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An Horatian Ode upon Cromwell's Return From Ireland The forward youth that would appear Must now forsake his muses dear, Nor in the shadows sing, His numbers languishing. 'Tis time to leave the books in dust, And oil the unus?d armour's rust: Removing from the wall The corslet of the hall. So restless Cromwell could not cease In the inglorious arts of peace, But through adventurous war Urg?d his active star. And, like the three-forked lightning, first Breaking the clouds where it was nursed, Did thorough his own side His fiery way divide. (For 'tis all one to courage high The emulous or enemy: And with such to inclose Is more than to oppose.) Then burning through the air he went, And palaces and temples rent: And C?sar's head at last Did through his laurels blast. 'Tis madness to resist or blame The force of angry heaven's flame: And, if we would speak true, Much to the man is due, Who from his private gardens, where He lived reserv?d and austere, As if his highest plot To plant the bergamot, Could by industrious valour climb To ruin the great work of time, And cast the kingdoms old Into another mould. Though justice against fate complain, And plead the ancient rights in vain: But those do hold or break As men are strong or weak. Nature, that hateth emptiness, Allows of penetration less: And therefore must make room Where greater spirits come. What field of all the Civil Wars, Where his were not the deepest scars? And Hampton shows what part He had of wiser art, Where, twining subtle fears with hope, He wove a net of such a scope, That Charles himself might chase To Carisbrooke's narrow case: That then the royal actor born The tragic scaffold might adorn: While round the arm?d bands Did clap their bloody hands. He nothing common did or mean Upon that memorable scene: But with his keener eye The axe's edge did try: Nor called the gods with vulgar spite To vindicate his helpless right, But bowed his comely head, Down, as upon a bed. This was that memorable hour Which first assured the forc?d power. So when they did design The Capitol's first line, A bleeding head where they begun, Did fright the architects to run; And yet in that the State Foresaw its happy fate. And now the Irish are ashamed To see themselves in one year tamed: So much one man can do, That does both act and know. They can affirm his praises best, And have, though overcome, confessed How good he is, how just, And fit for highest trust: Nor yet grown stiffer with command, But still in the Republic's hand: How fit he is to sway That can so well obey. He to the Commons feet presents A kingdom, for his first year's rents: And, what he may, forbears His fame, to make it theirs: And has his sword and spoils ungirt, To lay them at the public's skirt. So when the falcon high Falls heavy from the sky, She, having killed, no more does search But on the next green bough to perch, Where, when he first does lure, The falc'ner has her sure. What may not then our isle presume While Victory his crest does plume? What may not others fear If thus he crowns each year? A C?.sar, he, ere long to Gaul, To Italy an Hannibal, And to all states not free Shall climact?ric be. The Pict no shelter now whall find Within his parti-coloured mind, But from this valour sad Shrink underneath the plaid: Happy, if in the tufted brake The English hunter him mistake, Nor lay his hounds in near The Caledonian deer. But thou, the Wars' and Fortune's son, March indefatigably on, And for the last effect Still keep thy sword erect: Besides the force it has to fright The spirits of the shady night, The same arts that did gain A power, must it maintain.

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