|
Details |
Murari Sinha Poem
( while taking a tour through those poems readers are requested to keep in their hands, a
feather from the pea-cock’s tail )
Volga - 1
there might have been some provocation
on the part of the rat’s bible
it is not known when and how
every piece of sleep that spatters
from the oesophagus of the dip-swimming
has stick to the c-sharp
of the newly-purchased tooth-brush
the air within the wish-bicycle
figures nothing less
how much is it necessary now
to murder the blue-hue with the study
that can be saved by the depression of the Ganges-basin
to develop the snap-shot of the garland-exchange with the
antiseptic cream
would you think it for some moments
my lord
the lord of the market
before sending any secret e-mail
to the cyclone
residing in the room
behind the stair-case
let the Volga be read once more
with all its clothes
and hair-styles
Volga - 2
the winter of the water-canon
oxidised by the fireflies
wants to touch every bamboo-flute
of this soil, it seems
as if it plays
in the body of every cauliflower
the total memorising-skill
of the blue and yellow pyramid
and if some lines of changes
in the planet be added
the birth-day of the bolster
that goes to the sea
may learn with a lesser effort
the pollen-efficiency of the nail-marked walls
how much should I scold the squirrels
who don’t want to swim
in the still-water of the black-board
Volga – 3
the green-circuit of the fried-almonds
that was submerged
in the open-hair of the afternoon
the whole-night workshop
has taught
the thumb-impression is to be put
how far below it
if the autobiographies are planted
into the drawer of nature
the solubility of the river-reed
gets it done too late at night
all the plus-signs around
from their etiquettes
come down
so many foot-notes
caused by the season-changes
so before planting life
to the address of the wall-lamps
it seems the cotton-flower
written by the oceans
began yawning
Copyright © Murari Sinha | Year Posted 2010
|
Details |
Murari Sinha Poem
Lines more lunatic than the sun – 7
playing on the raw-coal
the under-clothes of the airhostesses
continue to sing a song
even-then the germination of the almonds
can never become the sugar-candy
made of palmyra
may be they don’t want so
until and unless any night-guard comes
and deposits the RBCs of the jack-fruit-leaves
within a wrinkle-free hand-glove
you do absorb all colours
from the soil of the earthworms
and thus unfold your open hair
along the air of this cloudy day
then none but the gughni-sellers
will get back their names and titles
there is from the sky of the timber of hog-plum
it has rained even last night
the streets are wet
the trees are wet
there is splashing mud in the low lands
those all full-of-incidents
if you wish
you can send them
to the introduction of a proposal against war
i’ve never heard that
to take the responsibility
of the starving south-east
the rain has put down its crown
Lines more lunatic than the sun – 8
all on a sudden
one day again
i face the isabgool
the own fountain of vraj-kishore
may be, wants to fly away in such a manner
to another afternoon
my tiffin-expenses cann’t discover that valley
till now
from where
it is said
all night-gowns begins
then i’m sitting
with my hands and legs spread
in the sun-light
filled with
the sound of chopping of cabbages
on the flowers of the sun-plant
that are in-between the wife and her mother-in-law
i exercise my intelligence very much
if the question of my security is raised
it is only a ‘for-God’s-sake’-like adjuration
the knot of a white handkerchief is so much heavy
i don’t know earlier
my knowledge of using prosody
getting amalgamated calmly
with the stamen used by the sleep
Copyright © Murari Sinha | Year Posted 2010
|
Details |
Murari Sinha Poem
Lines more lunatic than the sun – 1
.
making my friendship with the water-pigeon does not mean
that i’ve acknowledged all devotion of the land-lotuses to river
without putting any note of dissent
i’m still plunging my face
into the heart of
black-soil
white
is my thirst in clouds
sometimes I wish to exchange the headlights
of my flesh and blood
with a ocean
and put my palms
together with regards
to say to my all time-cheerful chest-pocket
oh master let the age of my shadows
be not more vivacious
than the flower-bed after marriage
and without the help of any civic key
let the drinking-bowl of an wish-baul
walks as it wishes
along my lips
Lines more lunatic than the sun – 2
I offer so much love to the orioles
after then
some defeats on the upper-level of the pea-leaves
have gathered somehow
then, the juvenescent white esculent fruit
that has a conch-shell shape
or the restless thunder
no one agrees to take the onus of maintaining my
feeding
and clothing
and sheltering
on some compulsion
I run to a grammar
produced by the water
it is her indulgence with which
I install forest in the mausoleum of the plural noun
install blending of sounds and compounding of words
and on reaching to the realisation of liberalism
I install a notun-bouthan also
I get pain very much
on observing the memory of the bicycle
to the laugher and weeping reserved for me only
why… without taking my permission… she sends
such an apprentice
in the hands of whose a-c machine
there is no fire-work
at all
Lines more lunatic than the sun – 3
just in the middle of the bad luck
I cultivate
some more boutique print
in the accident-prone foot of the kadam-tree
I deploy
a special correspondent of my own
putting my affidavit to the silk-worm
with myself
I’m going to start
bihu-dance
in the juhu-beach
Solo
comes to mind that date…i don’t remember..
when together in the bus-stand
you and me
we were both speechless
to your that silence
was offered my bread and butter
then in your those wide eyelids
for a moment
wasn’t put the shadow of any handkerchief
made of clouds
after then the epic of the mice started
like the creeper and the tree
the servant with the maid-servant
in that enlarging fire
the cloud was burnt
the water too
from the tooth-ache there took birth
the nail-polish
the hawai chappal
my FM
Copyright © Murari Sinha | Year Posted 2010
|
Details |
Murari Sinha Poem
4.
on this spine
having a mouth of crocodile
always jump down
the climate
everyday
the sunglass changes
look at the soil and the sky
no one of them has any body-guard
the open mouth of the light
swallows the grey coin
here the wall becomes more tamed
the wild jasmine comes nearer to the heart
and hums
then ripping open my veins
should i also vomit the blue elocution
accumulated on the cock-pit
after recovery of the flower-mill from fever
the harmonium is being played on
even introduction with the gas-balloon
has not been done yet
5.
arrangements are being made
the green shirt will gradually
turn reddish
the culverts that have become exhausted
within the travel-format
will get recharged again to sit up straight
and the hawker will get passed the silent-home
shouting with undressed coconuts in hands
from the lap of the stand-still rocking-cradles
of the children-park
the amaltas will say
i’m ready
then to escape the sun-shine
the boy who comes to attend the private tuition
will embrace… oh margosa … its your pierced-heart
you may tell him that the name of the girl
who is eating guava and swinging her legs
sitting on its branch is munni
6.
the horse is running
just above 3 feet of the yellow cornice
his back is full of dreams
or a girl named miss dorothy
around it is the mid-night
around it is the wind that wants to be printed
and in every corner of its flying
are hundreds of skirts
all are of free-size
what may be their market-price
there is no shop-keeper there
in that valley
a shadow is proceeding on
do you know whose shadow it is
he is philip the teacher who gets irritated easily
this time there is no thin cane
in his hand
in the pieces of papers dumped in the waste-box
under his window there is a manuscript eaten up by the worms
there is ‘darling’ there
and ‘yours beloved greta’
in which skirt
a touch of that greta does remain
is it being searched even today
is it greta or margaret or eliza
there is no bar if it is dorothy
in whose smell there is no greta
who has no such horse flying just above three feet
of the yellow cornice
each mid-night fills the fountain pen
with the flow of blue ink
Copyright © Murari Sinha | Year Posted 2010
|
Details |
Murari Sinha Poem
a poem regarding evil-company
thus do learn to tolerate the blow of wings
of the most inflammable flesh
after the successful sacrifice of the student-hostel
jumping into the peacock-foams
how dangerously is changing the total travel-route of the nail-polish
in the high tide of the coconut-kernel
that conquers the world
today the water-pigeon gets pain
only by the flute made of palm-leaf
can’t be written the pleasure-trip in boat
of the injured-knee night-queen that is deposited heavily
on the collar of the village-moonlight
even-then the gramophone would be playing on
even-then the courageous pheasant would proceed further
to throw towards the squirrel a dinner-sleep
then all the daughters in disguise of birds certainly
may come out from within the salted mosquito-net
burning open-ground in their eyes
even after
the small boats of the fig leaves
would slip from the chorus song
of the roses
then they are to be pulled forward to the river-bed
of the late afternoon
to make them understand again
that such Xerox-centre which can ignore its metallic-birth
does not grow even now on either side of this muddy road
so look at to see how the epenthesis
of the screwpine-leaf withdraws her beak from the old dome
and pours
all new mathematics
into the compact-disc stitched with the back of the sea-tortoise
if that’s not real
how in the left and right
such evil-company of the oxygen would creep
if the next part of this commentary
resumes from the umbilicus cavity of the x-mass
would the blood-sugar of the water-plankton be rising continuously
look there again
the feather of colour that is in her adolescence
touches the cold magnet of her gamut
to disperse the cherry orchards
now if the doors of this brown triangle be got open
you can see on the screen one by one
the projection of the apex-points of the red-palash
and in the night-texture of the kathakali-kathak
they are supplying continuously
small sun-shines in poly-packs
Copyright © Murari Sinha | Year Posted 2010
|
Details |
Murari Sinha Poem
the canto of begging
1.
when the morning sets in
with the sun rising in the east
i put on the dress of a beggar
extended up to the horizon
and the canto of my begging starts
i beg
beside the big-bazar
beside the fly-over
beside the college-campus
beside the cow-market
you then put your elbow
on the body of the day
giving a perfect and unbiased pose
to attached to the album of life
people of the working-class
spread hither and thither
to write some more decimal fraction
on the notebook of life
2.
in the dusts and soil of rural-bengal
in the testament written by the grass
i am a son of the immortal
my begging-bowl is the most
favourite go-ahead of a alone man
then speaking around are
the chop singara aluposta
and the love-story of a hyacinth
blooming in the pond
blind by mud
also in the overflowed dustbin of the city
waiting rightly with an erected head
the excitement of your absence
3.
coming to this canto of begging
do you know
i enjoy both
your intensity and your sharpness
your secret current flows me to the pore of the skin
of the body of the puller of a hand-barrow
your cold attracts me
towards the syllabus of waning moonlight
i do realise now that the stale afternoons
saved in my pocket
stitched so many new muscles
with my vocal chord
and i’m howling in joy…
4.
what’s an enjoyment… hahaha…day after day
spending too much chaos
and living to so little extent
tell me is it the least
within the left-over on the leaf-plates
after eating by the baboos
i can discover more and more
love
the mango tree the grass-hopper my begging-bowl
and from the tune of the laxmi-panchali
coming from the middle-class houses
listen, how flourishing is my mother-tongue
Copyright © Murari Sinha | Year Posted 2010
|
Details |
Murari Sinha Poem
you may say now
those demerits relate to the seeds of the gm oranges
but just think the scanning of hibernation of the philtre
or of the kite the thread of which is cut off
they can’t escape their responsibility too
then tell me to whom i could give
my sad melting point
but then to do any work means
this trigonometry
outside the territory of copyright
then the connection of the biscuits
with the thoughts of the fire-works
is clearly dismantled
the border-zone of all relations thus keep themselves apart
and due to a sharp difference in the chromosomes of sand-stone
our dwelling-house becomes a museum
to build a hospital with a big moustache
at last within the hypnotized company
the shadow of our bed-room appears
then the light of the social moon is like the materials
with which the inner parts of the sorrows of the pomelo
is made up
it may be well for making great
the art-work of the horse-rider
that is wrapped with the handkerchief of ocean
it must be waiting for my shampoo-power too
some cure may be offered by the paraffin
and her open hair
but one deed of the rose-petals
and the convex sweet drops of molasses
is the flame of thumb-impression
that is born and brought up by the pan-cake
in-between sauce-pan and peter pan
in this all-pervasive panorama of slang-opera
Copyright © Murari Sinha | Year Posted 2010
|
Details |
Murari Sinha Poem
1.
the crystallised handkerchief
of one’s span of life
your handloom-bird brings with its lips
some musical notation of the nimbus
holding that waves within the heart
how much growth does occur
to the sandal-line of a man
or
it does
fall
the blades of grasses are known well
to be vegetarian
the eyes of the reindeer
have cent per cent smelling of fish
then what translation would you suggest
for the fingers of wild titlark
the shirt
they have put on the body of this night-stone
what best word-meaning does match it
but land-lotus
2.
i’ve re-constructed
all the trees and plants
with
the dry straws grass twigs collectively
fetched by beak
and the monsoon
as well
the full-brim of vodka
is deep in the palms
in that moonlight
a sleeping-tablet
does take a dip-swimming
within her enfolding
there may be the whole works of rabindranath
from the breathing of cd-player
spreads around
the sound of horse’s hoof
there is the bed-sheet of dusts
on the anger
kept bound within the cover of rexin
it’s true
our vineyards are still
prone to stones
then it does not seem
that the boiled moon sets
into the tea-cup
3
in your songs
still lies
immense green
the bed-room is too
very bright
the walnuts
walking along the path
that touches the rain-shore
make me think likely
on a sunday
kept in an envelop
when the bedcover of the early morning
speaks frankly
what’s in its mind
to the soap-water
the ears of the horse
in the wall-calendar
look very crazy
i can remember
one day
the sun-boats would tear their wrappers
their whisper would want to discover
the inclinations and thoughts of the creepers and herbs
possessed by the lady-volunteers
their yawing would notice
so many unused handlooms
taking a run-away on the clouds
now
would the cat under the beautiful jersey
finally think of waking up
then i’ll go
to deposit the clever apples
along with
all the triangles accompanying it
to the nearest cold-storage
Copyright © Murari Sinha | Year Posted 2010
|
Details |
Murari Sinha Poem
Volga – 4
to the homoeopathy phial
standing on the traffic-island
why it appears
within her womb
the number of germinated nights
stolen without a kiss
is too little
is then it true
if all the chanting of Harinam
can’t be withdrawn from the alcohol
the body-odour of the running tamarisk-shrub
will enter into the circuit-house
and that devouring of the parchment
brings to the feelings of the non-veg ant-hills
the let’s-go-cure
gathering in the sauce-island
Volga - 5
coming to this ironed canal-side
every auto-rickshaw
wants to know and let other know
the mystery
behind the rice-rain
from the cirrus
the shame in the eyes of the seal containing signs
supplies the whole-sale dealership
of the civil disobedience movement
to the locality
the role of the hammer also
wakes up early in the morning
to put under its own tongue
an antacid
is it possible that the spits
used in the observatory
be made a little more fast-moving
manuscript of the basement of a well
the biography of the pond-heron will be scripted
even-then the productivity of the merry-go-round
wouldn’t be uttered for a moment
no sir, such has never been expected
in the liquefied banana-blossoms
too many hot breads resulted from the season-change
continues to bat vehemently
and climbs to the peak of heart-throbbing runs
they in a group will go to the
aqua anetha of the mole hill
to organise a folk-song
to understand this
no arbitration of the cactus is required
notwithstanding
it is heard that the thread was pulled
by the violin of the wife of the moon-god
from behind the screen
here in the eye-front
is the basement of the morning-well
on its one page lies the faulty crow-caws
and on another some sun-shines
swinging on the hanger
after some pages in recurring …the chicken-pox … the boot-polish …
within the two covers of the dance-drama
also comes the creepers and herbs
grown around the melting point
of the arm-chair
whose legs are broken
if each pore on the skin of the river-lily
becomes so much known
then in the background of this low land
let us have one game more
Copyright © Murari Sinha | Year Posted 2010
|
Details |
Murari Sinha Poem
the last tram passes away
the boy
who is the owner of every parted-kite
sits lonely on the empty bench of the park
and makes it enlightened
in one pocket
he has few pieces of dry breads
in another
the air to play on bamboo-flute
the night is filled with
mushroom
all the shout within the dialogues
gradually becomes weak
and vanishes
there is no tangle in the
hair
the bier of the hindu-satkar-samiti
runs away
causing a quake in the locality
some needles
small medium and big
are doing their morning-walk
on the thread-line
that is the secret of a phoenix
Copyright © Murari Sinha | Year Posted 2010
|
|