|
Details |
Local Order Poem
Die twice exclamation mark.
Torment signaled basilisk
farce.
Die twice rolled,
freezing my snake eyes!
What a Soul you have!
And all your body a slit in
my perception,
a cut to deepen my ignorance
of what little I see of you.
Better I get a taste
than swallow you whole.
Copyright © Local Order | Year Posted 2018
|
Details |
Local Order Poem
I dreamt with bears and crocodiles prowling cacophonous wetland impassibly gashed by deep black riveries. Without breath I dug my nails up a cleaved embankment.
Atop, my eyes pocketed against the back of a sulfurously yellow corpse.
"A'deau,.. a'deau,.. a'deau,.. a'deau..."
rung like a sonnetus flem from it's charcoaled esophagus.
Air rushed past my clenched teeth my lungs expanding only to snap back into spasm when the dead took in a wretched gurgling inhale.
It turned towards me,
and in the light of the swamp bees
a vortexical radiation
where it should have 'faced'
I watched; my eyes melted.
I curled into a small ball growing in density till I sunk like a bullet
through a boiled egg into prehistoric earth.
I did not wake up.
I write to you now a seed,
germinating.
Copyright © Local Order | Year Posted 2018
|
Details |
Local Order Poem
Hot Soup talk is the pressure cooker's son!
Sweet derth of wicked tallows and
wipped addicted frothing spider tounges!
But,
All Poets are not the same.
They are born and then multiply
regressivily complexifying claims
to:
love
loss
mother
and father
who cannot love
or loved enough
but find behind them
a second lack.
This other lack that follows,
that fills with words and
signal flares a homage
to trauma,
to enjoyed pain,
to futures cut from knowing
what can lack in love.
Copyright © Local Order | Year Posted 2018
|
Details |
Local Order Poem
What is essential;
undivided,
barring stage or prop?
Unreliant on a theatre,
free from
composure or production
to justify its plot?
Singular,
particularly owned
to none other
than itself?
That which walks
along the chain,
which balks at
mind,
"prison cell!"—
at that which
cannot stop.
Contained in it's
owness,
box inside of box,
deaf from influence,
advice—
existence cop.
Essential and unchanging?
Yes, when
knowledge says
of many singulars,
"a totality undone."
What if
Essential and changing?
Box inside of box,
but these boxes hide before
us, and then they choose to stop?
there is no rhyme and reason
that says that we must
ask so rudely
'why', 'who', or 'what';
we may only say they stop.
they become what they are not,
their reach is long without us.
they aught to owe us naught.
We may say
'they aught to be like this'
(for fruitless dreaming eyes)
or
'weren't they different then'
(thoughts of bluer skies)
and
'how odd they make me feel now'
(the stranger-gaze demise)
Move on!
the meadow widens,
a great sprawl opens to
divide in,
to become
and provide your own
essential, unknowable, everchanging
box within a box.
Copyright © Local Order | Year Posted 2018
|
Details |
Local Order Poem
Down in my depths the old adage is true,
the more to life I've come to see
the less answers have pertained to me.
The world as will, and interpretation.
Though Marx spelled truth through change.
Truth contained in the roots of 'self' dry
in the public eye. Solipsism is such a form
that it will rise and crumble in this heat.
Digging into cracked pathways
for shadow and dirt.
Interpreting these stones progresses with
disdain for those who walk along them.
Thus the positive project denies itself affirmation;
a furtive pygmy kernel—
the totem of a days work.
Copyright © Local Order | Year Posted 2017
|
Details |
Local Order Poem
A man carried
seven plastic bags
onto the subway
with shit in his sweats.
Everyone exited early,
laughing.
Copyright © Local Order | Year Posted 2017
|
Details |
Local Order Poem
Love will always
mark itself out in the local of our eye,
but
our local is a lie.
our love has crossed oceans,
bent the bend of a horizon
thousands of times over
the head we have of it.
our local is our meaning,
our value held to dear;
a self set in begining
short of wanting change be near.
and love is not close.
a love eludes what 'is',
but determined we find
we may still set its pose.
make love a local image;
fencing that writhe
to gardended time
and pardon sudden changes
to a nature undivine.
to mistake love's hold
for that which we control,
is to kill the swan and count
it's feathers and proclaim
in agony:
THIS IS THE LAST SWAN,
PURE AND WHITE!
'and forget to mention'
DEAD FOR ME TO SEE!
so
be weak in love and wish its death.
those prone to hold and own,
will always grasp at breath
and find shadows in their home.
Love like this will always burn,
will always make habit of it's beauty,
and will happen again and again,
for as long as we love.
Copyright © Local Order | Year Posted 2018
|
Details |
Local Order Poem
Language rots
in memories,
thoughts,
but in dreams
above all
do lips blow
cherry O's and ah's
rolling hilltops into
milky afterbirth atmosphere
that I tumble down
quite suddenly by ear,
And in the valley pitch...
Blind visions—
Master!
Totem!
Taboo...too clear!
A knife pulled from
ear to ear.
My tongue dries
in One breath.
There is no blood
to sop it's cracks.
Speak!
Swaying sandstone tablet
of my mouth,
bring dull words hum
to stricken Sabaoth!
Oh Master,
Oh Totem,
Oh Taboo!
Did language escape you?
Does it hurt?
Are you well?
Will language pass us too?
Ought life still bear inside us
that sickly smell?
Then, shall we forgive
our fathers?
Or plate their heads
with dinner done?
Cut mothers from
our shadows?
Pull demons from our beds?
See God designed before us
cowled in marble stoop?..
and perched above the entrance
all we'd hoped to lose?
Won't our figures fail us?
Won't 'we'
forget 'us'?
When past loses present,
when future
brings before us
new ages
soundless breath,
towards beyond becoming,
across the footpath of death,
and then beyond all passage,
beyond all broken bread,
beyond all of movements asking
save but one
colliding
thread...
then,
and only
then finally,
will we want language again?
Copyright © Local Order | Year Posted 2019
|
Details |
Local Order Poem
And there are not enough cubicles and grey paneling that
sugar rock candy lights won’t cut
the sapling eye from its still decline into Abyss.
And there are not enough sad thoughts wars rapes to gratify inward hatreds which never walk the feather but mobilize the thousand marching whales across an entire worlds sandy interior.
across every turtle egg.
If there are secrets below us we are too many
too numerously traveling
a cacophonous tandem that secrets could survive our drumming lull.
Surely we have broken all our secrets with our song.
I hear only ever what anyone always forever has known.
I have no doubt anymore.
There is only sand below.
No. The saddest days are behind in mouths of our trekking bedded with pruned flowers who wilted passing along the snaking vine of history which coils and dies as mast and pointed finger at every moment we recall our saddest days.
But these days are not polished aged silvers of goals and just conquering, but like a sword waved through crowds at night where the tallest fell in heads and became mountainous cultures of sporadic hands where finally at this moment cresting backwards
we see our ladder in dawn
and it is blood.
Every possible minute from every now onwards.
Each point along stretches back marking the infinite fence of beginnings lamely ticked from the chain which links them. Such that as time leans in the depth of reflection, in the understanding of casual existence, of tragedy, everyday comedy — the noon will bite its appearance, and we will miss our lunch.
Dry and sour throats work along this real thing.
Where there was once water and loss
Is the leftward image of death in decline.
We are not so caring as to want for our lives.
For as long as we want others, and acquire others, and drift from others — who were once familiars — only to drift back and want again, and not be in haste of charging this social pattern with contempt of experience;
Of laughing at us,
Doubting our depths,
Then there is hope.
If not, then we shall continue.
But we will not have our sadness.
We will dry our tears from each other
And mask the body to wed from time.
This tomb is a forever we would not escape.
It is a death amidst the sand.
The river awaits.
Copyright © Local Order | Year Posted 2019
|
Details |
Local Order Poem
I see our time,
and, around it
a door.
Latchless hinging
on the thimble
thumbs of
two children.
I run into you
a needle,
arive behind
you a thread,
undone in my
knitting,
stained red.
Copyright © Local Order | Year Posted 2018
|
|