The Clockwork Curator
The museum basement smells of ozone and pressed violets. I am cataloging a shipment of Victorian automatons, specifically the clockwork songbirds. Their mechanisms are intricate, tiny gears of brass that mimic a pulse, a heartbeat. They don’t sing, of course—only whir. My job is to ensure the silence of the dead. But last night, one of them turned its head toward the moonlight, a single, sharp click echoing against the concrete, and for a second, I swore the gears were bleeding oil. The curator told me to oil them again.
a small brass pinion
in the palm of my cold hand
starts to tick faster
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