Wheel On a Stick Part 4

-------------------------------------------------------- The Cinematic Film Treatment as Poetic Element -------------------------------------------------------- The Great Biology Experiment This is a documentary about the evolution of the human mind from mud and magnetism to a sentience limited only by the distance between ocean and sky as a carrier for circularity, linearity and random field-free motion of conception, rather than perception at the simian level in the shadow of the inescapable collision between magnitude, direction and intention at any given instant which then inescapably and ineluctably and sneeringly begs the question of the evolution of intent distorted by imagined outcomes based upon imagined inputs in a gigantic heaving life and death guessing game with a reductionist dividing and analyzing and hair splitting to the point of meaninglessness, (ruining the reputations of the mighty) where what is known is gear grindingly modified by what is learned in the next ten seconds when contextually liberated by the concept of pure potential, much like a seed carries within it the seed of a seed of a seed of a seed of a seed (which is subsequently ignored) in an automaticity made apparent in the visual metaphor of several millions of spermatozoa swimming singlemindedly towards their deaths in servitude of simpleminded A to B, ungoverned by any ability whatsoever to see beyond the immediate interval which, as is generally known and agreed upon, is a measure of observational competence in insuring certain pragmatic considerations such that physical necessities are met so that mental necessities can be met, or as the film demonstrates, possibly vice versa. From "Theater of Utter Charm" Available on Amazon