I did not believe political directives could be successfully applied to creative writing . . . not to poetry or fiction, which to be valid had to express as truthfully as possible the individual emotions and reactions of the writer.
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What is Art? It is the response of man's creative soul to the call of the Real.
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And so our mothers and grandmothers have, more often than not anonymously, handed on the creative spark, the seed of the flower they themselves never hoped to see: or like a sealed letter they could not plainly read.
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Reading, after a certain age, diverts the mind too much from its creative pursuits. Any man who reads too much and uses his own brain too little falls into lazy habits of thinking.
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As long as I can remember I feel I have had this great creative and spiritual force within me that is greater than faith, greater than ambition, greater than confidence, greater than determination, greater than vision. It is all these combined. My brain becomes magnetized with this dominating force which I hold in my hand.
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Through all these new, imaginative, and creative approaches to the problem of sharing our earth with other creatures there runs a constant theme, the awareness that we are dealing with life with living populations and all their pressures and counter pressures, their surges and recessions. Only by taking account of such life forces and by cautiously seeking to guide them into channels favorable to ourselves can we hope to achieve a reasonable accommodation between the insect hordes and ourselves. The current vogue for poisons has failed utterly to take into account these most fundamental considerations. As crude a weapon as the cave man's club, the chemical barrage has been hurled against the fabric of life a fabric on the one hand delicate and destructible, on the other miraculously tough and resilient, and capable of striking back in unexpected ways. These extraordinary capacities of life have been ignored by the practitioners of chemical control who have brought to their task no high-minded orientation, no humility before the vast forces with which they tamper. The control of nature is a phrase conceived in arrogance, born of the Neanderthal age of biology and philosophy, when it was supposed that nature exists for the convenience of man. The concepts and practices of applied entomology for the most part date from that Stone Age of science. It is our alarming misfortune that so primitive a science has armed itself with the most modem and terrible weapons, and that in turning them against the insects it has also turned them against the earth.
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A creative man is motivated by the desire to achieve, not by the desire to beat others.
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What are the best times to reflect on the course of your life? Whenever you are near water, such as the ocean, a quiet pond, or a small stream. Bodies of water, particularly if they are moving, help to stimulate your creative thought process. Similarly, if you are near a fireplace or even a candle, while the flames tend to have a calming effect, they also help you to reflect on what is really important and what you want to be doing more often. The brilliant, quiet stillness of a candle flame can have an anxiety-reducing effect on your entire being. Believe it or not, you can actually choose to feel comfortable about how you spend your time. Philosophically, but also practically speaking, up to this minute in your life, you did indeed have enough time to accomplish everything you accomplished. And that's been quite a lot. When you choose to feel comfortable about how you spend your time, it immediately helps to reduce anxiety. You can also choose to feel good about your accomplishments. To bemoan the fact that you have only accomplished so much by such and such a time or such and such an age is to remain in a perpetual state of discontent. Feel good about what you have accomplished and look forward to what you will accomplish, and you will have a greater sense of control of the time in your life.
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Like the international avant-garde, rock-and-roll is the creative product of a rebellious youth culture trying to reach a mass audience. Its a...
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Nothing exists until or unless it is observed. An artist is making something exist by observing it. And his hope for other people is that they will also make it exist by observing it. I call it creative observation. Creative viewing.
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Creativity is merely a plus name for regular activity . . . any activity becomes creative when the doer cares about dong it right, or better.
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There is the happiness which comes from creative effort. The joy of dreaming, creating, building, whether in painting a picture, writing an epic, singing a song, composing a symphony, devising new invention, creating a vast industry.
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All of the delegates gave up their time to travel with her to show the world the creative face of Canada through performance, discussions and interviews in the host countries,
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Almost any biographer, if he respects facts, can give us much more than another fact to add to our collection. He can give us the creative fact; the fertile fact; the fact that suggests and engenders.
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Stories are the creative conversion of life itself into a more powerful, clearer, more meaningful experience. They are the currency of human contact.
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The making of a picture ought surely to be a rather fascinating adventure. It is not; it is an endless contention of tawdry egos, some of them powerful, almost all of them vociferous, and almost none of them capable of anything much more creative than credit-stealing and self-promotion.
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One of the greatest necessities in America is to discover creative solitude.
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The society based on production is only productive, not creative.
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I thought the Billie Holiday comparison was beautiful. I think, Wow, what a wonderful, creative, helpful spirit. She's someone who wanted to help others by sharing her emotion. That's what I do, too, so I think that's a great comparison.
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It is in the compelling zest of high adventure and of victory, and in creative action, that man finds his supreme joys.
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Above all, we are coming to understand that the arts incarnate the creativity of a free people. When the creative impulse cannot flourish, when it cannot freely select its methods and objects, when it is deprived of spontaneity, then society severs the root of art.
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The writer who possesses the creative gift owns something of which he is not always master- something that at time strangely wills and works for itself.
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Design in art, is a recognition of the relation between various things, various elements in the creative flux. You can't invent a design. You recognize it, in the fourth dimension. That is, with your blood and your bones, as well as with your eyes.
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Any activity becomes creative when the doer cares about doing it right, or doing it better.
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Silence is the great teacher, and to learn its lessons you must pay attention to it. There is no substitute for the creative inspiration, knowledge, and stability that come from knowing how to contact your core of inner silence. The great Sufi poet Rumi wrote, Only let the moving waters calm down, and the sun and moon will be reflected on the surface of your being.
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Man is a creative retrospection of nature upon itself.
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Nothing, it is true, is more common than for both Science and Art to pay homage to the spirit of the age, and for creative taste to accept the law of critical taste.
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The creative artist seems to be almost the only kind of man that you could never meet on neutral ground. You can only meet him as an artist. He sees nothing objectively because his own ego is always in the foreground of every picture.
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'It's disheartening that animal people criticize societies that enlist the help of actors or organize creative acts like 'I'd rather go naked than wear fur,' to increase public awareness to our cause. These are great/courageous ideas which time has come! Liberation of animals is REVOLUTION - not elegant performance/ intellectual competition. We should do most anything to advance the animal rights cause. All the bickering may make the one step forward... TWO STEPS BACKWARD???'
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I have often thought that if photography were difficult in the true sense of the term -- meaning that the creation of a simple photograph would entail as much time and effort as the production of a good watercolor or etching -- there would be a vast improvement in total output. The sheer ease with which we can produce a superficial image often leads to creative disaster.
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