Get Your Premium Membership

Best Famous Yew Poems

Here is a collection of the all-time best famous Yew poems. This is a select list of the best famous Yew poetry. Reading, writing, and enjoying famous Yew poetry (as well as classical and contemporary poems) is a great past time. These top poems are the best examples of yew poems.

Search and read the best famous Yew poems, articles about Yew poems, poetry blogs, or anything else Yew poem related using the PoetrySoup search engine at the top of the page.

See Also:
Written by Sylvia Plath | Create an image from this poem

The Moon And The Yew Tree

 This is the light of the mind, cold and planetary
The trees of the mind are black. The light is blue.
The grasses unload their griefs on my feet as if I were God
Prickling my ankles and murmuring of their humility
Fumy, spiritous mists inhabit this place.
Separated from my house by a row of headstones.
I simply cannot see where there is to get to.

The moon is no door. It is a face in its own right,
White as a knuckle and terribly upset.
It drags the sea after it like a dark crime; it is quiet
With the O-gape of complete despair. I live here.
Twice on Sunday, the bells startle the sky ----
Eight great tongues affirming the Resurrection
At the end, they soberly bong out their names.

The yew tree points up, it has a Gothic shape.
The eyes lift after it and find the moon.
The moon is my mother. She is not sweet like Mary.
Her blue garments unloose small bats and owls.
How I would like to believe in tenderness ----
The face of the effigy, gentled by candles,
Bending, on me in particular, its mild eyes.

I have fallen a long way. Clouds are flowering
Blue and mystical over the face of the stars
Inside the church, the saints will all be blue,
Floating on their delicate feet over the cold pews,
Their hands and faces stiff with holiness.
The moon sees nothing of this. She is bald and wild.
And the message of the yew tree is blackness -- blackness and silence


Written by John Betjeman | Create an image from this poem

Christmas

 The bells of waiting Advent ring,
The Tortoise stove is lit again
And lamp-oil light across the night
Has caught the streaks of winter rain
In many a stained-glass window sheen
From Crimson Lake to Hookers Green.

The holly in the windy hedge
And round the Manor House the yew
Will soon be stripped to deck the ledge,
The altar, font and arch and pew,
So that the villagers can say
'The church looks nice' on Christmas Day.

Provincial Public Houses blaze,
Corporation tramcars clang,
On lighted tenements I gaze,
Where paper decorations hang,
And bunting in the red Town Hall
Says 'Merry Christmas to you all'.

And London shops on Christmas Eve
Are strung with silver bells and flowers
As hurrying clerks the City leave
To pigeon-haunted classic towers,
And marbled clouds go scudding by
The many-steepled London sky.

And girls in slacks remember Dad,
And oafish louts remember Mum,
And sleepless children's hearts are glad.
And Christmas-morning bells say 'Come!'
Even to shining ones who dwell
Safe in the Dorchester Hotel.

And is it true,
This most tremendous tale of all,
Seen in a stained-glass window's hue,
A Baby in an ox's stall ?
The Maker of the stars and sea
Become a Child on earth for me ?

And is it true ? For if it is,
No loving fingers tying strings
Around those tissued fripperies,
The sweet and silly Christmas things,
Bath salts and inexpensive scent
And hideous tie so kindly meant,

No love that in a family dwells,
No carolling in frosty air,
Nor all the steeple-shaking bells
Can with this single Truth compare -
That God was man in Palestine
And lives today in Bread and Wine.
Written by Oscar Wilde | Create an image from this poem

Panthea

 Nay, let us walk from fire unto fire,
From passionate pain to deadlier delight, -
I am too young to live without desire,
Too young art thou to waste this summer night
Asking those idle questions which of old
Man sought of seer and oracle, and no reply was told.

For, sweet, to feel is better than to know,
And wisdom is a childless heritage,
One pulse of passion - youth's first fiery glow, -
Are worth the hoarded proverbs of the sage:
Vex not thy soul with dead philosophy,
Have we not lips to kiss with, hearts to love and eyes to see!

Dost thou not hear the murmuring nightingale,
Like water bubbling from a silver jar,
So soft she sings the envious moon is pale,
That high in heaven she is hung so far
She cannot hear that love-enraptured tune, -
Mark how she wreathes each horn with mist, yon late and labouring
moon.

White lilies, in whose cups the gold bees dream,
The fallen snow of petals where the breeze
Scatters the chestnut blossom, or the gleam
Of boyish limbs in water, - are not these
Enough for thee, dost thou desire more?
Alas! the Gods will give nought else from their eternal store.

For our high Gods have sick and wearied grown
Of all our endless sins, our vain endeavour
For wasted days of youth to make atone
By pain or prayer or priest, and never, never,
Hearken they now to either good or ill,
But send their rain upon the just and the unjust at will.

They sit at ease, our Gods they sit at ease,
Strewing with leaves of rose their scented wine,
They sleep, they sleep, beneath the rocking trees
Where asphodel and yellow lotus twine,
Mourning the old glad days before they knew
What evil things the heart of man could dream, and dreaming do.

And far beneath the brazen floor they see
Like swarming flies the crowd of little men,
The bustle of small lives, then wearily
Back to their lotus-haunts they turn again
Kissing each others' mouths, and mix more deep
The poppy-seeded draught which brings soft purple-lidded sleep.

There all day long the golden-vestured sun,
Their torch-bearer, stands with his torch ablaze,
And, when the gaudy web of noon is spun
By its twelve maidens, through the crimson haze
Fresh from Endymion's arms comes forth the moon,
And the immortal Gods in toils of mortal passions swoon.

There walks Queen Juno through some dewy mead,
Her grand white feet flecked with the saffron dust
Of wind-stirred lilies, while young Ganymede
Leaps in the hot and amber-foaming must,
His curls all tossed, as when the eagle bare
The frightened boy from Ida through the blue Ionian air.

There in the green heart of some garden close
Queen Venus with the shepherd at her side,
Her warm soft body like the briar rose
Which would be white yet blushes at its pride,
Laughs low for love, till jealous Salmacis
Peers through the myrtle-leaves and sighs for pain of lonely bliss.

There never does that dreary north-wind blow
Which leaves our English forests bleak and bare,
Nor ever falls the swift white-feathered snow,
Nor ever doth the red-toothed lightning dare
To wake them in the silver-fretted night
When we lie weeping for some sweet sad sin, some dead delight.

Alas! they know the far Lethaean spring,
The violet-hidden waters well they know,
Where one whose feet with tired wandering
Are faint and broken may take heart and go,
And from those dark depths cool and crystalline
Drink, and draw balm, and sleep for sleepless souls, and anodyne.

But we oppress our natures, God or Fate
Is our enemy, we starve and feed
On vain repentance - O we are born too late!
What balm for us in bruised poppy seed
Who crowd into one finite pulse of time
The joy of infinite love and the fierce pain of infinite crime.

O we are wearied of this sense of guilt,
Wearied of pleasure's paramour despair,
Wearied of every temple we have built,
Wearied of every right, unanswered prayer,
For man is weak; God sleeps: and heaven is high:
One fiery-coloured moment: one great love; and lo! we die.

Ah! but no ferry-man with labouring pole
Nears his black shallop to the flowerless strand,
No little coin of bronze can bring the soul
Over Death's river to the sunless land,
Victim and wine and vow are all in vain,
The tomb is sealed; the soldiers watch; the dead rise not again.

We are resolved into the supreme air,
We are made one with what we touch and see,
With our heart's blood each crimson sun is fair,
With our young lives each spring-impassioned tree
Flames into green, the wildest beasts that range
The moor our kinsmen are, all life is one, and all is change.

With beat of systole and of diastole
One grand great life throbs through earth's giant heart,
And mighty waves of single Being roll
From nerveless germ to man, for we are part
Of every rock and bird and beast and hill,
One with the things that prey on us, and one with what we kill.

From lower cells of waking life we pass
To full perfection; thus the world grows old:
We who are godlike now were once a mass
Of quivering purple flecked with bars of gold,
Unsentient or of joy or misery,
And tossed in terrible tangles of some wild and wind-swept sea.

This hot hard flame with which our bodies burn
Will make some meadow blaze with daffodil,
Ay! and those argent breasts of thine will turn
To water-lilies; the brown fields men till
Will be more fruitful for our love to-night,
Nothing is lost in nature, all things live in Death's despite.

The boy's first kiss, the hyacinth's first bell,
The man's last passion, and the last red spear
That from the lily leaps, the asphodel
Which will not let its blossoms blow for fear
Of too much beauty, and the timid shame
Of the young bridegroom at his lover's eyes, - these with the same

One sacrament are consecrate, the earth
Not we alone hath passions hymeneal,
The yellow buttercups that shake for mirth
At daybreak know a pleasure not less real
Than we do, when in some fresh-blossoming wood,
We draw the spring into our hearts, and feel that life is good.

So when men bury us beneath the yew
Thy crimson-stained mouth a rose will be,
And thy soft eyes lush bluebells dimmed with dew,
And when the white narcissus wantonly
Kisses the wind its playmate some faint joy
Will thrill our dust, and we will be again fond maid and boy.

And thus without life's conscious torturing pain
In some sweet flower we will feel the sun,
And from the linnet's throat will sing again,
And as two gorgeous-mailed snakes will run
Over our graves, or as two tigers creep
Through the hot jungle where the yellow-eyed huge lions sleep

And give them battle! How my heart leaps up
To think of that grand living after death
In beast and bird and flower, when this cup,
Being filled too full of spirit, bursts for breath,
And with the pale leaves of some autumn day
The soul earth's earliest conqueror becomes earth's last great
prey.

O think of it! We shall inform ourselves
Into all sensuous life, the goat-foot Faun,
The Centaur, or the merry bright-eyed Elves
That leave their dancing rings to spite the dawn
Upon the meadows, shall not be more near
Than you and I to nature's mysteries, for we shall hear

The thrush's heart beat, and the daisies grow,
And the wan snowdrop sighing for the sun
On sunless days in winter, we shall know
By whom the silver gossamer is spun,
Who paints the diapered fritillaries,
On what wide wings from shivering pine to pine the eagle flies.

Ay! had we never loved at all, who knows
If yonder daffodil had lured the bee
Into its gilded womb, or any rose
Had hung with crimson lamps its little tree!
Methinks no leaf would ever bud in spring,
But for the lovers' lips that kiss, the poets' lips that sing.

Is the light vanished from our golden sun,
Or is this daedal-fashioned earth less fair,
That we are nature's heritors, and one
With every pulse of life that beats the air?
Rather new suns across the sky shall pass,
New splendour come unto the flower, new glory to the grass.

And we two lovers shall not sit afar,
Critics of nature, but the joyous sea
Shall be our raiment, and the bearded star
Shoot arrows at our pleasure! We shall be
Part of the mighty universal whole,
And through all aeons mix and mingle with the Kosmic Soul!

We shall be notes in that great Symphony
Whose cadence circles through the rhythmic spheres,
And all the live World's throbbing heart shall be
One with our heart; the stealthy creeping years
Have lost their terrors now, we shall not die,
The Universe itself shall be our Immortality.
Written by T S (Thomas Stearns) Eliot | Create an image from this poem

Ash Wednesday

 I

Because I do not hope to turn again
Because I do not hope
Because I do not hope to turn
Desiring this man's gift and that man's scope
I no longer strive to strive towards such things
(Why should the agèd eagle stretch its wings?)
Why should I mourn
The vanished power of the usual reign?

Because I do not hope to know
The infirm glory of the positive hour
Because I do not think
Because I know I shall not know
The one veritable transitory power
Because I cannot drink
There, where trees flower, and springs flow, for there is
nothing again

Because I know that time is always time
And place is always and only place
And what is actual is actual only for one time
And only for one place
I rejoice that things are as they are and
I renounce the blessèd face
And renounce the voice
Because I cannot hope to turn again
Consequently I rejoice, having to construct something
Upon which to rejoice

And pray to God to have mercy upon us
And pray that I may forget
These matters that with myself I too much discuss
Too much explain
Because I do not hope to turn again
Let these words answer
For what is done, not to be done again
May the judgement not be too heavy upon us

Because these wings are no longer wings to fly
But merely vans to beat the air
The air which is now thoroughly small and dry
Smaller and dryer than the will
Teach us to care and not to care Teach us to sit still.

Pray for us sinners now and at the hour of our death
Pray for us now and at the hour of our death.


II 
Lady, three white leopards sat under a juniper-tree
In the cool of the day, having fed to sateity
On my legs my heart my liver and that which had been
contained
In the hollow round of my skull. And God said
Shall these bones live? shall these
Bones live? And that which had been contained
In the bones (which were already dry) said chirping:
Because of the goodness of this Lady
And because of her loveliness, and because
She honours the Virgin in meditation,
We shine with brightness. And I who am here dissembled
Proffer my deeds to oblivion, and my love
To the posterity of the desert and the fruit of the gourd.
It is this which recovers
My guts the strings of my eyes and the indigestible portions
Which the leopards reject. The Lady is withdrawn
In a white gown, to contemplation, in a white gown.
Let the whiteness of bones atone to forgetfulness.
There is no life in them. As I am forgotten
And would be forgotten, so I would forget
Thus devoted, concentrated in purpose. And God said
Prophesy to the wind, to the wind only for only
The wind will listen. And the bones sang chirping
With the burden of the grasshopper, saying

Lady of silences
Calm and distressed
Torn and most whole
Rose of memory
Rose of forgetfulness
Exhausted and life-giving
Worried reposeful
The single Rose
Is now the Garden
Where all loves end
Terminate torment
Of love unsatisfied
The greater torment
Of love satisfied
End of the endless
Journey to no end
Conclusion of all that
Is inconclusible
Speech without word and
Word of no speech
Grace to the Mother
For the Garden
Where all love ends.

Under a juniper-tree the bones sang, scattered and shining
We are glad to be scattered, we did little good to each
other,
Under a tree in the cool of day, with the blessing of sand,
Forgetting themselves and each other, united
In the quiet of the desert. This is the land which ye
Shall divide by lot. And neither division nor unity
Matters. This is the land. We have our inheritance.



III 

At the first turning of the second stair
I turned and saw below
The same shape twisted on the banister
Under the vapour in the fetid air
Struggling with the devil of the stairs who wears
The deceitul face of hope and of despair.

At the second turning of the second stair
I left them twisting, turning below;
There were no more faces and the stair was dark,
Damp, jaggèd, like an old man's mouth drivelling, beyond
repair,
Or the toothed gullet of an agèd shark.

At the first turning of the third stair
Was a slotted window bellied like the figs's fruit
And beyond the hawthorn blossom and a pasture scene
The broadbacked figure drest in blue and green
Enchanted the maytime with an antique flute.
Blown hair is sweet, brown hair over the mouth blown,
Lilac and brown hair;
Distraction, music of the flute, stops and steps of the mind
over the third stair, 
Fading, fading; strength beyond hope and despair
Climbing the third stair.


Lord, I am not worthy
Lord, I am not worthy

 but speak the word only. 

IV 
Who walked between the violet and the violet
Whe walked between
The various ranks of varied green
Going in white and blue, in Mary's colour,
Talking of trivial things
In ignorance and knowledge of eternal dolour
Who moved among the others as they walked,
Who then made strong the fountains and made fresh the springs

Made cool the dry rock and made firm the sand
In blue of larkspur, blue of Mary's colour,
Sovegna vos

Here are the years that walk between, bearing
Away the fiddles and the flutes, restoring
One who moves in the time between sleep and waking, wearing

White light folded, sheathing about her, folded.
The new years walk, restoring
Through a bright cloud of tears, the years, restoring
With a new verse the ancient rhyme. Redeem
The time. Redeem
The unread vision in the higher dream
While jewelled unicorns draw by the gilded hearse.

The silent sister veiled in white and blue
Between the yews, behind the garden god,
Whose flute is breathless, bent her head and signed but spoke
no word

But the fountain sprang up and the bird sang down
Redeem the time, redeem the dream
The token of the word unheard, unspoken

Till the wind shake a thousand whispers from the yew

And after this our exile


V 
If the lost word is lost, if the spent word is spent
If the unheard, unspoken
Word is unspoken, unheard;
Still is the unspoken word, the Word unheard,
The Word without a word, the Word within
The world and for the world;
And the light shone in darkness and
Against the Word the unstilled world still whirled
About the centre of the silent Word.

O my people, what have I done unto thee.

Where shall the word be found, where will the word
Resound? Not here, there is not enough silence
Not on the sea or on the islands, not
On the mainland, in the desert or the rain land,
For those who walk in darkness
Both in the day time and in the night time
The right time and the right place are not here
No place of grace for those who avoid the face
No time to rejoice for those who walk among noise and deny
the voice

Will the veiled sister pray for
Those who walk in darkness, who chose thee and oppose thee,
Those who are torn on the horn between season and season,
time and time, between
Hour and hour, word and word, power and power, those who wait
In darkness? Will the veiled sister pray
For children at the gate
Who will not go away and cannot pray:
Pray for those who chose and oppose

O my people, what have I done unto thee.

Will the veiled sister between the slender
Yew trees pray for those who offend her
And are terrified and cannot surrender
And affirm before the world and deny between the rocks
In the last desert before the last blue rocks
The desert in the garden the garden in the desert
Of drouth, spitting from the mouth the withered apple-seed.


O my people.


VI 
Although I do not hope to turn again
Although I do not hope
Although I do not hope to turn

Wavering between the profit and the loss
In this brief transit where the dreams cross
The dreamcrossed twilight between birth and dying
(Bless me father) though I do not wish to wish these things
From the wide window towards the granite shore
The white sails still fly seaward, seaward flying
Unbroken wings

And the lost heart stiffens and rejoices
In the lost lilac and the lost sea voices
And the weak spirit quickens to rebel
For the bent golden-rod and the lost sea smell
Quickens to recover
The cry of quail and the whirling plover
And the blind eye creates
The empty forms between the ivory gates
And smell renews the salt savour of the sandy earth

This is the time of tension between dying and birth
The place of solitude where three dreams cross
Between blue rocks
But when the voices shaken from the yew-tree drift away
Let the other yew be shaken and reply.

Blessèd sister, holy mother, spirit of the fountain, spirit
of the garden,
Suffer us not to mock ourselves with falsehood
Teach us to care and not to care
Teach us to sit still
Even among these rocks,
Our peace in His will
And even among these rocks
Sister, mother
And spirit of the river, spirit of the sea,
Suffer me not to be separated

And let my cry come unto Thee.
Written by T S (Thomas Stearns) Eliot | Create an image from this poem

Four Quartets 1: Burnt Norton

 I

Time present and time past
Are both perhaps present in time future,
And time future contained in time past.
If all time is eternally present
All time is unredeemable.
What might have been is an abstraction
Remaining a perpetual possibility
Only in a world of speculation.
What might have been and what has been
Point to one end, which is always present.
Footfalls echo in the memory
Down the passage which we did not take
Towards the door we never opened
Into the rose-garden. My words echo
Thus, in your mind.
 But to what purpose
Disturbing the dust on a bowl of rose-leaves
I do not know.
 Other echoes
Inhabit the garden. Shall we follow?
Quick, said the bird, find them, find them,
Round the corner. Through the first gate,
Into our first world, shall we follow
The deception of the thrush? Into our first world.
There they were, dignified, invisible,
Moving without pressure, over the dead leaves,
In the autumn heat, through the vibrant air,
And the bird called, in response to
The unheard music hidden in the shrubbery,
And the unseen eyebeam crossed, for the roses
Had the look of flowers that are looked at.
There they were as our guests, accepted and accepting.
So we moved, and they, in a formal pattern,
Along the empty alley, into the box circle,
To look down into the drained pool.
Dry the pool, dry concrete, brown edged,
And the pool was filled with water out of sunlight,
And the lotos rose, quietly, quietly,
The surface glittered out of heart of light,
And they were behind us, reflected in the pool.
Then a cloud passed, and the pool was empty.
Go, said the bird, for the leaves were full of children,
Hidden excitedly, containing laughter.
Go, go, go, said the bird: human kind
Cannot bear very much reality.
Time past and time future
What might have been and what has been
Point to one end, which is always present.


II

Garlic and sapphires in the mud
Clot the bedded axle-tree.
The trilling wire in the blood
Sings below inveterate scars
Appeasing long forgotten wars.
The dance along the artery
The circulation of the lymph
Are figured in the drift of stars
Ascend to summer in the tree
We move above the moving tree
In light upon the figured leaf
And hear upon the sodden floor
Below, the boarhound and the boar
Pursue their pattern as before
But reconciled among the stars.

At the still point of the turning world. Neither flesh nor fleshless;
Neither from nor towards; at the still point, there the dance is,
But neither arrest nor movement. And do not call it fixity,
Where past and future are gathered. Neither movement from nor towards,
Neither ascent nor decline. Except for the point, the still point,
There would be no dance, and there is only the dance.
I can only say, there we have been: but I cannot say where.
And I cannot say, how long, for that is to place it in time.
The inner freedom from the practical desire,
The release from action and suffering, release from the inner
And the outer compulsion, yet surrounded
By a grace of sense, a white light still and moving,
Erhebung without motion, concentration
Without elimination, both a new world
And the old made explicit, understood
In the completion of its partial ecstasy,
The resolution of its partial horror.
Yet the enchainment of past and future
Woven in the weakness of the changing body,
Protects mankind from heaven and damnation
Which flesh cannot endure.
 Time past and time future
Allow but a little consciousness.
To be conscious is not to be in time
But only in time can the moment in the rose-garden,
The moment in the arbour where the rain beat,
The moment in the draughty church at smokefall
Be remembered; involved with past and future.
Only through time time is conquered.


III

Here is a place of disaffection
Time before and time after
In a dim light: neither daylight
Investing form with lucid stillness
Turning shadow into transient beauty
With slow rotation suggesting permanence
Nor darkness to purify the soul
Emptying the sensual with deprivation
Cleansing affection from the temporal.
Neither plenitude nor vacancy. Only a flicker
Over the strained time-ridden faces
Distracted from distraction by distraction
Filled with fancies and empty of meaning
Tumid apathy with no concentration
Men and bits of paper, whirled by the cold wind
That blows before and after time,
Wind in and out of unwholesome lungs
Time before and time after.
Eructation of unhealthy souls
Into the faded air, the torpid
Driven on the wind that sweeps the gloomy hills of London,
Hampstead and Clerkenwell, Campden and Putney,
Highgate, Primrose and Ludgate. Not here
Not here the darkness, in this twittering world.

Descend lower, descend only
Into the world of perpetual solitude,
World not world, but that which is not world,
Internal darkness, deprivation
And destitution of all property,
Desiccation of the world of sense,
Evacuation of the world of fancy,
Inoperancy of the world of spirit;
This is the one way, and the other
Is the same, not in movement
But abstention from movement; while the world moves
In appetency, on its metalled ways
Of time past and time future.


IV

Time and the bell have buried the day,
The black cloud carries the sun away.
Will the sunflower turn to us, will the clematis
Stray down, bend to us; tendril and spray
Clutch and cling?

 Chill
Fingers of yew be curled
Down on us? After the kingfisher's wing
Has answered light to light, and is silent, the light is still
At the still point of the turning world.


V

Words move, music moves
Only in time; but that which is only living
Can only die. Words, after speech, reach
Into the silence. Only by the form, the pattern,
Can words or music reach
The stillness, as a Chinese jar still
Moves perpetually in its stillness.
Not the stillness of the violin, while the note lasts,
Not that only, but the co-existence,
Or say that the end precedes the beginning,
And the end and the beginning were always there
Before the beginning and after the end.
And all is always now. Words strain,
Crack and sometimes break, under the burden,
Under the tension, slip, slide, perish,
Decay with imprecision, will not stay in place,
Will not stay still. Shrieking voices
Scolding, mocking, or merely chattering,
Always assail them. The Word in the desert
Is most attacked by voices of temptation,
The crying shadow in the funeral dance,
The loud lament of the disconsolate chimera.

 The detail of the pattern is movement,
As in the figure of the ten stairs.
Desire itself is movement
Not in itself desirable;
Love is itself unmoving,
Only the cause and end of movement,
Timeless, and undesiring
Except in the aspect of time
Caught in the form of limitation
Between un-being and being.
Sudden in a shaft of sunlight
Even while the dust moves
There rises the hidden laughter
Of children in the foliage
Quick now, here, now, always—
Ridiculous the waste sad time
Stretching before and after.


Written by Aleister Crowley | Create an image from this poem

The Wizard Way

 [Dedicated to General J.C.F. Fuller]


Velvet soft the night-star glowed 
Over the untrodden road, 
Through the giant glades of yew 
Where its ray fell light as dew 
Lighting up the shimmering veil 
Maiden pure and aery frail 
That the spiders wove to hide 
Blushes of the sylvan bride 
Earth, that trembled with delight 
At the male caress of Night. 

Velvet soft the wizard trod 
To the Sabbath of his God. 
With his naked feet he made 
Starry blossoms in the glade, 
Softly, softly, as he went 
To the sombre sacrament, 
Stealthy stepping to the tryst 
In his gown of amethyst. 

Earlier yet his soul had come 
To the Hill of Martyrdom, 
Where the charred and crooked stake 
Like a black envenomed snake 
By the hangman's hands is thrust 
Through the wet and writhing dust, 
Never black and never dried 
Heart's blood of a suicide. 

He had plucked the hazel rod 
From the rude and goatish god, 
Even as the curved moon's waning ray 
Stolen from the King of Day. 
He had learnt the elvish sign; 
Given the Token of the Nine: 
Once to rave, and once to revel, 
Once to bow before the devil, 
Once to swing the thurible, 
Once to kiss the goat of hell, 
Once to dance the aspen spring, 
Once to croak, and once to sing, 
Once to oil the savoury thighs 
Of the witch with sea-green eyes 
With the unguents magical. 
Oh the honey and the gall 
Of that black enchanter's lips 
As he croons to the eclipse 
Mingling that most puissant spell 
Of the giant gods of hell 
With the four ingredients 
Of the evil elements; 
Ambergris from golden spar, 
Musk of ox from Mongol jar,
Civet from a box of jade, 
Mixed with fat of many a maid 
Slain by the inchauntments cold 
Of the witches wild and old. 

He had crucified a toad 
In the basilisk abode, 
Muttering the Runes averse 
Mad with many a mocking curse. 

He had traced the serpent sigil 
In his ghastly virgin vigil. 
Sursum cor! the elfin hill, 
Where the wind blows deadly chill 
From the world that wails beneath 
Death's black throat and lipless teeth. 
There he had stood - his bosom bare - 
Tracing Life upon the Air 
With the crook and with the flail 
Lashing forward on the gale, 
Till its blade that wavereth 
Like the flickering of Death 
Sank before his subtle fence 
To the starless sea of sense. 

Now at last the man is come 
Haply to his halidom. 
Surely as he waves his rod 
In a circle on the sod 
Springs the emerald chaste and clean 
From the duller paler green. 
Surely in the circle millions 
Of immaculate pavilions 
Flash upon the trembling turf 
Like the sea-stars in the surf -
Millions of bejewelled tents 
For the warrior sacraments. 
Vaster, vaster, vaster, vaster, 
Grows the stature of the master; 
All the ringed encampment vies 
With the infinite galaxies. 
In the midst a cubic stone 
With the Devil set thereon; 
Hath a lamb's virginal throat; 
Hath the body of a stoat; 
Hath the buttocks of a goat; 
Hath the sanguine face and rod 
Of a goddess and a god! 

Spell by spell and pace by pace! 
Mystic flashes swing and trace 
Velvet soft the sigils stepped 
By the silver-starred adept. 
Back and front, and to and fro, 
Soul and body sway and flow 
In vertiginous caresses 
To imponderable recesses, 
Till at last the spell is woven, 
And the faery veil is cloven 
That was Sequence, Space, and Stress 
Of the soul-sick consciousness. 

"Give thy body to the beasts! 
Give thy spirit to the priests! 
Break in twain the hazel rod 
On the virgin lips of God! 
Tear the Rosy Cross asunder! 
Shatter the black bolt of thunder! 
Suck the swart ensanguine kiss 
Of the resolute abyss!" 
Wonder-weft the wizard heard 
This intolerable word. 
Smote the blasting hazel rod 
On the scarlet lips of God; 
Trampled Cross and rosy core; 
Brake the thunder-tool of Thor; 
Meek and holy acolyte 
Of the priestly hells of spite,
Sleek and shameless catamite 
Of the beasts that prowl the night! 

Like a star that streams from heaven 
Through the virgin airs light-riven, 
From the lift there shot and fell 
An admirable miracle. 
Carved minute and clean, a key 
Of purest lapis-lazuli 
More blue than the blind sky that aches 
(Wreathed with the stars, her torturing snakes), 
For the dead god's kiss that never wakes; 
Shot with golden specks of fire 
Like a virgin with desire. 
Look, the levers! fern-frail fronds 
Of fantastic diamonds, 
Glimmering with ethereal azure 
In each exquisite embrasure. 
On the shaft the letters laced, 
As if dryads lunar-chaste 
With the satyrs were embraced, 
Spelled the secret of the key: 
Sic pervenias. And he 
Went his wizard way, inweaving 
Dreams of things beyond believing. 

When he will, the weary world 
Of the senses closely curled 
Like a serpent round his heart 
Shakes herself and stands apart. 
So the heart's blood flames, expanding, 
Strenuous, urgent, and commanding; 
And the key unlocks the door 
Where his love lives evermore. 

She is of the faery blood; 
All smaragdine flows its flood. 
Glowing in the amber sky 
To ensorcelled porphyry 
She hath eyes of glittering flake 
Like a cold grey water-snake. 
She hath naked breasts of amber 
Jetting wine in her bed-chamber, 
Whereof whoso stoops and drinks 
Rees the riddle of the Sphinx. 

She hath naked limbs of amber 
Whereupon her children clamber. 
She hath five navels rosy-red 
From the five wounds of God that bled; 
Each wound that mothered her still bleeding, 
And on that blood her babes are feeding. 
Oh! like a rose-winged pelican 
She hath bred blessed babes to Pan! 
Oh! like a lion-hued nightingale 
She hath torn her breast on thorns to avail 
The barren rose-tree to renew 
Her life with that disastrous dew, 
Building the rose o' the world alight 
With music out of the pale moonlight! 
O She is like the river of blood 
That broke from the lips of the bastard god, 
When he saw the sacred mother smile 
On the ibis that flew up the foam of Nile 
Bearing the limbs unblessed, unborn, 
That the lurking beast of Nile had torn! 

So (for the world is weary) I 
These dreadful souls of sense lay by. 
I sacrifice these impure shoon 
To the cold ray of the waning moon. 
I take the forked hazel staff, 
And the rose of no terrene graff, 
And the lamp of no olive oil 
With heart's blood that alone may boil. 
With naked breast and feet unshod 
I follow the wizard way to God. 

Wherever he leads my foot shall follow; 
Over the height, into the hollow, 
Up to the caves of pure cold breath, 
Down to the deeps of foul hot death, 
Across the seas, through the fires, 
Past the palace of desires; 
Where he will, whether he will or no, 
If I go, I care not whither I go. 

For in me is the taint of the faery blood. 
Fast, fast its emerald flood 
Leaps within me, violent rude 
Like a bestial faun's beatitude. 
In me the faery blood runs hard: 
My sires were a druid, a devil, a bard, 
A beast, a wizard, a snake and a satyr; 
For - as my mother said - what does it matter? 
She was a fay, pure of the faery; 
Queen Morgan's daughter by an aery 
Demon that came to Orkney once 
To pay the Beetle his orisons. 

So, it is I that writhe with the twitch 
Of the faery blood, and the wizard itch 
To attain a matter one may not utter 
Rather than sink in the greasy splutter 
Of Britons munching their bread and butter;
Ailing boys and coarse-grained girls 
Grown to sloppy women and brutal churls. 
So, I am off with staff in hand 
To the endless light of the nameless land. 

Darkness spreads its sombre streams, 
Blotting out the elfin dreams. 
I might haply be afraid, 
Were it not the Feather-maid 
Leads me softly by the hand, 
Whispers me to understand. 
Now (when through the world of weeping 
Light at last starrily creeping 
Steals upon my babe-new sight, 
Light - O light that is not light!) 
On my mouth the lips of her 
Like a stone on my sepulchre 
Seal my speech with ecstasy, 
Till a babe is born of me 
That is silent more than I; 
For its inarticulate cry 
Hushes as its mouth is pressed 
To the pearl, her honey breast; 
While its breath divinely ripples 
The rose-petals of her nipples, 
And the jetted milk he laps
From the soft delicious paps, 
Sweeter than the bee-sweet showers 
In the chalice of the flowers, 
More intoxicating than
All the purple grapes of Pan. 

Ah! my proper lips are stilled. 
Only, all the world is filled 
With the Echo, that drips over 
Like the honey from the clover. 
Passion, penitence, and pain 
Seek their mother's womb again, 
And are born the triple treasure, 
Peace and purity and pleasure. 

- Hush, my child, and come aloft 
Where the stars are velvet soft!
Written by Thomas Gray | Create an image from this poem

Elegy Written In A Country Churchyard

 The curfew tolls the knell of parting day,
The lowing herd wind slowly o'er the lea,
The ploughman homeward plods his weary way,
And leaves the world to darkness and to me.

Now fades the glimmering landscape on the sight,
And all the air a solemn stillness holds,
Save where the beetle wheels his droning flight,
And drowsy tinklings lull the distant folds;

Save that from yonder ivy-mantled tower
The moping owl does to the moon complain
Of such as, wandering near her secret bower,
Molest her ancient solitary reign.

Beneath those rugged elms, that yew-tree's shade,
Where heaves the turf in many a mould'ring heap,
Each in his narrow cell for ever laid,
The rude forefathers of the hamlet sleep.

The breezy call of incense-breathing morn,
The swallow twittering from the straw-built shed,
The cock's shrill clarion, or the echoing horn,
No more shall rouse them from their lowly bed.

For them no more the blazing hearth shall burn,
Or busy housewife ply her evening-care;
No children run to lisp their sire's return,
Or climb his knees the envied kiss to share.

Oft did the harvest to their sickle yield,
Their furrow oft the stubborn glebe has broke:
How jocund did they drive their team afield!
How bowed the woods beneath their sturdy stroke!

Let not Ambition mock their useful toil,
Their homely joys and destiny obscure;
Nor Grandeur hear with a disdainful smile
The short and simple annals of the poor.

The boast of heraldry, the pomp of pow'r,
And all that beauty, all that wealth e'er gave,
Awaits alike th' inevitable hour.
The paths of glory lead but to the grave.

Nor you, ye proud, impute to these the fault,
If Memory o'er their tomb no trophies raise,
Where through the long-drawn aisle, and fretted vault,
The pealing anthem swells the note of praise.

Can storied urn, or animated bust,
Back to its mansion call the fleeting breath?
Can Honour's voice provoke the silent dust,
Or Flattery soothe the dull cold ear of Death?

Perhaps in this neglected spot is laid
Some heart once pregnant with celestial fire;
Hands, that the rod of empire might have swayed,
Or waked to ecstasy the living lyre;

But Knowledge to their eyes her ample page,
Rich with the spoils of Time, did ne'er unroll;
Chill Penury repressed their noble rage,
And froze the genial current of the soul.

Full many a gem of purest ray serene
The dark unfathomed caves of ocean bear;
Full many a flower is born to blush unseen,
And waste its sweetness on the desert air.

Some village-Hampden that with dauntless breast
The little tyrant of his fields withstood,
Some mute inglorious Milton here may rest,
Some Cromwell, guiltless of his country's blood.

Th' applause of list'ning senates to command,
The threats of pain and ruin to despise,
To scatter plenty o'er a smiling land,
And read their history in a nation's eyes,

Their lot forbad: nor circumscribed alone
Their growing virtues, but their crimes confined;
Forbad to wade through slaughter to a throne,
And shut the Gates of Mercy on mankind,

The struggling pangs of conscious truth to hide,
To quench the blushes of ingenuous shame,
Or heap the shrine of Luxury and Pride
With incense kindled at the Muse's flame.

Far from the madding crowd's ignoble strife
Their sober wishes never learned to stray;
Along the cool sequestered vale of life
They kept the noiseless tenor of their way.

Yet ev'n these bones from insult to protect
Some frail memorial still erected nigh,
With uncouth rhymes and shapeless sculpture decked,
Implores the passing tribute of a sigh.

Their name, their years, spelt by th' unlettered Muse,
The place of fame and elegy supply:
And many a holy text around she strews,
That teach the rustic moralist to die.

For who, to dumb Forgetfulness a prey,
This pleasing anxious being e'er resigned,
Left the warm precincts of the cheerful day,
Nor cast one longing ling'ring look behind?

On some fond breast the parting soul relies,
Some pious drops the closing eye requires;
Ev'n from the tomb the voice of Nature cries,
Ev'n in our ashes live their wonted fires.

For thee, who, mindful of th' unhonoured dead,
Dost in these lines their artless tale relate;
If chance, by lonely Contemplation led,
Some kindred spirit shall enquire thy fate,— 

Haply some hoary-headed swain may say
"Oft have we seen him at the peep of dawn
Brushing with hasty steps the dews away
To meet the sun upon the upland lawn;

"There at the foot of yonder nodding beech,
That wreathes its old fantastic roots so high,
His listless length at noon-tide would he stretch,
And pore upon the brook that babbles by.

"Hard by yon wood, now smiling as in scorn,
Mutt'ring his wayward fancies would he rove;
Now drooping, woeful-wan, like one forlorn,
Or crazed with care, or crossed in hopeless love.

"One morn I missed him from the customed hill,
Along the heath, and near his fav'rite tree;
Another came; nor yet beside the rill,
Nor up the lawn, nor at the wood was he:

"The next, with dirges due in sad array
Slow through the church-way path we saw him borne,— 
Approach and read, for thou can'st read, the lay
Graved on the stone beneath yon aged thorn."

THE EPITAPH

Here rests his head upon the lap of earth
A Youth, to Fortune and to Fame unknown:
Fair Science frowned not on his humble birth,
And Melancholy marked him for her own.

Large was his bounty, and his soul sincere,
Heaven did a recompense as largely send:
He gave to Misery (all he had) a tear,
He gained from Heaven ('twas all he wished) a friend.

No farther seek his merits to disclose,
Or draw his frailties from their dread abode,
(There they alike in trembling hope repose,)
The bosom of his Father and his God.
Written by Thomas Hood | Create an image from this poem

Autumn

 I Saw old Autumn in the misty morn 
Stand shadowless like Silence, listening 
To silence, for no lonely bird would sing 
Into his hollow ear from woods forlorn, 
Nor lowly hedge nor solitary thorn;— 
Shaking his languid locks all dewy bright 
With tangled gossamer that fell by night, 
Pearling his coronet of golden corn. 

Where are the songs of Summer?—With the sun, 
Oping the dusky eyelids of the south, 
Till shade and silence waken up as one, 
And Morning sings with a warm odorous mouth. 
Where are the merry birds?—Away, away, 
On panting wings through the inclement skies, 
Lest owls should prey 
Undazzled at noonday, 
And tear with horny beak their lustrous eyes. 

Where are the blooms of Summer?—In the west, 
Blushing their last to the last sunny hours, 
When the mild Eve by sudden Night is prest 
Like tearful Proserpine, snatch'd from her flow'rs 
To a most gloomy breast. 
Where is the pride of Summer,—the green prime,— 
The many, many leaves all twinkling?—Three 
On the moss'd elm; three on the naked lime 
Trembling,—and one upon the old oak-tree! 
Where is the Dryad's immortality?— 
Gone into mournful cypress and dark yew, 
Or wearing the long gloomy Winter through 
In the smooth holly's green eternity. 

The squirrel gloats on his accomplish'd hoard, 
The ants have brimm'd their garners with ripe grain, 
And honey bees have stored 
The sweets of Summer in their luscious cells; 
The swallows all have wing'd across the main; 
But here the Autumn melancholy dwells, 
And sighs her tearful spells 
Amongst the sunless shadows of the plain. 
Alone, alone, 
Upon a mossy stone, 
She sits and reckons up the dead and gone 
With the last leaves for a love-rosary, 
Whilst all the wither'd world looks drearily, 
Like a dim picture of the drownèd past 
In the hush'd mind's mysterious far away, 
Doubtful what ghostly thing will steal the last 
Into that distance, gray upon the gray. 

O go and sit with her, and be o'ershaded 
Under the languid downfall of her hair: 
She wears a coronal of flowers faded 
Upon her forehead, and a face of care;— 
There is enough of wither'd everywhere 
To make her bower,—and enough of gloom; 
There is enough of sadness to invite, 
If only for the rose that died, whose doom 
Is Beauty's,—she that with the living bloom 
Of conscious cheeks most beautifies the light: 
There is enough of sorrowing, and quite 
Enough of bitter fruits the earth doth bear,— 
Enough of chilly droppings for her bowl; 
Enough of fear and shadowy despair, 
To frame her cloudy prison for the soul!
Written by William Butler Yeats | Create an image from this poem

Supernatural Songs

 I. Ribh at the Tomb of Baile and Aillinn

Because you have found me in the pitch-dark night
With open book you ask me what I do.
Mark and digest my tale, carry it afar
To those that never saw this tonsured head
Nor heard this voice that ninety years have cracked.
Of Baile and Aillinn you need not speak,
All know their tale, all know what leaf and twig,
What juncture of the apple and the yew,
Surmount their bones; but speak what none have heard.

The miracle that gave them such a death
Transfigured to pure substance what had once
Been bone and sinew; when such bodies join
There is no touching here, nor touching there,
Nor straining joy, but whole is joined to whole;
For the intercourse of angels is a light
Where for its moment both seem lost, consumed.

Here in the pitch-dark atmosphere above
The trembling of the apple and the yew,
Here on the anniversary of their death,
The anniversary of their first embrace,
Those lovers, purified by tragedy,
Hurry into each other's arms; these eyes,
By water, herb and solitary prayer
Made aquiline, are open to that light.
Though somewhat broken by the leaves, that light
Lies in a circle on the grass; therein
I turn the pages of my holy book.

II. Ribh denounces Patrick

An abstract Greek absurdity has crazed the man -
Recall that masculine Trinity. Man, woman, child 
 (daughter or son),
That's how all natural or supernatural stories run.

Natural and supernatural with the self-same ring are wed.
As man, as beast, as an ephemeral fly begets, Godhead begets 
 Godhead,
For things below are copies, the Great Smaragdine Tablet said.

Yet all must copy copies, all increase their kind;
When the conflagration of their passion sinks, damped by the 
 body or the mind,
That juggling nature mounts, her coil in their embraces 
 twined.

The mirror-scaled serpent is multiplicity,
But all that run in couples, on earth, in flood or air, share God that is but three,
And could beget or bear themselves could they but love as He.

III. Ribh in Ecstasy

What matter that you understood no word!
Doubtless I spoke or sang what I had heard
In broken sentences. My soul had found
All happiness in its own cause or ground.
Godhead on Godhead in sexual spasm begot
Godhead. Some shadow fell. My soul forgot
Those amorous cries that out of quiet come
And must the common round of day resume.

IV. There

There all the barrel-hoops are knit,
There all the serpent-tails are bit,
There all the gyres converge in one,
There all the planets drop in the Sun.

V. Ribh considers Christian Love insufficient

Why should I seek for love or study it?
It is of God and passes human wit.
I study hatred with great diligence,
For that's a passion in my own control,
A sort of besom that can clear the soul
Of everything that is not mind or sense.

Why do I hate man, woman or event?
That is a light my jealous soul has sent.
From terror and deception freed it can
Discover impurities, can show at last
How soul may walk when all such things are past,
How soul could walk before such things began.

Then my delivered soul herself shall learn
A darker knowledge and in hatred turn
From every thought of God mankind has had.
Thought is a garment and the soul's a bride
That cannot in that trash and tinsel hide:
Hatred of God may bring the soul to God.

At stroke of midnight soul cannot endure
A bodily or mental furniture.
What can she take until her Master give!
Where can she look until He make the show!
What can she know until He bid her know!
How can she live till in her blood He live!

VI. He and She

As the moon sidles up
Must she sidle up,
As trips the scared moon
Away must she trip:
'His light had struck me blind
Dared I stop".

She sings as the moon sings:
'I am I, am I;
The greater grows my light
The further that I fly.'
All creation shivers
With that sweet cry.

VII. What Magic Drum?

He holds him from desire, all but stops his breathing lest
primordial Motherhood forsake his limbs, the child no longer 
 rest,
Drinking joy as it were milk upon his breast.

Through light-obliterating garden foliage what magic drum?
Down limb and breast or down that glimmering belly move 
 his mouth and sinewy tongue.
What from the forest came? What beast has licked its young?

VIII. Whence had they come?

Eternity is passion, girl or boy
Cry at the onset of their sexual joy
'For ever and for ever'; then awake
Ignorant what Dramatis personae spake;
A passion-driven exultant man sings out
Sentences that he has never thought;
The Flagellant lashes those submissive loins
Ignorant what that dramatist enjoins,
What master made the lash. Whence had they come,
The hand and lash that beat down frigid Rome?
What sacred drama through her body heaved
When world-transforming Charlemagne was conceived?

IX. The Four Ages of Man

He with body waged a fight,
But body won; it walks upright.

Then he struggled with the heart;
Innocence and peace depart.

Then he struggled with the mind;
His proud heart he left behind.

Now his wars on God begin;
At stroke of midnight God shall win.

X. Conjunctions

If Jupiter and Saturn meet,
What a cop of mummy wheat!

The sword's a cross; thereon He died:
On breast of Mars the goddess sighed.

XI. A Needle's Eye

All the stream that's roaring by
Came out of a needle's eye;
Things unborn, things that are gone,
From needle's eye still goad it on.

XII. Meru

Civilisation is hooped together, brought
Under a mle, under the semblance of peace
By manifold illusion; but man's life is thought,
And he, despite his terror, cannot cease
Ravening through century after century,
Ravening, raging, and uprooting that he may come
Into the desolation of reality:
Egypt and Greece, good-bye, and good-bye, Rome!
Hermits upon Mount Meru or Everest,
Caverned in night under the drifted snow,
Or where that snow and winter's dreadful blast
Beat down upon their naked bodies, know
That day brings round the night, that before dawn
His glory and his monuments are gone.
Written by Johann Wolfgang von Goethe | Create an image from this poem

Three Odes To My Friend

 THESE are the most singular of all the Poems 
of Goethe, and to many will appear so wild and fantastic, as to 
leave anything but a pleasing impression. Those at the beginning, 
addressed to his friend Behrisch, were written at the age of eighteen, 
and most of the remainder were composed while he was still quite 
young. Despite, however, the extravagance of some of them, such 
as the Winter Journey over the Hartz Mountains, and the Wanderer's 
Storm-Song, nothing can be finer than the noble one entitled Mahomet's 
Song, and others, such as the Spirit Song' over the Waters, The 
God-like, and, above all, the magnificent sketch of Prometheus, 
which forms part of an unfinished piece bearing the same name, and 
called by Goethe a 'Dramatic Fragment.'

 TO MY FRIEND.

 [These three Odes are addressed to a certain 
Behrisch, who was tutor to Count Lindenau, and of whom Goethe gives 
an odd account at the end of the Seventh Book of his Autobiography.]

FIRST ODE.

TRANSPLANT the beauteous tree!
Gardener, it gives me pain;
A happier resting-place
Its trunk deserved.

Yet the strength of its nature
To Earth's exhausting avarice,
To Air's destructive inroads,
An antidote opposed.

See how it in springtime
Coins its pale green leaves!
Their orange-fragrance
Poisons each flyblow straight.

The caterpillar's tooth
Is blunted by them;
With silv'ry hues they gleam
In the bright sunshine,

Its twigs the maiden
Fain would twine in
Her bridal-garland;
Youths its fruit are seeking.

See, the autumn cometh!
The caterpillar
Sighs to the crafty spider,--
Sighs that the tree will not fade.

Hov'ring thither
From out her yew-tree dwelling,
The gaudy foe advances
Against the kindly tree,

And cannot hurt it,
But the more artful one
Defiles with nauseous venom
Its silver leaves;

And sees with triumph
How the maiden shudders,
The youth, how mourns he,
On passing by.

Transplant the beauteous tree!
Gardener, it gives me pain;
Tree, thank the gardener
Who moves thee hence!

 1767.









SECOND ODE.

THOU go'st! I murmur--
Go! let me murmur.
Oh, worthy man,
Fly from this land!

Deadly marshes,
Steaming mists of October
Here interweave their currents,
Blending for ever.

Noisome insects
Here are engender'd;
Fatal darkness
Veils their malice.

The fiery-tongued serpent,
Hard by the sedgy bank,
Stretches his pamper'd body,
Caress'd by the sun's bright beams.

Tempt no gentle night-rambles
Under the moon's cold twilight!
Loathsome toads hold their meetings
Yonder at every crossway.

Injuring not,
Fear will they cause thee.
Oh, worthy man,
Fly from this land!

 1767.

THIRD ODE.

BE void of feeling!
A heart that soon is stirr'd,
Is a possession sad
Upon this changing earth.

Behrisch, let spring's sweet smile
Never gladden thy brow!
Then winter's gloomy tempests
Never will shadow it o'er.

Lean thyself ne'er on a maiden's
Sorrow-engendering breast.
Ne'er on the arm,
Misery-fraught, of a friend.

Already envy
From out his rocky ambush
Upon thee turns
The force of his lynx-like eyes,

Stretches his talons,
On thee falls,
In thy shoulders
Cunningly plants them.

Strong are his skinny arms,
As panther-claws;
He shaketh thee,
And rends thy frame.

Death 'tis to part,
'Tis threefold death
To part, not hoping
Ever to meet again.

Thou wouldst rejoice to leave
This hated land behind,
Wert thou not chain'd to me
With friendships flowery chains.

Burst them! I'll not repine.
No noble friend
Would stay his fellow-captive,
If means of flight appear.

The remembrance
Of his dear friend's freedom
Gives him freedom
In his dungeon.

Thou go'st,--I'm left.
But e'en already
The last year's winged spokes
Whirl round the smoking axle.

I number the turns
Of the thundering wheel;
The last one I bless.--
Each bar then is broken, I'm free then as thou!

 1767.

Book: Radiant Verses: A Journey Through Inspiring Poetry