Rise, brothers, rise; the wakening skies pray to the morning light, The wind lies asleep in the arms of the dawn like a child that has cried all night. Come, let us gather our nets from the shore and set our catamarans free, To capture the leaping wealth of the tide, for we are the kings of the sea! No longer delay, let us hasten away in the track of the sea gull's call, The sea is our mother, the cloud is our brother, the waves are our comrades all. What though we toss at the fall of the sun where the hand of the sea-god drives? He who holds the storm by the hair, will hide in his breast our lives. Sweet is the shade of the cocoanut glade, and the scent of the mango grove, And sweet are the sands at the full o' the moon with the sound of the voices we love; But sweeter, O brothers, the kiss of the spray and the dance of the wild foam's glee; Row, brothers, row to the edge of the verge, where the low sky mates with the sea.
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The Rich arrived in pairs And also in Rolls Royces; They talked of their affairs In loud and strident voices... The Poor arrived in Fords, Whose features they resembled; They laughed to see so many Lords And Ladies all assembled. The People in Between Looked underdone and harassed, And our of place and mean, And Horribly embarrassed.
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I live in the Managerial Age, in a world of "Admin." The greatest evil is not now done in those sordid "dens of crime" that Dickens loved to paint. It is not done even in concentration camps and labour camps. In those we see its final result. But it is conceived and ordered (moved, seconded, carried, and minuted) in clean, carpeted, warmed and well-lighted offices, by quiet men with white collars and cut fingernails and smooth-shaven cheeks who do not need to raise their voices. Hence, naturally enough, my symbol for Hell is something like the bureaucracy of a police state or the office of a thoroughly nasty business concern.
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Most of us who turn to any subject we love remember some morning or evening hour when we got on a high stool to reach down an untried volume, or sat with parted lips listening to a new talker, or for very lack of books began to listen to the voices within, as the first traceable beginning of our love.
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So daddy, I'm finally through. The black telephone's off at the root, The voices just can't worm through. If I've killed one man, I've killed two -- The vampire who said he was you And drank my blood for a year, Seven years, if you want to know. Daddy, you can lie back now. There's a stake in your fat black heart And the villagers never liked you. They are dancing and stamping on you. They always knew it was you. Daddy, daddy, you bastard, I'm through.
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The pure, the bright, The beautiful that stirred our hearts in youth, The impulses to wordless prayer, The streams of love and truth, The longing after something lost, The spirit's yearning cry, The striving after better hopes; These things can never die. The timid hand stretched forth to aid a brother in his need, A kindly word in grief's dark hour that proves a friend indeed; The plea for mercy softly breathed, When justice threatens high, The sorrow of a contrite heart; These things shall never die, shall never die. Let nothing pass, For every hand must find some work to do, Lose not a chance to waken love. Be firm and just and true, So shall a light that cannot fade beam on thee from on high, And angel voices say to thee; These things can never die.
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There sighs, lamentations and loud wailings resounded through the starless air, so that at first it made me weep; strange tongues, horrible language, words of pain, tones of anger, voices loud and hoarse, and with these the sound of hands, made a tumult which is whirling through that air forever dark, and sand eddies in a whirlwind.
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I live in the Managerial Age, in a world of 'Admin.' The greatest evil is not now done in those sordid 'dens of crime' that Dickens loved to paint. It is not done even in concentration camps and labour camps. In those we see its final result. But it is conceived and ordered (moved, seconded, carried, and minuted) in clean, carpeted, warmed and well-lighted offices, by quiet men with white collars and cut fingernails and smooth-shaven cheeks who do not need to raise their voices. Hence, naturally enough, my symbol for Hell is something like the bureaucracy of a police state or the office of a thoroughly nasty business concern.
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The true beloveds of this world are in their lover's eyes lilacs opening, ship lights, school bells, a landscape, remembered conversations, friends, a child's Sunday, lost voices, one's favorite suit, autumn and all seasons, memory, yes, it being the earth and water of existence, memory.
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For I do not believe God means us thus to divide life into two halves - to wear a grave face on Sunday, and to think it out-of-place to even so much as mention Him on a week-day. Do you think He cares to see only kneeling figures and to hear only tones of prayer - and that He does not also love to see the lambs leaping in the sunlight, and to hear the merry voices of the children, as they roll amoung the hay? Surely their innocent laughter is as sweet in His ears as the grandest anthem that ever rolled up from the "dim religious light" of some solemn cathedral?
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For I do not believe God means us thus to divide life into two halves - to wear a grave face on Sunday, and to think it out-of-place to even so much as mention Him on a week-day. Do you think He cares to see only kneeling figures and to hear only tones of prayer - and that He does not also love to see the lambs leaping in the sunlight, and to hear the merry voices of the children, as they roll amoung the hay? Surely their innocent laughter is as sweet in His ears as the grandest anthem that ever rolled up from the 'dim religious light' of some solemn cathedral?
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One day you finally knew what you had to do, and began, though the voices around you kept shouting their bad advice-- though the whole house began to tremble and you felt the old tug at your ankles. Mend my life! each voice cried. But you didn't stop. You knew what you had to do, though the wind pried with its stiff fingers at the very foundations, though their melancholy was terrible. It was already late enough, and a wild night, and the road full of fallen branches and stones. But little by little, as you left their voices behind, the stars began to burn through the sheets of clouds, and there was a new voice which you slowly recognized as your own, that kept you company as you strode deeper and deeper into the world, determined to do the only thing you could do-- determined to save the only life you could save.
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Music, when soft voices die,
Vibrates in the memory;
Odors, when sweet violets sicken,
Live within the sense they quicken.
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Five miles meandering with mazy motion,Through dale the sacred river ran,Then reached the caverns measureless to man,And sank the tumult to a lifeless oceanAnd 'mid this tumult Kubla heard from farAncestral voices prophesying war
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Sports and gallantries, the stage, the arts, the antics of dancers, The exuberant voices of music,...
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We need another and a wiser and perhaps a more mystical concept of animals. Remote from universal nature and living by complicated artifice, man in civilisation surveys the creature through the glass of his knowledge and sees there by a feather magnified and the whole image in distortion. We patronize them for their incompleteness, for their tragic fate for having taken form so far below ourselves. And therein do we err. The animal shall not be measured by man. In a world older and more complete than ours, they move finished and complete, gifted with extension of the senses we have lost or never attained, living by voices we shall never hear. They are not brethren; they are not underlings; they are other nations, caught with ourselves in the net of life and time, fellow prisoners of the splendor and travail of the earth.
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There is a great solitude about such a shore. The woods are never solitary- they are full of whispering, beckoning, friendly life. But the sea is a mighty soul, forever moaning of some great, unshareable sorrow, which shuts it up into itself for all eternity. We can never pierce its infinite mystery- we may only wander, awed and spell-bound, on the outer fringe of it. The woods call to us with a hundred voices, but the sea has one only- a mighty voice that drowns our souls in its majestic music. The woods are human, but the sea is of the company of the archangels.
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Five miles meandering with mazy motion, Through dale the sacred river ran, Then reached the caverns measureless to man, And sank the tumult to a lifeless ocean: And 'mid this tumult Kubla heard from far Ancestral voices prophesying war!
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And nice to have seen you, Sue. Good luck, he called after her as she disappeared down the path, a pretty girl in a hurry, her smooth hair swinging, shining - just such a young woman as Nancy might have been. Then, starting home, he walked toward the trees, and under them, leaving behind him the big sky, the whisper of wind voices in the wind-bent wheat.
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Music, when soft voices die, Vibrates in the memory; Odors, when sweet violets sicken, Live within the sense they quicken.
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They (Poems) come from lots of places: from personal experience; from memory. Things can be emotionally true even if they are not factually true. Not every poem has to be ‘from’ you even if it is ‘by’ you – other people’s voices come into my poetry.
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...the staff at my university, the Massachusetts Institute of Technology, and later all of Boston were behaving strangely towards me. ...I started to see crypto-communists everywhere. ...I started to think I was a man of great religious importance, and to hear voices all the time. I began to hear something like telephone calls in my head, from people opposed to my ideas. ...The delirium was like a dream from which I seemed never to awake.
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And I saw another mighty angel come down from heaven, clothed with a cloud: and a rainbow was upon his head, and his face was as it were the sun, and his feet as pillars of fire: / And he had in his hand a little book open: and he set his right foot upon the sea, and his left foot on the earth, / And cried with a loud voice, as when a lion roareth: and when he had cried, seven thunders uttered their voices.
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Directions for Singing 1. Learn these tunes before you learn any others; afterwards learn as many as you please. 2. Sing them exactly as they are printed here, without altering or mending them at all; and if you have learned to sing them otherwise, unlearn it as soon as you can. 3. Sing all. See that you join with the congregation as frequently as you can. Let not a single degree of weakness or weariness hinder you. If it is a cross to you, take it up, and you will find it a blessing. 4. Sing lustily and with good courage. Beware of singing as if you were half dead, or half asleep; but lift up your voice with strength. Be no more afraid of your voice now, nor more ashamed of its being heard, then when you sung the songs of Satan. 5. Sing modestly. Do not bawl, so as to be heard above or distinct from the rest of the congregation, that you may not destroy the harmony; but strive to unite your voices together, so as to make one clear melodious sound. 6. Sing in time. Whatever time is sung be sure to keep with it. Do not run before nor stay behind it; but attend close to the leading voices, and move therewith as exactly as you can; and take care not to sing to slow. This drawling way naturally steals on all who are lazy; and it is high time to drive it out from us, and sing all our tunes just as quick as we did at first. 7. Above all sing spiritually. Have an eye to God in every word you sing. Aim at pleasing him more than yourself, or any other creature. In order to do this attend strictly to the sense of what you sing, and see that your heart is not carried away with the sound, but offered to God continually; so shall your singing be such as the Lord will approve here, and reward you when he cometh in the clouds of heaven.
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I wanted to be sure to reach you; though my ship was on the way it got caught in some moorings. I am always tying up and then deciding to depart. In storms and at sunset, with the metallic coils of the tide around my fathomless arms, I am unable to understand the forms of my vanity or I am hard with my Polish rudder in my hand and the sun sinking. To you I offer my hull and the tattered cordage of my will. The terrible channels where the wind drives me against the brown lips of the reeds are not all behind me. Yet I trust the sanity of my vessel; and if it sinks, it may well be in answer to the reasoning of the eternal voices, the waves which have kept me from reaching you.
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And yet the sun pardons our voices still, And berries in the hedge...
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I always return from Africa energized and rejuvenated. Largely because of the African voices -- the wisdom in those voices -- [I'm] energized and invigorated!
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When the salt sheet broke in a storm of singing The voices of all the drowned swam on the wind.
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Each morning is a new beginning of our life. Each day is a finished whole. The present day marks the boundary of our cares and concerns. It is long enough to find God or loose Him, to keep faith or fall into disgrace. God created day and night for us so we need not wander without boundaries, but may be able to see in every morning the goal of the evening ahead. Just as the ancient sun rises anew everyday, so the eternal mercy of God is new every morning. Every morning God gives us the gift of comprehending anew His faithfulness of old; thus in the midst of our life with God, we may daily begin a new life with Him. In the first moments of the new day are for God's liberating grace, God's sanctifying presence. Before the heart unlocks itself for the world, God wants to open it for Himself; before the ear takes in the countless voices of the day, it should hear in the early hours the voice of the Creator and Redeemer. God prepared the stillness of the first morning for Himself. It should remain His.
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There is an insistent tendency among serious social scientists to think of any institution which features rhymed and singing commercials, intense and lachrymose voices urging highly improbable enjoyment, caricatures of the human esophagus in normal and impaired operation, and which hints implausibly at opportunities for antiseptic seduction as inherently trivial. This is a great mistake. The industrial system is profoundly dependent on commercial television and could not exist in its present form without it.
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