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by
Anne Sexton
Consider
a girl who keeps slipping off,
arms limp as old carrots,
into the hypnotist's trance,
into a spirit world
speaking with the gift of tongues.
She is stuck in the time machine,
suddenly two years old sucking her thumb,
as inward as a snail,
learning to talk again.
She's on a voyage.
She is swimming further and further back,
up like a salmon,
struggling into her mother's pocketbook.
Little doll child,
come here to Papa.
Sit on my knee.
I have kisses for the back of your neck.
A penny for your thoughts, Princess.
I will hunt them like an emerald.
Come be my snooky
and I will give you a root.
That kind of voyage,
rank as a honeysuckle.
Once
a king had a christening
for his daughter Briar Rose
and because he had only twelve gold plates
he asked only twelve fairies
to the grand event.
The thirteenth fairy,
her fingers as long and thing as straws,
her eyes burnt by cigarettes,
her uterus an empty teacup,
arrived with an evil gift.
She made this prophecy:
The princess shall prick herself
on a spinning wheel in her fifteenth year
and then fall down dead.
Kaputt!
The court fell silent.
The king looked like Munch's Scream
Fairies' prophecies,
in times like those,
held water.
However the twelfth fairy
had a certain kind of eraser
and thus she mitigated the curse
changing that death
into a hundred-year sleep.
The king ordered every spinning wheel
exterminated and exorcised.
Briar Rose grew...
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by
Frank Bidart
The only thing I miss about Los Angeles
is the Hollywood Freeway at midnight, windows down and
radio blaring
bearing right into the center of the city, the Capitol Tower
on the right, and beyond it, Hollywood Boulevard
blazing
--pimps, surplus stores, footprints of the stars
--descending through the city
fast as the law would allow
through the lights, then rising to the stack
out of the city
to the stack where lanes are stacked six deep
and you on top; the air
now clean, for a moment weightless
without memories, or
need for a past.
The need for the past
is so much at the center of my life
I write this poem to record my discovery of it,
my reconciliation.
It was in Bishop, the room was done
in California plush: we had gone into the coffee shop, were told
you could only get a steak in the bar:
I hesitated,
not wanting to be an occasion of temptation for my father
but he wanted to, so we entered
a dark room, with amber water glasses, walnut
tables, captain's chairs,
plastic doilies, papier-mâché bas-relief wall ballerinas,
German memorial plates "bought on a trip to Europe,"
Puritan crosshatch green-yellow wallpaper,
frilly shades, cowhide
booths--
I thought of Cambridge:
the lovely congruent elegance
of Revolutionary architecture, even of
ersatz thirties Georgian
seemed alien, a threat, sign
of...
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by
Vladimir Mayakovsky
epilogue:
Your thoughts,
dreaming on a softened brain,
like an over-fed lackey on a greasy settee,
with my heart's bloody tatters I'll mock again;
impudent and caustic, I'll jeer to superfluity.
Of Grandfatherly gentleness I'm devoid,
there's not a single grey hair in my soul!
Thundering the world with the might of my voice,
I go by -- handsome,
twenty-two-year-old.
Gentle ones!
You lay your love on a violin.
The crude lay their love on a drum.
but you can't, like me, turn inside out entirely,
and nothing but human lips become!
Out of chintz-covered drawing-rooms, come
and learn-
decorous bureaucrats of angelic leagues.
and you whose lips are calmly thumbed,
as a cook turns over cookery-book leaves.
If you like-
I'll be furiously flesh elemental,
or - changing to tones that the sunset arouses -
if you like-
I'll be extraordinary gentle,
not a man, but - a cloud in trousers!
1
You think malaria makes me delirious?
It happened.
In Odessa it happened.
¡°I¡¯ll come at four,¡± Maria promised.
Eight.
Nine.
Ten.
Then the evening
turned its back on the windows
and plunged into grim night,
scowling
Decemberish.
At my decrepit back
the candelabras guffawed and whinnied.
You...
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by
Anne Sexton
What is death, I ask.
What is life, you ask.
I give them both my buttocks,
my two wheels rolling off toward Nirvana.
They are neat as a wallet,
opening and closing on their coins,
the quarters, the nickels,
straight into the crapper.
Why shouldn't I pull down my pants
and moon the executioner
as well as paste raisins on my breasts?
Why shouldn't I pull down my pants
and show my little cunny to Tom
and Albert? They wee-wee funny.
I wee-wee like a squaw.
I have ink but no pen, still
I dream that I can piss in God's eye.
I dream I'm a boy with a zipper.
It's so practical, la de dah.
The trouble with being a woman, Skeezix,
is being a little girl in the first place.
Not all the books of the world will change that.
I have swallowed an orange, being woman.
You have swallowed a ruler, being man.
Yet waiting to die we are the same thing.
Jehovah pleasures himself with his axe
before we are both overthrown.
Skeezix, you are me. La de dah.
You grow a beard but our drool is identical.
Forgive us, Father, for we know not....
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by
Richard Brautigan
a novel by Richard Brautigan
THE COVER FOR
TROUT FISHING IN AMERICA
The cover for Trout Fishing in America is a photograph taken
late in the afternoon, a photograph of the Benjamin Franklin
statue in San Francisco's Washington Square.
Born 1706--Died 1790, Benjamin Franklin stands on a
pedestal that looks like a house containing stone furniture.
He holds some papers in one hand and his hat in the other.
Then the statue speaks, saying in marble:
PRESENTED BY
H. D. COGSWELL
TO OUR
BOYS AND GIRLS
WHO WILL SOON
TAKE OUR PLACES
AND PASS ON.
Around the base of the statue are four words facing the
directions of this world, to the east WELCOME, to the west
WELCOME, to the north WELCOME, to the south WELCOME.
Just behind the statue are three poplar trees, almost leafless
except for the top branches. The statue stands in front
of the middle tree. All around the grass is wet from the
rains of early February.
In the background is a tall cypress tree, almost dark like
a room. Adlai Stevenson spoke under the tree in 1956, before
a crowd of 40, 000 people.
There is a tall church across the street from the statue
with crosses, steeples, bells and a vast door that looks...
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by
Robert Frost
The three stood listening to a fresh access
Of wind that caught against the house a moment,
Gulped snow, and then blew free again—the Coles
Dressed, but dishevelled from some hours of sleep,
Meserve belittled in the great skin coat he wore.
Meserve was first to speak. He pointed backward
Over his shoulder with his pipe-stem, saying,
“You can just see it glancing off the roof
Making a great scroll upward toward the sky,
Long enough for recording all our names on.—
I think I’ll just call up my wife and tell her
I’m here—so far—and starting on again.
I’ll call her softly so that if she’s wise
And gone to sleep, she needn’t wake to answer.”
Three times he barely stirred the bell, then listened.
“Why, Lett, still up? Lett, I’m at Cole’s. I’m late.
I called you up to say Good-night from here
Before I went to say Good-morning there.—
I thought I would.— I know, but, Lett—I know—
I could, but what’s the sense? The rest won’t be
So bad.— Give me an hour for it.— Ho, ho,
Three hours to here! But that was all up hill;
The rest is down.— Why no, no, not a wallow:
They kept their heads and took their time to it
Like darlings, both of them. They’re in the barn.—
My dear, I’m coming...
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by
Richard Brautigan
WITNESS FOR TROUT FISHING
IN AMERICA PEACE
In San Francisco around Easter time last year, they had a
trout fishing in America peace parade. They had thousands
of red stickers printed and they pasted them on their small
foreign cars, and on means of national communication like
telephone poles.
The stickers had WITNESS FOR TROUT FISHING IN AM-
ERICA PEACE printed on them.
Then this group of college- and high-school-trained Com-
munists, along with some Communist clergymen and their
Marxist-taught children, marched to San Francisco from
Sunnyvale, a Communist nerve center about forty miles away.
It took them four days to walk to San Francisco. They
stopped overnight at various towns along the way, and slept
on the lawns of fellow travelers.
They carried with them Communist trout fishing in Ameri-
ca peace propaganda posters:
"DON'T DROP AN H-BOMB ON THE OLD FISHING HOLE I"
"ISAAC WALTON WOULD'VE HATED THE BOMB!"
"ROYAL COACHMAN, SI! ICBM, NO!"
They carried with them many other trout fishing in Amer-
ica peace inducements, all following the Communist world
conquest line: the Gandhian nonviolence Trojan horse.
When these young, hard-core brainwashed members of
the Communist conspiracy reached the "Panhandle, " the
emigre Oklahoma Communist sector of San Francisco, thou-
sands of other Communists were waiting for them. These
were Communists who couldn't walk...
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