Long Limitation Poems

Long Limitation Poems. Below are the most popular long Limitation by PoetrySoup Members. You can search for long Limitation poems by poem length and keyword.


Premium Member Uncanny Relationships

UNCANNY RELATIONSHIPS

an outward
  fantasy of
 coexistence
the gulf
  revealed
in a cosmic breath

a contemplation of
 ground &  sky
 carved
& chiselled
with  indigenous
knowledge

a glimpse
 of wilderness
   kept at bay
a wry evocation
 motley
emollient

at its simplest
existence
 serves
  it own purpose

THIS IS AN OPEN(organic) FORM VERSE without grammatical symbols the ' open' relies upon 'the one breath limitation' & so inherently requires the 'reader' (reciter) to input and respond thus making the form a two way interplay and often a unique interpretation by the enigma so derived
Form: Other


Premium Member Symbols of Meancholia

SYMBOLS of MELANCHOLIA
radical visions
loneliness 
&
sadness
harrowed by
 misery
with
alienation
to the
fore
with
a
hopelessness
 between
nowhere 
&
nothing

the authenticity
 of
 pain
motionless
agony
complete
 eclipse
the
devastating 
loss 
in a
a soulful 
of
sorrow
overpowering
 the
sense of grief
in
brooding
images


NOTE:THIS IS AN OPEN(organic) FORM VERSE   using spaces&breaks without grammatical symbols ,the ' open' relies upon 'the one breath limitation' & so inherently requires the 'reader' (reciter) to input and responds thus making this enigmatic form a two way interplay & interpretatIon unique to the moment& changing according to mood is inherently variable.
Copyright © Brian Strand
Form: Other

Premium Member I Am That I Am

Line of inquiry:
 “a heartbeat pulsating as living light
  free from each and every limitation
  I Am that dwelling in unbound delight
  the source wherefrom arises creation”


I am that I am, and for sure
I am blessed with a heart that needs
to share my gifts, as to assure
God's light exists in all my deeds.

That light inspires me to fuse
whatever way I can to say,
most often thought of as my muse,
the visions that my thoughts portray.

Creation stirs from special light
and steers the soul and heart to act
and from this source comes inner sight
how inspiration will extract.

And, so my words pay homage to
the source of light that turns my mind
to image life in ways that do
profess the gifts I've been assigned.
Form: Quatrain

Premium Member Why Are We Here

"The soul comes from without into the human body
as into a temporary abode, and it goes out of it anew ....
it passes into other habitations, for the soul is immortal."

                                          Quote by _Ralph Waldo Emerson


Was conceived to life just an it,
I was part of God's perfect creation:
My main part was a soul that fit,
with parts of my parents contribution:
Within, a soul became my foundation,
born a girl of delight;
my family had a celebration ...
Born in falling snow- white !

Was told at Sunday church to sit,
and to listen without hesitation:
And to Roman Catholic commit,
as I grew older it was confusion:
All that talk about ever damnation,
oh, I felt quite contrite;
it all felt like a lovely delusion ...
Born in falling snow- white !

Why are we here?  I said with grit,
and I started an investigation:
My computer went searching- click, 
shell, with a soul of no limitation:
And with possible reincarnation,
float and drift like a kite;
die, come back, former life separation ... 
Born in falling snow- white !

We should live without evil temptation,
let kindness be the light;
let souls reach far with imagination ...
Born in falling snow- white !
Form: Ballade

Reformulation of sin

Reformulation of sin
Homeocentrism combatant
Sociopathy redefinition
Is for Intellect palatable

Apparently imposure of sin
Kills source collective the bias
Care you don't have to bear
Of neither the sides of compliance 

Rules parts of humans invent 
May not valid be for evaluation
Mortal the thus very sin
Is imposing your limitation

No one you are to demand 
Sets of your wrongly conditions
Thus no naive stupid banned
Reason for real renditions

No rule exist to demand 
Account for their opinion
Unless lethal targeter this
Compares the vote via dominion

The price of equality mass
Is mentally full degradation
That's why we those deny
We up for the double negation

Irrational mess we clean up
We strive for the logic brilliance
The sense Constitution conveys 
We guard judging words, Philly, Ness

This Lochness is fine the Ness
She is not some kind of mess
She is crispy like the chip
She lives very very deep

Iguana Orangutan
NATO backwards is OTAN
And the bat does guano
Kate does says all that NO NO


// Inspired y my favorite poem 
A Tale of the  Thirteenth floor  by Ogden Nash
© Kate Kelly  Create an image from this poem.
Form: Rhyme


Premium Member Mirror, Mirror

I pass by, as I eye, my eye;
I see something nearer, nearer;
On the wall a reflection of myself, myself;
it isn't clear so, never clearer;
As I look upon the mirror, mirror;
Mirror polished metal or glass with an;
Amalgam back and as a TV I've gain weight, weight;
Look at my face I can see my soul in my eyes, eye;
Is this something that showing my true self, myself;
All I have is what I see what I reflex, relax;
And if I were to break this glass, my fears will last;
Thirteen years of bad luck, bad luck;
I see myself and in my reflection I say yuck-yuck;
I've been concaved, been convex;
All I have is my refection left;
Crystal and glass I can see myself, myself;
I'm  I pattern for limitation exemplar, exemplar;
As I continue to see myself in the mirror;
Your a faithful reflection of a true picture of myself
Mirror, Mirror



09/20/17
--for Craig Cornish  Mirror  Mirror Poetry Contest

Premium Member Enchantment

ENCHANTMENT
resistance
with an
overwhelming
    reluctance
   quite futile

  the memory
&resolve
of each
    exuberant
  nuance
so
elegantly
  imagined

the glamourous
in
a theme
of
light&
  reflection
rich&varied
truly
  immersed
in a  refracted
surface
 streams

the
moment
  of leaving
consoled
 by
the thought
of
returning

NOTE:THIS IS AN OPEN(organic) FORM VERSE   using spaces&breaks without grammatical symbols ,the ' open' relies upon 'the one breath limitation' & so inherently requires the 'reader' (reciter) to input and responds thus making this enigmatic form a two way interplay & interpretatIon unique to the moment& changing according to mood is inherently variable.
Copyright © Brian Strand
Form: Other

Premium Member Glossary

GLOSSARY

Art
 suffused 
with
the
 spirit
 of
energy
  compels
then
stumbles
amid 
& within
the
conceptual
 counterpoint
of 
the
   irresponsible

a
 surging sense
of 
the possible
 inspiring
the  
 memorable
 in
  the unusual

NOTE:THIS IS AN OPEN(organic) FORM VERSE   using spaces&breaks without grammatical symbols ,the ' open' relies upon 'the one breath limitation' & so inherently requires the 'reader' (reciter) to input and responds thus making this enigmatic form a two way interplay & interpretatIon unique to the moment& changing according to mood is inherently variable.
Copyright © Brian Strand
Form: Other

Premium Member Fragility the Open Form

FRAGILITY
reorientated
&displayed
in
rigorous
 sharp lines
top &bottom
 stripes
with
 ragged ends
rectified
in the
 vertical
signalled
detailed
 illustrated
then
  enlivened
in
partial patterns
by
well-estalished
 influences
 always
 pyrrihic
invaluable
in
 duration
embracing
the
 mood loomed
a
quantitive 
 signature

NOTE:THIS IS AN OPEN(organic) FORM VERSE   using spaces&breaks without grammatical symbols ,the ' open' relies upon 'the one breath limitation' (intuitive cadence)& so inherently requires the 'reader' (reciter) to input and responds thus making this enigmatic form a two way interplay & interpretatIon unique to the moment& changing according to mood is inherently variable.
Form: Other

Premium Member POETIC CREDO guidelines A TENSON TALK poem

CREDO-POETRY IS AN ORAL ART AT ITS BEST WHEN  RECITED
                   it then becomes a two-way unique one-off.experience .
TRADITIONAL LINE CAPITALISATION     RHYME ..in tetrameter (ABBA).YES..
but NOT otherwise as it creates a natural pause (ie it stilts) & thus disrupts the flow
WRAP AROUND LINES are a  no-no 
    they are not visually conducive to read digitally or otherwise!
POETIC NO NO s -acrostic,kyrielle terzanelle villanelle ,pantoum & the 'syllablics'
they can be good for a learning exercise,a bit like scales are important when learning the piano but are too contrived & mechanical  IMHO for our art form
PROSE POETRY ok if visually shaped in open form style*
FORMS THAT  ALWAYS  RING MY BELL shape,emagi & ekphrasis ,imagist Rhyme,alliteration,clerihew,footle&hiku*(both in the singular especially)         

*OPEN VERSE uses spaces&breaks without grammatical symbols relies upon 'the one breath limitation' this intuitive cadence pemits the 'reader' (reciter) to respond in an interpretative - interplay unique to the ' happening
Form: Bio

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