As this essay is disposed to consider epic poetry as a species of literature, and not as a department of sociology or archaeology or ethnology, the reader will not find it anything material to the discussion which may be typified in those very interesting works, Gilbert Murray's "The Rise of the Greek Epic" and Andrew Lang's "The World of Homer." The distinction between a literary and a scientific attitude to Homer (and all other "authentic" epic) is, I think, finally summed up in Mr. Mackail's "Lectures on Greek Poetry"; the following pages, at any rate, assume that this is so. Theories about epic origins were therefore indifferent to my purpose. Besides, I do not see the need for any theories; I think it need only be said, of any epic poem whatever, that it was composed by a man and transmitted by men. But this is not to say that investigation of the "authentic" epic poet's milieu may not be extremely profitable; and for settling the preliminaries of this essay, I owe a great deal to Mr. Chadwick's profoundly interesting study, "The Heroic Age"; though I daresay Mr. Chadwick would repudiate some of my conclusions. I must also acknowledge suggestions taken from Mr. Macneile Dixon's learned and vigorous "English Epic and Heroic Poetry"; and especially the assistance of Mr. John Clark's "History of Epic Poetry." Mr. Clark's book is so thorough and so adequate that my own would certainly have been superfluous, were it not that I have taken a particular point of view which his method seems to rule out—a point of view which seemed well worth taking. This is my excuse, too, for considering only the most conspicuous instances of epic poetry. They have been discussed often enough; but not often, so far as I know, primarily as stages of one continuous artistic development.
- The Invention of Epic Poetry
- Literary Epic Poetry
- The Nature of Epic Poetry
- The General Process of Epic Poetry
- Epic Poetry After John Milton