Famous Opera Poems by Famous Poets
These are examples of famous Opera poems written by some of the greatest and most-well-known modern and classical poets. PoetrySoup is a great educational poetry resource of famous opera poems. These examples illustrate what a famous opera poem looks like and its form, scheme, or style (where appropriate).
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by
Robert William Service
To smite Apollo's lyre I am unable;
Of loveliness, alas! I cannot sing.
My lot it i, across the tavern table,
To start a chorus to the strumming string.
I have no gift to touch your heart to pity;
I have no power to ring the note of pain:
All I can do is pipe a pot-house ditty,
Or roar a Rabelaisian refrain.
Behold yon minstrel of...Read more of this...
by
Charles Simic
Befriending an eccentric young woman
The sole resident of a secluded Victorian mansion.
She takes long walks in the evening rain,
And so do I, with my hair full of dead leaves.
In her former life, she was an opera singer.
She remembers the rich Neapolitan pastries,
Points to a bit of fresh whipped cream
Still left in the corner of her lower lip,
Tells me she...Read more of this...
by
Emily Dickinson
I think I was enchanted
When first a sombre Girl --
I read that Foreign Lady --
The Dark -- felt beautiful --
And whether it was noon at night --
Or only Heaven -- at Noon --
For very Lunacy of Light
I had not power to tell --
The Bees -- became as Butterflies --
The Butterflies -- as Swans --
Approached -- and spurned the narrow...Read more of this...
by
Anne Sexton
Just once I knew what life was for.
In Boston, quite suddenly, I understood;
walked there along the Charles River,
watched the lights copying themselves,
all neoned and strobe-hearted, opening
their mouths as wide as opera singers;
counted the stars, my little campaigners,
my scar daisies, and knew that I walked my love
on the night green side of it and cried
my heart to the eastbound cars...Read more of this...
by
Edgar Lee Masters
Do you remember, passer-by, the path
I wore across the lot where now stands the opera house,
Hasting with swift feet to work through many years?
Take its meaning to heart:
You too may walk, after the hills at Miller's Ford
Seem no longer far away;
Long after you see them near at hand,
Beyond four miles of meadow;
And after woman's love is silent,
Saying no more:...Read more of this...
by
Victor Hugo
("Phoebus, n'est-il sur la terre?")
{OPERA OF "ESMERALDA," ACT IV., 1836.}
Phoebus, is there not this side the grave,
Power to save
Those who're loving? Magic balm
That will restore to me my former calm?
Is there nothing tearful eye
Can e'er dry, or hush the sigh?
I pray Heaven...Read more of this...
by
Walt Whitman
WHY! who makes much of a miracle?
As to me, I know of nothing else but miracles,
Whether I walk the streets of Manhattan,
Or dart my sight over the roofs of houses toward the sky,
Or wade with naked feet along the beach, just in the edge of the water,
Or stand under trees in the woods,
Or talk...Read more of this...
by
James Merrill
Bix to Buxtehude to Boulez,
The little white dog on the Victor label
Listens long and hard as he is able.
It's all in a day's work, whatever plays.
From judgment, it would seem, he has refrained.
He even listens earnestly to Bloch,
Then builds a church upon our acid rock.
He's man's--no--he's the Leiermann's best friend,
Or would be if hearing and listening were the same.
Does...Read more of this...
by
Harold Pinter
I send my voice into your mouth
You return the compliment
I am the Count of Cannizzaro
You are Her Royal Highness the Princess Augusta
I am the thaumaturgic chain
You hold the opera glass and cards
You become extemporaneous song
I am your tutor
You are my invisible seed
I am Timour the Tartar
You are my curious trick
I your enchanted caddy
I am your confounding doll
You my confounded...Read more of this...
by
Walt Whitman
THROUGH the soft evening air enwrinding all,
Rocks, woods, fort, cannon, pacing sentries, endless wilds,
In dulcet streams, in flutes’ and cornets’ notes,
Electric, pensive, turbulent artificial,
(Yet strangely fitting even here, meanings unknown before,
Subtler than ever, more harmony, as if born here, related here,
Not to the city’s fresco’d rooms, not to the audience of the opera house,...Read more of this...
by
Elizabeth Bishop
Unfunny uncles who insist
in trying on a lady's hat,
--oh, even if the joke falls flat,
we share your slight transvestite twist
in spite of our embarrassment.
Costume and custom are complex.
The headgear of the other sex
inspires us to experiment.
Anandrous aunts, who, at the beach
with paper plates upon your laps,
keep putting on the yachtsmen's caps
with exhibitionistic screech,
the visors hanging o'er the ear
so that...Read more of this...
by
Emily Dickinson
A feather from the Whippoorwill
That everlasting -- sings!
Whose galleries -- are Sunrise --
Whose Opera -- the Springs --
Whose Emerald Nest the Ages spin
Of mellow -- murmuring thread --
Whose Beryl Egg, what Schoolboys hunt
In "Recess" -- Overhead!...Read more of this...
by
Edgar Lee Masters
From Bindle's opera house in the village
To Broadway is a great step.
But I tried to take it, my ambition fired
When sixteen years of age,
Seeing "East Lynne" played here in the village
By Ralph Barrett, the coming
Romantic actor, who enthralled my soul.
True, I trailed back home, a broken failure,
When Ralph disappeared in New York,
Leaving me alone in the city --
But life...Read more of this...
by
Andrew Barton Paterson
Now the new chum loaded his three-nought-three,
It's a small-bore gun, but his hopes were big.
"I am fed to the teeth with old ewe," said he,
"And I might be able to shoot a pig."
And he trusted more to his nose than ear
To give him warning when pigs were near.
Out of his lair in the...Read more of this...
by
Bertolt Brecht
The industrialist is having his aeroplane serviced.
The priest is wondering what he said in his sermon eight weeks ago
about tithes.
The generals are putting on civvies and looking like bank clerks.
Public officials are getting friendly.
The policeman points out the way to the man in the cloth cap.
The landlord comes to see whether the water supply is working.
The journalists write the...Read more of this...
by
Amy Lowell
Within the gold square of the proscenium arch,
A curtain of orange velvet hangs in stiff folds,
Its tassels jarring slightly when someone crosses the stage behind.
Gold carving edges the balconies,
Rims the boxes,
Runs up and down fluted pillars.
Little knife-stabs of gold
Shine out whenever a box door is opened.
Gold clusters
Flash in soft explosions
On the blue darkness,
Suck back to a point,
And disappear.
Hoops of...Read more of this...
by
Philip Levine
We stand in the rain in a long line
waiting at Ford Highland Park. For work.
You know what work is--if you're
old enough to read this you know what
work is, although you may not do it.
Forget you. This is about waiting,
shifting from one foot to another.
Feeling the light rain falling like mist
into your hair, blurring your vision
until you think you see...Read more of this...
by
Charles Bukowski
either peace or happiness,
let it enfold you
when i was a young man
I felt these things were
dumb,unsophisticated.
I had bad blood,a twisted
mind, a pecarious
upbringing.
I was hard as granite,I
leered at the
sun.
I trusted no man and
especially no
woman.
I was living a hell in
small rooms, I broke
things, smashed things,
walked through glass,
cursed.
I challenged everything,
was continually being
evicted,jailed,in and
out of fights,in and aout
of my mind.
women were something
to...Read more of this...
by
Johann Wolfgang von Goethe
[Goethe began to write an opera called Lowenstuhl,
founded upon the old tradition which forms the subject of this Ballad,
but he never carried out his design.]
OH, enter old minstrel, thou time-honour'd one!
We children are here in the hall all alone,
The portals we straightway will bar.
Our mother is praying, our father is gone
To the forest, on wolves to make...Read more of this...
by
Amy Lowell
You are beautiful and faded
Like an old opera tune
Played upon a harpsichord;
Or like the sun-flooded silks
Of an eighteenth-century boudoir.
In your eyes
Smoulder the fallen roses of out-lived minutes,
And the perfume of your soul
Is vague and suffusing,
With the pungence of sealed spice-jars.
Your half-tones delight me,
And I grow mad with gazing
At your blent colours.
My vigour is a new-minted penny,
Which I cast at...Read more of this...
by
Charles Bukowski
when I look back now
at the abuse I took from
her
I feel shame that I was so
innocent,
but I must say
she did match me drink for
drink,
and I realized that her life
her feelings for things
had been ruined
along the way
and that I was no mare than a
temporary
companion;
she was ten years older
and mortally hurt by the past
and the present;
she treated me badly:
desertion, other
men;
she brought...Read more of this...
by
Frank O'Hara
I'm not going to cry all the time
nor shall I laugh all the time
I don't prefer one "strain" to another
I'd have the immediacy of a bad movie
not just a sleeper but also the big
over-produced first-run kind. I want to be
at least as alive as the vulgar. And if
some aficionado of my mess says "That's
not like Frank!"...Read more of this...
by
Edgar Lee Masters
I was a lawyer like Harmon Whitney
Or Kinsey Keene or Garrison Standard,
For I tried the rights of property,
Although by lamp-light, for thirty years,
In that poker room in the opera house.
And I say to you that Life's a gambler
Head and shoulders above us all.
No mayor alive can close the house.
And if you lose, you can squeal as you will;
You'll not...Read more of this...
by
Edgar Lee Masters
I was just turned twenty-one,
And Henry Phipps, the Sunday-school superintendent,
Made a speech in Bindle's Opera House.
"The honor of the flag must be upheld," he said,
"Whether it be assailed by a barbarous tribe of Tagalogs
Or the greatest power in Europe."
And we cheered and cheered the speech and the flag he waved
As he spoke.
And I went to the war in spite...Read more of this...
by
Walt Whitman
1
FIRST, O songs, for a prelude,
Lightly strike on the stretch’d tympanum, pride and joy in my city,
How she led the rest to arms—how she gave the cue,
How at once with lithe limbs, unwaiting a moment, she sprang;
(O superb! O Manhattan, my own, my peerless!
O strongest you in the hour of danger, in crisis! O truer...Read more of this...
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