by
James Henry Leigh Hunt
I have been reading Pomfret's "Choice" this spring,
A pretty kind of--sort of--kind of thing,
Not much a verse, and poem none at all,
Yet, as they say, extremely natural.
And yet I know not. There's an art in pies,
In raising crusts as well as galleries;
And he's the poet, more or less, who knows
The charm that hallows the least truth from prose,
And dresses it in its mild singing clothes.
Not oaks alone are trees, nor roses flowers;
Much humble wealth makes rich this world of ours.
Nature from some sweet energy throws up
Alike the pine-mount and the buttercup;
And truth she makes so precious, that to paint
Either, shall shrine an artist like a saint,
And bring him in his turn the crowds that press
Round Guido's saints or Titian's goddesses.
Our trivial poet hit upon a theme
Which all men love, an old, sweet household dream:--
Pray, reader, what is yours?--I know full well
What sort of home should grace my garden-bell,--
No tall, half-furnish'd, gloomy, shivering house,
That worst of mountains labouring with a mouse;
Nor should I choose to fill a tawdry niche in
A Grecian temple, opening to a kitchen....
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by
Charles Bukowski
we have everything and we have nothing
and some men do it in churches
and some men do it by tearing butterflies
in half
and some men do it in Palm Springs
laying it into butterblondes
with Cadillac souls
Cadillacs and butterflies
nothing and everything,
the face melting down to the last puff
in a cellar in Corpus Christi.
there's something for the touts, the nuns,
the grocery clerks and you . . .
something at 8 a.m., something in the library
something in the river,
everything and nothing.
in the slaughterhouse it comes running along
the ceiling on a hook, and you swing it --
one
two
three
and then you've got it, $200 worth of dead
meat, its bones against your bones
something and nothing.
it's always early enough to die and
it's always too late,
and the drill of blood in the basin white
it tells you nothing at all
and the gravediggers playing poker over
5 a.m. coffee, waiting for the grass
to dismiss the frost . . .
they tell you nothing at all.
we have everything and we have nothing --
days with glass edges and the impossible stink
of river moss -- worse than shit;
checkerboard days of moves and countermoves,
fagged interest, with as much sense in defeat as
in victory; slow days like mules
humping it slagged and sullen and sun-glazed
up a road where a madman sits waiting...
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by
Barry Tebb
STANDING IN EDEN
1
Poetry claimed me young on Skegness beach
Before I was born I answered her cry
For a lost child still in the womb still
As the seawave journeying green upon green
Swollen in my mother’s side lashed and
Tongue-tied on a raft of premonition
Trying to survive my birth as the soul
Survives death turned in on the tide high
Watermarked as a bride to my beginning.
In April rain the banks were white narcissi
Yellow daffodils in Chapeltown alyssum at the
Foot of every tree white bands round the boles
Against the blackout still after fifty years
In the copse at Chapeltown the fences down the
Undergrowth cleared the bark exposed with scars
Like stars.
I am grounded in Chapeltown from dawn to dusk
Curfewed by my body’s husk I dream of ‘Swan Lake’
Car after car swan after swan across the stage
The mad conductor’s baton raised dying swans
Flying from the wings fading on the last chords
In the hyaline air by the crystal river where
We surrendered to its flow.
2
In Roundhay’s Canal Gardens go a pair of black swans
Scarlet beak to scarlet beak bend by the willow
Necks arched like the great bow of Odysseus;
Ithaca, I have returned, my Penelope lost, the tapestry
Of my journey torn, Troy long gone, a blind memory
In Homer’s song: I sing...
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