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Best Famous Wont Poems

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Written by Wallace Stevens | Create an image from this poem

Sunday Morning

1
Complacencies of the peignoir, and late
Coffee and oranges in a sunny chair,
And the green freedom of a cockatoo
Upon a rug mingle to dissipate
The holy hush of ancient sacrifice.
She dreams a little, and she feels the dark Encroachment of that old catastrophe, As a calm darkens among water-lights.
The pungent oranges and bright, green wings Seem things in some procession of the dead, Winding across wide water, without sound.
The day is like wide water, without sound, Stilled for the passion of her dreaming feet Over the seas, to silent Palestine, Dominion of the blood and sepulchre.
2 Why should she give her bounty to the dead? What is divinity if it can come Only in silent shadows and in dreams? Shall she not find in the comforts of sun, In pungent fruit and bright, green wings, or else In any balm or beauty of the earth, Things to be cherished like the thought of heaven? Divinity must live within herself: Passions of rain, or moods in falling snow; Grievings in loneliness, or unsubdued Elations when the forest blooms; gusty Emotions on wet roads on autumn nights; All pleasures and all pains, remembering The bough of summer and the winter branch.
These are the measures destined for her soul.
3 Jove in the clouds had his inhuman birth.
No mother suckled him, no sweet land gave Large-mannered motions to his mythy mind He moved among us, as a muttering king, Magnificent, would move among his hinds, Until our blood, commingling, virginal, With heaven, brought such requital to desire The very hinds discerned it, in a star.
Shall our blood fail? Or shall it come to be The blood of paradise? And shall the earth Seem all of paradise that we shall know? The sky will be much friendlier then than now, A part of labor and a part of pain, And next in glory to enduring love, Not this dividing and indifferent blue.
4 She says, "I am content when wakened birds, Before they fly, test the reality Of misty fields, by their sweet questionings; But when the birds are gone, and their warm fields Return no more, where, then, is paradise?" There is not any haunt of prophecy, Nor any old chimera of the grave, Neither the golden underground, nor isle Melodious, where spirits gat them home, Nor visionary south, nor cloudy palm Remote as heaven's hill, that has endured As April's green endures; or will endure Like her rememberance of awakened birds, Or her desire for June and evening, tipped By the consummation of the swallow's wings.
5 She says, "But in contentment I still feel The need of some imperishable bliss.
" Death is the mother of beauty; hence from her, Alone, shall come fulfillment to our dreams And our desires.
Although she strews the leaves Of sure obliteration on our paths, The path sick sorrow took, the many paths Where triumph rang its brassy phrase, or love Whispered a little out of tenderness, She makes the willow shiver in the sun For maidens who were wont to sit and gaze Upon the grass, relinquished to their feet.
She causes boys to pile new plums and pears On disregarded plate.
The maidens taste And stray impassioned in the littering leaves.
6 Is there no change of death in paradise? Does ripe fruit never fall? Or do the boughs Hang always heavy in that perfect sky, Unchanging, yet so like our perishing earth, With rivers like our own that seek for seas They never find, the same receeding shores That never touch with inarticulate pang? Why set the pear upon those river-banks Or spice the shores with odors of the plum? Alas, that they should wear our colors there, The silken weavings of our afternoons, And pick the strings of our insipid lutes! Death is the mother of beauty, mystical, Within whose burning bosom we devise Our earthly mothers waiting, sleeplessly.
7 Supple and turbulent, a ring of men Shall chant in orgy on a summer morn Their boisterous devotion to the sun, Not as a god, but as a god might be, Naked among them, like a savage source.
Their chant shall be a chant of paradise, Out of their blood, returning to the sky; And in their chant shall enter, voice by voice, The windy lake wherein their lord delights, The trees, like serafin, and echoing hills, That choir among themselves long afterward.
They shall know well the heavenly fellowship Of men that perish and of summer morn.
And whence they came and whither they shall go The dew upon their feet shall manifest.
8 She hears, upon that water without sound, A voice that cries, "The tomb in Palestine Is not the porch of spirits lingering.
It is the grave of Jesus, where he lay.
" We live in an old chaos of the sun, Or old dependency of day and night, Or island solitude, unsponsered, free, Of that wide water, inescapable.
Deer walk upon our mountains, and the quail Whistle about us their spontaneous cries; Sweet berries ripen in the wilderness; And, in the isolation of the sky, At evening, casual flocks of pigeons make Abiguous undulations as they sink, Downward to darkness, on extended wings.


Written by William Wordsworth | Create an image from this poem

WE ARE SEVEN

  A simple child, dear brother Jim,
  That lightly draws its breath,
  And feels its life in every limb,
  What should it know of death?

  I met a little cottage girl,
  She was eight years old, she said;
  Her hair was thick with many a curl
  That cluster'd round her head.

  She had a rustic, woodland air,
  And she was wildly clad;
  Her eyes were fair, and very fair,
  —Her beauty made me glad.

  "Sisters and brothers, little maid,
  How many may you be?"
  "How many? seven in all," she said,
  And wondering looked at me.

  "And where are they, I pray you tell?"
  She answered, "Seven are we,
  And two of us at Conway dwell,
  And two are gone to sea.
"

  "Two of us in the church-yard lie,
  My sister and my brother,
  And in the church-yard cottage, I
  Dwell near them with my mother.
"

  "You say that two at Conway dwell,
  And two are gone to sea,
  Yet you are seven; I pray you tell
  Sweet Maid, how this may be?"

  Then did the little Maid reply,
  "Seven boys and girls are we;
  Two of us in the church-yard lie,
  Beneath the church-yard tree.
"

  "You run about, my little maid,
  Your limbs they are alive;
  If two are in the church-yard laid,
  Then ye are only five.
"

  "Their graves are green, they may be seen,"
  The little Maid replied,
  "Twelve steps or more from my mother's door,
  And they are side by side.
"

  "My stockings there I often knit,
  My 'kerchief there I hem;
  And there upon the ground I sit—
  I sit and sing to them.
"

  "And often after sunset, Sir,
  When it is light and fair,
  I take my little porringer,
  And eat my supper there.
"

  "The first that died was little Jane;
  In bed she moaning lay,
  Till God released her of her pain,
  And then she went away.
"

  "So in the church-yard she was laid,
  And all the summer dry,
  Together round her grave we played,
  My brother John and I.
"

  "And when the ground was white with snow,
  And I could run and slide,
  My brother John was forced to go,
  And he lies by her side.
"

  "How many are you then," said I,
  "If they two are in Heaven?"
  The little Maiden did reply,
  "O Master! we are seven.
"

  "But they are dead; those two are dead!
  Their spirits are in heaven!"
  'Twas throwing words away; for still
  The little Maid would have her will,
  And said, "Nay, we are seven!"

ANECDOTE for FATHERS,
   Shewing how the practice of Lying may be taught.

  I have a boy of five years old,
  His face is fair and fresh to see;
  His limbs are cast in beauty's mould,
  And dearly he loves me.

  One morn we stroll'd on our dry walk,
  Our quiet house all full in view,
  And held such intermitted talk
  As we are wont to do.

  My thoughts on former pleasures ran;
  I thought of Kilve's delightful shore,
  My pleasant home, when Spring began,
  A long, long year before.

  A day it was when I could bear
  To think, and think, and think again;
  With so much happiness to spare,
  I could not feel a pain.

  My boy was by my side, so slim
  And graceful in his rustic dress!
  And oftentimes I talked to him
  In very idleness.

  The young lambs ran a pretty race;
  The morning sun shone bright and warm;
  "Kilve," said I, "was a pleasant place,
  And so is Liswyn farm.
"

  "My little boy, which like you more,"
  I said and took him by the arm—
  "Our home by Kilve's delightful shore,
  Or here at Liswyn farm?"

  "And tell me, had you rather be,"
  I said and held-him by the arm,
  "At Kilve's smooth shore by the green sea,
  Or here at Liswyn farm?"

  In careless mood he looked at me,
  While still I held him by the arm,
  And said, "At Kilve I'd rather be
  Than here at Liswyn farm.
"

  "Now, little Edward, say why so;
  My little Edward, tell me why;"
  "I cannot tell, I do not know.
"
  "Why this is strange," said I.

  "For, here are woods and green hills warm:
  There surely must some reason be
  Why you would change sweet Liswyn farm,
  For Kilve by the green sea.
"

  At this, my boy hung down his head,
  He blush'd with shame, nor made reply;
  And five times to the child I said,
  "Why, Edward, tell me, why?"

  His head he raised—there was in sight,
  It caught his eye, he saw it plain—
  Upon the house-top, glittering bright,
  A broad and gilded vane.

  Then did the boy his tongue unlock,
  And thus to me he made reply;
  "At Kilve there was no weather-cock,
  And that's the reason why.
"

  Oh dearest, dearest boy! my heart
  For better lore would seldom yearn
  Could I but teach the hundredth part
  Of what from thee I learn.

LINES
  Written at a small distance from my House, and sent by
  my little boy to the person to whom they are addressed.

  It is the first mild day of March:
  Each minute sweeter than before,
  The red-breast sings from the tall larch
  That stands beside our door.

  There is a blessing in the air,
  Which seems a sense of joy to yield
  To the bare trees, and mountains bare,
  And grass in the green field.

  My Sister! ('tis a wish of mine)
  Now that our morning meal is done,
  Make haste, your morning task resign;
  Come forth and feel the sun.

  Edward will come with you, and pray,
  Put on with speed your woodland dress,
  And bring no book, for this one day
  We'll give to idleness.

  No joyless forms shall regulate
  Our living Calendar:
  We from to-day, my friend, will date
  The opening of the year.

  Love, now an universal birth,
  From heart to heart is stealing,
  From earth to man, from man to earth,
  —It is the hour of feeling.

  One moment now may give us more
  Than fifty years of reason;
  Our minds shall drink at every pore
  The spirit of the season.

  Some silent laws our hearts may make,
  Which they shall long obey;
  We for the year to come may take
  Our temper from to-day.

  And from the blessed power that rolls
  About, below, above;
  We'll frame the measure of our souls,
  They shall be tuned to love.

  Then come, my sister I come, I pray,
  With speed put on your woodland dress,
  And bring no book; for this one day
  We'll give to idleness.

Written by Sir Walter Raleigh | Create an image from this poem

A Vision upon the Fairy Queen

Methought I saw the grave where Laura lay,
   Within that temple where the vestal flame
   Was wont to burn; and, passing by that way,
   To see that buried dust of living fame,
Whose tomb fair Love, and fairer Virtue kept:
   All suddenly I saw the Fairy Queen;
   At whose approach the soul of Petrarch wept,
   And, from thenceforth, those Graces were not seen:
For they this queen attended; in whose stead
   Oblivion laid him down on Laura's hearse:
   Hereat the hardest stones were seen to bleed,
And groans of buried ghosts the heavens did pierce:
   Where Homer's spright did tremble all for grief,
   And cursed the access of that celestial thief!
Written by William Cullen Bryant | Create an image from this poem

Hymn To Death

 Oh! could I hope the wise and pure in heart
Might hear my song without a frown, nor deem
My voice unworthy of the theme it tries,--
I would take up the hymn to Death, and say
To the grim power, The world hath slandered thee
And mocked thee.
On thy dim and shadowy brow They place an iron crown, and call thee king Of terrors, and the spoiler of the world, Deadly assassin, that strik'st down the fair, The loved, the good--that breath'st upon the lights Of virtue set along the vale of life, And they go out in darkness.
I am come, Not with reproaches, not with cries and prayers, Such as have stormed thy stern insensible ear From the beginning.
I am come to speak Thy praises.
True it is, that I have wept Thy conquests, and may weep them yet again: And thou from some I love wilt take a life Dear to me as my own.
Yet while the spell Is on my spirit, and I talk with thee In sight of all thy trophies, face to face, Meet is it that my voice should utter forth Thy nobler triumphs: I will teach the world To thank thee.
--Who are thine accusers?--Who? The living!--they who never felt thy power, And know thee not.
The curses of the wretch Whose crimes are ripe, his sufferings when thy hand Is on him, and the hour he dreads is come, Are writ among thy praises.
But the good-- Does he whom thy kind hand dismissed to peace, Upbraid the gentle violence that took off His fetters, and unbarred his prison cell? Raise then the Hymn to Death.
Deliverer! God hath anointed thee to free the oppressed And crush the oppressor.
When the armed chief, The conqueror of nations, walks the world, And it is changed beneath his feet, and all Its kingdoms melt into one mighty realm-- Thou, while his head is loftiest, and his heart Blasphemes, imagining his own right hand Almighty, sett'st upon him thy stern grasp, And the strong links of that tremendous chain That bound mankind are crumbled; thou dost break Sceptre and crown, and beat his throne to dust.
Then the earth shouts with gladness, and her tribes Gather within their ancient bounds again.
Else had the mighty of the olden time, Nimrod, Sesostris, or the youth who feigned His birth from Lybian Ammon, smote even now The nations with a rod of iron, and driven Their chariot o'er our necks.
Thou dost avenge, In thy good time, the wrongs of those who know No other friend.
Nor dost thou interpose Only to lay the sufferer asleep, Where he who made him wretched troubles not His rest--thou dost strike down his tyrant too.
Oh, there is joy when hands that held the scourge Drop lifeless, and the pitiless heart is cold.
Thou too dost purge from earth its horrible And old idolatries; from the proud fanes Each to his grave their priests go out, till none Is left to teach their worship; then the fires Of sacrifice are chilled, and the green moss O'ercreeps their altars; the fallen images Cumber the weedy courts, and for loud hymns, Chanted by kneeling crowds, the chiding winds Shriek in the solitary aisles.
When he Who gives his life to guilt, and laughs at all The laws that God or man has made, and round Hedges his seat with power, and shines in wealth,-- Lifts up his atheist front to scoff at Heaven, And celebrates his shame in open day, Thou, in the pride of all his crimes, cutt'st off The horrible example.
Touched by thine, The extortioner's hard hand foregoes the gold Wrong from the o'er-worn poor.
The perjurer, Whose tongue was lithe, e'en now, and voluble Against his neighbour's life, and he who laughed And leaped for joy to see a spotless fame Blasted before his own foul calumnies, Are smit with deadly silence.
He, who sold His conscience to preserve a worthless life, Even while he hugs himself on his escape, Trembles, as, doubly terrible, at length, Thy steps o'ertake him, and there is no time For parley--nor will bribes unclench thy grasp.
Oft, too, dost thou reform thy victim, long Ere his last hour.
And when the reveller, Mad in the chase of pleasure, stretches on, And strains each nerve, and clears the path of life Like wind, thou point'st him to the dreadful goal, And shak'st thy hour-glass in his reeling eye, And check'st him in mid course.
Thy skeleton hand Shows to the faint of spirit the right path, And he is warned, and fears to step aside.
Thou sett'st between the ruffian and his crime Thy ghastly countenance, and his slack hand Drops the drawn knife.
But, oh, most fearfully Dost thou show forth Heaven's justice, when thy shafts Drink up the ebbing spirit--then the hard Of heart and violent of hand restores The treasure to the friendless wretch he wronged.
Then from the writhing bosom thou dost pluck The guilty secret; lips, for ages sealed, Are faithless to the dreadful trust at length, And give it up; the felon's latest breath Absolves the innocent man who bears his crime; The slanderer, horror smitten, and in tears, Recalls the deadly obloquy he forged To work his brother's ruin.
Thou dost make Thy penitent victim utter to the air The dark conspiracy that strikes at life, And aims to whelm the laws; ere yet the hour Is come, and the dread sign of murder given.
Thus, from the first of time, hast thou been found On virtue's side; the wicked, but for thee, Had been too strong for the good; the great of earth Had crushed the weak for ever.
Schooled in guile For ages, while each passing year had brought Its baneful lesson, they had filled the world With their abominations; while its tribes, Trodden to earth, imbruted, and despoiled, Had knelt to them in worship; sacrifice Had smoked on many an altar, temple roofs Had echoed with the blasphemous prayer and hymn: But thou, the great reformer of the world, Tak'st off the sons of violence and fraud In their green pupilage, their lore half learned-- Ere guilt has quite o'errun the simple heart God gave them at their birth, and blotted out His image.
Thou dost mark them, flushed with hope, As on the threshold of their vast designs Doubtful and loose they stand, and strik'st them down.
Alas, I little thought that the stern power Whose fearful praise I sung, would try me thus Before the strain was ended.
It must cease-- For he is in his grave who taught my youth The art of verse, and in the bud of life Offered me to the muses.
Oh, cut off Untimely! when thy reason in its strength, Ripened by years of toil and studious search And watch of Nature's silent lessons, taught Thy hand to practise best the lenient art To which thou gavest thy laborious days.
And, last, thy life.
And, therefore, when the earth Received thee, tears were in unyielding eyes And on hard cheeks, and they who deemed thy skill Delayed their death-hour, shuddered and turned pale When thou wert gone.
This faltering verse, which thou Shalt not, as wont, o'erlook, is all I have To offer at thy grave--this--and the hope To copy thy example, and to leave A name of which the wretched shall not think As of an enemy's, whom they forgive As all forgive the dead.
Rest, therefore, thou Whose early guidance trained my infant steps-- Rest, in the bosom of God, till the brief sleep Of death is over, and a happier life Shall dawn to waken thine insensible dust.
Now thou art not--and yet the men whose guilt Has wearied Heaven for vengeance--he who bears False witness--he who takes the orphan's bread, And robs the widow--he who spreads abroad Polluted hands in mockery of prayer, Are left to cumber earth.
Shuddering I look On what is written, yet I blot not out The desultory numbers--let them stand.
The record of an idle revery.
Written by Jonathan Swift | Create an image from this poem

A Satirical Elegy on the Death of a Late Famous General

His Grace! impossible! what dead!
Of old age too, and in his bed!
And could that mighty warrior fall?
And so inglorious, after all!
Well, since he's gone, no matter how,
The last loud trump must wake him now:
And, trust me, as the noise grows stronger,
He'd wish to sleep a little longer.
And could he be indeed so old As by the newspapers we're told? Threescore, I think, is pretty high; 'Twas time in conscience he should die.
This world he cumbered long enough; He burnt his candle to the snuff; And that's the reason, some folks think, He left behind so great a s---k.
Behold his funeral appears, Nor widow's sighs, nor orphan's tears, Wont at such times each heart to pierce, Attend the progress of his hearse.
But what of that, his friends may say, He had those honors in his day.
True to his profit and his pride, He made them weep before he died.
Come hither, all ye empty things, Ye bubbles raised by breath of kings; Who float upon the tide of state, Come hither, and behold your fate.
Let pride be taught by this rebuke, How very mean a thing's a Duke; From all his ill-got honors flung, Turned to that dirt from whence he sprung.


Written by Johann Wolfgang von Goethe | Create an image from this poem

THE BRIDE OF CORINTH

 [First published in Schiller's Horen, in connection 
with a
friendly contest in the art of ballad-writing between the two
great poets, to which many of their finest works are owing.
] ONCE a stranger youth to Corinth came, Who in Athens lived, but hoped that he From a certain townsman there might claim, As his father's friend, kind courtesy.
Son and daughter, they Had been wont to say Should thereafter bride and bridegroom be.
But can he that boon so highly prized, Save tis dearly bought, now hope to get? They are Christians and have been baptized, He and all of his are heathens yet.
For a newborn creed, Like some loathsome weed, Love and truth to root out oft will threat.
Father, daughter, all had gone to rest, And the mother only watches late; She receives with courtesy the guest, And conducts him to the room of state.
Wine and food are brought, Ere by him besought; Bidding him good night.
she leaves him straight.
But he feels no relish now, in truth, For the dainties so profusely spread; Meat and drink forgets the wearied youth, And, still dress'd, he lays him on the bed.
Scarce are closed his eyes, When a form in-hies Through the open door with silent tread.
By his glimmering lamp discerns he now How, in veil and garment white array'd, With a black and gold band round her brow, Glides into the room a bashful maid.
But she, at his sight, Lifts her hand so white, And appears as though full sore afraid.
"Am I," cries she, "such a stranger here, That the guest's approach they could not name? Ah, they keep me in my cloister drear, Well nigh feel I vanquish'd by my shame.
On thy soft couch now Slumber calmly thou! I'll return as swiftly as I came.
" "Stay, thou fairest maiden!" cries the boy, Starting from his couch with eager haste: "Here are Ceres', Bacchus' gifts of joy; Amor bringest thou, with beauty grac'd! Thou art pale with fear! Loved one let us here Prove the raptures the Immortals taste.
" "Draw not nigh, O Youth! afar remain! Rapture now can never smile on me; For the fatal step, alas! is ta'en, Through my mother's sick-bed phantasy.
Cured, she made this oath: 'Youth and nature both Shall henceforth to Heav'n devoted be.
' "From the house, so silent now, are driven All the gods who reign'd supreme of yore; One Invisible now rules in heaven, On the cross a Saviour they adore.
Victims slay they here, Neither lamb nor steer, But the altars reek with human gore.
" And he lists, and ev'ry word he weighs, While his eager soul drinks in each sound: "Can it be that now before my gaze Stands my loved one on this silent ground? Pledge to me thy troth! Through our father's oath: With Heav'ns blessing will our love be crown'd.
" "Kindly youth, I never can be thine! 'Tis my sister they intend for thee.
When I in the silent cloister pine, Ah, within her arms remember me! Thee alone I love, While love's pangs I prove; Soon the earth will veil my misery.
" "No! for by this glowing flame I swear, Hymen hath himself propitious shown: Let us to my fathers house repair, And thoult find that joy is not yet flown, Sweetest, here then stay, And without delay Hold we now our wedding feast alone!" Then exchange they tokens of their truth; She gives him a golden chain to wear, And a silver chalice would the youth Give her in return of beauty rare.
"That is not for me; Yet I beg of thee, One lock only give me of thy hair.
" Now the ghostly hour of midnight knell'd, And she seem'd right joyous at the sign; To her pallid lips the cup she held, But she drank of nought but blood-red wine.
For to taste the bread There before them spread, Nought he spoke could make the maid incline.
To the youth the goblet then she brought,-- He too quaff'd with eager joy the bowl.
Love to crown the silent feast he sought, Ah! full love-sick was the stripling's soul.
From his prayer she shrinks, Till at length he sinks On the bed and weeps without control.
And she comes, and lays her near the boy: "How I grieve to see thee sorrowing so! If thou think'st to clasp my form with joy, Thou must learn this secret sad to know; Yes! the maid, whom thou Call'st thy loved one now, Is as cold as ice, though white as snow.
" Then he clasps her madly in his arm, While love's youthful might pervades his frame: "Thou might'st hope, when with me, to grow warm, E'en if from the grave thy spirit came! Breath for breath, and kiss! Overflow of bliss! Dost not thou, like me, feel passion's flame?" Love still closer rivets now their lips, Tears they mingle with their rapture blest, From his mouth the flame she wildly sips, Each is with the other's thought possess'd.
His hot ardour's flood Warms her chilly blood, But no heart is beating in her breast.
In her care to see that nought went wrong, Now the mother happen'd to draw near; At the door long hearkens she, full long, Wond'ring at the sounds that greet her ear.
Tones of joy and sadness, And love's blissful madness, As of bride and bridegroom they appear, From the door she will not now remove 'Till she gains full certainty of this; And with anger hears she vows of love, Soft caressing words of mutual bliss.
"Hush! the cock's loud strain! But thoult come again, When the night returns!"--then kiss on kiss.
Then her wrath the mother cannot hold, But unfastens straight the lock with ease "In this house are girls become so bold, As to seek e'en strangers' lusts to please?" By her lamp's clear glow Looks she in,--and oh! Sight of horror!--'tis her child she sees.
Fain the youth would, in his first alarm, With the veil that o'er her had been spread, With the carpet, shield his love from harm; But she casts them from her, void of dread, And with spirit's strength, In its spectre length, Lifts her figure slowly from the bed.
"Mother! mother!"--Thus her wan lips say: "May not I one night of rapture share? From the warm couch am I chased away? Do I waken only to despair? It contents not thee To have driven me An untimely shroud of death to wear? "But from out my coffin's prison-bounds By a wond'rous fate I'm forced to rove, While the blessings and the chaunting sounds That your priests delight in, useless prove.
Water, salt, are vain Fervent youth to chain, Ah, e'en Earth can never cool down love! "When that infant vow of love was spoken, Venus' radiant temple smiled on both.
Mother! thou that promise since hast broken, Fetter'd by a strange, deceitful oath.
Gods, though, hearken ne'er, Should a mother swear To deny her daughter's plighted troth.
From my grave to wander I am forc'd, Still to seek The Good's long-sever'd link, Still to love the bridegroom I have lost, And the life-blood of his heart to drink; When his race is run, I must hasten on, And the young must 'neath my vengeance sink, "Beauteous youth! no longer mayst thou live; Here must shrivel up thy form so fair; Did not I to thee a token give, Taking in return this lock of hair? View it to thy sorrow! Grey thoult be to-morrow, Only to grow brown again when there.
"Mother, to this final prayer give ear! Let a funeral pile be straightway dress'd; Open then my cell so sad and drear, That the flames may give the lovers rest! When ascends the fire From the glowing pyre, To the gods of old we'll hasten, blest.
" 1797.
Written by Edgar Allan Poe | Create an image from this poem

To Helen

Helen thy beauty is to me
Like those Nicean barks of yore 
That gently o'er a perfumed sea 
The weary wayworn wanderer bore
To his own native shore.
On desperate seas long wont to roam Thy hyacinth hair thy classic face Thy Naiad airs have brought me home To the glory that was Greece And the grandeur that was Rome.
Lo! in yon brilliant window-niche How statue-like I see thee stand The agate lamp within thy hand! Ah Psyche from the regions which Are Holy Land!
Written by Johann Wolfgang von Goethe | Create an image from this poem

NOVEMBER SONG

 To the great archer--not to him

To meet whom flies the sun,
And who is wont his features dim

With clouds to overrun--

But to the boy be vow'd these rhymes,

Who 'mongst the roses plays,
Who hear us, and at proper times

To pierce fair hearts essays.
Through him the gloomy winter night, Of yore so cold and drear, Brings many a loved friend to our sight, And many a woman dear.
Henceforward shall his image fair Stand in yon starry skies, And, ever mild and gracious there, Alternate set and rise.
1815.
*
Written by Allen Ginsberg | Create an image from this poem

In The Baggage Room At Greyhound

 I

In the depths of the Greyhound Terminal 
sitting dumbly on a baggage truck looking at the sky 
 waiting for the Los Angeles Express to depart 
worrying about eternity over the Post Office roof in 
 the night-time red downtown heaven 
staring through my eyeglasses I realized shuddering 
 these thoughts were not eternity, nor the poverty 
 of our lives, irritable baggage clerks, 
nor the millions of weeping relatives surrounding the 
 buses waving goodbye, 
nor other millions of the poor rushing around from 
 city to city to see their loved ones, 
nor an indian dead with fright talking to a huge cop 
 by the Coke machine, 
nor this trembling old lady with a cane taking the last 
 trip of her life, 
nor the red-capped cynical porter collecting his quar- 
 ters and smiling over the smashed baggage, 
nor me looking around at the horrible dream, 
nor mustached ***** Operating Clerk named Spade, 
 dealing out with his marvelous long hand the 
 fate of thousands of express packages, 
nor fairy Sam in the basement limping from leaden 
 trunk to trunk, 
nor Joe at the counter with his nervous breakdown 
 smiling cowardly at the customers, 
nor the grayish-green whale's stomach interior loft 
 where we keep the baggage in hideous racks, 
hundreds of suitcases full of tragedy rocking back and 
 forth waiting to be opened, 
nor the baggage that's lost, nor damaged handles, 
 nameplates vanished, busted wires & broken 
 ropes, whole trunks exploding on the concrete 
 floor, 
nor seabags emptied into the night in the final 
 warehouse.
II Yet Spade reminded me of Angel, unloading a bus, dressed in blue overalls black face official Angel's work- man cap, pushing with his belly a huge tin horse piled high with black baggage, looking up as he passed the yellow light bulb of the loft and holding high on his arm an iron shepherd's crook.
III It was the racks, I realized, sitting myself on top of them now as is my wont at lunchtime to rest my tired foot, it was the racks, great wooden shelves and stanchions posts and beams assembled floor to roof jumbled with baggage, --the Japanese white metal postwar trunk gaudily flowered & headed for Fort Bragg, one Mexican green paper package in purple rope adorned with names for Nogales, hundreds of radiators all at once for Eureka, crates of Hawaiian underwear, rolls of posters scattered over the Peninsula, nuts to Sacramento, one human eye for Napa, an aluminum box of human blood for Stockton and a little red package of teeth for Calistoga- it was the racks and these on the racks I saw naked in electric light the night before I quit, the racks were created to hang our possessions, to keep us together, a temporary shift in space, God's only way of building the rickety structure of Time, to hold the bags to send on the roads, to carry our luggage from place to place looking for a bus to ride us back home to Eternity where the heart was left and farewell tears began.
IV A swarm of baggage sitting by the counter as the trans- continental bus pulls in.
The clock registering 12:15 A.
M.
, May 9, 1956, the second hand moving forward, red.
Getting ready to load my last bus.
-Farewell, Walnut Creek Richmond Vallejo Portland Pacific Highway Fleet-footed Quicksilver, God of transience.
One last package sits lone at midnight sticking up out of the Coast rack high as the dusty fluorescent light.
The wage they pay us is too low to live on.
Tragedy reduced to numbers.
This for the poor shepherds.
I am a communist.
Farewell ye Greyhound where I suffered so much, hurt my knee and scraped my hand and built my pectoral muscles big as a vagina.
May 9, 1956
Written by Edna St Vincent Millay | Create an image from this poem

Interim

 The room is full of you!—As I came in
And closed the door behind me, all at once
A something in the air, intangible,
Yet stiff with meaning, struck my senses sick!—

Sharp, unfamiliar odors have destroyed
Each other room's dear personality.
The heavy scent of damp, funereal flowers,— The very essence, hush-distilled, of Death— Has strangled that habitual breath of home Whose expiration leaves all houses dead; And wheresoe'er I look is hideous change.
Save here.
Here 'twas as if a weed-choked gate Had opened at my touch, and I had stepped Into some long-forgot, enchanted, strange, Sweet garden of a thousand years ago And suddenly thought, "I have been here before!" You are not here.
I know that you are gone, And will not ever enter here again.
And yet it seems to me, if I should speak, Your silent step must wake across the hall; If I should turn my head, that your sweet eyes Would kiss me from the door.
—So short a time To teach my life its transposition to This difficult and unaccustomed key!— The room is as you left it; your last touch— A thoughtless pressure, knowing not itself As saintly—hallows now each simple thing; Hallows and glorifies, and glows between The dust's grey fingers like a shielded light.
There is your book, just as you laid it down, Face to the table,—I cannot believe That you are gone!—Just then it seemed to me You must be here.
I almost laughed to think How like reality the dream had been; Yet knew before I laughed, and so was still.
That book, outspread, just as you laid it down! Perhaps you thought, "I wonder what comes next, And whether this or this will be the end"; So rose, and left it, thinking to return.
Perhaps that chair, when you arose and passed Out of the room, rocked silently a while Ere it again was still.
When you were gone Forever from the room, perhaps that chair, Stirred by your movement, rocked a little while, Silently, to and fro.
.
.
And here are the last words your fingers wrote, Scrawled in broad characters across a page In this brown book I gave you.
Here your hand, Guiding your rapid pen, moved up and down.
Here with a looping knot you crossed a "t," And here another like it, just beyond These two eccentric "e's.
" You were so small, And wrote so brave a hand! How strange it seems That of all words these are the words you chose! And yet a simple choice; you did not know You would not write again.
If you had known— But then, it does not matter,—and indeed If you had known there was so little time You would have dropped your pen and come to me And this page would be empty, and some phrase Other than this would hold my wonder now.
Yet, since you could not know, and it befell That these are the last words your fingers wrote, There is a dignity some might not see In this, "I picked the first sweet-pea to-day.
" To-day! Was there an opening bud beside it You left until to-morrow?—O my love, The things that withered,—and you came not back That day you filled this circle of my arms That now is empty.
(O my empty life!) That day—that day you picked the first sweet-pea,— And brought it in to show me! I recall With terrible distinctness how the smell Of your cool gardens drifted in with you.
I know, you held it up for me to see And flushed because I looked not at the flower, But at your face; and when behind my look You saw such unmistakable intent You laughed and brushed your flower against my lips.
(You were the fairest thing God ever made, I think.
) And then your hands above my heart Drew down its stem into a fastening, And while your head was bent I kissed your hair.
I wonder if you knew.
(Beloved hands! Somehow I cannot seem to see them still.
Somehow I cannot seem to see the dust In your bright hair.
) What is the need of Heaven When earth can be so sweet?—If only God Had let us love,—and show the world the way! Strange cancellings must ink th' eternal books When love-crossed-out will bring the answer right! That first sweet-pea! I wonder where it is.
It seems to me I laid it down somewhere, And yet,—I am not sure.
I am not sure, Even, if it was white or pink; for then 'Twas much like any other flower to me Save that it was the first.
I did not know Then, that it was the last.
If I had known— But then, it does not matter.
Strange how few, After all's said and done, the things that are Of moment.
Few indeed! When I can make Of ten small words a rope to hang the world! "I had you and I have you now no more.
" There, there it dangles,—where's the little truth That can for long keep footing under that When its slack syllables tighten to a thought? Here, let me write it down! I wish to see Just how a thing like that will look on paper! "I had you and I have you now no more.
" O little words, how can you run so straight Across the page, beneath the weight you bear? How can you fall apart, whom such a theme Has bound together, and hereafter aid In trivial expression, that have been So hideously dignified?—Would God That tearing you apart would tear the thread I strung you on! Would God—O God, my mind Stretches asunder on this merciless rack Of imagery! O, let me sleep a while! Would I could sleep, and wake to find me back In that sweet summer afternoon with you.
Summer? Tis summer still by the calendar! How easily could God, if He so willed, Set back the world a little turn or two! Correct its griefs, and bring its joys again! We were so wholly one I had not thought That we could die apart.
I had not thought That I could move,—and you be stiff and still! That I could speak,—and you perforce be dumb! I think our heart-strings were, like warp and woof In some firm fabric, woven in and out; Your golden filaments in fair design Across my duller fibre.
And to-day The shining strip is rent; the exquisite Fine pattern is destroyed; part of your heart Aches in my breast; part of my heart lies chilled In the damp earth with you.
I have been tom In two, and suffer for the rest of me.
What is my life to me? And what am I To life,—a ship whose star has guttered out? A Fear that in the deep night starts awake Perpetually, to find its senses strained Against the taut strings of the quivering air, Awaiting the return of some dread chord? Dark, Dark, is all I find for metaphor; All else were contrast,—save that contrast's wall Is down, and all opposed things flow together Into a vast monotony, where night And day, and frost and thaw, and death and life, Are synonyms.
What now—what now to me Are all the jabbering birds and foolish flowers That clutter up the world? You were my song! Now, let discord scream! You were my flower! Now let the world grow weeds! For I shall not Plant things above your grave—(the common balm Of the conventional woe for its own wound!) Amid sensations rendered negative By your elimination stands to-day, Certain, unmixed, the element of grief; I sorrow; and I shall not mock my truth With travesties of suffering, nor seek To effigy its incorporeal bulk In little wry-faced images of woe.
I cannot call you back; and I desire No utterance of my immaterial voice.
I cannot even turn my face this way Or that, and say, "My face is turned to you"; I know not where you are, I do not know If Heaven hold you or if earth transmute, Body and soul, you into earth again; But this I know:—not for one second's space Shall I insult my sight with visionings Such as the credulous crowd so eager-eyed Beholds, self-conjured, in the empty air.
Let the world wail! Let drip its easy tears! My sorrow shall be dumb! —What do I say? God! God!—God pity me! Am I gone mad That I should spit upon a rosary? Am I become so shrunken? Would to God I too might feel that frenzied faith whose touch Makes temporal the most enduring grief; Though it must walk a while, as is its wont, With wild lamenting! Would I too might weep Where weeps the world and hangs its piteous wreaths For its new dead! Not Truth, but Faith, it is That keeps the world alive.
If all at once Faith were to slacken,—that unconscious faith Which must, I know, yet be the corner-stone Of all believing,—birds now flying fearless Across would drop in terror to the earth; Fishes would drown; and the all-governing reins Would tangle in the frantic hands of God And the worlds gallop headlong to destruction! O God, I see it now, and my sick brain Staggers and swoons! How often over me Flashes this breathlessness of sudden sight In which I see the universe unrolled Before me like a scroll and read thereon Chaos and Doom, where helpless planets whirl Dizzily round and round and round and round, Like tops across a table, gathering speed With every spin, to waver on the edge One instant—looking over—and the next To shudder and lurch forward out of sight— * * * * * * * Ah, I am worn out—I am wearied out— It is too much—I am but flesh and blood, And I must sleep.
Though you were dead again, I am but flesh and blood and I must sleep.

Book: Shattered Sighs