Written by
Christopher Smart |
Sweet is the dew that falls betimes,
And drops upon the leafy limes;
Sweet Hermon's fragrant air:
Sweet is the lily's silver bell,
And sweet the wakeful tapers smell
That watch for early pray'r.
Sweet the young nurse with love intense,
Which smiles o'er sleeping innocence;
Sweet when the lost arrive:
Sweet the musician's ardour beats,
While his vague mind's in quest of sweets,
The choicest flow'rs to hive.
Sweeter in all the strains of love,
The language of thy turtle dove,
Pair'd to thy swelling chord;
Sweeter with ev'ry grace endu'd,
The glory of thy gratitude,
Respir'd unto the Lord.
Strong is the horse upon his speed;
Strong in pursuit the rapid glede,
Which makes at once his game:
Strong the tall ostrich on the ground;
Strong thro' the turbulent profound
Shoots xiphias to his aim.
Strong is the lion--like a coal
His eye-ball--like a bastion's mole
His chest against the foes:
Strong, the gier-eagle on his sail,
Strong against tide, th' enormous whale
Emerges as he goes.
But stronger still, in earth and air,
And in the sea, the man of pray'r;
And far beneath the tide;
And in the seat to faith assign'd,
Where ask is have, where seek is find,
Where knock is open wide.
Beauteous the fleet before the gale;
Beauteous the multitudes in mail,
Rank'd arms and crested heads:
Beauteous the garden's umbrage mild,
Walk, water, meditated wild,
And all the bloomy beds.
Beauteous the moon full on the lawn;
And beauteous, when the veil's withdrawn,
The virgin to her spouse:
Beauteous the temple deck'd and fill'd,
When to the heav'n of heav'ns they build
Their heart-directed vows.
Beauteous, yea beauteous more than these,
The shepherd king upon his knees,
For his momentous trust;
With wish of infinite conceit,
For man, beast, mute, the small and great,
And prostrate dust to dust.
Precious the bounteous widow's mite;
And precious, for extreme delight,
The largess from the churl:
Precious the ruby's blushing blaze,
And alba's blest imperial rays,
And pure cerulean pearl.
Precious the penitential tear;
And precious is the sigh sincere,
Acceptable to God:
And precious are the winning flow'rs,
In gladsome Israel's feast of bow'rs,
Bound on the hallow'd sod.
More precious that diviner part
Of David, ev'n the Lord's own heart,
Great, beautiful, and new:
In all things where it was intent,
In all extremes, in each event,
Proof--answ'ring true to true.
Glorious the sun in mid career;
Glorious th' assembled fires appear;
Glorious the comet's train:
Glorious the trumpet and alarm;
Glorious th' almighty stretch'd-out arm;
Glorious th' enraptur'd main:
Glorious the northern lights a-stream;
Glorious the song, when God's the theme;
Glorious the thunder's roar:
Glorious hosanna from the den;
Glorious the catholic amen;
Glorious the martyr's gore:
Glorious--more glorious is the crown
Of Him that brought salvation down
By meekness, call'd thy Son;
Thou that stupendous truth believ'd,
And now the matchless deed's achiev'd,
Determin'd, dar'd, and done.
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Written by
Alan Seeger |
Purged, with the life they left, of all
That makes life paltry and mean and small,
In their new dedication charged
With something heightened, enriched, enlarged,
That lends a light to their lusty brows
And a song to the rhythm of their tramping feet,
These are the men that have taken vows,
These are the hardy, the flower, the elite, --
These are the men that are moved no more
By the will to traffic and grasp and store
And ring with pleasure and wealth and love
The circles that self is the center of;
But they are moved by the powers that force
The sea forever to ebb and rise,
That hold Arcturus in his course,
And marshal at noon in tropic skies
The clouds that tower on some snow-capped chain
And drift out over the peopled plain.
They are big with the beauty of cosmic things.
Mark how their columns surge! They seem
To follow the goddess with outspread wings
That points toward Glory, the soldier's dream.
With bayonets bare and flags unfurled,
They scale the summits of the world
And fade on the farthest golden height
In fair horizons full of light.
Comrades in arms there -- friend or foe --
That trod the perilous, toilsome trail
Through a world of ruin and blood and woe
In the years of the great decision -- hail!
Friend or foe, it shall matter nought;
This only matters, in fine: we fought.
For we were young and in love or strife
Sought exultation and craved excess:
To sound the wildest debauch in life
We staked our youth and its loveliness.
Let idlers argue the right and wrong
And weigh what merit our causes had.
Putting our faith in being strong --
Above the level of good and bad --
For us, we battled and burned and killed
Because evolving Nature willed,
And it was our pride and boast to be
The instruments of Destiny.
There was a stately drama writ
By the hand that peopled the earth and air
And set the stars in the infinite
And made night gorgeous and morning fair,
And all that had sense to reason knew
That bloody drama must be gone through.
Some sat and watched how the action veered --
Waited, profited, trembled, cheered --
We saw not clearly nor understood,
But yielding ourselves to the masterhand,
Each in his part as best he could,
We played it through as the author planned.
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Written by
Walt Whitman |
1
AN old man bending, I come, among new faces,
Years looking backward, resuming, in answer to children,
Come tell us, old man, as from young men and maidens that love me;
Years hence of these scenes, of these furious passions, these chances,
Of unsurpass’d heroes, (was one side so brave? the other was equally brave;)
Now be witness again—paint the mightiest armies of earth;
Of those armies so rapid, so wondrous, what saw you to tell us?
What stays with you latest and deepest? of curious panics,
Of hard-fought engagements, or sieges tremendous, what deepest remains?
2
O maidens and young men I love, and that love me,
What you ask of my days, those the strangest and sudden your talking recalls;
Soldier alert I arrive, after a long march, cover’d with sweat and dust;
In the nick of time I come, plunge in the fight, loudly shout in the rush of successful
charge;
Enter the captur’d works.... yet lo! like a swift-running river, they fade;
Pass and are gone, they fade—I dwell not on soldiers’ perils or soldiers’
joys;
(Both I remember well—many the hardships, few the joys, yet I was content.)
But in silence, in dreams’ projections,
While the world of gain and appearance and mirth goes on,
So soon what is over forgotten, and waves wash the imprints off the sand,
In nature’s reverie sad, with hinged knees returning, I enter the doors—(while
for
you up
there,
Whoever you are, follow me without noise, and be of strong heart.)
3
Bearing the bandages, water and sponge,
Straight and swift to my wounded I go,
Where they lie on the ground, after the battle brought in;
Where their priceless blood reddens the grass, the ground;
Or to the rows of the hospital tent, or under the roof’d hospital;
To the long rows of cots, up and down, each side, I return;
To each and all, one after another, I draw near—not one do I miss;
An attendant follows, holding a tray—he carries a refuse pail,
Soon to be fill’d with clotted rags and blood, emptied and fill’d again.
I onward go, I stop,
With hinged knees and steady hand, to dress wounds;
I am firm with each—the pangs are sharp, yet unavoidable;
One turns to me his appealing eyes—(poor boy! I never knew you,
Yet I think I could not refuse this moment to die for you, if that would save you.)
4
On, on I go!—(open doors of time! open hospital doors!)
The crush’d head I dress, (poor crazed hand, tear not the bandage away;)
The neck of the cavalry-man, with the bullet through and through, I examine;
Hard the breathing rattles, quite glazed already the eye, yet life struggles hard;
(Come, sweet death! be persuaded, O beautiful death!
In mercy come quickly.)
From the stump of the arm, the amputated hand,
I undo the clotted lint, remove the slough, wash off the matter and blood;
Back on his pillow the soldier bends, with curv’d neck, and side-falling head;
His eyes are closed, his face is pale, (he dares not look on the bloody stump,
And has not yet look’d on it.)
I dress a wound in the side, deep, deep;
But a day or two more—for see, the frame all wasted already, and sinking,
And the yellow-blue countenance see.
I dress the perforated shoulder, the foot with the bullet wound,
Cleanse the one with a gnawing and putrid gangrene, so sickening, so offensive,
While the attendant stands behind aside me, holding the tray and pail.
I am faithful, I do not give out;
The fractur’d thigh, the knee, the wound in the abdomen,
These and more I dress with impassive hand—(yet deep in my breast a fire, a burning
flame.)
5
Thus in silence, in dreams’ projections,
Returning, resuming, I thread my way through the hospitals;
The hurt and wounded I pacify with soothing hand,
I sit by the restless all the dark night—some are so young;
Some suffer so much—I recall the experience sweet and sad;
(Many a soldier’s loving arms about this neck have cross’d and rested,
Many a soldier’s kiss dwells on these bearded lips.)
|
Written by
Paul Laurence Dunbar |
A lover whom duty called over the wave,
[Pg 30]With himself communed: "Will my love be true
If left to herself? Had I better not sue
Some friend to watch over her, good and grave?
But my friend might fail in my need," he said,
"And I return to find love dead.
Since friendships fade like the flow'rs of June,
I will leave her in charge of the stable moon."
Then he said to the moon: "O dear old moon,
Who for years and years from thy thrown above
Hast nurtured and guarded young lovers and love,
My heart has but come to its waiting June,
And the promise time of the budding vine;
Oh, guard thee well this love of mine."
And he harked him then while all was still,
And the pale moon answered and said, "I will."
And he sailed in his ship o'er many seas,
And he wandered wide o'er strange far strands:
In isles of the south and in Orient lands,
Where pestilence lurks in the breath of the breeze.
But his star was high, so he braved the main,
And sailed him blithely home again;
And with joy he bended his footsteps soon
To learn of his love from the matron moon.
She sat as of yore, in her olden place,
Serene as death, in her silver chair.
A white rose gleamed in her whiter hair,
And the tint of a blush was on her face.
At sight of the youth she sadly bowed
And hid her face 'neath a gracious cloud.
She faltered faint on the night's dim marge,
But "How," spoke the youth, "have you kept your charge?"
The moon was sad at a trust ill-kept;
The blush went out in her blanching cheek,
And her voice was timid and low and weak,
As she made her plea and sighed and wept.
[Pg 31]"Oh, another prayed and another plead,
And I could n't resist," she answering said;
"But love still grows in the hearts of men:
Go forth, dear youth, and love again."
But he turned him away from her proffered grace.
"Thou art false, O moon, as the hearts of men,
I will not, will not love again."
And he turned sheer 'round with a soul-sick face
To the sea, and cried: "Sea, curse the moon,
Who makes her vows and forgets so soon."
And the awful sea with anger stirred,
And his breast heaved hard as he lay and heard.
And ever the moon wept down in rain,
And ever her sighs rose high in wind;
But the earth and sea were deaf and blind,
And she wept and sighed her griefs in vain.
And ever at night, when the storm is fierce,
The cries of a wraith through the thunder pierce;
And the waves strain their awful hands on high
To tear the false moon from the sky.
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