This life of mortal breath
Is but a suburb of the life elysian
Whose portal we call Death. 20
She is not dead ¡ªthe child of our affection ¡ª
But gone unto that school
Where she no longer needs our poor protection
And Christ himself doth rule.
In that great cloister's stillness and seclusion 25
By guardian angels led
Safe from temptation safe from sin's pollution
She lives whom we call dead
Day after day we think what she is doing
In those bright realms of air; 30
Year after year her tender steps pursuing
Behold her grown more fair.
Thus do we walk with her and keep unbroken
The bond which nature gives
Thinking that our remembrance though unspoken 35
May reach her where she lives.
Not as a child shall we again behold her;
For when with raptures wild
In our embraces we again enfold her
She will not be a child; 40
But a fair maiden in her Father's mansion
Clothed with celestial grace;
And beautiful with all the soul's expansion
Shall we behold her face.
And though at times impetuous with emotion 45
And anguish long suppressed
The swelling heart heaves moaning like the ocean
That cannot be at rest ¡ª
We will be patient and assuage the feeling
We may not wholly stay; 50
By silence sanctifying not concealing
The grief that must have way.
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Written by
Ralph Waldo Emerson |
BURLY dozing humble-bee
Where thou art is clime for me.
Let them sail for Porto Rique
Far-off heats through seas to seek;
I will follow thee alone 5
Thou animated torrid-zone!
Zigzag steerer desert cheerer
Let me chase thy waving lines;
Keep me nearer me thy hearer
Singing over shrubs and vines. 10
Insect lover of the sun
Joy of thy dominion!
Sailor of the atmosphere;
Swimmer through the waves of air;
Voyager of light and noon; 15
Epicurean of June;
Wait I prithee till I come
Within earshot of thy hum ¡ª
All without is martyrdom.
When the south wind in May days 20
With a net of shining haze
Silvers the horizon wall
And with softness touching all
Tints the human countenance
With a color of romance 25
And infusing subtle heats
Turns the sod to violets
Thou in sunny solitudes
Rover of the underwoods
The green silence dost displace 30
With thy mellow breezy bass.
Hot midsummer's petted crone
Sweet to me thy drowsy tone
Tells of countless sunny hours
Long days and solid banks of flowers; 35
Of gulfs of sweetness without bound
In Indian wildernesses found;
Of Syrian peace immortal leisure
Firmest cheer and bird-like pleasure.
Aught unsavory or unclean 40
Hath my insect never seen;
But violets and bilberry bells
Maple-sap and daffodels
Grass with green flag half-mast high
Succory to match the sky 45
Columbine with horn of honey
Scented fern and agrimony
Clover catchfly adder's-tongue
And brier-roses dwelt among;
All beside was unknown waste 50
All was picture as he passed.
Wiser far than human seer
blue-breeched philosopher!
Seeing only what is fair
Sipping only what is sweet 55
Thou dost mock at fate and care
Leave the chaff and take the wheat.
When the fierce northwestern blast
Cools sea and land so far and fast
Thou already slumberest deep; 60
Woe and want thou canst outsleep;
Want and woe which torture us
Thy sleep makes ridiculous.
|
Written by
John Keats |
EVER let the Fancy roam,
Pleasure never is at home:
At a touch sweet Pleasure melteth,
Like to bubbles when rain pelteth;
Then let wing¨¨d Fancy wander 5
Through the thought still spread beyond her:
Open wide the mind's cage-door,
She'll dart forth, and cloudward soar.
O sweet Fancy! let her loose;
Summer's joys are spoilt by use, 10
And the enjoying of the Spring
Fades as does its blossoming;
Autumn's red-lipp'd fruitage too,
Blushing through the mist and dew,
Cloys with tasting: What do then? 15
Sit thee by the ingle, when
The sear ****** blazes bright,
Spirit of a winter's night;
When the soundless earth is muffled,
And the cak¨¨d snow is shuffled 20
From the ploughboy's heavy shoon;
When the Night doth meet the Noon
In a dark conspiracy
To banish Even from her sky.
Sit thee there, and send abroad, 25
With a mind self-overawed,
Fancy, high-commission'd:¡ªsend her!
She has vassals to attend her:
She will bring, in spite of frost,
Beauties that the earth hath lost; 30
She will bring thee, all together,
All delights of summer weather;
All the buds and bells of May,
From dewy sward or thorny spray;
All the heap¨¨d Autumn's wealth, 35
With a still, mysterious stealth:
She will mix these pleasures up
Like three fit wines in a cup,
And thou shalt quaff it:¡ªthou shalt hear
Distant harvest-carols clear; 40
Rustle of the reap¨¨d corn;
Sweet birds antheming the morn:
And, in the same moment¡ªhark!
'Tis the early April lark,
Or the rooks, with busy caw, 45
Foraging for sticks and straw.
Thou shalt, at one glance, behold
The daisy and the marigold;
White-plumed lilies, and the first
Hedge-grown primrose that hath burst; 50
Shaded hyacinth, alway
Sapphire queen of the mid-May;
And every leaf, and every flower
Pearl¨¨d with the self-same shower.
Thou shalt see the fieldmouse peep 55
Meagre from its cell¨¨d sleep;
And the snake all winter-thin
Cast on sunny bank its skin;
Freckled nest-eggs thou shalt see
Hatching in the hawthorn-tree, 60
When the hen-bird's wing doth rest
Quiet on her mossy nest;
Then the hurry and alarm
When the beehive casts its swarm;
Acorns ripe down-pattering 65
While the autumn breezes sing.
O sweet Fancy! let her loose;
Every thing is spoilt by use:
Where 's the cheek that doth not fade,
Too much gazed at? Where 's the maid 70
Whose lip mature is ever new?
Where 's the eye, however blue,
Doth not weary? Where 's the face
One would meet in every place?
Where 's the voice, however soft, 75
One would hear so very oft?
At a touch sweet Pleasure melteth
Like to bubbles when rain pelteth.
Let, then, wing¨¨d Fancy find
Thee a mistress to thy mind: 80
Dulcet-eyed as Ceres' daughter,
Ere the God of Torment taught her
How to frown and how to chide;
With a waist and with a side
White as Hebe's, when her zone 85
Slipt its golden clasp, and down
Fell her kirtle to her feet,
While she held the goblet sweet,
And Jove grew languid.¡ªBreak the mesh
Of the Fancy's silken leash; 90
Quickly break her prison-string,
And such joys as these she'll bring.¡ª
Let the wing¨¨d Fancy roam,
Pleasure never is at home.
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