Deliver me from writers who say the way they live doesn't matter. I'm not sure a bad person can write a good book, If art doesn't make us better, then what on earth is it for.
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It is worth remembering that every writer begins with a naively physical notion of what art is. A book for him or her is not an expression or a series of expressions, but literally a volume, a prism with six rectangular sides made of thin sheets of papers which should include a cover, an inside cover, an epigraph in italics, a preface, nine or ten parts with some verses at the beginning, a table of contents, an ex libris with an hourglass and a Latin phrase, a brief list of errata, some blank pages, a colophon and a publication notice: objects that are known to constitute the art of writing.
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Americans will listen, but they do not care to read. War and Peace must wait for the leisure of retirement, which never really comes: meanwhile it helps to furnish the living room. Blockbusting fiction is bought as furniture. Unread, it maintains its value. Read, it looks like money wasted. Cunningly, Americans know that books contain a person, and they want the person, not the book.
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Oh, oh, you will be sorry for that word! Give back my book and take my kiss instead. Was it my enemy or my friend I heard, What a big book for such a little head! Come, I will show you now my newest hat, And you may watch me purse my mouth and prink! Oh, I shall love you still, and all of that. I never again shall tell you what I think. I shall be sweet and crafty, soft and sly; You will not catch me reading any more: I shall be called a wife to pattern by; And some day when you knock and push the door, Some sane day, not too bright and not too stormy, I shall be gone, and you may whistle for me.
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Books, books, books had found the secret of a garret-room piled high with cases in my father's name; Piled high, packed large, --where, creeping in and out among the giant fossils of my past, like some small nimble mouse between the ribs of a mastodon, I nibbled here and there at this or that box, pulling through the gap, in heats of terror, haste, victorious joy, the first book first. And how I felt it beat under my pillow, in the morning's dark. An hour before the sun would let me read! My books!
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There is a great deal of difference between an eager man who wants to read a book and the tired man who wants a book to read.
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You make your own dream. That's the Beatles' story, isn't it? That's Yoko's story. That's what I'm saying now. Produce your own dream. If you want to save Peru, go save Peru. It's quite possible to do anything, but not to put it on the leaders and the parking meters. Don't expect Jimmy Carter or Ronald Reagan or John Lennon or Yoko Ono or Bob Dylan or Jesus Christ to come and do it for you. You have to do it yourself. That's what the great masters and mistresses have been saying ever since time began. They can point the way, leave signposts and little instructions in various books that are now called holy and worshipped for the cover of the book and not for what it says, but the instructions are all there for all to see, have always been and always will be. There's nothing new under the sun. All the roads lead to Rome. And people cannot provide it for you. I can't wake you up. You can wake you up. I can't cure you. You can cure you.
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So if I asked you about art you could give me the skinny on every art book ever written...Michelangelo? You know a lot about him I bet. Life's work, criticisms, political aspirations. But you couldn't tell me what it smells like in the Sistine Chapel. You've never stood there and looked up at that beautiful ceiling. And if I asked you about women I'm sure you could give me a syllabus of your personal favorites, and maybe you've been laid a few times too. But you couldn't tell me how it feels to wake up next to a woman and be truly happy. If I asked you about war you could refer me to a bevy of fictional and non-fictional material, but you've never been in one. You've never held your best friend's head in your lap and watched him draw his last breath, looking to you for help. And if I asked you about love I'd get a sonnet, but you've never looked at a woman and been truly vulnerable. Known that someone could kill you with a look. That someone could rescue you from grief. That God had put an angel on Earth just for you. And you wouldn't know how it felt to be her angel. To have the love be there for her forever. Through anything, through cancer. You wouldn't know about sleeping sitting up in a hospital room for two months holding her hand and not leaving because the doctors could see in your eyes that the term 'visiting hours' didn't apply to you. And you wouldn't know about real loss, because that only occurs when you lose something you love more than yourself, and you've never dared to love anything that much. I look at you and I don't see an intelligent confident man, I don't see a peer, and I don't see my equal. I see a boy. Nobody could possibly understand you, right Will? Yet you presume to know so much about me because of a painting you saw. You must know everything about me. You're an orphan, right? Do you think I would presume to know the first thing about who you are because I read 'Oliver Twist?' And I don't buy the argument that you don't want to be here, because I think you like all the attention you're getting. Personally, I don't care. There's nothing you can tell me that I can't read somewhere else. Unless we talk about your life. But you won't do that. Maybe you're afraid of what you might say.
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'What is the use of a book,' thought Alice, 'without pictures or conversations'
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Alice was beginning to get very tired of sitting by her sister on the bank, and of having nothing to do: once or twice she had peeped into the book her sister was reading, but it had no pictures or conversations in it, and what is the use of a book thought Alice, without pictures or conversations ?
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The things I want to know are in books; my best friend is the man who'll get me a book I ain't read.
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History is a living horse laughing at a wooden horse. History is a wind blowing where it listeth. History is no sure thing to bet on. History is a box of tricks with a lost key. History is a labyrinth of doors with sliding panels, a book of ciphers with the code in a cave of the Saragossa sea. History says, if it pleases, Excuse me, I beg your pardon, it will never happen again if I can help it.
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Readers of the twenty-first chapter must decide for themselves whether it enhances the book they presumably know or is really a discardable limb. I meant the book to end in this way, but my aesthetic judgement may have been faulty. Writers are rarely their own best critics, nor are critics. 'Quod scripsi scripsi' said Pontius Pilate when he made Jesus Christ the King of the Jews. 'What I have written I have Written.' We can destroy what we have written but we cannot unwrite it. I leave what I wrote with what Dr. Johnson called frigid indifference to the judgement of that .00000001 of the American population which cares about such things. Eat this sweetish segment or spit it out. You are free.
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We thank you, Almighty God, for the gift of water. Over it the Holy Spirit moved in the beginning of creation. Through it you led the children of Israel out of their bondage in Egypt into the land of promise. In it your Son Jesus received the baptism of John and we are buried with Christ in his death. By it we share in his resurrection. Through it we are reborn by the Holy Spirit.
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The point is obvious. There is more than one way to burn a book. And the world is full of people running about with lit matches. Every minority, be it Baptist/Unitarian, Irish/Italian/Octogenarian/Zen Buddhist, Zionist/Seventhday Adventist, Women's Lib/Republican, Mattachine/Four Square Gospel feels it has the will, the right, the duty to douse the kerosene, light the fuse. Every dimwit editor whosees himself as the source of all dreary blanc-mange plain porridge unleavened literature, licks his guillotine and eyes the neck of any author who dares to speak above a whisper or write above a nursery rhyme.
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To me a book is a message from the gods to mankind; or, if not, should never be published at all. A message from the gods should be delivered at once. It is damnably blasphemous to talk about the autumn season and so on. How dare the author or publisher demand a price for doing his duty, the highest and most honorable to which a man can be called?
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Writing prejudicial, off-putting reviews is a precise exercise in applied black magic. The reviewer can draw free-floating disagreeable associations to a book by implying that the book is completely unimportant without saying exactly why, and carefully avoiding any clear images that could capture the reader's full attention.
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No more sand art, no sand book, no masters.
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There is no mistaking a real book when one meets it. It is like falling in love, and like that colossal adventure it is an experience of great social import. Even as the tranced swain, the booklover yearns to tell others of his bliss. He writes letters about it, adds it to the postscript of all manner of communications, intrudes it into telephone messages, and insists on his friends writing down the title of the find. Like the simple-hearted betrothed, once certain of his conquest,
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A book is a garden, an orchard, a storehouse, a party, a company by the way, a counselor, a multitude of counselors.
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The poor and the affluent are not communicating because they do not have the same words. When we talk of the millions who are culturally deprived, we refer not to those who do not have access to good libraries and bookstores, or to museums and centers for the performing arts, but those deprived of the words with which everything else is built, the words that opens doors. Children without words are licked before they start. The legion of the young wordless in urban and rural slums, eight to ten years old, do not know the meaning of hundreds of words which most middle-class people assume to be familiar to much younger children. Most of them have never seen their parents read a book or a magazine, or heard words used in other than rudimentary ways related to physical needs and functions. Thus is cultural fallout caused, the vicious circle of ignorance and poverty reinforced and perpetuated. Children deprived of words become school dropouts; dropouts deprived of hope behave delinquently. Amateur censors blame delinquency on reading immoral books and magazines, when in fact, the inability to read anything is the basic trouble.
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I have become infected, now that I see how beautifully a book is coming out of all this.
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Children look for grown-ups to show them how to live; When we try to fool them, they see through us like a sieve. We recognize the problem now; that's wonderful to see; The answer may well plague us 'til new values come to be. Volunteers are wonderful and will help to meet the need, But we must change the literature on which our children feed. We must teach and model absolutes of love, and justice, too; Prove to them that what we say, is just what we will do. There is one book, and it alone, will help attain success. It is the book, our fathers brought, to tame this wilderness. They used the Bible as their guide, the written Word of God; And found the wisdom written there, the greatest on this sod. Whether it was in the home, in public, or in school, The bible was the blueprint that became their greatest tool. Let's trash the recent literature before it is too late; Teach again, the basic values, that made our nation great. Surely it is evident, without a single doubt, That truth and right mus be invoked to help our children out. So, let's scour all the nation, and get folks to volunteer That believe the principles our precious kids should hear. If they are dependable, and use the proper tact, Volunteers can help to get our children back on track.
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Here with hosts of friends I revel who can never change or chill; Though the fleeting years and seasons they are fair and faithful still! Kings and courtiers, knights and jesters, belles and beaux of far away, Meet and mingle with the beauties and the heroes of to-day. All the lore of ancient sages, all the light of souls divine, All the music, wit and wisdom of the gray old world is mine, Garnered here where fall the shadows of the mystic pineland's gloom! And I sway an airy kingdom from my little book-lined room.
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The argument of this book is that we, and all other animals, are machines created by our genes. Like successful Chicago gangsters, our genes have survived, in some cases for millions of years, in a highly competitive world. This entitles us to expect certain qualities in our genes. I shall argue that a predominant quality to be expected in a successful gene is ruthless selfishness. This gene selfishness will usually give rise to selfishness in individual behavior. However, as we shall see, there are special circumstances in which a gene can achieve its own selfish goals best by fostering a limited form of altruism at the level of individual animals. 'Special' and 'limited' are important words in the last sentence. Much as we might wish to believe otherwise, universal love and the welfare of the species as a whole are concepts that simply do not make evolutionary sense.
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'Heap coals of fire on the head of your enemy' Mthis most uncharitable advice is found in a book [the Bible], of which charity is reckoned the...
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There's more of yourself in a book than a play. that's why we know all about Dickens and not much about Shakespeare. Ben Jonson murdered people; Marlowe was a spy; Shakespeare just sat in the corner and took notes.
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She opened up a book of poems and handed it to me written by an Italian poet from the 13th century and every one of them words rang true and glowed like burning coal pouring off of every page like it was written in my soul from me to you.
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Man that is born of woman hath but a short time to live, and is full of misery. He comet up, and is cut down, like a flower; he fleeth as it were a shadow, and never continueth in one stay.
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And I saw another mighty angel come down from heaven, clothed with a cloud: and a rainbow was upon his head, and his face was as it were the sun, and his feet as pillars of fire: / And he had in his hand a little book open: and he set his right foot upon the sea, and his left foot on the earth, / And cried with a loud voice, as when a lion roareth: and when he had cried, seven thunders uttered their voices.
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