Can one see only with the eyes of a poet?

by Benedito Silva
The purpose of this essay is to discuss the construction of images by the photographer. Photography seen as a possibility for a creative, artistic and transforming practice, which involves risks. In this context, freedom and plurality produce different meanings, and doors to other views. To achieve this, there is a need to produce subjectivities, reinventions of objects, of oneself, and of the world itself. In this sense, constructing an image acts as a transforming power. The discussion here is approached as a deciphering of visual treatment. Reading images is to deduce, to instill an interpretation, and to engender varied meanings according to the nature of this interaction.

It is encouraging for us to revisit photography, and in constructing images, taken as an inventive and artistic production process, to experiment with an esthetic surprise, laden with poetry, lyricism and visual metaphors. Photography, for the poet Drummond, includes poetic magic, since according to him it also becomes inevitable that each technical procedure, exercised with love and precision, unleashes a specific poem.

Given this assumption, we might ask: Does idea supersede technique? No matter how many precise techniques are found, and paraphernalia for images and their treatment, the most important thing would be the photographer's eyes. It is in this sense that we can state that an idea can supersede technique.

The photographer, as a "doer" (photographer/poet) does by feeling, looking, thinking, and by having the needed technology for these, although not necessarily extremely complex or expensive equipment. It is not about addressing the intervention of software that is taking over photography to give it new meaning, but of appropriating photography to speak of the imaginary by means of visual experimentation and metaphors. There is also the challenge of originality that is imposed on the search for an "unseen" approach.

  The many possibilities offered by digital cameras have been a great achievement. There are many authors who affirm that photography is viewed as the most popular of the arts. With digital cameras this art has expanded even more, since photography plays a comprehensive role.

Photography, in distancing itself from its various functions, whether documentary, for recording or informative, when entering the territory of beauty, seeks the uncommon, the connotative. It is also true that we should never confuse imagery with reality. On the other hand, beauty may also be found, for example, in photojournalism when, exhibiting all its ability to transmit information, can with certain guidelines created by the photographer, make use of connotation in a message that is purely denotative.

Photography is art. It also asserts itself as an important manifestation of visual poetry. It is impossible to feel indifferent to a composition that obeys the demands of the most conservative arts.

The perspective that has followed is that not "only with the eyes of a poet can one see," but only with the privileged eyes of a photographer/poet is it possible to obtain solutions aimed at representation for expression, recording, or any of the other functions of photography, and not just attribute to it a denotative function.
Beyond this global diagnosis, this essay allows for possible insights. The most significant experiences are highlighted, emphasizing the fact that this is a snippet of the author's perception, in this almost poetic proximity to the watchful eyes of the photographer.

Author's website:  www.beneditocesar.com

Get a Premium Membership
Get more exposure for your poetry and more features with a Premium Membership.
Book: Radiant Verses: A Journey Through Inspiring Poetry

Member Area

My Admin
Profile and Settings
Edit My Poems
Edit My Quotes
Edit My Short Stories
Edit My Articles
My Comments Inboxes
My Comments Outboxes
Soup Mail
Poetry Contests
Contest Results/Status
Followers
Poems of Poets I Follow
Friend Builder

Soup Social

Poetry Forum
New/Upcoming Features
The Wall
Soup Facebook Page
Who is Online
Link to Us

Member Poems

Poems - Top 100 New
Poems - Top 100 All-Time
Poems - Best
Poems - by Topic
Poems - New (All)
Poems - New (PM)
Poems - New by Poet
Poems - Read
Poems - Unread

Member Poets

Poets - Best New
Poets - New
Poets - Top 100 Most Poems
Poets - Top 100 Most Poems Recent
Poets - Top 100 Community
Poets - Top 100 Contest

Famous Poems

Famous Poems - African American
Famous Poems - Best
Famous Poems - Classical
Famous Poems - English
Famous Poems - Haiku
Famous Poems - Love
Famous Poems - Short
Famous Poems - Top 100

Famous Poets

Famous Poets - Living
Famous Poets - Most Popular
Famous Poets - Top 100
Famous Poets - Best
Famous Poets - Women
Famous Poets - African American
Famous Poets - Beat
Famous Poets - Cinquain
Famous Poets - Classical
Famous Poets - English
Famous Poets - Haiku
Famous Poets - Hindi
Famous Poets - Jewish
Famous Poets - Love
Famous Poets - Metaphysical
Famous Poets - Modern
Famous Poets - Punjabi
Famous Poets - Romantic
Famous Poets - Spanish
Famous Poets - Suicidal
Famous Poets - Urdu
Famous Poets - War

Poetry Resources

Anagrams
Bible
Book Store
Character Counter
Cliché Finder
Poetry Clichés
Common Words
Copyright Information
Grammar
Grammar Checker
Homonym
Homophones
How to Write a Poem
Lyrics
Love Poem Generator
New Poetic Forms
Plagiarism Checker
Poetry Art
Publishing
Random Word Generator
Spell Checker
What is Good Poetry?
Word Counter