Written by
Rabindranath Tagore |
Mother, let us imagine we are travelling, and passing through a
strange and dangerous country.
You are riding in a palanquin and I am trotting by you on a
red horse.
It is evening and the sun goes down. The waste of Joradighi
lies wan and grey before us. The land is desolate and barren.
You are frightened and thinking-"I know not where we have come
to."
I say to you, "Mother, do not be afraid."
The meadow is prickly with spiky grass, and through it runs
a narrow broken path.
There are no cattle to be seen in the wide field; they have
gone to their village stalls.
It grows dark and dim on the land and sky, and we cannot tell
where we are going.
Suddenly you call me and ask me in a whisper, "What light is
that near the bank?"
Just then there bursts out a fearful yell, and figures come
running towards us.
You sit crouched in your palanquin and repeat the names of the
gods in prayer.
The bearers, shaking in terror, hide themselves in the thorny
bush.
I shout to you, "Don't be afraid, mother. I am here."
With long sticks in their hands and hair all wild about their
heads, they come nearer and nearer.
I shout, "Have a care, you villains! One step more and you are
dead men."
They give another terrible yell and rush forward.
You clutch my hand and say, "Dear boy, for heaven's sake, keep
away from them."
I say, "Mother, just you watch me."
Then I spur my horse for a wild gallop, and my sword and
buckler clash against each other.
The fight becomes so fearful, mother, that it would give you
a cold shudder could you see it from your palanquin.
Many of them fly, and a great number are cut to pieces.
I know you are thinking, sitting all by yourself, that your
boy must be dead by this time.
But I come to you all stained with blood, and say,"Mother, the
fight is over now."
You come out and kiss me, pressing me to your heart, and you
say to yourself,
"I don't know what I should do if I hadn't my boy to escort
me."
A thousand useless things happen day after day, and why
couldn't such a thing come true by chance?
It would be like a story in a book.
My brother would say, "Is it possible? I always thought he was
so delicate!"
Our village people would all say in amazement, "Was it not
lucky that the boy was with his mother?"
|
Written by
Allen Ginsberg |
I
What new element before us unborn in nature? Is there
a new thing under the Sun?
At last inquisitive Whitman a modern epic, detonative,
Scientific theme
First penned unmindful by Doctor Seaborg with poison-
ous hand, named for Death's planet through the
sea beyond Uranus
whose chthonic ore fathers this magma-teared Lord of
Hades, Sire of avenging Furies, billionaire Hell-
King worshipped once
with black sheep throats cut, priests's face averted from
underground mysteries in single temple at Eleusis,
Spring-green Persephone nuptialed to his inevitable
Shade, Demeter mother of asphodel weeping dew,
her daughter stored in salty caverns under white snow,
black hail, grey winter rain or Polar ice, immemor-
able seasons before
Fish flew in Heaven, before a Ram died by the starry
bush, before the Bull stamped sky and earth
or Twins inscribed their memories in clay or Crab'd
flood
washed memory from the skull, or Lion sniffed the
lilac breeze in Eden--
Before the Great Year began turning its twelve signs,
ere constellations wheeled for twenty-four thousand
sunny years
slowly round their axis in Sagittarius, one hundred
sixty-seven thousand times returning to this night
Radioactive Nemesis were you there at the beginning
black dumb tongueless unsmelling blast of Disil-
lusion?
I manifest your Baptismal Word after four billion years
I guess your birthday in Earthling Night, I salute your
dreadful presence last majestic as the Gods,
Sabaot, Jehova, Astapheus, Adonaeus, Elohim, Iao,
Ialdabaoth, Aeon from Aeon born ignorant in an
Abyss of Light,
Sophia's reflections glittering thoughtful galaxies, whirl-
pools of starspume silver-thin as hairs of Einstein!
Father Whitman I celebrate a matter that renders Self
oblivion!
Grand Subject that annihilates inky hands & pages'
prayers, old orators' inspired Immortalities,
I begin your chant, openmouthed exhaling into spacious
sky over silent mills at Hanford, Savannah River,
Rocky Flats, Pantex, Burlington, Albuquerque
I yell thru Washington, South Carolina, Colorado,
Texas, Iowa, New Mexico,
Where nuclear reactors creat a new Thing under the
Sun, where Rockwell war-plants fabricate this death
stuff trigger in nitrogen baths,
Hanger-Silas Mason assembles the terrified weapon
secret by ten thousands, & where Manzano Moun-
tain boasts to store
its dreadful decay through two hundred forty millenia
while our Galaxy spirals around its nebulous core.
I enter your secret places with my mind, I speak with
your presence, I roar your Lion Roar with mortal
mouth.
One microgram inspired to one lung, ten pounds of
heavy metal dust adrift slow motion over grey
Alps
the breadth of the planet, how long before your radiance
speeds blight and death to sentient beings?
Enter my body or not I carol my spirit inside you,
Unnaproachable Weight,
O heavy heavy Element awakened I vocalize your con-
sciousness to six worlds
I chant your absolute Vanity. Yeah monster of Anger
birthed in fear O most
Ignorant matter ever created unnatural to Earth! Delusion
of metal empires!
Destroyer of lying Scientists! Devourer of covetous
Generals, Incinerator of Armies & Melter of Wars!
Judgement of judgements, Divine Wind over vengeful
nations, Molester of Presidents, Death-Scandal of
Capital politics! Ah civilizations stupidly indus-
trious!
Canker-Hex on multitudes learned or illiterate! Manu-
factured Spectre of human reason! O solidified
imago of practicioner in Black Arts
I dare your reality, I challenge your very being! I
publish your cause and effect!
I turn the wheel of Mind on your three hundred tons!
Your name enters mankind's ear! I embody your
ultimate powers!
My oratory advances on your vaunted Mystery! This
breath dispels your braggart fears! I sing your
form at last
behind your concrete & iron walls inside your fortress
of rubber & translucent silicon shields in filtered
cabinets and baths of lathe oil,
My voice resounds through robot glove boxes & ignot
cans and echoes in electric vaults inert of atmo-
sphere,
I enter with spirit out loud into your fuel rod drums
underground on soundless thrones and beds of
lead
O density! This weightless anthem trumpets transcendent
through hidden chambers and breaks through
iron doors into the Infernal Room!
Over your dreadful vibration this measured harmony
floats audible, these jubilant tones are honey and
milk and wine-sweet water
Poured on the stone black floor, these syllables are
barley groats I scatter on the Reactor's core,
I call your name with hollow vowels, I psalm your Fate
close by, my breath near deathless ever at your
side
to Spell your destiny, I set this verse prophetic on your
mausoleum walls to seal you up Eternally with
Diamond Truth! O doomed Plutonium.
II
The Bar surveys Plutonian history from midnight
lit with Mercury Vapor streetlamps till in dawn's
early light
he contemplates a tranquil politic spaced out between
Nations' thought-forms proliferating bureaucratic
& horrific arm'd, Satanic industries projected sudden
with Five Hundred Billion Dollar Strength
around the world same time this text is set in Boulder,
Colorado before front range of Rocky Mountains
twelve miles north of Rocky Flats Nuclear Facility in
United States of North America, Western Hemi-
sphere
of planet Earth six months and fourteen days around
our Solar System in a Spiral Galaxy
the local year after Dominion of the last God nineteen
hundred seventy eight
Completed as yellow hazed dawn clouds brighten East,
Denver city white below
Blue sky transparent rising empty deep & spacious to a
morning star high over the balcony
above some autos sat with wheels to curb downhill
from Flatiron's jagged pine ridge,
sunlit mountain meadows sloped to rust-red sandstone
cliffs above brick townhouse roofs
as sparrows waked whistling through Marine Street's
summer green leafed trees.
III
This ode to you O Poets and Orators to come, you
father Whitman as I join your side, you Congress
and American people,
you present meditators, spiritual friends & teachers,
you O Master of the Diamond Arts,
Take this wheel of syllables in hand, these vowels and
consonants to breath's end
take this inhalation of black poison to your heart, breath
out this blessing from your breast on our creation
forests cities oceans deserts rocky flats and mountains
in the Ten Directions pacify with exhalation,
enrich this Plutonian Ode to explode its empty thunder
through earthen thought-worlds
Magnetize this howl with heartless compassion, destroy
this mountain of Plutonium with ordinary mind
and body speech,
thus empower this Mind-guard spirit gone out, gone
out, gone beyond, gone beyond me, Wake space,
so Ah!
July 14, 1978
|
Written by
Ernest Lawrence Thayer |
The outlook wasn't brilliant for the Mudville nine that day,
The score stood four to two, with but one inning more to play.
And then when Cooney died at first, and Barrows did the same,
A pall-like silence fell upon the patrons of the game.
A straggling few got up to go in deep despair.
The rest clung to that hope which springs eternal in the human breast.
They thought, "if only Casey could but get a whack at that.
We'd put up even money now, with Casey at the bat."
But Flynn preceded Casey, as did also Jimmy Blake;
and the former was a hoodoo, while the latter was a cake.
So upon that stricken multitude, grim melancholy sat;
for there seemed but little chance of Casey getting to the bat.
But Flynn let drive a single, to the wonderment of all.
And Blake, the much despised, tore the cover off the ball.
And when the dust had lifted,
and men saw what had occurred,
there was Jimmy safe at second and Flynn a-hugging third.
Then from five thousand throats and more there rose a lusty yell;
it rumbled through the valley, it rattled in the dell;
it pounded through on the mountain and recoiled upon the flat;
for Casey, mighty Casey, was advancing to the bat.
There was ease in Casey's manner as he stepped into his place,
there was pride in Casey's bearing and a smile lit Casey's face.
And when, responding to the cheers, he lightly doffed his hat,
no stranger in the crowd could doubt t'was Casey at the bat.
Ten thousand eyes were on him as he rubbed his hands with dirt.
Five thousand tongues applauded when he wiped them on his shirt.
Then, while the writhing pitcher ground the ball into his hip,
defiance flashed in Casey's eye, a sneer curled Casey's lip.
And now the leather-covered sphere came hurtling through the air,
and Casey stood a-watching it in haughty grandeur there.
Close by the sturdy batsman the ball unheeded sped --
"That ain't my style," said Casey.
"Strike one!" the umpire said.
From the benches, black with people, there went up a muffled roar,
like the beating of the storm waves on a stern and distant shore.
"Kill him! Kill the umpire!" shouted someone on the stand,
and it's likely they'd have killed him had not Casey raised his hand.
With a smile of Christian charity, great Casey's visage shone,
he stilled the rising tumult, he bade the game go on.
He signaled to the pitcher, and once more the dun sphere flew,
but Casey still ignored it, and the umpire said, "Strike two!"
"Fraud!" cried the maddened thousands, and echo answered "Fraud!"
But one scornful look from Casey and the audience was awed.
They saw his face grow stern and cold, they saw his muscles strain,
and they knew that Casey wouldn't let that ball go by again.
The sneer has fled from Casey's lip, the teeth are clenched in hate.
He pounds, with cruel violence, his bat upon the plate.
And now the pitcher holds the ball, and now he lets it go,
and now the air is shattered by the force of Casey's blow.
Oh, somewhere in this favored land the sun is shining bright.
The band is playing somewhere, and somewhere hearts are light.
And, somewhere men are laughing, and little children shout,
but there is no joy in Mudville
mighty Casey has struck out.
|
Written by
Billy Collins |
As sure as prehistoric fish grew legs
and sauntered off the beaches into forests
working up some irregular verbs for their
first conversation, so three-year-old children
enter the phase of name-calling.
Every day a new one arrives and is added
to the repertoire. You Dumb Goopyhead,
You Big Sewerface, You Poop-on-the-Floor
(a kind of Navaho ring to that one)
they yell from knee level, their little mugs
flushed with challenge.
Nothing Samuel Johnson would bother tossing out
in a pub, but then the toddlers are not trying
to devastate some fatuous Enlightenment hack.
They are just tormenting their fellow squirts
or going after the attention of the giants
way up there with their cocktails and bad breath
talking baritone nonsense to other giants,
waiting to call them names after thanking
them for the lovely party and hearing the door close.
The mature save their hothead invective
for things: an errant hammer, tire chains,
or receding trains missed by seconds,
though they know in their adult hearts,
even as they threaten to banish Timmy to bed
for his appalling behavior,
that their bosses are Big Fatty Stupids,
their wives are Dopey Dopeheads
and that they themselves are Mr. Sillypants.
|
Written by
James Whitcomb Riley |
New Castle, July 4, 1878
or a hundred years the pulse of time
Has throbbed for Liberty;
For a hundred years the grand old clime
Columbia has been free;
For a hundred years our country's love,
The Stars and Stripes, has waved above.
Away far out on the gulf of years--
Misty and faint and white
Through the fogs of wrong--a sail appears,
And the Mayflower heaves in sight,
And drifts again, with its little flock
Of a hundred souls, on Plymouth Rock.
Do you see them there--as long, long since--
Through the lens of History;
Do you see them there as their chieftain prints
In the snow his bended knee,
And lifts his voice through the wintry blast
In thanks for a peaceful home at last?
Though the skies are dark and the coast is bleak,
And the storm is wild and fierce,
Its frozen flake on the upturned cheek
Of the Pilgrim melts in tears,
And the dawn that springs from the darkness there
Is the morning light of an answered prayer.
The morning light of the day of Peace
That gladdens the aching eyes,
And gives to the soul that sweet release
That the present verifies,--
Nor a snow so deep, nor a wind so chill
To quench the flame of a freeman's will!
II
Days of toil when the bleeding hand
Of the pioneer grew numb,
When the untilled tracts of the barren land
Where the weary ones had come
Could offer nought from a fruitful soil
To stay the strength of the stranger's toil.
Days of pain, when the heart beat low,
And the empty hours went by
Pitiless, with the wail of woe
And the moan of Hunger's cry--
When the trembling hands upraised in prayer
Had only the strength to hold them there.
Days when the voice of hope had fled--
Days when the eyes grown weak
Were folded to, and the tears they shed
Were frost on a frozen cheek--
When the storm bent down from the skies and gave
A shroud of snow for the Pilgrim's grave.
Days at last when the smiling sun
Glanced down from a summer sky,
And a music rang where the rivers run,
And the waves went laughing by;
And the rose peeped over the mossy bank
While the wild deer stood in the stream and drank.
And the birds sang out so loud and good,
In a symphony so clear
And pure and sweet that the woodman stood
With his ax upraised to hear,
And to shape the words of the tongue unknown
Into a language all his own--
1
'Sing! every bird, to-day!
Sing for the sky so clear,
And the gracious breath of the atmosphere
Shall waft our cares away.
Sing! sing! for the sunshine free;
Sing through the land from sea to sea;
Lift each voice in the highest key
And sing for Liberty!'
2
'Sing for the arms that fling
Their fetters in the dust
And lift their hands in higher trust
Unto the one Great King;
Sing for the patriot heart and hand;
Sing for the country they have planned;
Sing that the world may understand
This is Freedom's land!'
3
'Sing in the tones of prayer,
Sing till the soaring soul
Shall float above the world's control
In freedom everywhere!
Sing for the good that is to be,
Sing for the eyes that are to see
The land where man at last is free,
O sing for liberty!'
III
A holy quiet reigned, save where the hand
Of labor sent a murmur through the land,
And happy voices in a harmony
Taught every lisping breeze a melody.
A nest of cabins, where the smoke upcurled
A breathing incense to the other world.
A land of languor from the sun of noon,
That fainted slowly to the pallid moon,
Till stars, thick-scattered in the garden-land
Of Heaven by the great Jehovah's hand,
Had blossomed into light to look upon
The dusky warrior with his arrow drawn,
As skulking from the covert of the night
With serpent cunning and a fiend's delight,
With murderous spirit, and a yell of hate
The voice of Hell might tremble to translate:
When the fond mother's tender lullaby
Went quavering in shrieks all suddenly,
And baby-lips were dabbled with the stain
Of crimson at the bosom of the slain,
And peaceful homes and fortunes ruined--lost
In smoldering embers of the holocaust.
Yet on and on, through years of gloom and strife,
Our country struggled into stronger life;
Till colonies, like footprints in the sand,
Marked Freedom's pathway winding through the land--
And not the footprints to be swept away
Before the storm we hatched in Boston Bay,--
But footprints where the path of war begun
That led to Bunker Hill and Lexington,--
For he who "dared to lead where others dared
To follow" found the promise there declared
Of Liberty, in blood of Freedom's host
Baptized to Father, Son, and Holy Ghost!
Oh, there were times when every patriot breast
Was riotous with sentiments expressed
In tones that swelled in volume till the sound
Of lusty war itself was well-nigh drowned.
Oh, those were times when happy eyes with tears
Brimmed o'er as all the misty doubts and fears
Were washed away, and Hope with gracious mien,
Reigned from her throne again a sovereign queen.
Until at last, upon a day like this
When flowers were blushing at the summer's kiss,
And when the sky was cloudless as the face
Of some sweet infant in its angel grace,--
There came a sound of music, thrown afloat
Upon the balmy air--a clanging note
Reiterated from the brazen throat
Of Independence Bell: A sound so sweet,
The clamoring throngs of people in the streets
Were stilled as at the solemn voice of prayer,
And heads were bowed, and lips were moving there
That made no sound--until the spell had passed,
And then, as when all sudden comes the blast
Of some tornado, came the cheer on cheer
Of every eager voice, while far and near
The echoing bells upon the atmosphere
Set glorious rumors floating, till the ear
Of every listening patriot tingled clear,
And thrilled with joy and jubilee to hear.
I
'Stir all your echoes up,
O Independence Bell,
And pour from your inverted cup
The song we love so well.
'Lift high your happy voice,
And swing your iron tongue
Till syllables of praise rejoice
That never yet were sung.
'Ring in the gleaming dawn
Of Freedom--Toll the knell
Of Tyranny, and then ring on,
O Independence Bell.--
'Ring on, and drown the moan,
Above the patriot slain,
Till sorrow's voice shall catch the tone
And join the glad refrain.
'Ring out the wounds of wrong
And rankle in the breast;
Your music like a slumber-song
Will lull revenge to rest.
'Ring out from Occident
To Orient, and peal
From continent to continent
The mighty joy you feel.
'Ring! Independence Bell!
Ring on till worlds to be
Shall listen to the tale you tell
Of love and Liberty!'
IV
O Liberty--the dearest word
A bleeding country ever heard,--
We lay our hopes upon thy shrine
And offer up our lives for thine.
You gave us many happy years
Of peace and plenty ere the tears
A mourning country wept were dried
Above the graves of those who died
Upon thy threshold. And again
When newer wars were bred, and men
Went marching in the cannon's breath
And died for thee and loved the death,
While, high above them, gleaming bright,
The dear old flag remained in sight,
And lighted up their dying eyes
With smiles that brightened paradise.
O Liberty, it is thy power
To gladden us in every hour
Of gloom, and lead us by thy hand
As little children through a land
Of bud and blossom; while the days
Are filled with sunshine, and thy praise
Is warbled in the roundelays
Of joyous birds, and in the song
Of waters, murmuring along
The paths of peace, whose flowery fringe
Has roses finding deeper tinge
Of crimson, looking on themselves
Reflected--leaning from the shelves
Of cliff and crag and mossy mound
Of emerald splendor shadow-drowned.--
We hail thy presence, as you come
With bugle blast and rolling drum,
And booming guns and shouts of glee
Commingled in a symphony
That thrills the worlds that throng to see
The glory of thy pageantry.
0And with thy praise, we breathe a prayer
That God who leaves you in our care
May favor us from this day on
With thy dear presence--till the dawn
Of Heaven, breaking on thy face,
Lights up thy first abiding place.
|
Written by
Robert Frost |
To drive Paul out of any lumber camp
All that was needed was to say to him,
"How is the wife, Paul?"--and he'd disappear.
Some said it was because be bad no wife,
And hated to be twitted on the subject;
Others because he'd come within a day
Or so of having one, and then been Jilted;
Others because he'd had one once, a good one,
Who'd run away with someone else and left him;
And others still because he had one now
He only had to be reminded of--
He was all duty to her in a minute:
He had to run right off to look her up,
As if to say, "That's so, how is my wife?
I hope she isn't getting into mischief."
No one was anxious to get rid of Paul.
He'd been the hero of the mountain camps
Ever since, just to show them, he bad slipped
The bark of a whole tamarack off whole
As clean as boys do off a willow twig
To make a willow whistle on a Sunday
April by subsiding meadow brooks.
They seemed to ask him just to see him go,
"How is the wife, Paul?" and he always went.
He never stopped to murder anyone
Who asked the question. He just disappeared--
Nobody knew in what direction,
Although it wasn't usually long
Before they beard of him in some new camp,
The same Paul at the same old feats of logging.
The question everywhere was why should Paul
Object to being asked a civil question--
A man you could say almost anything to
Short of a fighting word. You have the answers.
And there was one more not so fair to Paul:
That Paul had married a wife not his equal.
Paul was ashamed of her. To match a hero
She would have had to be a heroine;
Instead of which she was some half-breed squaw.
But if the story Murphy told was true,
She wasn't anything to be ashamed of.
You know Paul could do wonders. Everyone's
Heard how he thrashed the horses on a load
That wouldn't budge, until they simply stretched
Their rawhide harness from the load to camp.
Paul told the boss the load would be all right,
"The sun will bring your load in"--and it did--
By shrinking the rawhide to natural length.
That's what is called a stretcher. But I guess
The one about his jumping so's to land
With both his feet at once against the ceiling,
And then land safely right side up again,
Back on the floor, is fact or pretty near fact.
Well, this is such a yarn. Paul sawed his wife
Out of a white-pine log. Murphy was there
And, as you might say, saw the lady born.
Paul worked at anything in lumbering.
He'd been bard at it taking boards away
For--I forget--the last ambitious sawyer
To want to find out if he couldn't pile
The lumber on Paul till Paul begged for mercy.
They'd sliced the first slab off a big butt log,
And the sawyer had slammed the carriage back
To slam end-on again against the saw teeth.
To judge them by the way they caught themselves
When they saw what had happened to the log,
They must have had a guilty expectation
Something was going to go with their slambanging.
Something bad left a broad black streak of grease
On the new wood the whole length of the log
Except, perhaps, a foot at either end.
But when Paul put his finger in the grease,
It wasn't grease at all, but a long slot.
The log was hollow. They were sawing pine.
"First time I ever saw a hollow pine.
That comes of having Paul around the place.
Take it to bell for me," the sawyer said.
Everyone had to have a look at it
And tell Paul what he ought to do about it.
(They treated it as his.) "You take a jackknife,
And spread the opening, and you've got a dugout
All dug to go a-fishing in." To Paul
The hollow looked too sound and clean and empty
Ever to have housed birds or beasts or bees.
There was no entrance for them to get in by.
It looked to him like some new kind of hollow
He thought he'd better take his jackknife to.
So after work that evening be came back
And let enough light into it by cutting
To see if it was empty. He made out in there
A slender length of pith, or was it pith?
It might have been the skin a snake had cast
And left stood up on end inside the tree
The hundred years the tree must have been growing.
More cutting and he bad this in both hands,
And looking from it to the pond nearby,
Paul wondered how it would respond to water.
Not a breeze stirred, but just the breath of air
He made in walking slowly to the beach
Blew it once off his hands and almost broke it.
He laid it at the edge, where it could drink.
At the first drink it rustled and grew limp.
At the next drink it grew invisible.
Paul dragged the shallows for it with his fingers,
And thought it must have melted. It was gone.
And then beyond the open water, dim with midges,
Where the log drive lay pressed against the boom,
It slowly rose a person, rose a girl,
Her wet hair heavy on her like a helmet,
Who, leaning on a log, looked back at Paul.
And that made Paul in turn look back
To see if it was anyone behind him
That she was looking at instead of him.
(Murphy had been there watching all the time,
But from a shed where neither of them could see him.)
There was a moment of suspense in birth
When the girl seemed too waterlogged to live,
Before she caught her first breath with a gasp
And laughed. Then she climbed slowly to her feet,
And walked off, talking to herself or Paul,
Across the logs like backs of alligators,
Paul taking after her around the pond.
Next evening Murphy and some other fellows
Got drunk, and tracked the pair up Catamount,
From the bare top of which there is a view
TO other hills across a kettle valley.
And there, well after dark, let Murphy tell it,
They saw Paul and his creature keeping house.
It was the only glimpse that anyone
Has had of Paul and her since Murphy saw them
Falling in love across the twilight millpond.
More than a mile across the wilderness
They sat together halfway up a cliff
In a small niche let into it, the girl
Brightly, as if a star played on the place,
Paul darkly, like her shadow. All the light
Was from the girl herself, though, not from a star,
As was apparent from what happened next.
All those great ruffians put their throats together,
And let out a loud yell, and threw a bottle,
As a brute tribute of respect to beauty.
Of course the bottle fell short by a mile,
But the shout reached the girl and put her light out.
She went out like a firefly, and that was all.
So there were witnesses that Paul was married
And not to anyone to be ashamed of
Everyone had been wrong in judging Paul.
Murphy told me Paul put on all those airs
About his wife to keep her to himself.
Paul was what's called a terrible possessor.
Owning a wife with him meant owning her.
She wasn't anybody else's business,
Either to praise her or much as name her,
And he'd thank people not to think of her.
Murphy's idea was that a man like Paul
Wouldn't be spoken to about a wife
In any way the world knew how to speak.
|
Written by
Countee Cullen |
"Lord, being dark," I said, "I cannot bear
The further touch of earth, the scented air;
Lord, being dark, forewilled to that despair
My color shrouds me in, I am as dirt
Beneath my brother's heel; there is a hurt
In all the simple joys which to a child
Are sweet; they are contaminate, defiled
By truths of wrongs the childish vision fails
To see; too great a cost this birth entails.
I strangle in this yoke drawn tighter than
The worth of bearing it, just to be man.
I am not brave enough to pay the price
In full; I lack the strength to sacrifice
I who have burned my hands upon a star,
And climbed high hills at dawn to view the far
Illimitable wonderments of earth,
For whom all cups have dripped the wine of mirth,
For whom the sea has strained her honeyed throat
Till all the world was sea, and I a boat
Unmoored, on what strange quest I willed to float;
Who wore a many-colored coat of dreams,
Thy gift, O Lord--I whom sun-dabbled streams
Have washed, whose bare brown thighs have held the sun
Incarcerate until his course was run,
I who considered man a high-perfected
Glass where loveliness could lie reflected,
Now that I sway athwart Truth's deep abyss,
Denuding man for what he was and is,
Shall breath and being so inveigle me
That I can damn my dreams to hell, and be
Content, each new-born day, anew to see
The steaming crimson vintage of my youth
Incarnadine the altar-slab of Truth?
Or hast Thou, Lord, somewhere I cannot see,
A lamb imprisoned in a bush for me?
Not so?Then let me render one by one
Thy gifts, while still they shine; some little sun
Yet gilds these thighs; my coat, albeit worn,
Still hold its colors fast; albeit torn.
My heart will laugh a little yet, if I
May win of Thee this grace, Lord:on this high
And sacrificial hill 'twixt earth and sky,
To dream still pure all that I loved, and die.
There is no other way to keep secure
My wild chimeras, grave-locked against the lure
Of Truth, the small hard teeth of worms, yet less
Envenomed than the mouth of Truth, will bless
Them into dust and happy nothingness.
Lord, Thou art God; and I, Lord, what am I
But dust?With dust my place.Lord, let me die."
Across earth's warm, palpitating crust
I flung my body in embrace; I thrust
My mouth into the grass and sucked the dew,
Then gave it back in tears my anguish drew;
So hard I pressed against the ground, I felt
The smallest sandgrain like a knife, and smelt
The next year's flowering; all this to speed
My body's dissolution, fain to feed
The worms.And so I groaned, and spent my strength
Until, all passion spent, I lay full length
And quivered like a flayed and bleeding thing.
So lay till lifted on a great black wing
That had no mate nor flesh-apparent trunk
To hamper it; with me all time had sunk
Into oblivion; when I awoke
The wing hung poised above two cliffs that broke
The bowels of the earth in twain, and cleft
The seas apart.Below, above, to left,
To right, I saw what no man saw before:
Earth, hell, and heaven; sinew, vein, and core.
All things that swim or walk or creep or fly,
All things that live and hunger, faint and die,
Were made majestic then and magnified
By sight so clearly purged and deified.
The smallest bug that crawls was taller than
A tree, the mustard seed loomed like a man.
The earth that writhes eternally with pain
Of birth, and woe of taking back her slain,
Laid bare her teeming bosom to my sight,
And all was struggle, gasping breath, and fight.
A blind worm here dug tunnels to the light,
And there a seed, racked with heroic pain,
Thrust eager tentacles to sun and rain:
It climbed; it died; the old love conquered me
To weep the blossom it would never be.
But here a bud won light; it burst and flowered
Into a rose whose beauty challenged, "Coward!"
There was no thing alive save only I
That held life in contempt and longed to die.
And still I writhed and moaned, "The curse, the curse,
Than animated death, can death be worse?"
"Dark child of sorrow, mine no less, what art Of mine can make thee see
and play thy part? The key to all strange things is in thy heart."
What voice was this that coursed like liquid fire
Along my flesh, and turned my hair to wire?
I raised my burning eyes, beheld a field
All multitudinous with carnal yield,
A grim ensanguined mead whereon I saw
Evolve the ancient fundamental law
Of tooth and talon, fist and nail and claw.
There with the force of living, hostile hills
Whose clash the hemmed-in vale with clamor fills,
With greater din contended fierce majestic wills
Of beast with beast, of man with man, in strife
For love of what my heart despised, for life
That unto me at dawn was now a prayer
For night, at night a bloody heart-wrung tear
For day again; for this, these groans
From tangled flesh and interlocked bones.
And no thing died that did not give
A testimony that it longed to live.
Man, strange composite blend of brute and god,
Pushed on, nor backward glanced where last he trod:
He seemed to mount a misty ladder flung
Pendant from a cloud, yet never gained a rung
But at his feet another tugged and clung.
My heart was still a pool of bitterness,
Would yield nought else, nought else confess.
I spoke (although no form was there
To see, I knew an ear was there to hear),
"Well, let them fight; they can whose flesh is fair."
Crisp lightning flashed; a wave of thunder shook
My wing; a pause, and then a speaking, "Look."
I scarce dared trust my ears or eyes for awe
Of what they heard, and dread of what they saw;
For, privileged beyond degree, this flesh
Beheld God and His heaven in the mesh
Of Lucifer's revolt, saw Lucifer
Glow like the sun, and like a dulcimer
I heard his sin-sweet voice break on the yell
Of God's great warriors:Gabriel,
Saint Clair and Michael, Israfel and Raphael.
And strange it was to see God with His back
Against a wall, to see Christ hew and hack
Till Lucifer, pressed by the mighty pair,
And losing inch by inch, clawed at the air
With fevered wings; then, lost beyond repair,
He tricked a mass of stars into his hair;
He filled his hands with stars, crying as he fell,
"A star's a star although it burns in hell."
So God was left to His divinity,
Omnipotent at that most costly fee.
There was a lesson here, but still the clod
In me was sycophant unto the rod,
And cried, "Why mock me thus?Am I a god?"
"One trial more:this failing, then I give You leave to die; no
further need to live."
Now suddenly a strange wild music smote
A chord long impotent in me; a note
Of jungles, primitive and subtle, throbbed
Against my echoing breast, and tom-toms sobbed
In every pulse-beat of my frame.The din
A hollow log bound with a python's skin
Can make wrought every nerve to ecstasy,
And I was wind and sky again, and sea,
And all sweet things that flourish, being free.
Till all at once the music changed its key.
And now it was of bitterness and death,
The cry the lash extorts, the broken breath
Of liberty enchained; and yet there ran
Through all a harmony of faith in man,
A knowledge all would end as it began.
All sights and sounds and aspects of my race
Accompanied this melody, kept pace
With it; with music all their hopes and hates
Were charged, not to be downed by all the fates.
And somehow it was borne upon my brain
How being dark, and living through the pain
Of it, is courage more than angels have.I knew
What storms and tumults lashed the tree that grew
This body that I was, this cringing I
That feared to contemplate a changing sky,
This that I grovelled, whining, "Let me die,"
While others struggled in Life's abattoir.
The cries of all dark people near or far
Were billowed over me, a mighty surge
Of suffering in which my puny grief must merge
And lose itself; I had no further claim to urge
For death; in shame I raised my dust-grimed head,
And though my lips moved not, God knew I said,
"Lord, not for what I saw in flesh or bone
Of fairer men; not raised on faith alone;
Lord, I will live persuaded by mine own.
I cannot play the recreant to these;
My spirit has come home, that sailed the doubtful seas."
With the whiz of a sword that severs space,
The wing dropped down at a dizzy pace,
And flung me on my hill flat on my face;
Flat on my face I lay defying pain,
Glad of the blood in my smallest vein,
And in my hands I clutched a loyal dream,
Still spitting fire, bright twist and coil and gleam,
And chiseled like a hound's white tooth.
"Oh, I will match you yet," I cried, "to truth."
Right glad I was to stoop to what I once had spurned.
Glad even unto tears; I laughed aloud; I turned
Upon my back, and though the tears for joy would run,
My sight was clear; I looked and saw the rising sun.
|
Written by
A R Ammons |
I have a life that did not become,
that turned aside and stopped,
astonished:
I hold it in me like a pregnancy or
as on my lap a child
not to grow old but dwell on
it is to his grave I most
frequently return and return
to ask what is wrong, what was
wrong, to see it all by
the light of a different necessity
but the grave will not heal
and the child,
stirring, must share my grave
with me, an old man having
gotten by on what was left
when I go back to my home country in these
fresh far-away days, it’s convenient to visit
everybody, aunts and uncles, those who used to say,
look how he’s shooting up, and the
trinket aunts who always had a little
something in their pocketbooks, cinnamon bark
or a penny or nickel, and uncles who
were the rumored fathers of cousins
who whispered of them as of great, if
troubled, presences, and school
teachers, just about everybody older
(and some younger) collected in one place
waiting, particularly, but not for
me, mother and father there, too, and others
close, close as burrowing
under skin, all in the graveyard
assembled, done for, the world they
used to wield, have trouble and joy
in, gone
the child in me that could not become
was not ready for others to go,
to go on into change, blessings and
horrors, but stands there by the road
where the mishap occurred, crying out for
help, come and fix this or we
can’t get by, but the great ones who
were to return, they could not or did
not hear and went on in a flurry and
now, I say in the graveyard, here
lies the flurry, now it can’t come
back with help or helpful asides, now
we all buy the bitter
incompletions, pick up the knots of
horror, silently raving, and go on
crashing into empty ends not
completions, not rondures the fullness
has come into and spent itself from
I stand on the stump
of a child, whether myself
or my little brother who died, and
yell as far as I can, I cannot leave this place, for
for me it is the dearest and the worst,
it is life nearest to life which is
life lost: it is my place where
I must stand and fail,
calling attention with tears
to the branches not lofting
boughs into space, to the barren
air that holds the world that was my world
though the incompletions
(& completions) burn out
standing in the flash high-burn
momentary structure of ash, still it
is a picture-book, letter-perfect
Easter morning: I have been for a
walk: the wind is tranquil: the brook
works without flashing in an abundant
tranquility: the birds are lively with
voice: I saw something I had
never seen before: two great birds,
maybe eagles, blackwinged, whitenecked
and –headed, came from the south oaring
the great wings steadily; they went
directly over me, high up, and kept on
due north: but then one bird,
the one behind, veered a little to the
left and the other bird kept on seeming
not to notice for a minute: the first
began to circle as if looking for
something, coasting, resting its wings
on the down side of some of the circles:
the other bird came back and they both
circled, looking perhaps for a draft;
they turned a few more times, possibly
rising—at least, clearly resting—
then flew on falling into distance till
they broke across the local bush and
trees: it was a sight of bountiful
majesty and integrity: the having
patterns and routes, breaking
from them to explore other patterns or
better ways to routes, and then the
return: a dance sacred as the sap in
the trees, permanent in its descriptions
as the ripples round the brook’s
ripplestone: fresh as this particular
flood of burn breaking across us now
from the sun.
|
Written by
Vachel Lindsay |
A Fantasy, dedicated to the little poet Alice Oliver Henderson, ten years old.
The Fantasy shows how tiger-hearts are the cause of war in all ages. It shows how the mammoth forces may be either friends or enemies of the struggle for peace. It shows how the dream of peace is unconquerable and eternal.
I
Peace-of-the-Heart, my own for long,
Whose shining hair the May-winds fan,
Making it tangled as they can,
A mystery still, star-shining yet,
Through ancient ages known to me
And now once more reborn with me: —
This is the tale of the Tiger Tree
A hundred times the height of a man,
Lord of the race since the world began.
This is my city Springfield,
My home on the breast of the plain.
The state house towers to heaven,
By an arsenal gray as the rain...
And suddenly all is mist,
And I walk in a world apart,
In the forest-age when I first knelt down
At your feet, O Peace-of-the-Heart.
This is the wonder of twilight:
Three times as high as the dome
Tiger-striped trees encircle the town,
Golden geysers of foam.
While giant white parrots sail past in their pride.
The roofs now are clouds and storms that they ride.
And there with the huntsmen of mound-builder days
Through jungle and meadow I stride.
And the Tiger Tree leaf is falling around
As it fell when the world began:
Like a monstrous tiger-skin, stretched on the ground,
Or the cloak of a medicine man.
A deep-crumpled gossamer web,
Fringed with the fangs of a snake.
The wind swirls it down from the leperous boughs.
It shimmers on clay-hill and lake,
With the gleam of great bubbles of blood,
Or coiled like a rainbow shell....
I feast on the stem of the Leaf as I march.
I am burning with Heaven and Hell.
II
The gray king died in his hour.
Then we crowned you, the prophetess wise:
Peace-of-the-Heart we deeply adored
For the witchcraft hid in your eyes.
Gift from the sky, overmastering all,
You sent forth your magical parrots to call
The plot-hatching prince of the tigers,
To your throne by the red-clay wall.
Thus came that genius insane:
Spitting and slinking,
Sneering and vain,
He sprawled to your grassy throne, drunk on The Leaf,
The drug that was cunning and splendor and grief.
He had fled from the mammoth by day,
He had blasted the mammoth by night,
War was his drunkenness,
War was his dreaming,
War was his love and his play.
And he hissed at your heavenly glory
While his councillors snarled in delight,
Asking in irony: "What shall we learn
From this whisperer, fragile and white?"
And had you not been an enchantress
They would not have loitered to mock
Nor spared your white parrots who walked by their paws
With bantering venturesome talk.
You made a white fire of The Leaf.
You sang while the tiger-chiefs hissed.
You chanted of "Peace to the wonderful world."
And they saw you in dazzling mist.
And their steps were no longer insane,
Kindness came down like the rain,
They dreamed that like fleet young ponies they feasted
On succulent grasses and grain.
Then came the black-mammoth chief:
Long-haired and shaggy and great,
Proud and sagacious he marshalled his court:
(You had sent him your parrots of state.)
His trunk in rebellion upcurled,
A curse at the tiger he hurled.
Huge elephants trumpeted there by his side,
And mastodon-chiefs of the world.
But higher magic began.
For the turbulent vassals of man.
You harnessed their fever, you conquered their ire,
Their hearts turned to flowers through holy desire,
For their darling and star you were crowned,
And their raging demons were bound.
You rode on the back of the yellow-streaked king,
His loose neck was wreathed with a mistletoe ring.
Primordial elephants loomed by your side,
And our clay-painted children danced by your path,
Chanting the death of the kingdoms of wrath.
You wrought until night with us all.
The fierce brutes fawned at your call,
Then slipped to their lairs, song-chained.
And thus you sang sweetly, and reigned:
"Immortal is the inner peace, free to beasts and men.
Beginning in the darkness, the mystery will conquer,
And now it comforts every heart that seeks for love again.
And now the mammoth bows the knee,
We hew down every Tiger Tree,
We send each tiger bound in love and glory to his den,
Bound in love...and wisdom...and glory,...to his den."
III
"Beware of the trumpeting swine,"
Came the howl from the northward that night.
Twice-rebel tigers warning was still
If we held not beside them it boded us ill.
From the parrots translating the cry,
And the apes in the trees came the whine:
"Beware of the trumpeting swine.
Beware of the faith of a mammoth."
"Beware of the faith of a tiger,"
Came the roar from the southward that night.
Trumpeting mammoths warning us still
If we held not beside them it boded us ill.
The frail apes wailed to us all,
The parrots reëchoed the call:
"Beware of the faith of a tiger."
From the heights of the forest the watchers could see
The tiger-cats crunching the Leaf of the Tree
Lashing themselves, and scattering foam,
Killing our huntsmen, hurrying home.
The chiefs of the mammoths our mastery spurned,
And eastward restlessly fumed and burned.
The peacocks squalled out the news of their drilling
And told how they trampled, maneuvered, and turned.
Ten thousand man-hating tigers
Whirling down from the north, like a flood!
Ten thousand mammoths oncoming
From the south as avengers of blood!
Our child-queen was mourning, her magic was dead,
The roots of the Tiger Tree reeking with red.
IV
This is the tale of the Tiger Tree
A hundred times the height of a man,
Lord of the race since the world began.
We marched to the mammoths,
We pledged them our steel,
And scorning you, sang: —
"We are men,
We are men."
We mounted their necks,
And they stamped a wide reel.
We sang:
"We are fighting the hell-cats again,
We are mound-builder men,
We are elephant men."
We left you there, lonely,
Beauty your power,
Wisdom your watchman,
To hold the clay tower.
While the black-mammoths boomed —
"You are elephant men,
Men,
Men,
Elephant men."
The dawn-winds prophesied battles untold.
While the Tiger Trees roared of the glories of old,
Of the masterful spirits and hard.
The drunken cats came in their joy
In the sunrise, a glittering wave.
"We are tigers, are tigers," they yowled.
"Down,
Down,
Go the swine to the grave."
But we tramp
Tramp
Trampled them there,
Then charged with our sabres and spears.
The swish of the sabre,
The swish of the sabre,
Was a marvellous tune in our ears.
We yelled "We are men,
We are men."
As we bled to death in the sun....
Then staunched our horrible wounds
With the cry that the battle was won....
And at last,
When the black-mammoth legion
Split the night with their song: —
"Right is braver than wrong,
Right is stronger than wrong,"
The buzzards came taunting:
"Down from the north
Tiger-nations are sweeping along."
Then we ate of the ravening Leaf
As our savage fathers of old.
No longer our wounds made us weak,
No longer our pulses were cold.
Though half of my troops were afoot,
(For the great who had borne them were slain)
We dreamed we were tigers, and leaped
And foamed with that vision insane.
We cried "We are soldiers of doom,
Doom,
Sabres of glory and doom."
We wreathed the king of the mammoths
In the tiger-leaves' terrible bloom.
We flattered the king of the mammoths,
Loud-rattling sabres and spears.
The swish of the sabre,
The swish of the sabre,
Was a marvellous tune in his ears.
V
This was the end of the battle.
The tigers poured by in a tide
Over us all with their caterwaul call,
"We are the tigers,"
They cried.
"We are the sabres,"
They cried.
But we laughed while our blades swept wide,
While the dawn-rays stabbed through the gloom.
"We are suns on fire" was our yell —
"Suns on fire."...
But man-child and mastodon fell,
Mammoth and elephant fell.
The fangs of the devil-cats closed on the world,
Plunged it to blackness and doom.
The desolate red-clay wall
Echoed the parrots' call: —
"Immortal is the inner peace, free to beasts and men.
Beginning in the darkness, the mystery will conquer,
And now it comforts every heart that seeks for love again.
And now the mammoth bows the knee,
We hew down every Tiger Tree,
We send each tiger bound in love and glory to his den,
Bound in love... and wisdom... and glory,... to his den."
A peacock screamed of his beauty
On that broken wall by the trees,
Chiding his little mate,
Spreading his fans in the breeze...
And you, with eyes of a bride,
Knelt on the wall at my side,
The deathless song in your mouth...
A million new tigers swept south...
As we laughed at the peacock, and died.
This is my vision in Springfield:
Three times as high as the dome,
Tiger-striped trees encircle the town,
Golden geysers of foam; —
Though giant white parrots sail past, giving voice,
Though I walk with Peace-of-the-Heart and rejoice.
|
Written by
Tony Hoagland |
They have little tractors in their blood
and all day the tractors climb up and down
inside their arms and legs, their
collarbones and heads.
That is why they yell and scream and slam the barbells
down into their clanking slots,
making the metal ring like sledgehammers on iron,
like dungeon prisoners rattling their chains.
That is why they shriek their tires at the stopsign,
why they turn the base up on the stereo
until it shakes the traffic light, until it
dryhumps the eardrum of the crossing guard.
Testosterone is a drug,
and they say No, No, No until
they are overwhelmed and punch
their buddy in the face for joy,
or make a joke about gravy and bottomless holes
to a middle-aged waitress who is gently
setting down the plate in front of them.
If they are grotesque, if
what they say and do is often nothing more
than a kind of psychopathic fart,
it is only because of the tractors,
the tractors in their blood,
revving their engines, chewing up the turf
inside their arteries and veins
It is the testosterone tractor
constantly climbing the mudhill of the world
and dragging the young man behind it
by a chain around his leg.
In the stink and the noise, in the clouds
of filthy exhaust
is where they live. It is the tractors
that make them
what they are. While they make being a man
look like a disease.
|