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Overwhelmingly Critical
Written by
A. Bizzimann and
Aria Libretto
off the Music Conseritive
Music Llc.
Love appears with permission
of More Love Music Co.
The theatric of Opera
the story and storytelling
love in any language
He made mention of her
and she found out
she never wanted him that wway
they spoke knid
in greeting
and loss sight of
time and became intrigued by
one another
there was alot not to like
but plenty to love
enough to keep her wishing to
be with him
He understood her sequencing
and was honestly in love with her
a perfect from a perfect balance
of her his family, his freinds
and his job. She would always be first.
She realized that his attempt to be her lover
would being in need to understand her.
He had never been rejected by her
and he knew when she did he
was wise enough to
find someone to understand
what he was gong through.
He wished not to be shady and keep another
that he might have such a perfect balance.
Due to the fact that her friends would
tell her things to look out for
and being a friend to someone who is willing to
understand sometimes might mean more
than keeping a relationship together.
He wanted her, and having
a successful life
as a husband meant alot to him.
Everything that he thought was
wholesome she found a historical fact
to indicate it being the reason that evil exists.
When asked about who wanted who
most she responded smiling: he frowned and thought
it was evasive.
And away for outsiders to script something ill.
Bad advice can create a script to inject the evils
you wish and pray away.
Seven French Horns were to Fuse with 4 Bassoons
5 Flutes.
A snare, A kettledrum
and A drumset.
They excerised using a Hip thrust machine and a squat exerciser
her freind was a gymnist and she
is a flute player. They were
together in the gym, When he walked in wwith his frenchhorn in hand.
Lip riser is sortered to the lip plate. Were the only words both the directer and Composer said we needed to forge the sound needed to be a popular fan favorite for radio, television, studio, and stage.
Copyright ©
Allan Terry
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