Written by
Amy Clampitt |
In memory of Father Flye, 1884-1985
The strange and wonderful are too much with us.
The protea of the antipodes—a great,
globed, blazing honeybee of a bloom—
for sale in the supermarket! We are in
our decadence, we are not entitled.
What have we done to deserve
all the produce of the tropics—
this fiery trove, the largesse of it
heaped up like cannonballs, these pineapples, bossed
and crested, standing like troops at attention,
these tiers, these balconies of green, festoons
grown sumptuous with stoop labor?
The exotic is everywhere, it comes to us
before there is a yen or a need for it. The green-
grocers, uptown and down, are from South Korea.
Orchids, opulence by the pailful, just slightly
fatigued by the plane trip from Hawaii, are
disposed on the sidewalks; alstroemerias, freesias
fattened a bit in translation from overseas; gladioli
likewise estranged from their piercing ancestral crimson;
as well as, less altered from the original blue cornflower
of the roadsides and railway embankments of Europe, these
bachelor's buttons. But it isn't the railway embankments
their featherweight wheels of cobalt remind me of, it's
a row of them among prim colonnades of cosmos,
snapdragon, nasturtium, bloodsilk red poppies,
in my grandmother's garden: a prairie childhood,
the grassland shorn, overlaid with a grid,
unsealed, furrowed, harrowed and sown with immigrant grasses,
their massive corduroy, their wavering feltings embroidered
here and there by the scarlet shoulder patch of cannas
on a courthouse lawn, by a love knot, a cross stitch
of living matter, sown and tended by women,
nurturers everywhere of the strange and wonderful,
beneath whose hands what had been alien begins,
as it alters, to grow as though it were indigenous.
But at this remove what I think of as
strange and wonderful, strolling the side streets of Manhattan
on an April afternoon, seeing hybrid pear trees in blossom,
a tossing, vertiginous colonnade of foam, up above—
is the white petalfall, the warm snowdrift
of the indigenous wild plum of my childhood.
Nothing stays put. The world is a wheel.
All that we know, that we're
made of, is motion.
|
Written by
Charles Bukowski |
drunk again at 3 a.m. at the end of my 2nd bottle
of wine, I have typed from a dozen to 15 pages of
poesy
an old man
maddened for the flesh of young girls in this
dwindling twilight
liver gone
kidneys going
pancrea pooped
top-floor blood pressure
while all the fear of the wasted years
laughs between my toes
no woman will live with me
no Florence Nightingale to watch the
Johnny Carson show with
if I have a stroke I will lay here for six
days, my three cats hungrily ripping the flesh
from my elbows, wrists, head
the radio playing classical music ...
I promised myself never to write old man poems
but this one's funny, you see, excusable, be-
cause I've long gone past using myself and there's
still more left
here at 3 a.m. I am going to take this sheet from
the typer
pour another glass and
insert
make love to the fresh new whiteness
maybe get lucky
again
first for
me
later
for you.
from "All's Normal Here" - 1985
|
Written by
Joseph Brodsky |
About a year has passed. I've returned to the place of the battle
to its birds that have learned their unfolding of wings
from a subtle
lift of a surprised eyebrow or perhaps from a razor blade
- wings now the shade of early twilight now of state
bad blood.
Now the place is abuzz with trading
in your ankles's remanants bronzes
of sunburnt breastplates dying laughter bruises
rumors of fresh reserves memories of high treason
laundered banners with imprints of the many
who since have risen.
All's overgrown with people. A ruin's a rather stubborn
architectural style. And the hearts's distinction
from a pitch-black cavern
isn't that great; not great enough to fear
that we may collide again like blind eggs somewhere.
At sunrise when nobody stares at one's face I often
set out on foot to a monument cast in molten
lengthy bad dreams. And it says on the plinth "commander
in chief." But it reads "in grief " or "in brief "
or "in going under."
1985 translated by the author.
|
Written by
Charles Bukowski |
To end up alone
in a tomb of a room
without cigarettes
or wine--
just a lightbulb
and a potbelly,
grayhaired,
and glad to have
the room.
...in the morning
they're out there
making money:
judges, carpenters,
plumbers, doctors,
newsboys, policemen,
barbers, carwashers,
dentists, florists,
waitresses, cooks,
cabdrivers...
and you turn over
to your left side
to get the sun
on your back
and out
of your eyes.
from "All's Normal Here" - 1985
|
Written by
Brooks Haxton |
The righteous shall rejoice when he seeth
the vengeance; he shall wash his feet in
the blood of the wicked. Psalm 58
It was the fortieth year since Buchenwald: two thousand
Jewish refugees in Sudan starved while Reagan visited
the graves of Nazis. CBS paid off Westmoreland
for their rude disclosure of his lies and crimes:
he had killed thirty of the enemy, let’s not forget,
for every one lost us: he was owed something.
That year, though, no terrorist could touch God’s work
in Mexico and north of Bogota: an earthquake here,
volcano there, and numbers do not signify the dead,
each corpse incomprehensible as to the widow Klinghoffer
her Leon, shot, dumped overboard as if to make a point.
Westmoreland said, the Viet Cong could be indentified
from the attacking aircraft as all personnel in uniform
below. Their uniform, he told us, was the native dress.
|
Written by
Charles Bukowski |
the goldfish sing all night with guitars,
and the whores go down with the stars,
the whores go down with the stars
I'm sorry, sir, we close at 4:30,
besides yr mother's neck is dirty,
and the whores go down with the etc.,
the whrs. go dn. with the etc.
I'm sorry jack you can't come back,
I've fallen in love with another sap,
3/4 Italian and 1/2 Jap,
and the whores go
the whores go
etc.
from "All's Normal Here" - 1985
|
Written by
Philip Levine |
They are building a house
half a block down
and I sit up here
with the shades down
listening to the sounds,
the hammers pounding in nails,
thack thack thack thack,
and then I hear birds,
and thack thack thack,
and I go to bed,
I pull the covers to my throat;
they have been building this house
for a month, and soon it will have
its people...sleeping, eating,
loving, moving around,
but somehow
now
it is not right,
there seems a madness,
men walk on top with nails
in their mouths
and I read about Castro and Cuba,
and at night I walk by
and the ribs of the house show
and inside I can see cats walking
the way cats walk,
and then a boy rides by on a bicycle
and still the house is not done
and in the morning the men
will be back
walking around on the house
with their hammers,
and it seems people should not build houses
anymore,
it seems people should not get married
anymore,
it seems people should stop working
and sit in small rooms
on 2nd floors
under electric lights without shades;
it seems there is a lot to forget
and a lot not to do,
and in drugstores, markets, bars,
the people are tired, they do not want
to move, and I stand there at night
and look through this house and the
house does not want to be built;
through its sides I can see the purple hills
and the first lights of evening,
and it is cold
and I button my coat
and I stand there looking through the house
and the cats stop and look at me
until I am embarrased
and move North up the sidewalk
where I will buy
cigarettes and beer
and return to my room.
from "All's Normal Here" - 1985
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