Written by
Edgar Allan Poe |
ONCE upon a midnight dreary, while I pondered, weak and weary,
Over many a quaint and curious volume of forgotten lore,¡ª
While I nodded, nearly napping, suddenly there came a tapping,
As of some one gently rapping, rapping at my chamber door.
"'T is some visitor," I muttered, "tapping at my chamber door; 5
Only this and nothing more.
"
Ah, distinctly I remember it was in the bleak December
And each separate dying ember wrought its ghost upon the floor.
Eagerly I wished the morrow;¡ªvainly I had sought to borrow
From my books surcease of sorrow¡ªsorrow for the lost Lenore, 10
For the rare and radiant maiden whom the angels name Lenore:
Nameless here for evermore.
And the silken sad uncertain rustling of each purple curtain
Thrilled me¡ªfilled me with fantastic terrors never felt before;
So that now, to still the beating of my heart, I stood repeating 15
"'T is some visitor entreating entrance at my chamber door,
Some late visitor entreating entrance at my chamber door:
This it is and nothing more.
"
Presently my soul grew stronger; hesitating then no longer,
"Sir," said I, "or Madam, truly your forgiveness I implore; 20
But the fact is I was napping, and so gently you came rapping,
And so faintly you came tapping, tapping at my chamber door,
That I scarce was sure I heard you"¡ªhere I opened wide the door:¡ª
Darkness there and nothing more.
Deep into that darkness peering, long I stood there wondering, fearing, 25
Doubting, dreaming dreams no mortals ever dared to dream before;
But the silence was unbroken, and the stillness gave no token,
And the only word there spoken was the whispered word, "Lenore?"
This I whispered, and an echo murmured back the word, "Lenore:"
Merely this and nothing more.
30
Back into the chamber turning, all my soul within me burning,
Soon again I heard a tapping somewhat louder than before.
"Surely," said I, "surely that is something at my window lattice;
Let me see, then, what thereat is, and this mystery explore;
Let my heart be still a moment and this mystery explore: 35
'T is the wind and nothing more.
"
Open here I flung the shutter, when, with many a flirt and flutter,
In there stepped a stately Raven of the saintly days of yore.
Not the least obeisance made he; not a minute stopped or stayed he;
But, with mien of lord or lady, perched above my chamber door, 40
Perched upon a bust of Pallas just above my chamber door:
Perched, and sat, and nothing more.
Then this ebony bird beguiling my sad fancy into smiling
By the grave and stern decorum of the countenance it wore,¡ª
"Though thy crest be shorn and shaven, thou," I said, "art sure no craven, 45
Ghastly grim and ancient Raven wandering from the Nightly shore:
Tell me what thy lordly name is on the Night's Plutonian shore!"
Quoth the Raven, "Nevermore.
"
Much I marvelled this ungainly fowl to hear discourse so plainly,
Though its answer little meaning¡ªlittle relevancy bore; 50
For we cannot help agreeing that no living human being
Ever yet was blessed with seeing bird above his chamber door,
Bird or beast upon the sculptured bust above his chamber door,
With such name as "Nevermore.
"
But the Raven, sitting lonely on the placid bust, spoke only 55
That one word, as if his soul in that one word he did outpour.
Nothing further then he uttered, not a feather then he fluttered,
Till I scarcely more than muttered,¡ª"Other friends have flown before;
On the morrow he will leave me, as my Hopes have flown before.
"
Then the bird said, "Nevermore.
" 60
Startled at the stillness broken by reply so aptly spoken,
"Doubtless," said I, "what it utters is its only stock and store,
Caught from some unhappy master whom unmerciful Disaster
Followed fast and followed faster till his songs one burden bore:
Till the dirges of his Hope that melancholy burden bore 65
Of 'Never¡ªnevermore.
'
But the Raven still beguiling all my fancy into smiling,
Straight I wheeled a cushioned seat in front of bird and bust and door;
Then, upon the velvet sinking, I betook myself to linking
Fancy unto fancy, thinking what this ominous bird of yore, 70
What this grim, ungainly, ghastly, gaunt, and ominous bird of yore
Meant in croaking "Nevermore.
"
This I sat engaged in guessing, but no syllable expressing
To the fowl whose fiery eyes now burned into my bosom's core;
This and more I sat divining, with my head at ease reclining 75
On the cushion's velvet lining that the lamplight gloated o'er,
But whose velvet violet lining with the lamp-light gloating o'er
She shall press, ah, nevermore!
Then, methought, the air grew denser, perfumed from an unseen censer
Swung by seraphim whose foot-falls tinkled on the tufted floor.
80
"Wretch," I cried, "thy God hath lent thee¡ªby these angels he hath sent thee
Respite¡ªrespite and nepenthe from thy memories of Lenore!"
Quaff, oh quaff this kind nepenthe, and forget this lost Lenore.
"
Quoth the Raven, "Nevermore.
"
"Prophet!" said I, "thing of evil! prophet still, if bird or devil! 85
Whether Tempter sent, or whether tempest tossed thee here ashore,
Desolate yet all undaunted, on this desert land enchanted¡ª
On this home by Horror haunted¡ªtell me truly, I implore:
Is there¡ªis there balm in Gilead?¡ªtell me¡ªtell me, I implore!"
Quoth the Raven, "Nevermore.
" 90
"Prophet!" said I, "thing of evil¡ªprophet still, if bird or devil!
By that Heaven that bends above us, by that God we both adore,
Tell this soul with sorrow laden if, within the distant Aidenn,
It shall clasp a sainted maiden whom the angels name Lenore:
Clasp a rare and radiant maiden whom the angels name Lenore!" 95
Quoth the Raven, "Nevermore.
"
"Be that word our sign of parting, bird or fiend!" I shrieked, upstarting:
"Get thee back into the tempest and the Night's Plutonian shore!
Leave no black plume as a token of that lie thy soul hath spoken!
Leave my loneliness unbroken! quit the bust above my door! 100
Take thy beak from out my heart, and take thy form from off my door!"
Quoth the Raven, "Nevermore.
"
And the Raven, never flitting, still is sitting, still is sitting
On the pallid bust of Pallas just above my chamber door;
And his eyes have all the seeming of a demon's that is dreaming, 105
And the lamp-light o'er him streaming throws his shadow on the floor:
And my soul from out that shadow that lies floating on the floor
Shall be lifted¡ªnevermore!
|
Written by
Allen Ginsberg |
At gauzy dusk, thin haze like cigarette smoke
ribbons past Chrysler Building's silver fins
tapering delicately needletopped, Empire State's
taller antenna filmed milky lit amid blocks
black and white apartmenting veil'd sky over Manhattan,
offices new built dark glassed in blueish heaven--The East
50's & 60's covered with castles & watertowers, seven storied
tar-topped house-banks over York Avenue, late may-green trees
surrounding Rockefellers' blue domed medical arbor--
Geodesic science at the waters edge--Cars running up
East River Drive, & parked at N.
Y.
Hospital's oval door
where perfect tulips flower the health of a thousand sick souls
trembling inside hospital rooms.
Triboro bridge steel-spiked
penthouse orange roofs, sunset tinges the river and in a few
Bronx windows, some magnesium vapor brilliances're
spotted five floors above E 59th St under grey painted bridge
trestles.
Way downstream along the river, as Monet saw Thames
100 years ago, Con Edison smokestacks 14th street,
& Brooklyn Bridge's skeined dim in modern mists--
Pipes sticking up to sky nine smokestacks huge visible--
U.
N.
Building hangs under an orange crane, & red lights on
vertical avenues below the trees turn green at the nod
of a skull with a mild nerve ache.
Dim dharma, I return
to this spectacle after weeks of poisoned lassitude, my thighs
belly chest & arms covered with poxied welts,
head pains fading back of the neck, right eyebrow cheek
mouth paralyzed--from taking the wrong medicine, sweated
too much in the forehead helpless, covered my rage from
gorge to prostate with grinding jaw and tightening anus
not released the weeping scream of horror at robot Mayaguez
World self ton billions metal grief unloaded
Pnom Penh to Nakon Thanom, Santiago & Tehran.
Fresh warm breeze in the window, day's release
>from pain, cars float downside the bridge trestle
and uncounted building-wall windows multiplied a mile
deep into ash-delicate sky beguile
my empty mind.
A seagull passes alone wings
spread silent over roofs.
- May 20, 1975 Mayaguez Crisis
|
Written by
Elizabeth Barrett Browning |
I MIND me in the days departed,
How often underneath the sun
With childish bounds I used to run
To a garden long deserted.
The beds and walks were vanish'd quite; 5
And wheresoe'er had struck the spade,
The greenest grasses Nature laid,
To sanctify her right.
I call'd the place my wilderness,
For no one enter'd there but I.
10
The sheep look'd in, the grass to espy,
And pass'd it ne'ertheless.
The trees were interwoven wild,
And spread their boughs enough about
To keep both sheep and shepherd out, 15
But not a happy child.
Adventurous joy it was for me!
I crept beneath the boughs, and found
A circle smooth of mossy ground
Beneath a poplar-tree.
20
Old garden rose-trees hedged it in,
Bedropt with roses waxen-white,
Well satisfied with dew and light,
And careless to be seen.
Long years ago, it might befall, 25
When all the garden flowers were trim,
The grave old gardener prided him
On these the most of all.
Some Lady, stately overmuch,
Here moving with a silken noise, 30
Has blush'd beside them at the voice
That liken'd her to such.
Or these, to make a diadem,
She often may have pluck'd and twined;
Half-smiling as it came to mind, 35
That few would look at them.
O, little thought that Lady proud,
A child would watch her fair white rose,
When buried lay her whiter brows,
And silk was changed for shroud!¡ª 40
Nor thought that gardener (full of scorns
For men unlearn'd and simple phrase)
A child would bring it all its praise,
By creeping through the thorns!
To me upon my low moss seat, 45
Though never a dream the roses sent
Of science or love's compliment,
I ween they smelt as sweet.
It did not move my grief to see
The trace of human step departed: 50
Because the garden was deserted,
The blither place for me!
Friends, blame me not! a narrow ken
Hath childhood 'twixt the sun and sward:
We draw the moral afterward¡ª 55
We feel the gladness then.
And gladdest hours for me did glide
In silence at the rose-tree wall:
A thrush made gladness musical
Upon the other side.
60
Nor he nor I did e'er incline
To peck or pluck the blossoms white:¡ª
How should I know but that they might
Lead lives as glad as mine?
To make my hermit-home complete, 65
I brought clear water from the spring
Praised in its own low murmuring,
And cresses glossy wet.
And so, I thought, my likeness grew
(Without the melancholy tale) 70
To 'gentle hermit of the dale,'
And Angelina too.
For oft I read within my nook
Such minstrel stories; till the breeze
Made sounds poetic in the trees, 75
And then I shut the book.
If I shut this wherein I write,
I hear no more the wind athwart
Those trees, nor feel that childish heart
Delighting in delight.
80
My childhood from my life is parted,
My footstep from the moss which drew
Its fairy circle round: anew
The garden is deserted.
Another thrush may there rehearse 85
The madrigals which sweetest are;
No more for me!¡ªmyself afar
Do sing a sadder verse.
Ah me! ah me! when erst I lay
In that child's-nest so greenly wrought, 90
I laugh'd unto myself and thought,
'The time will pass away.
'
And still I laugh'd, and did not fear
But that, whene'er was pass'd away
The childish time, some happier play 95
My womanhood would cheer.
I knew the time would pass away;
And yet, beside the rose-tree wall,
Dear God, how seldom, if at all,
Did I look up to pray! 100
The time is past: and now that grows
The cypress high among the trees,
And I behold white sepulchres
As well as the white rose,¡ª
When wiser, meeker thoughts are given, 105
And I have learnt to lift my face,
Reminded how earth's greenest place
The colour draws from heaven,¡ª
It something saith for earthly pain,
But more for heavenly promise free, 110
That I who was, would shrink to be
That happy child again.
|
Written by
Alfred Lord Tennyson |
ON either side the river lie
Long fields of barley and of rye,
That clothe the wold and meet the sky;
And thro' the field the road runs by
To many-tower'd Camelot; 5
And up and down the people go,
Gazing where the lilies blow
Round an island there below,
The island of Shalott.
Willows whiten, aspens quiver, 10
Little breezes dusk and shiver
Thro' the wave that runs for ever
By the island in the river
Flowing down to Camelot.
Four gray walls, and four gray towers, 15
Overlook a space of flowers,
And the silent isle imbowers
The Lady of Shalott.
By the margin, willow-veil'd,
Slide the heavy barges trail'd 20
By slow horses; and unhail'd
The shallop flitteth silken-sail'd
Skimming down to Camelot:
But who hath seen her wave her hand?
Or at the casement seen her stand? 25
Or is she known in all the land,
The Lady of Shalott?
Only reapers, reaping early
In among the bearded barley,
Hear a song that echoes cheerly 30
From the river winding clearly,
Down to tower'd Camelot:
And by the moon the reaper weary,
Piling sheaves in uplands airy,
Listening, whispers ''Tis the fairy 35
Lady of Shalott.
'
PART II
There she weaves by night and day
A magic web with colours gay.
She has heard a whisper say,
A curse is on her if she stay 40
To look down to Camelot.
She knows not what the curse may be,
And so she weaveth steadily,
And little other care hath she,
The Lady of Shalott.
45
And moving thro' a mirror clear
That hangs before her all the year,
Shadows of the world appear.
There she sees the highway near
Winding down to Camelot: 50
There the river eddy whirls,
And there the surly village-churls,
And the red cloaks of market girls,
Pass onward from Shalott.
Sometimes a troop of damsels glad, 55
An abbot on an ambling pad,
Sometimes a curly shepherd-lad,
Or long-hair'd page in crimson clad,
Goes by to tower'd Camelot;
And sometimes thro' the mirror blue 60
The knights come riding two and two:
She hath no loyal knight and true,
The Lady of Shalott.
But in her web she still delights
To weave the mirror's magic sights, 65
For often thro' the silent nights
A funeral, with plumes and lights,
And music, went to Camelot:
Or when the moon was overhead,
Came two young lovers lately wed; 70
'I am half sick of shadows,' said
The Lady of Shalott.
PART III
A bow-shot from her bower-eaves,
He rode between the barley-sheaves,
The sun came dazzling thro' the leaves, 75
And flamed upon the brazen greaves
Of bold Sir Lancelot.
A red-cross knight for ever kneel'd
To a lady in his shield,
That sparkled on the yellow field, 80
Beside remote Shalott.
The gemmy bridle glitter'd free,
Like to some branch of stars we see
Hung in the golden Galaxy.
The bridle bells rang merrily 85
As he rode down to Camelot:
And from his blazon'd baldric slung
A mighty silver bugle hung,
And as he rode his armour rung,
Beside remote Shalott.
90
All in the blue unclouded weather
Thick-jewell'd shone the saddle-leather,
The helmet and the helmet-feather
Burn'd like one burning flame together,
As he rode down to Camelot.
95
As often thro' the purple night,
Below the starry clusters bright,
Some bearded meteor, trailing light,
Moves over still Shalott.
His broad clear brow in sunlight glow'd; 100
On burnish'd hooves his war-horse trode;
From underneath his helmet flow'd
His coal-black curls as on he rode,
As he rode down to Camelot.
From the bank and from the river 105
He flash'd into the crystal mirror,
'Tirra lirra,' by the river
Sang Sir Lancelot.
She left the web, she left the loom,
She made three paces thro' the room, 110
She saw the water-lily bloom,
She saw the helmet and the plume,
She look'd down to Camelot.
Out flew the web and floated wide;
The mirror crack'd from side to side; 115
'The curse is come upon me!' cried
The Lady of Shalott.
PART IV
In the stormy east-wind straining,
The pale yellow woods were waning,
The broad stream in his banks complaining, 120
Heavily the low sky raining
Over tower'd Camelot;
Down she came and found a boat
Beneath a willow left afloat,
And round about the prow she wrote 125
The Lady of Shalott.
And down the river's dim expanse¡ª
Like some bold seer in a trance,
Seeing all his own mischance¡ª
With a glassy countenance 130
Did she look to Camelot.
And at the closing of the day
She loosed the chain, and down she lay;
The broad stream bore her far away,
The Lady of Shalott.
135
Lying, robed in snowy white
That loosely flew to left and right¡ª
The leaves upon her falling light¡ª
Thro' the noises of the night
She floated down to Camelot: 140
And as the boat-head wound along
The willowy hills and fields among,
They heard her singing her last song,
The Lady of Shalott.
Heard a carol, mournful, holy, 145
Chanted loudly, chanted lowly,
Till her blood was frozen slowly,
And her eyes were darken'd wholly,
Turn'd to tower'd Camelot;
For ere she reach'd upon the tide 150
The first house by the water-side,
Singing in her song she died,
The Lady of Shalott.
Under tower and balcony,
By garden-wall and gallery, 155
A gleaming shape she floated by,
Dead-pale between the houses high,
Silent into Camelot.
Out upon the wharfs they came,
Knight and burgher, lord and dame, 160
And round the prow they read her name,
The Lady of Shalott.
Who is this? and what is here?
And in the lighted palace near
Died the sound of royal cheer; 165
And they cross'd themselves for fear,
All the knights at Camelot:
But Lancelot mused a little space;
He said, 'She has a lovely face;
God in His mercy lend her grace, 170
The Lady of Shalott.
'
|
Written by
John Keats |
Song of the Indian Maid
O SORROW!
Why dost borrow
The natural hue of health, from vermeil lips?¡ª
To give maiden blushes
To the white rose bushes? 5
Or is it thy dewy hand the daisy tips?
O Sorrow!
Why dost borrow
The lustrous passion from a falcon-eye?¡ª
To give the glow-worm light? 10
Or, on a moonless night,
To tinge, on siren shores, the salt sea-spry?
O Sorrow!
Why dost borrow
The mellow ditties from a mourning tongue?¡ª 15
To give at evening pale
Unto the nightingale,
That thou mayst listen the cold dews among?
O Sorrow!
Why dost borrow 20
Heart's lightness from the merriment of May?¡ª
A lover would not tread
A cowslip on the head,
Though he should dance from eve till peep of day¡ª
Nor any drooping flower 25
Held sacred for thy bower,
Wherever he may sport himself and play.
To Sorrow
I bade good morrow,
And thought to leave her far away behind; 30
But cheerly, cheerly,
She loves me dearly;
She is so constant to me, and so kind:
I would deceive her
And so leave her, 35
But ah! she is so constant and so kind.
Beneath my palm-trees, by the river side,
I sat a-weeping: in the whole world wide
There was no one to ask me why I wept,¡ª
And so I kept 40
Brimming the water-lily cups with tears
Cold as my fears.
Beneath my palm-trees, by the river side,
I sat a-weeping: what enamour'd bride,
Cheated by shadowy wooer from the clouds, 45
But hides and shrouds
Beneath dark palm-trees by a river side?
And as I sat, over the light blue hills
There came a noise of revellers: the rills
Into the wide stream came of purple hue¡ª 50
'Twas Bacchus and his crew!
The earnest trumpet spake, and silver thrills
From kissing cymbals made a merry din¡ª
'Twas Bacchus and his kin!
Like to a moving vintage down they came, 55
Crown'd with green leaves, and faces all on flame;
All madly dancing through the pleasant valley,
To scare thee, Melancholy!
O then, O then, thou wast a simple name!
And I forgot thee, as the berried holly 60
By shepherds is forgotten, when in June
Tall chestnuts keep away the sun and moon:¡ª
I rush'd into the folly!
Within his car, aloft, young Bacchus stood,
Trifling his ivy-dart, in dancing mood, 65
With sidelong laughing;
And little rills of crimson wine imbrued
His plump white arms and shoulders, enough white
For Venus' pearly bite;
And near him rode Silenus on his ass, 70
Pelted with flowers as he on did pass
Tipsily quaffing.
'Whence came ye, merry Damsels! whence came ye,
So many, and so many, and such glee?
Why have ye left your bowers desolate, 75
Your lutes, and gentler fate?'¡ª
'We follow Bacchus! Bacchus on the wing,
A-conquering!
Bacchus, young Bacchus! good or ill betide,
We dance before him thorough kingdoms wide:¡ª 80
Come hither, lady fair, and join¨¨d be
To our wild minstrelsy!'
'Whence came ye, jolly Satyrs! whence came ye,
So many, and so many, and such glee?
Why have ye left your forest haunts, why left 85
Your nuts in oak-tree cleft?'¡ª
'For wine, for wine we left our kernel tree;
For wine we left our heath, and yellow brooms,
And cold mushrooms;
For wine we follow Bacchus through the earth; 90
Great god of breathless cups and chirping mirth!
Come hither, lady fair, and join¨¨d be
To our mad minstrelsy!'
Over wide streams and mountains great we went,
And, save when Bacchus kept his ivy tent, 95
Onward the tiger and the leopard pants,
With Asian elephants:
Onward these myriads¡ªwith song and dance,
With zebras striped, and sleek Arabians' prance,
Web-footed alligators, crocodiles, 100
Bearing upon their scaly backs, in files,
Plump infant laughers mimicking the coil
Of seamen, and stout galley-rowers' toil:
With toying oars and silken sails they glide,
Nor care for wind and tide.
105
Mounted on panthers' furs and lions' manes,
From rear to van they scour about the plains;
A three days' journey in a moment done;
And always, at the rising of the sun,
About the wilds they hunt with spear and horn, 110
On spleenful unicorn.
I saw Osirian Egypt kneel adown
Before the vine-wreath crown!
I saw parch'd Abyssinia rouse and sing
To the silver cymbals' ring! 115
I saw the whelming vintage hotly pierce
Old Tartary the fierce!
The kings of Ind their jewel-sceptres vail,
And from their treasures scatter pearl¨¨d hail;
Great Brahma from his mystic heaven groans, 120
And all his priesthood moans,
Before young Bacchus' eye-wink turning pale.
Into these regions came I, following him,
Sick-hearted, weary¡ªso I took a whim
To stray away into these forests drear, 125
Alone, without a peer:
And I have told thee all thou mayest hear.
Young Stranger!
I've been a ranger
In search of pleasure throughout every clime; 130
Alas! 'tis not for me!
Bewitch'd I sure must be,
To lose in grieving all my maiden prime.
Come then, Sorrow,
Sweetest Sorrow! 135
Like an own babe I nurse thee on my breast:
I thought to leave thee,
And deceive thee,
But now of all the world I love thee best.
There is not one, 140
No, no, not one
But thee to comfort a poor lonely maid;
Thou art her mother,
And her brother,
Her playmate, and her wooer in the shade.
145
|
Written by
William Cullen Bryant |
THE GROVES were God's first temples.
Ere man learned
To hew the shaft and lay the architrave
And spread the roof above them¡ªere he framed
The lofty vault to gather and roll back
The sound of anthems; in the darkling wood 5
Amidst the cool and silence he knelt down
And offered to the Mightiest solemn thanks
And supplication.
For his simple heart
Might not resist the sacred influences
Which from the stilly twilight of the place 10
And from the gray old trunks that high in heaven
Mingled their mossy boughs and from the sound
Of the invisible breath that swayed at once
All their green tops stole over him and bowed
His spirit with the thought of boundless power 15
And inaccessible majesty.
Ah why
Should we in the world's riper years neglect
God's ancient sanctuaries and adore
Only among the crowd and under roofs
That our frail hands have raised? Let me at least 20
Here in the shadow of this aged wood
Offer one hymn¡ªthrice happy if it find
Acceptance in His ear.
Father thy hand
Hath reared these venerable columns thou 25
Didst weave this verdant roof.
Thou didst look down
Upon the naked earth and forthwith rose
All these fair ranks of trees.
They in thy sun
Budded and shook their green leaves in thy breeze
And shot towards heaven.
The century-living crow 30
Whose birth was in their tops grew old and died
Among their branches till at last they stood
As now they stand massy and tall and dark
Fit shrine for humble worshipper to hold
Communion with his Maker.
These dim vaults 35
These winding aisles of human pomp or pride
Report not.
No fantastic carvings show
The boast of our vain race to change the form
Of thy fair works.
But thou art here¡ªthou fill'st
The solitude.
Thou art in the soft winds 40
That run along the summit of these trees
In music; thou art in the cooler breath
That from the inmost darkness of the place
Comes scarcely felt; the barky trunks the ground
The fresh moist ground are all instinct with thee.
45
Here is continual worship;¡ªNature here
In the tranquillity that thou dost love
Enjoys thy presence.
Noiselessly around
From perch to perch the solitary bird
Passes; and yon clear spring that midst its herbs 50
Wells softly forth and wandering steeps the roots
Of half the mighty forest tells no tale
Of all the good it does.
Thou hast not left
Thyself without a witness in these shades
Of thy perfections.
Grandeur strength and grace 55
Are here to speak of thee.
This mighty oak ¡ª
By whose immovable stem I stand and seem
Almost annihilated¡ªnot a prince
In all that proud old world beyond the deep
E'er wore his crown as loftily as he 60
Wears the green coronal of leaves with which
Thy hand has graced him.
Nestled at his root
Is beauty such as blooms not in the glare
Of the broad sun.
That delicate forest flower
With scented breath and look so like a smile 65
Seems as it issues from the shapeless mould
An emanation of the indwelling Life
A visible token of the upholding Love
That are the soul of this great universe.
My heart is awed within me when I think 70
Of the great miracle that still goes on
In silence round me¡ªthe perpetual work
Of thy creation finished yet renewed
Forever.
Written on thy works I read
The lesson of thy own eternity.
75
Lo! all grow old and die¡ªbut see again
How on the faltering footsteps of decay
Youth presses ¡ªever-gay and beautiful youth
In all its beautiful forms.
These lofty trees
Wave not less proudly that their ancestors 80
Moulder beneath them.
O there is not lost
One of earth's charms: upon her bosom yet
After the flight of untold centuries
The freshness of her far beginning lies
And yet shall lie.
Life mocks the idle hate 85
Of his arch-enemy Death¡ªyea seats himself
Upon the tyrant's throne¡ªthe sepulchre
And of the triumphs of his ghastly foe
Makes his own nourishment.
For he came forth
From thine own bosom and shall have no end.
90
There have been holy men who hid themselves
Deep in the woody wilderness and gave
Their lives to thought and prayer till they outlived
The generation born with them nor seemed
Less aged than the hoary trees and rocks 95
Around them;¡ªand there have been holy men
Who deemed it were not well to pass life thus.
But let me often to these solitudes
Retire and in thy presence reassure
My feeble virtue.
Here its enemies 100
The passions at thy plainer footsteps shrink
And tremble and are still.
O God! when thou
Dost scare the world with tempests set on fire
The heavens with falling thunderbolts or fill
With all the waters of the firmament 105
The swift dark whirlwind that uproots the woods
And drowns the villages; when at thy call
Uprises the great deep and throws himself
Upon the continent and overwhelms
Its cities¡ªwho forgets not at the sight 110
Of these tremendous tokens of thy power
His pride and lays his strifes and follies by?
O from these sterner aspects of thy face
Spare me and mine nor let us need the wrath
Of the mad unchain¨¨d elements to teach 115
Who rules them.
Be it ours to meditate
In these calm shades thy milder majesty
And to the beautiful order of thy works
Learn to conform the order of our lives.
|
Written by
William Blake |
84 Thee the ancientest peer, Duke of Burgundy, rose from the monarch's right hand, red as wines
85 From his mountains; an odor of war, like a ripe vineyard, rose from his garments,
86 And the chamber became as a clouded sky; o'er the council he stretch'd his red limbs,
87 Cloth'd in flames of crimson; as a ripe vineyard stretches over sheaves of corn,
88 The fierce Duke hung over the council; around him crowd, weeping in his burning robe,
89 A bright cloud of infant souls; his words fall like purple autumn on the sheaves:
90 "Shall this marble built heaven become a clay cottage, this earth an oak stool and these mowers
91 From the Atlantic mountains mow down all this great starry harvest of six thousand years?
92 And shall Necker, the hind of Geneva, stretch out his crook'd sickle o'er fertile France
93 Till our purple and crimson is faded to russet, and the kingdoms of earth bound in sheaves,
94 And the ancient forests of chivalry hewn, and the joys of the combat burnt for fuel;
95 Till the power and dominion is rent from the pole, sword and sceptre from sun and moon,
96 The law and gospel from fire and air, and eternal reason and science
97 From the deep and the solid, and man lay his faded head down on the rock
98 Of eternity, where the eternal lion and eagle remain to devour?
99 This to prevent--urg'd by cries in day, and prophetic dreams hovering in night,
100 To enrich the lean earth that craves, furrow'd with plows, whose seed is departing from her--
101 Thy nobles have gather'd thy starry hosts round this rebellious city,
102 To rouze up the ancient forests of Europe, with clarions of cloud breathing war,
103 To hear the horse neigh to the drum and trumpet, and the trumpet and war shout reply.
104 Stretch the hand that beckons the eagles of heaven; they cry over Paris, and wait
105 Till Fayette point his finger to Versailles; the eagles of heaven must have their prey!"
106 He ceas'd, and burn'd silent; red clouds roll round Necker; a weeping is heard o'er the palace.
107 Like a dark cloud Necker paus'd, and like thunder on the just man's burial day he paus'd;
108 Silent sit the winds, silent the meadows, while the husbandman and woman of weakness
109 And bright children look after him into the grave, and water his clay with love,
110 Then turn towards pensive fields; so Necker paus'd, and his visage was covered with clouds.
111 The King lean'd on his mountains, then lifted his head and look'd on his armies, that shone
112 Through heaven, tinging morning with beams of blood; then turning to Burgundy, troubled:
113 "Burgundy, thou wast born a lion! My soul is o'ergrown with distress.
114 For the nobles of France, and dark mists roll round me and blot the writing of God
115 Written in my bosom.
Necker rise! leave the kingdom, thy life is surrounded with snares.
116 We have call'd an Assembly, but not to destroy; we have given gifts, not to the weak;
117 I hear rushing of muskets, and bright'ning of swords, and visages redd'ning with war,
118 Frowning and looking up from brooding villages and every dark'ning city.
119 Ancient wonders frown over the kingdom, and cries of women and babes are heard,
120 And tempests of doubt roll around me, and fierce sorrows, because of the nobles of France.
121 Depart! answer not! for the tempest must fall, as in years that are passed away.
"
|
Written by
William Shakespeare |
Where art thou, Muse, that thou forget'st so long
To speak of that which gives thee all thy might?
Spend'st thou thy fury on some worthless song,
Darkening thy power to lend base subjects light?
Return, forgetful Muse, and straight redeem
In gentle numbers time so idly spent;
Sing to the ear that doth thy lays esteem,
And gives thy pen both skill and argument.
Rise, resty Muse, my love's sweet face survey
If time have any wrinkle graven there;
If any, be a satire to decay,
And make time's spoils despisèd everywhere.
Give my love fame faster than Time wastes life;
So thou prevent'st his scythe and crooked knife.
|
Written by
T S (Thomas Stearns) Eliot |
The Chair she sat in, like a burnished throne,
Glowed on the marble, where the glass
Held up by standards wrought with fruited vines
From which a golden Cupidon peeped out 80
(Another hid his eyes behind his wing)
Doubled the flames of sevenbranched candelabra
Reflecting light upon the table as
The glitter of her jewels rose to meet it,
From satin cases poured in rich profusion;
In vials of ivory and coloured glass
Unstoppered, lurked her strange synthetic perfumes,
Unguent, powdered, or liquid— troubled, confused
And drowned the sense in odours; stirred by the air
That freshened from the window, these ascended 90
In fattening the prolonged candle-flames,
Flung their smoke into the laquearia,
Stirring the pattern on the coffered ceiling.
Huge sea-wood fed with copper
Burned green and orange, framed by the coloured stone,
In which sad light a carved dolphin swam.
Above the antique mantel was displayed
As though a window gave upon the sylvan scene
The change of Philomel, by the barbarous king
So rudely forced; yet there the nightingale 100
Filled all the desert with inviolable voice
And still she cried, and still the world pursues,
"Jug Jug" to dirty ears.
And other withered stumps of time
Were told upon the walls; staring forms
Leaned out, leaning, hushing the room enclosed.
Footsteps shuffled on the stair.
Under the firelight, under the brush, her hair
Spread out in fiery points
Glowed into words, then would be savagely still.
110
"My nerves are bad to-night.
Yes, bad.
Stay with me.
"Speak to me.
Why do you never speak.
Speak.
"What are you thinking of? What thinking? What?
"I never know what you are thinking.
Think.
"
I think we are in rats' alley
Where the dead men lost their bones.
"What is that noise?"
The wind under the door.
"What is that noise now? What is the wind doing?"
Nothing again nothing.
120
"Do
"You know nothing? Do you see nothing? Do you remember
"Nothing?"
I remember
Those are pearls that were his eyes.
"Are you alive, or not? Is there nothing in your head?"
But
O O O O that Shakespeherian Rag—
It's so elegant
So intelligent 130
"What shall I do now? What shall I do?"
I shall rush out as I am, and walk the street
"With my hair down, so.
What shall we do to-morrow?
"What shall we ever do?"
The hot water at ten.
And if it rains, a closed car at four.
And we shall play a game of chess,
Pressing lidless eyes and waiting for a knock upon the door.
When Lil's husband got demobbed, I said—
I didn't mince my words, I said to her myself, 140
HURRY UP PLEASE ITS TIME
Now Albert's coming back, make yourself a bit smart.
He'll want to know what you done with that money he gave you
To get yourself some teeth.
He did, I was there.
You have them all out, Lil, and get a nice set,
He said, I swear, I can't bear to look at you.
And no more can't I, I said, and think of poor Albert,
He's been in the army four years, he wants a good time,
And if you don't give it him, there's others will, I said.
Oh is there, she said.
Something o' that, I said.
150
Then I'll know who to thank, she said, and give me a straight look.
HURRY UP PLEASE ITS TIME
If you don't like it you can get on with it, I said.
Others can pick and choose if you can't.
But if Albert makes off, it won't be for lack of telling.
You ought to be ashamed, I said, to look so antique.
(And her only thirty-one.
)
I can't help it, she said, pulling a long face,
It's them pills I took, to bring it off, she said.
(She's had five already, and nearly died of young George.
) 160
The chemist said it would be alright, but I've never been the same.
You are a proper fool, I said.
Well, if Albert won't leave you alone, there it is, I said,
What you get married for if you don't want children?
HURRY UP PLEASE ITS TIME
Well, that Sunday Albert was home, they had a hot gammon,
And they asked me in to dinner, to get the beauty of it hot—
HURRY UP PLEASE ITS TIME
HURRY UP PLEASE ITS TIME
Goonight Bill.
Goonight Lou.
Goonight May.
Goonight.
170
Ta ta.
Goonight.
Goonight.
Good night, ladies, good night, sweet ladies, good night, good night.
|
Written by
Alfred Lord Tennyson |
THERE is sweet music here that softer falls
Than petals from blown roses on the grass,
Or night-dews on still waters between walls
Of shadowy granite, in a gleaming pass;
Music that gentlier on the spirit lies, 5
Than tired eyelids upon tired eyes;
Music that brings sweet sleep down from the blissful skies.
Here are cool mosses deep,
And thro' the moss the ivies creep,
And in the stream the long-leaved flowers weep, 10
And from the craggy ledge the poppy hangs in sleep.
Why are we weigh'd upon with heaviness,
And utterly consumed with sharp distress,
While all things else have rest from weariness?
All things have rest: why should we toil alone, 15
We only toil, who are the first of things,
And make perpetual moan,
Still from one sorrow to another thrown:
Nor ever fold our wings,
And cease from wanderings, 20
Nor steep our brows in slumber's holy balm;
Nor harken what the inner spirit sings,
'There is no joy but calm!'¡ª
Why should we only toil, the roof and crown of things?
Lo! in the middle of the wood, 25
The folded leaf is woo'd from out the bud
With winds upon the branch, and there
Grows green and broad, and takes no care,
Sun-steep'd at noon, and in the moon
Nightly dew-fed; and turning yellow 30
Falls, and floats adown the air.
Lo! sweeten'd with the summer light,
The full-juiced apple, waxing over-mellow,
Drops in a silent autumn night.
All its allotted length of days, 35
The flower ripens in its place,
Ripens and fades, and falls, and hath no toil,
Fast-rooted in the fruitful soil.
Hateful is the dark-blue sky,
Vaulted o'er the dark-blue sea.
40
Death is the end of life; ah, why
Should life all labour be?
Let us alone.
Time driveth onward fast,
And in a little while our lips are dumb.
Let us alone.
What is it that will last? 45
All things are taken from us, and become
Portions and parcels of the dreadful Past.
Let us alone.
What pleasure can we have
To war with evil? Is there any peace
In ever climbing up the climbing wave? 50
All things have rest, and ripen toward the grave
In silence; ripen, fall and cease:
Give us long rest or death, dark death, or dreamful ease.
How sweet it were, hearing the downward stream,
With half-shut eyes ever to seem 55
Falling asleep in a half-dream!
To dream and dream, like yonder amber light,
Which will not leave the myrrh-bush on the height;
To hear each other's whisper'd speech;
Eating the Lotos day by day, 60
To watch the crisping ripples on the beach,
And tender curving lines of creamy spray;
To lend our hearts and spirits wholly
To the influence of mild-minded melancholy;
To muse and brood and live again in memory, 65
With those old faces of our infancy
Heap'd over with a mound of grass,
Two handfuls of white dust, shut in an urn of brass!
Dear is the memory of our wedded lives,
And dear the last embraces of our wives 70
And their warm tears: but all hath suffer'd change;
For surely now our household hearts are cold:
Our sons inherit us: our looks are strange:
And we should come like ghosts to trouble joy.
Or else the island princes over-bold 75
Have eat our substance, and the minstrel sings
Before them of the ten years' war in Troy,
And our great deeds, as half-forgotten things.
Is there confusion in the little isle?
Let what is broken so remain.
80
The Gods are hard to reconcile:
'Tis hard to settle order once again.
There is confusion worse than death,
Trouble on trouble, pain on pain,
Long labour unto ag¨¨d breath, 85
Sore task to hearts worn out with many wars
And eyes grown dim with gazing on the pilot-stars.
But, propt on beds of amaranth and moly,
How sweet (while warm airs lull us, blowing lowly)
With half-dropt eyelids still, 90
Beneath a heaven dark and holy,
To watch the long bright river drawing slowly
His waters from the purple hill¡ª
To hear the dewy echoes calling
From cave to cave thro' the thick-twin¨¨d vine¡ª 95
To watch the emerald-colour'd water falling
Thro' many a wov'n acanthus-wreath divine!
Only to hear and see the far-off sparkling brine,
Only to hear were sweet, stretch'd out beneath the pine.
The Lotos blooms below the barren peak: 100
The Lotos blows by every winding creek:
All day the wind breathes low with mellower tone:
Thro' every hollow cave and alley lone
Round and round the spicy downs the yellow Lotos-dust is blown.
We have had enough of action, and of motion we, 105
Roll'd to starboard, roll'd to larboard, when the surge was seething free,
Where the wallowing monster spouted his foam-fountains in the sea.
Let us swear an oath, and keep it with an equal mind,
In the hollow Lotos-land to live and lie relined
On the hills like Gods together, careless of mankind.
110
For they lie beside their nectar, and the bolts are hurl'd
Far below them in the valleys, and the clouds are lightly curl'd
Round their golden houses, girdled with the gleaming world:
Where the smile in secret, looking over wasted lands,
Blight and famine, plague and earthquake, roaring deeps and fiery sands, 115
Clanging fights, and flaming towns, and sinking ships, and praying hands.
But they smile, they find a music centred in a doleful song
Steaming up, a lamentation and an ancient tale of wrong,
Like a tale of little meaning tho' the words are strong;
Chanted from an ill-used race of men that cleave the soil, 120
Sow the seed, and reap the harvest with enduring toil,
Storing yearly little dues of wheat, and wine and oil;
Till they perish and they suffer¡ªsome, 'tis whisper'd¡ªdown in hell
Suffer endless anguish, others in Elysian valleys dwell,
Resting weary limbs at last on beds of asphodel.
125
Surely, surely, slumber is more sweet than toil, the shore
Than labour in the deep mid-ocean, wind and wave and oar;
O rest ye, brother mariners, we will not wander more.
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