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The Bride of Abydos

 "Had we never loved so kindly, 
Had we never loved so blindly, 
Never met or never parted, 
We had ne'er been broken-hearted.
Know ye the land where cypress and myrtle Are emblems of deeds that are done in their clime, Where the rage of the vulture, the love of the turtle, Now melt into sorrow, now madden to crime? Know ye the land of the cedar and vine, Where the flowers ever blossom, the beams ever shine; Where the light wings of Zephyr, oppress'd with perfume, Wax faint o'er the gardens of G?l in her bloom; [1] Where the citron and olive are fairest of fruit, And the voice of the nightingale never is mute; Where the tints of the earth, and the hues of the sky, In colour though varied, in beauty may vie, And the purple of Ocean is deepest in dye; Where the virgins are soft as the roses they twine, And all, save the spirit of man, is divine? 'Tis the clime of the East; 'tis the land of the Sun — Can he smile on such deeds as his children have done? [2] Oh! wild as the accents of lovers' farewell Are the hearts which they bear, and the tales which they tell.
Begirt with many a gallant slave, Apparell'd as becomes the brave, Awaiting each his lord's behest To guide his steps, or guard his rest, Old Giaffir sate in his Divan: Deep thought was in his aged eye; And though the face of Mussulman Not oft betrays to standers by The mind within, well skill'd to hide All but unconquerable pride, His pensive cheek and pondering brow Did more than he wont avow.
"Let the chamber be clear'd.
" — The train disappear'd — "Now call me the chief of the Haram guard.
" With Giaffir is none but his only son, And the Nubian awaiting the sire's award.
"Haroun — when all the crowd that wait Are pass'd beyond the outer gate, (Woe to the head whose eye beheld My child Zuleika's face unveil'd!) Hence, lead my daughter from her tower: Her fate is fix'd this very hour: Yet not to her repeat my thought; By me alone be duty taught!" "Pacha! to hear is to obey.
" No more must slave to despot say — Then to the tower had ta'en his way, But here young Selim silence brake, First lowly rendering reverence meet! And downcast look'd, and gently spake, Still standing at the Pacha's feet: For son of Moslem must expire, Ere dare to sit before his sire! "Father! for fear that thou shouldst chide My sister, or her sable guide, Know — for the fault, if fault there be, Was mine — then fall thy frowns on me — So lovelily the morning shone, That — let the old and weary sleep — I could not; and to view alone The fairest scenes of land and deep, With none to listen and reply To thoughts with which my heart beat high Were irksome — for whate'er my mood, In sooth I love not solitude; I on Zuleika's slumber broke, And as thou knowest that for me Soon turns the Haram's grating key, Before the guardian slaves awoke We to the cypress groves had flown, And made earth, main, and heaven our own! There linger'd we, beguil'd too long With Mejnoun's tale, or Sadi's song, [3] Till I, who heard the deep tambour [4] Beat thy Divan's approaching hour, To thee, and to my duty true, Warn'd by the sound, to greet thee flew: But there Zuleika wanders yet — Nay, father, rage not — nor forget That none can pierce that secret bower But those who watch the women's tower.
" IV.
"Son of a slave" — the Pacha said — "From unbelieving mother bred, Vain were a father's hope to see Aught that beseems a man in thee.
Thou, when thine arm should bend the bow, And hurl the dart, and curb the steed, Thou, Greek in soul if not in creed, Must pore where babbling waters flow, And watch unfolding roses blow.
Would that yon orb, whose matin glow Thy listless eyes so much admire, Would lend thee something of his fire! Thou, who wouldst see this battlement By Christian cannon piecemeal rent; Nay, tamely view old Stamboul's wall Before the dogs of Moscow fall, Nor strike one stroke for life or death Against the curs of Nazareth! Go — let thy less than woman's hand Assume the distaff — not the brand.
But, Haroun! — to my daughter speed: And hark — of thine own head take heed — If thus Zuleika oft takes wing — Thou see'st yon bow — it hath a string!" V.
No sound from Selim's lip was heard, At least that met old Giaffir's ear, But every frown and every word Pierced keener than a Christian's sword.
"Son of a slave! — reproach'd with fear! Those gibes had cost another dear.
Son of a slave! and who my sire?" Thus held his thoughts their dark career, And glances ev'n of more than ire Flash forth, then faintly disappear.
Old Giaffir gazed upon his son And started; for within his eye He read how much his wrath had done; He saw rebellion there begun: "Come hither, boy — what, no reply? I mark thee — and I know thee too; But there be deeds thou dar'st not do: But if thy beard had manlier length, And if thy hand had skill and strength, I'd joy to see thee break a lance, Albeit against my own perchance.
" As sneeringly these accents fell, On Selim's eye he fiercely gazed: That eye return'd him glance for glance, And proudly to his sire's was raised, Till Giaffir's quail'd and shrunk askance — And why — he felt, but durst not tell.
"Much I misdoubt this wayward boy Will one day work me more annoy: I never loved him from his birth, And — but his arm is little worth, And scarcely in the chase could cope With timid fawn or antelope, Far less would venture into strife Where man contends for fame and life — I would not trust that look or tone: No — nor the blood so near my own.
That blood — he hath not heard — no more — I'll watch him closer than before.
He is an Arab to my sight, [5] Or Christian crouching in the fight — But hark! — I hear Zuleika's voice; Like Houris' hymn it meets mine ear: She is the offspring of my choice; Oh! more than ev'n her mother dear, With all to hope, and nought to fear — My Peri! — ever welcome here! Sweet, as the desert fountain's wave, To lips just cool'd in time to save — Such to my longing sight art thou; Nor can they waft to Mecca's shrine More thanks for life, than I for thine, Who blest thy birth, and bless thee now.
" VI.
Fair, as the first that fell of womankind, When on that dread yet lovely serpent smiling, Whose image then was stamp'd upon her mind — But once beguiled — and evermore beguiling; Dazzling, as that, oh! too transcendent vision To Sorrow's phantom-peopled slumber given, When heart meets heart again in dreams Elysian, And paints the lost on Earth revived in Heaven; Soft, as the memory of buried love; Pure as the prayer which Childhood wafts above, Was she — the daughter of that rude old Chief, Who met the maid with tears — but not of grief.
Who hath not proved how feebly words essay To fix one spark of Beauty's heavenly ray? Who doth not feel, until his failing sight Faints into dimness with its own delight, His changing cheek, his sinking heart confess The might — the majesty of Loveliness? Such was Zuleika — such around her shone The nameless charms unmark'd by her alone; The light of love, the purity of grace, The mind, the Music breathing from her face, [6] The heart whose softness harmonised the whole — And, oh! that eye was in itself a Soul! Her graceful arms in meekness bending Across her gently-budding breast; At one kind word those arms extending To clasp the neck of him who blest His child caressing and carest, Zuleika came — Giaffir felt His purpose half within him melt; Not that against her fancied weal His heart though stern could ever feel; Affection chain'd her to that heart; Ambition tore the links apart.
"Zuleika! child of gentleness! How dear this very day must tell, When I forget my own distress, In losing what I love so well, To bid thee with another dwell: Another! and a braver man Was never seen in battle's van.
We Moslems reck not much of blood; But yet the line of Carasman [7] Unchanged, unchangeable, hath stood First of the bold Timariot bands That won and well can keep their lands.
Enough that he who comes to woo Is kinsman of the Bey Oglou: His years need scarce a thought employ: I would not have thee wed a boy.
And thou shalt have a noble dower: And his and my united power Will laugh to scorn the death-firman, Which others tremble but to scan, And teach the messenger what fate The bearer of such boon may wait, [8] And now thy know'st thy father's will; All that thy sex hath need to know: 'Twas mine to teach obedience still — The way to love, thy lord may show.
In silence bow'd the virgin's head; And if her eye was fill'd with tears That stifled feeling dare not shed, And changed her cheek to pale to red, And red to pale, as through her ears Those winged words like arrows sped, What could such be but maiden fears? So bright the tear in Beauty's eye, Love half regrets to kiss it dry; So sweet the blush of Bashfulness, Even Pity scarce can wish it less! Whate'er it was the sire forgot; Or if remember'd, mark'd it not; Thrice clapp'd his hands, and call'd his steed, [9] Resign'd his gem-adorn'd chibouque, [10] And mounting featly for the mead, With Maugrabee [11] and Mamaluke, His way amid his Delis took, [12] To witness many an active deed With sabre keen, or blunt jerreed.
The Kislar only and his Moors Watch well the Haram's massy doors.
His head was leant upon his hand, His eye look'd o'er the dark blue water That swiftly glides and gently swells Between the winding Dardanelles; But yet he saw nor sea nor strand, Nor even his Pacha's turban'd band Mix in the game of mimic slaughter, Careering cleave the folded felt [13] With sabre stroke right sharply dealt; Nor mark'd the javelin-darting crowd, Nor heard their Ollahs wild and loud [14] — He thought but of old Giaffir's daughter! X.
No word from Selim's bosom broke; One sigh Zuleika's thought bespoke: Still gazed he through the lattice grate, Pale, mute, and mournfully sedate.
To him Zuleika's eye was turn'd, But little from his aspect learn'd; Equal her grief, yet not the same: Her heart confess'd a gentler flame: But yet that heart, alarm'd, or weak, She knew not why, forbade to speak.
Yet speak she must — but when essay? "How strange he thus should turn away! Not thus we e'er before have met; Not thus shall be our parting yet.
" Thrice paced she slowly through the room, And watched his eye — it still was fix'd: She snatch'd the urn wherein was mix'd The Persian Atar-g?l's perfume, [15] And sprinkled all its odours o'er The pictured roof and marble floor: [16] The drops, that through his glittering vest The playful girl's appeal address'd, Unheeded o'er his bosom flew, As if that breast were marble too.
"What sullen yet? it must not be — Oh! gentle Selim, this from thee!" She saw in curious order set The fairest flowers of Eastern land — "He loved them once; may touch them yet If offer'd by Zuleika's hand.
" The childish thought was hardly breathed Before the Rose was pluck'd and wreathed; The next fond moment saw her seat Her fairy form at Selim's feet: "This rose to calm my brother's cares A message from the Bulbul bears; [17] It says to-night he will prolong For Selim's ear his sweetest song; And though his note is somewhat sad, He'll try for once a strain more glad, With some faint hope his alter'd lay May sing these gloomy thoughts away.
"What! not receive my foolish flower? Nay then I am indeed unblest: On me can thus thy forehead lower? And know'st thou not who loves thee best? Oh, Selim dear! oh, more than dearest! Say is it me thou hat'st or fearest? Come, lay thy head upon my breast, And I will kiss thee into rest, Since words of mine, and songs must fail Ev'n from my fabled nightingale.
I knew our sire at times was stern, But this from thee had yet to learn: Too well I know he loves thee not; But is Zuleika's love forgot? Ah! deem I right? the Pacha's plan — This kinsman Bey of Carasman Perhaps may prove some foe of thine: If so, I swear by Mecca's shrine, If shrines that ne'er approach allow To woman's step admit her vow, Without thy free consent, command, The Sultan should not have my hand! Think'st though that I could bear to part With thee, and learn to halve my heart? Ah! were I sever'd from thy side, Where were thy friend — and who my guide? Years have not seen, Time shall not see The hour that tears my soul from thee: Even Azrael, [18] from his deadly quiver When flies that shaft, and fly it must, That parts all else, shall doom for ever Our hearts to undivided dust!" XII.
He lived — he breathed — he moved — he felt; He raised the maid from where she knelt; His trance was gone — his keen eye shone With thoughts that long in darkness dwelt; With thoughts that burn — in rays that melt.
As the streams late conceal'd By the fringe of its willows, When it rushes reveal'd In the light of its billows; As the bolt bursts on high From the black cloud that bound it, Flash'd the soul of that eye Through the long lashes round it.
A war-horse at the trumpet's sound, A lion roused by heedless hound, A tyrant waked to sudden strife By graze of ill-directed knife, Starts not to more convulsive life Than he, who heard that vow, display'd, And all, before repress'd, betray'd: "Now thou art mine, for ever mine, With life to keep, and scarce with life resign; Now thou art mine, that sacred oath, Though sworn by one, hath bound us both.
Yes, fondly, wisely hast thou done; That vow hath saved more heads than one: But blench not thou — thy simplest tress Claims more from me than tenderness; I would not wrong the slenderest hair That clusters round thy forehead fair, For all the treasures buried far Within the caves of Istakar.
[19] This morning clouds upon me lower'd, Reproaches on my head were shower'd, And Giaffir almost call'd me coward! Now I have motive to be brave; The son of his neglected slave — Nay, start not, 'twas the term he gave — May shew, though little apt to vaunt, A heart his words nor deeds can daunt.
His son, indeed! — yet, thanks to thee, Perchance I am, at least shall be! But let our plighted secret vow Be only known to us as now.
I know the wretch who dares demand From Giaffir thy reluctant hand; More ill-got wealth, a meaner soul Holds not a Musselim's control: [20] Was he not bred in Egripo? [21] A viler race let Israel show! But let that pass — to none be told Our oath; the rest let time unfold.
To me and mine leave Osman Bey; I've partisans for peril's day: Think not I am what I appear; I've arms, and friends, and vengeance near.
"Think not thou art what thou appearest! My Selim, thou art sadly changed: This morn I saw thee gentlest, dearest: But now thou'rt from thyself estranged.
My love thou surely knew'st before, It ne'er was less, nor can be more.
To see thee, hear thee, near thee stay, And hate the night, I know not why, Save that we meet not but by day; With thee to live, with thee to die, I dare not to my hope deny: Thy cheek, thine eyes, thy lips to kiss, Like this — and this — no more than this; For, Allah! Sure thy lips are flame: What fever in thy veins is flushing? My own have nearly caught the same, At least I feel my cheek too blushing.
To soothe thy sickness, watch thy health, Partake, but never waste thy wealth, Or stand with smiles unmurmuring by, And lighten half thy poverty; Do all but close thy dying eye, For that I could not live to try; To these alone my thoughts aspire: More can I do? or thou require? But, Selim, thou must answer why We need so much of mystery? The cause I cannot dream nor tell, But be it, since thou say'st 'tis well; Yet what thou mean'st by 'arms' and 'friends,' Beyond my weaker sense extends.
I mean that Giaffir should have heard The very vow I plighted thee; His wrath would not revoke my word: But surely he would leave me free.
Can this fond wish seem strange in me, To be what I have ever been? What other hath Zuleika seen From simple childhood's earliest hour? What other can she seek to see Than thee, companion of her bower, The partner of her infancy? These cherish'd thoughts with life begun, Say, why must I no more avow? What change is wrought to make me shun The truth; my pride, and thine till now? To meet the gaze of stranger's eyes Our law, our creed, our God denies, Nor shall one wandering thought of mine At such, our Prophet's will, repine: No! happier made by that decree! He left me all in leaving thee.
Deep were my anguish, thus compell'd To wed with one I ne'er beheld: This wherefore should I not reveal? Why wilt thou urge me to conceal! I know the Pacha's haughty mood To thee hath never boded good: And he so often storms at naught, Allah! forbid that e'er he ought! And why I know not, but within My heart concealment weighs like sin.
If then such secresy be crime, And such it feels while lurking here, Oh, Selim! tell me yet in time, Nor leave me thus to thoughts of fear.
Ah! yonder see the Tchocadar, [22] My father leaves the mimic war: I tremble now to meet his eye — Say, Selim, canst thou tell me why?" XIV.
"Zuleika — to thy tower's retreat Betake thee — Giaffir I can greet: And now with him I fain must prate Of firmans, imposts, levies, state.
There's fearful news from Danube's banks, Our Vizier nobly thins his ranks, For which the Giaour may give him thanks! Our sultan hath a shorter way Such costly triumph to repay.
But, mark me, when the twilight drum Hath warn'd the troops to food and sleep, Unto thy cell will Selim come: Then softly from the Haram creep Where we may wander by the deep: Our garden-battlements are steep; Nor these will rash intruder climb To list our words, or stint our time; And if he doth, I want not steel Which some have felt, and more may feel.
Then shalt thou learn of Selim more Than thou hast heard or thought before: Trust me, Zuleika — fear not me! Thou know'st I hold a Haram key.
" "Fear thee, my Selim! ne'er till now Did word like this — " "Delay not thou; I keep the key — and Haroun's guard Have some, and hope of more reward.
Tonight, Zuleika, thou shalt hear My tale, my purpose, and my fear: I am not, love! what I appear.
" ____________ CANTO THE SECOND.
The winds are high on Helle's wave, As on that night of stormy water, When Love, who sent, forgot to save The young, the beautiful, the brave, The lonely hope of Sestos' daughter.
Oh! when alone along the sky Her turret-torch was blazing high, Though rising gale, and breaking foam, And shrieking sea-birds warn'd him home; And clouds aloft and tides below, With signs and sounds, forbade to go, He could not see, he would not hear, Or sound or sign foreboding fear; His eye but saw the light of love, The only star it hail'd above; His ear but rang with Hero's song, "Ye waves, divide not lovers long!" — That tale is old, but love anew May nerve young hearts to prove as true.
The winds are high, and Helle's tide Rolls darkly heaving to the main; And Night's descending shadows hide That field with blood bedew'd in vain, The desert of old Priam's pride; The tombs, sole relics of his reign, All — save immortal dreams that could beguile The blind old man of Scio's rocky isle! III.
Oh! yet — for there my steps have been! These feet have press'd the sacred shore, These limbs that buoyant wave hath borne — Minstrel! with thee to muse, to mourn, To trace again those fields of yore, Believing every hillock green Contains no fabled hero's ashes, And that around the undoubted scene Thine own "broad Hellespont" still dashes, [23] Be long my lot! and cold were he Who there could gaze denying thee! IV.
The night hath closed on Helle's stream, Nor yet hath risen on Ida's hill That moon, which shoon on his high theme: No warrior chides her peaceful beam, But conscious shepherds bless it still.
Their flocks are grazing on the mound Of him who felt the Dardan's arrow; That mighty heap of gather'd ground Which Ammon's son ran proudly round, [24] By nations raised, by monarchs crown'd, Is now a lone and nameless barrow! Within — thy dwelling-place how narrow? Without — can only strangers breathe The name of him that was beneath: Dust long outlasts the storied stone; But Thou — thy very dust is gone! V.
Late, late to-night will Dian cheer The swain, and chase the boatman's fear; Till then — no beacon on the cliff May shape the course of struggling skiff; The scatter'd lights that skirt the bay, All, one by one, have died away; The only lamp of this lone hour Is glimmering in Zuleika's tower.
Yes! there is light in that lone chamber, And o'er her silken Ottoman Are thrown the fragrant beads of amber, O'er which her fairy fingers ran; [25] Near these, with emerald rays beset, (How could she thus that gem forget?) Her mother's sainted amulet, [26] Whereon engraved the Koorsee text, Could smooth this life, and win the next; And by her Comboloio lies [27] A Koran of illumined dyes; And many a bright emblazon'd rhyme By Persian scribes redeem'd from time; And o'er those scrolls, not oft so mute, Reclines her now neglected lute; And round her lamp of fretted gold Bloom flowers in urns of China's mould; The richest work of Iran's loom, And Sheeraz' tribute of perfume; All that can eye or sense delight Are gather'd in that gorgeous room: But yet it hath an air of gloom.
She, of this Peri cell the sprite, What doth she hence, and on so rude a night? VI.
Wrapt in the darkest sable vest, Which none save noblest Moslems wear, To guard from winds of heaven the breast As heaven itself to Selim dear, With cautious steps the thicket threading, And starting oft, as through the glade The gust its hollow moanings made; Till on the smoother pathway treading, More free her timid bosom beat, The maid pursued her silent guide; And though her terror urged retreat, How could she quit her Selim's side? How teach her tender lips to chide? VII.
They reach'd at length a grotto, hewn By nature, but enlarged by art, Where oft her lute she wont to tune, And oft her Koran conn'd apart: And oft in youthful reverie She dream'd what Paradise might be; Where woman's parted soul shall go Her Prophet had disdain'd to show; But Selim's mansion was secure, Nor deem'd she, could he long endure His bower in other worlds of bliss, Without her, most beloved in this! Oh! who so dear with him could dwell? What Houri soothe him half so well? VIII.
Since last she visited the spot Some change seem'd wrought within the grot; It might be only that the night Disguised things seen by better light: That brazen lamp but dimly threw A ray of no celestial hue: But in a nook within the cell Her eye on stranger objects fell.
There arms were piled, not such as wield The turban'd Delis in the field; But brands of foreign blade and hilt, And one was red — perchance with guilt! Ah! how without can blood be spilt? A cup too on the board was set That did not seem to hold sherbet.
What may this mean? she turn'd to see Her Selim — "Oh! can this be he?" IX.
His robe of pride was thrown aside, His brow no high-crown'd turban bore But in its stead a shawl of red, Wreathed lightly round, his temples wore: That dagger, on whose hilt the gem Were worthy of a diadem, No longer glitter'd at his waist, Where pistols unadorn'd were braced; And from his belt a sabre swung, And from his shoulder loosely hung The cloak of white, the thin capote That decks the wandering Candiote: Beneath — his golden plated vest Clung like a cuirass to his breast The greaves below his knee that wound With silvery scales were sheathed and bound.
But were it not that high command Spake in his eye, and tone, and hand, All that a careless eye could see In him was some young Galiong?e.
[28] X.
"I said I was not what I seem'd; And now thou see'st my words were true: I have a tale thou hast not dream'd, If sooth — its truth must others rue.
My story now 'twere vain to hide, I must not see thee Osman's bride: But had not thine own lips declared How much of that young heart I shared, I could not, must not, yet have shown The darker secret of my own.
In this I speak not now of love; That, let time, truth, and peril prove: But first — oh! never wed another — Zuleika! I am not thy brother!" XI.
"Oh! not my brother! — yet unsay — God! am I left alone on earth To mourn — I dare not curse the day That saw my solitary birth? Oh! thou wilt love me now no more! My sinking heart foreboded ill; But know me all I was before, Thy sister — friend — Zuleika still.
Thou ledd'st me hear perchance to kill; If thou hast cause for vengeance see My breast is offer'd — take thy fill! Far better with the dead to be Than live thus nothing now to thee; Perhaps far worse, for now I know Why Giaffir always seem'd thy foe; And I, alas! am Giaffir's child, Form whom thou wert contemn'd, reviled.
If not thy sister — wouldst thou save My life, oh! bid me be thy slave!" XII.
"My slave, Zuleika! — nay, I'm thine; But, gentle love, this transport calm, Thy lot shall yet be link'd with mine; I swear it by our Prophet's shrine, And be that thought thy sorrow's balm.
So may the Koran verse display'd [29] Upon its steel direct my blade, In danger's hour to guard us both, As I preserve that awful oath! The name in which thy heart hath prided Must change; but, my Zuleika, know, That tie is widen'd, not divided, Although thy Sire's my deadliest foe.
My father was to Giaffir all That Selim late was deem'd to thee; That brother wrought a brother's fall, But spared, at least, my infancy; And lull'd me with a vain deceit That yet a like return may meet.
He rear'd me, not with tender help, But like the nephew of a Cain; [30] He watch'd me like a lion's whelp, That gnaws and yet may break his chain.
My father's blood in every vein Is boiling; but for thy dear sake No present vengeance will I take; Though here I must no more remain.
But first, beloved Zuleika! hear How Giaffir wrought this deed of fear.
"How first their strife to rancour grew, If love or envy made them foes, It matters little if I knew; In fiery spirits, slights, though few And thoughtless, will disturb repose.
In war Abdallah's arm was strong, Remember'd yet in Bosniac song, And Paswan's rebel hordes attest [31] How little love they bore such guest: His death is all I need relate, The stern effect of Giaffir's hate; And how my birth disclosed to me, Whate'er beside it makes, hath made me free.
"When Paswan, after years of strife, At last for power, but first for life, In Widdin's walls too proudly sate, Our Pachas rallied round the state; Nor last nor least in high command, Each brother led a separate band; They gave their horse-tails to the wind, [32] And mustering in Sophia's plain Their tents were pitch'd, their posts assign'd; To one, alas! assign'd in vain! What need of words? the deadly bowl, By Giaffir's order drugg'd and given, With venom subtle as his soul, Dismiss'd Abdallah's hence to heaven.
Reclined and feverish in the bath, He, when the hunter's sport was up, But little deem'd a brother's wrath To quench his thirst had such a cup: The bowl a bribed attendant bore; He drank one draught, and nor needed more! [33] If thou my tale, Zuleika, doubt, Call Haroun — he can tell it out.
"The deed once done, and Paswan's feud In part suppress'd, though ne'er subdued, Abdallah's Pachalic was gain'd: — Thou know'st not what in our Divan Can wealth procure for worse than man — Abdallah's honours were obtain'd By him a brother's murder stain'd; 'Tis true, the purchase nearly drain'd His ill got treasure, soon replaced.
Wouldst question whence? Survey the waste, And ask the squalid peasant how His gains repay his broiling brow! — Why me the stern usurper spared, Why thus with me the palace shared, I know not.
Shame, regret, remorse, And little fear from infant's force; Besides, adoption of a son Of him whom Heaven accorded none, Or some unknown cabal, caprice, Preserved me thus; but not in peace; He cannot curb his haughty mood, Nor I forgive a father's blood! XVI.
"Within thy father's house are foes; Not all who break his bread are true: To these should I my birth disclose, His days, his very hours, were few: They only want a heart to lead, A hand to point them to the deed.
But Haroun only knows — or knew — This tale, whose close is almost nigh: He in Abdallah's palace grew, And held that post in his Serai Which holds he here — he saw him die: But what could single slavery do? Avenge his lord? alas! too late; Or save his son from such a fate? He chose the last, and when elate With foes subdued, or friends betray'd, Proud Giaffir in high triumph sate, He led me helpless to his gate, And not in vain it seems essay'd To save the life for which he pray'd.
The knowledge of my birth secured From all and each, but most from me; Thus Giaffir's safety was insured.
Removed he too from Roumelie To this our Asiatic side, Far from our seat by Danube's tide, With none but Haroun, who retains Such knowledge — and that Nubian feels A tyrant's secrets are but chains, From which the captive gladly steals, And this and more to me reveals: Such still to guilt just Allah sends — Slaves, tools, accomplices — no friends! XVII.
"All this, Zuleika, harshly sounds; But harsher still my tale must be: Howe'er my tongue thy softness wounds, Yet I must prove all truth to thee.
I saw thee start this garb to see, Yet is it one I oft have worn, And long must wear: this Galiong?e, To whom thy plighted vow is sworn, Is leader of those pirate hordes, Whose laws and lives are on their swords; To hear whose desolating tale Would make thy waning cheek more pale: Those arms thou see'st my band have brought, The hands that wield are not remote; This cup too for the rugged knaves Is fill'd — once quaff'd, they ne'er repine: Our Prophet might forgive the slaves; They're only infidels in wine! XVIII.
"What could I be? Proscribed at home, And taunted to a wish to roam; And listless left — for Giaffir's fear Denied the courser and the spear — Though oft — oh, Mohammed! how oft! — In full Divan the despot scoff'd, As if my weak unwilling hand Refused the bridle or the brand: He ever went to war alone, And pent me here untried — unknown; To Haroun's care with women left, By hope unblest, of fame bereft.
While thou — whose softness long endear'd, Though it unmann'd me, still had cheer'd — To Brusa's walls for safety sent, Awaited'st there the field's event.
Haroun, who saw my spirit pining Beneath inaction's sluggish yoke, His captive, though with dread, resigning, My thraldom for a season broke, On promise to return before The day when Giaffir's charge was o'er.
'Tis vain — my tongue can not impart My almost drunkenness of heart, When first this liberated eye Survey'd Earth, Ocean, Sun and Sky, As if my spirit pierced them through, And all their inmost wonders knew! One word alone can paint to thee That more than feeling — I was Free! Ev'n for thy presence ceased to pine; The World — nay — Heaven itself was mine! XIX.
"The shallop of a trusty Moor Convey'd me from this idle shore; I long'd to see the isles that gem Old Ocean's purple diadem: I sought by turns, and saw them all: [34] But when and where I join'd the crew, With whom I'm pledged to rise or fall, When all that we design to do Is done, 'twill then be time more meet To tell thee, when the tale's complete.
"'Tis true, they are a lawless brood, But rough in form, nor mild in mood; With them hath found — may find — a place: But open speech, and ready hand, Obedience to their chief's command; A soul for every enterprise, That never sees with terror's eyes; Friendship for each, and faith to all, And vengeance vow'd for those who fall, Have made them fitting instruments For more than ev'n my own intents.
And some — and I have studied all Distinguish'd from the vulgar rank, But chiefly to my council call The wisdom of the cautious Frank — And some to higher thoughts aspire, The last of Lambro's patriots there [35] Anticipated freedom share; And oft around the cavern fire On visionary schemes debate, To snatch the Rayahs from their fate.
[36] So let them ease their hearts with prate Of equal rights, which man ne'er knew; I have a love of freedom too.
Ay! let me like the ocean-Patriarch roam, [37] Or only known on land the Tartar's home! [38] My tent on shore, my galley on the sea, Are more than cities and Serais to me: Borne by my steed, or wafted by my sail, Across the desert, or before the gale, Bound where thou wilt, my barb! or glide, my prow! But be the star that guides the wanderer, Thou! Thou, my Zuleika! share and bless my bark; The Dove of peace and promise to mine ark! Or, since that hope denied in worlds of strife, Be thou the rainbow to the storms of life! The evening beam that smiles the cloud away, And tints to-morrow with prophetic ray! Blest — as the Muezzin's strain from Mecca's wall To pilgrims pure and prostrate at his call; Soft — as the melody of youthful days, That steals the trembling tear of speechless praise; Dear — as his native song to exile's ears, Shall sound each tone thy long-loved voice endears.
For thee in those bright isles is built a bower Blooming as Aden in its earliest hour.
[39] A thousand swords, with Selim's heart and hand, Wait — wave — defend — destroy — at thy command! Girt by my band, Zuleika at my side, The spoil of nations shall bedeck my bride.
The Haram's languid years of listless ease Are well resign'd for cares — for joys like these: Not blind to fate, I see, where'er I rove, Unnumber'd perils — but one only love! Yet well my toils shall that fond beast repay, Though fortune frown or falser friends betray.
How dear the dream in darkest hours of ill, Should all be changed, to find thee faithful still! Be but thy soul, like Selim's, firmly shown; To thee be Selim's tender as thine own; To soothe each sorrow, share in each delight, Blend every thought, do all — but disunite! Once free, 'tis mine our horde again to guide; Friends to each other, foes to aught beside: Yet there we follow but the bent assign'd By fatal Nature to man's warring kind: Mark! where his carnage and his conquests cease! He makes a solitude, and calls it — peace! I like the rest must use my skill or strength, But ask no land beyond my sabre's length: Power sways but by division — her resource The blest alternative of fraud or force! Ours be the last; in time deceit may come When cities cage us in a social home: There ev'n thy soul might err — how oft the heart Corruption shakes which peril could not part! And woman, more than man, when death or woe, Or even disgrace, would lay her lover low, Sunk in the lap of luxury will shame — Away suspicion! — not Zuleika's name! But life is hazard at the best; and here No more remains to win, and much to fear: Yes, fear! — the doubt, the dread of losing thee, By Osman's power, and Giaffir's stern decree.
That dread shall vanish with the favouring gale, Which Love to-night hath promised to my sail: No danger daunts the pair his smile hath blest, Their steps till roving, but their hearts at rest.
With thee all toils are sweet, each clime hath charms; Earth — sea alike — our world within our arms! Ay — let the loud winds whistle o'er the deck, So that those arms cling closer round my neck: The deepest murmur of this lip shall be No sigh for safety, but a prayer for thee! The war of elements no fears impart To Love, whose deadliest bane is human Art: There lie the only rocks our course can check; Here moments menace — there are years of wreck! But hence ye thoughts that rise in Horror's shape! This hour bestows, or ever bars escape.
Few words remain of mine my tale to close: Of thine but one to waft us from our foes; Yea — foes — to me will Giaffir's hate decline? And is not Osman, who would part us, thine? XXI.
"His head and faith from doubt and death Return'd in time my guard to save; Few heard, none told, that o'er the wave From isle to isle I roved the while: And since, though parted from my band Too seldom now I leave the land, No deed they've done, nor deed shall do, Ere I have heard and doom'd it too: I form the plan, decree the spoil, 'Tis fit I oftener share the toil.
But now too long I've held thine ear; Time presses, floats my bark, and here We leave behind but hate and fear.
To-morrow Osman with his train Arrives — to-night must break thy chain: And wouldst thou save that haughty Bey, Perchance, his life who gave the thine, With me this hour away — away! But yet, though thou art plighted mine, Wouldst thou recall thy willing vow, Appall'd by truth imparted now, Here rest I — not to see thee wed: But be that peril on my head!" XXII.
Zuleika, mute and motionless, Stood like that statue of distress, When, her last hope for ever gone, The mother harden'd into stone; All in the maid that eye could see Was but a younger Niob?.
But ere her lip, or even her eye, Essay'd to speak, or look reply, Beneath the garden's wicket porch Far flash'd on high a blazing torch! Another — and another — and another — "Oh! — no more — yet now my more than brother!" Far, wide, through every thicket spread, The fearful lights are gleaming red; Nor these alone — for each right hand Is ready with a sheathless brand.
They part, pursue, return, and wheel With searching flambeau, shining steel; And last of all, his sabre waving, Stern Giaffir in his fury raving: And now almost they touch the cave — Oh! must that grot be Selim's grave? XXIII.
Dauntless he stood — "'Tis come — soon past — One kiss, Zuleika — 'tis my last: But yet my band not far from shore May hear this signal, see the flash; Yet now too few — the attempt were rash: No matter — yet one effort more.
" Forth to the cavern mouth he stept; His pistol's echo rang on high, Zuleika started not nor wept, Despair benumb'd her breast and eye! — "They hear me not, or if they ply Their oars, 'tis but to see me die; That sound hath drawn my foes more nigh.
Then forth my father's scimitar, Thou ne'er hast seen less equal war! Farewell, Zuleika! — Sweet! retire: Yet stay within — here linger safe, At thee his rage will only chafe.
Stir not — lest even to thee perchance Some erring blade or ball should glance.
Fear'st though for him? — may I expire If in this strife I seek thy sire! No — though by him that poison pour'd: No — though again he call me coward! But tamely shall I meet their steel? No — as each crest save his may feel!" XXIV.
One bound he made, and gain'd the sand: Already at his feet hath sunk The foremost of the prying band, A gasping head, a quivering trunk: Another falls — but round him close A swarming circle of his foes; From right to left his path he cleft, And almost met the meeting wave: His boat appears — not five oars' length — His comrades strain with desperate strength — Oh! are they yet in time to save? His feet the foremost breakers lave; His band are plunging in the bay, Their sabres glitter through the spray; We — wild — unwearied to the strand They struggle — now they touch the land! They come — 'tis but to add to slaughter — His heart's best blood is on the water! XXV.
Escaped from shot, unharm'd by steel, Or scarcely grazed its force to feel, Had Selim won, betray'd, beset, To where the strand and billows met: There as his last step left the land, And the last death-blow dealt his hand — Ah! wherefore did he turn to look For her his eye but sought in vain? That pause, that fatal gaze he took, Hath doom'd his death, or fix'd his chain.
Sad proof, in peril and in pain, How late will Lover's hope remain! His back was to the dashing spray; Behind, but close, his comrades lay When, at the instant, hiss'd the ball — "So may the foes of Giaffir fall!" Whose voice is heard? whose carbine rang? Whose bullet through the night-air sang, Too nearly, deadly aim'd to err? 'Tis thine — Abdallah's Murderer! The father slowly rued thy hate, The son hath found a quicker fate: Fast from his breast the blood is bubbling, The whiteness of the sea-foam troubling — If aught his lips essay'd to groan, The rushing billows choked the tone! XXVI.
Morn slowly rolls the clouds away; Few trophies of the fight are there: The shouts that shook the midnight-bay Are silent; but some signs of fray That strand of strife may bear, And fragments of each shiver'd brand; Steps stamp'd; and dash'd into the sand The print of many a struggling hand May there be mark'd; nor far remote A broken torch, an oarless boat; And tangled on the weeds that heap The beach where shelving to the deep There lies a white capote! 'Tis rent in twain — one dark-red stain The wave yet ripples o'er in vain: But where is he who wore? Ye! who would o'er his relics weep, Go, seek them where the surges sweep Their burthen round Sig?um's steep, And cast on Lemnos' shore: The sea-birds shriek above the prey, O'er which their hungry beaks delay, As shaken on his restless pillow, His head heaves with the heaving billow; That hand, whose motion is not life, Yet feebly seems to menace strife, Flung by the tossing tide on high, Then levell'd with the wave — What recks it, though that corse shall lie Within a living grave? The bird that tears that prostrate form Hath only robb'd the meaner worm: The only heart, the only eye Had bled or wept to see him die, Had seen those scatter'd limbs composed, And mourn'd above his turban-stone, [40] That heart hath burst — that eye was closed — Yea — closed before his own! XXVII.
By Helle's stream there is a voice of wail! And woman's eye is wet — man's cheek is pale: Zuleika! last of Giaffir's race, Thy destined lord is come too late: He sees not — ne'er shall see — thy face! Can he not hear The loud Wul-wulleh warn his distant ear? [41] Thy handmaids weeping at the gate, The Koran-chanters of the hymn of fate, The silent slaves with folded arms that wait, Sighs in the hall, and shrieks upon the gale, Tell him thy tale! Thou didst not view thy Selim fall! That fearful moment when he left the cave Thy heart grew chill: He was thy hope — thy joy — thy love — thine all — And that last thought on him thou couldst not save Sufficed to kill; Burst forth in one wild cry — and all was still.
Peace to thy broken heart, and virgin grave! Ah! happy! but of life to lose the worst! That grief — though deep — though fatal — was thy first! Thrice happy! ne'er to feel nor fear the force Of absence, shame, pride, hate, revenge, remorse! And, oh! that pang where more than madness lies! The worm that will not sleep — and never dies; Thought of the gloomy day and ghastly night, That dreads the darkness, and yet loathes the light, That winds around, and tears the quivering heart! Ah! wherefore not consume it — and depart! Woe to thee, rash and unrelenting chief! Vainly thou heap'st the dust upon thy head, Vainly the sackcloth o'er thy limbs doth spread; By that same hand Abdallah — Selim — bled.
Now let it tear thy beard in idle grief: Thy pride of heart, thy bride for Osman's bed, Thy Daughter's dead! Hope of thine age, thy twilight's lonely beam, The star hath set that shone on Helle's stream.
What quench'd its ray? — the blood that thou hast shed! Hark! to the hurried question of Despair: "Where is my child?" — an Echo answers — "Where?" [42] XVIII.
Within the place of thousand tombs That shine beneath, while dark above The sad but living cypress glooms, And withers not, though branch and leaf Are stamp'd with an eternal grief, Like early unrequited Love, One spot exists, which ever blooms, Ev'n in that deadly grove — A single rose is shedding there Its lonely lustre, meek and pale: It looks as planted by Despair — So white — so faint — the slightest gale Might whirl the leaves on high; And yet, though storms and blight assail, And hands more rude than wintry sky May wring it from the stem — in vain — To-morrow sees it bloom again! The stalk some spirit gently rears, And waters with celestial tears; For well may maids of Helle deem That this can be no earthly flower, Which mocks the tempest's withering hour, And buds unshelter'd by a bower; Nor droops, though spring refuse her shower, Nor woos the summer beam: To it the livelong night there sings A bird unseen — but not remote: Invisible his airy wings, But soft as harp that Houri strings His long entrancing note! It were the Bulbul; but his throat, Though mournful, pours not such a strain: For they who listen cannot leave The spot, but linger there and grieve, As if they loved in vain! And yet so sweet the tears they shed, 'Tis sorrow so unmix'd with dread, They scarce can bear the morn to break That melancholy spell, And longer yet would weep and wake, He sings so wild and well! But when the day-blush bursts from high Expires that magic melody.
And some have been who could believe, (So fondly youthful dreams deceive, Yet harsh be they that blame,) That note so piercing and profound Will shape and syllable its sound Into Zuleika's name.
[43] 'Tis from her cypress' summit heard, That melts in air the liquid word; 'Tis from her lowly virgin earth That white rose takes its tender birth.
There late was laid a marble stone; Eve saw it placed — the Morrow gone! It was no mortal arm that bore That deep fixed pillar to the shore; For there, as Helle's legends tell, Next morn 'twas found where Selim fell; Lash'd by the tumbling tide, whose wave Denied his bones a holier grave: And there by night, reclined, 'tis said, Is seen a ghastly turban'd head: And hence extended by the billow, 'Tis named the "Pirate-phantom's pillow!" Where first it lay that mourning flower Hath flourish'd; flourisheth this hour, Alone and dewy, coldly pure and pale; As weeping Beauty's cheek at Sorrow's tale.
(1) "G?l," the rose.
(2) "Souls made of fire, and children of the Sun, With whom revenge is virtue.
" (3) Mejnoun and Leila, the Romeo and Juliet of the East.
Sadi, the moral set of Persia.
(4) "Tambour," Turkish drum, which sounds at sunrise, none, and twilight.
(5) The Turks abhor the Arabs (who return the compliment a hundred-fold) even more than they hate the Christians.
(6) This expression has met with objections.
I will not refer to "Him who hath not Music in his soul," but merely request the reader to recollect, for ten seconds, the features of the woman whom he believes to be the most beautiful; and if he then does not comprehend fully what is feebly expressed in the above line, I shall be sorry for us both.
For an eloquent passage in the latest work of the first female writer of this, perhaps of any age, on the analogy (and the immediate comparison excited by that analogy) between "painting and music," see vol.
10, "De L'Allemagne.
" And is not this connexion still stronger with the original than the copy? with the colouring of Nature than of Art? After all, this is rather to be felt than described; still, I think there are some who will understand it, at least they would have done had they beheld the countenance whose speaking harmony suggested the idea; for this passage is not drawn from imagination but memory, that mirror which Affliction dashes to the earth, and looking down upon the fragments, only beholds the reflection multiplied.
(7) Carasman Oglou, or Kara Osman Oglou, is the principle landholder in Turkey; he governs Magnesia.
Those who, by a kind of feudal tenure, possess land on condition of service, are called Timariots; they serve as Spahis, according to the extent of territory, and bring a certain number into the field, generally cavalry.
(8) When a Pacha is sufficiently strong to resist, the single messenger, who is always the first bearer of the order for his death, is strangled instead, and sometimes five or six, one after the other, on the same errand, by command of the refractory patient; if, on the contrary, he is weak or loyal, he bows, kisses the Sultan's respectable signature, and is bowstrung with great complacency.
In 1810, several of "these presents" were exhibited in the niche of the Seraglio gate: among others, the head of the Pacha of Bagdad, a brave young man, cut off by treachery, after a desperate resistance.
(9) Clapping of the hands calls the servants.
The Turks hate a superfluous expenditure of voice, and they have no bells.
(10) "Chibouque," the Turkish pipe, of which the amber mouth-piece, and sometimes the ball which contains the leaf, is adorned with precious stones, if in possession of the wealthier orders.
(11) "Maugrabee," Moorish mercenaries.
(12) "Delis," bravoes who form the forlorn-hope of the cavalry, and always begin the action.
(13) A twisted fold of felt is used for scimitar practice by the Turks, and few but Mussulman arms can cut through it at a single stroke: sometimes a tough turban is used for the same purpose.
The jerreed is a game of blunt javelins, animated and graceful.
(14) "Ollahs," Alla il Allah, the "Leilles," as the Spanish poets call them; the sound is Ollah; a cry of which the Turks, for a silent people, are somewhat profuse, particularly during the jerreed, or in the chase, but mostly in battle.
Their animation in the field, and gravity in the chamber, with their pipes and comboloios, form an amusing contrast.
(15) "Atar-g?l," ottar of roses.
The Persian is the finest.
(16) The ceiling and wainscots, or rather walls, of the Mussulman apartments are generally painted, in great houses, with one eternal and highly-coloured view of Constantinople, wherein the principle feature is a noble contempt of perspective; below, arms, scimitars, &c.
, are generally fancifully and not inelegantly disposed.
(17) It has been much doubted whether the notes of this "Lover of the rose are sad or merry; and Mr Fox's remarks on the subject have provoked some learned controversy as to the opinions of the ancients on the subject.
I dare not venture a conjecture on the point, though a little inclined to the "errare [m?]alleum," &c.
, if Mr Fox was mistaken.
[Transcriber's note: the print impression I am working from is poor and in places not entirely intelligible.
] (18) "Azrael," the angel of death.
(19) The treasures of the Pre-Adamite Sultans.
See D'Herbelot, article Istakar.
(20) "Musselim," a governor, the next in rank after a Pacha; a Waywode is the third; and then come the Agas.
(21) "Egripo" — the Negropont.
According to the proverb, the Turks of Egrip, the Jews of Salonica, and the Greeks of Athens are the worst of their respective races.
(22) "Tchocadar," one of the attendants who precedes a man of authority.
(23) The wrangling about this epithet, "the broad Hellespont," or the "boundless Hellespont," whether it means one or the other, or what it means at all, has been beyond all possibility of detail.
I have even heard it disputed on the spot; and not foreseeing a speedy conclusion to the controversy, amused myself by swimming across it in the meantime, and probably may again, before the point is settled.
Indeed, the question as to the truth of "the tale of Troy divine" still continues, much of it resting upon the word {'?peiros} [in Greek]: probably Homer had the same notion of distance that a coquette has of time, and when he talks of the boundless, means half a mile; as the latter, by a like figure, when she says eternal attachment, simply specifies three weeks.
(24) Before his Persian invasion, and crowned the altar with laurel, &c.
He was afterwards imitated by Caracalla in his race.
It is believed that the last also poisoned a friend, named Festus, for the sake of new Patroclan games.
I have seen the sheep feeding on the tombs of ?sietes and Antilochos: the first is in the center of the plain.
(25) When rubbed, the amber is susceptible of a perfume, which is slight but not disagreeable.
(26) The belief in amulets engraved on gems, or enclosed in gold boxes, containing scraps from the Koran, worn round the neck, wrist, or arm, is still universal in the East.
The Koorsee (throne) verse in the second chapter of the Koran describes the attributes of the Most High, and is engraved in this manner, and worn by the pious, as the most esteemed and sublime of all sentences.
(27) "Comboloio," a Turkish rosary.
The MSS.
, particularly those of the Persians, are richly adorned and illuminated.
The Greek females are kept in utter ignorance; but many of the Turkish girls are highly accomplished, though not actually qualified for a Christian coterie.
Perhaps some of our own "blues" might not be the worse for bleaching.
(28) "Galiong?e," or Galiongi, a sailor, that is, a Turkish sailor; the Greeks navigate, the Turks work the guns.
Their dress is picturesque; and I have seen the Capitan Pacha more than once wearing it as a kind of incog.
Their legs, however, are generally naked.
The buskins described in the text as sheathed behind with silver are those of an Arnaut robber, who was my host (he had quitted the profession) at his Pyrgo, near Gastouni in the Morea; they were plated in scales one over the other, like the back of an armadillo.
(29) The characters on all Turkish scimitars contain sometimes the name of the place of their manufacture, but more generally a text from the Koran, in letters of gold.
Amongst those in my possession is one with a blade of singular construction; it is very broad, and the edge notched into serpentine curves like the ripple of water, or the wavering of flame.
I asked the Armenian who sold it what possible use such a figure could add: he said, in Italian, that he did not know; but the Mussulmans had an idea that those of this form gave a severer wound; and liked it because it was "piu feroce.
" I did not much admire the reason, but bought it for its peculiarity.
(30) It is to be observed, that every allusion to anything or personage in the Old Testament, such as the Ark, or Cain, is equally the privilege of Mussulman and Jew: indeed, the former profess to be much better acquainted with the lives, true and fabulous, of the patriarchs, than is warranted by our own sacred writ; and not content with Adam, they have a biography of Pre-Adamites.
Solomon is the monarch of all necromancy, and Moses a prophet inferior only to Christ and Mohammed.
Zuleika is the Persian name of Potiphar's wife; and her amour with Joseph constitutes one of the finest poems in their language.
It is, therefore, no violation of costume to put the names of Cain, or Noah, into the mouth of a Moslem.
(31) Paswan Oglou, the rebel of Widdin; who, for the last years of his life, set the whole power of the Porte at defiance.
(32) "Horse-tail," the standard of a Pacha.
(33) Giaffir, Pacha of Argyro Castro, or Scutari, I am not sure which, was actually taken off by the Albanian Ali, in the manner described in the text.
Ali Pacha, while I was in the country, married the daughter of his victim, some years after the event had taken place at a bath in Sophia, or Adrianople.
The poison was mixed in the cup of coffee, which is presented before the sherbet by the bath-keeper, after dressing.
(34) The Turkish notions of almost all islands are confined to the Archipelago, the sea alluded to.
(35) Lambro Canzani, a Greek, famous for his efforts in 1789-90, for the independence of his country.
Abandoned by the Russians, he became a pirate, and the Archipelago was the scene of his enterprises.
He is said to be still alive at St Petersburg.
He and Riga are the two most celebrated of the Greek revolutionists.
(36) "Rayahs," all who pay the capitation tax, called the "Haratch.
" (37) This first of voyages is one of the few with which the Mussulmans profess much acquaintance.
(38) The wandering life of the Arabs, Tartars, and Turkomans, will be found well detailed in any book of Eastern travels.
That it possesses a charm peculiar to itself, cannot be denied.
A young French renegado confessed to Chateaubriand, that he never found himself alone, galloping in the desert, without a sensation approaching to rapture, which was indescribable.
(39) "Jannat al Aden," the perpetual abode, the Mussulman paradise.
(40) A turban is carved in stone above the graves of men only.
(41) The death-song of the Turkish women.
The "silent slaves" are the men, whose notions of decorum forbid complain in public.
(42) "I came to the place of my birth, and cried, 'The friends of my youth, where are they?' and an Echo answered, 'Where are they?'" — From an Arabic MS.
The above quotation (from which the idea in the text is taken) must be already familiar to every reader — it is given in the first annotation, p.
67, of "The Pleasures of Memory;" a poem so well known as to render a reference almost superfluous; but to whose pages all will be delighted to recur.
(43) "And airy tongues that syllable men's names.

Poem by George (Lord) Byron
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Book: Shattered Sighs