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Best Famous Windy Poems

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Written by Wallace Stevens | Create an image from this poem

Sunday Morning

1
Complacencies of the peignoir, and late
Coffee and oranges in a sunny chair,
And the green freedom of a cockatoo
Upon a rug mingle to dissipate
The holy hush of ancient sacrifice.
She dreams a little, and she feels the dark Encroachment of that old catastrophe, As a calm darkens among water-lights.
The pungent oranges and bright, green wings Seem things in some procession of the dead, Winding across wide water, without sound.
The day is like wide water, without sound, Stilled for the passion of her dreaming feet Over the seas, to silent Palestine, Dominion of the blood and sepulchre.
2 Why should she give her bounty to the dead? What is divinity if it can come Only in silent shadows and in dreams? Shall she not find in the comforts of sun, In pungent fruit and bright, green wings, or else In any balm or beauty of the earth, Things to be cherished like the thought of heaven? Divinity must live within herself: Passions of rain, or moods in falling snow; Grievings in loneliness, or unsubdued Elations when the forest blooms; gusty Emotions on wet roads on autumn nights; All pleasures and all pains, remembering The bough of summer and the winter branch.
These are the measures destined for her soul.
3 Jove in the clouds had his inhuman birth.
No mother suckled him, no sweet land gave Large-mannered motions to his mythy mind He moved among us, as a muttering king, Magnificent, would move among his hinds, Until our blood, commingling, virginal, With heaven, brought such requital to desire The very hinds discerned it, in a star.
Shall our blood fail? Or shall it come to be The blood of paradise? And shall the earth Seem all of paradise that we shall know? The sky will be much friendlier then than now, A part of labor and a part of pain, And next in glory to enduring love, Not this dividing and indifferent blue.
4 She says, "I am content when wakened birds, Before they fly, test the reality Of misty fields, by their sweet questionings; But when the birds are gone, and their warm fields Return no more, where, then, is paradise?" There is not any haunt of prophecy, Nor any old chimera of the grave, Neither the golden underground, nor isle Melodious, where spirits gat them home, Nor visionary south, nor cloudy palm Remote as heaven's hill, that has endured As April's green endures; or will endure Like her rememberance of awakened birds, Or her desire for June and evening, tipped By the consummation of the swallow's wings.
5 She says, "But in contentment I still feel The need of some imperishable bliss.
" Death is the mother of beauty; hence from her, Alone, shall come fulfillment to our dreams And our desires.
Although she strews the leaves Of sure obliteration on our paths, The path sick sorrow took, the many paths Where triumph rang its brassy phrase, or love Whispered a little out of tenderness, She makes the willow shiver in the sun For maidens who were wont to sit and gaze Upon the grass, relinquished to their feet.
She causes boys to pile new plums and pears On disregarded plate.
The maidens taste And stray impassioned in the littering leaves.
6 Is there no change of death in paradise? Does ripe fruit never fall? Or do the boughs Hang always heavy in that perfect sky, Unchanging, yet so like our perishing earth, With rivers like our own that seek for seas They never find, the same receeding shores That never touch with inarticulate pang? Why set the pear upon those river-banks Or spice the shores with odors of the plum? Alas, that they should wear our colors there, The silken weavings of our afternoons, And pick the strings of our insipid lutes! Death is the mother of beauty, mystical, Within whose burning bosom we devise Our earthly mothers waiting, sleeplessly.
7 Supple and turbulent, a ring of men Shall chant in orgy on a summer morn Their boisterous devotion to the sun, Not as a god, but as a god might be, Naked among them, like a savage source.
Their chant shall be a chant of paradise, Out of their blood, returning to the sky; And in their chant shall enter, voice by voice, The windy lake wherein their lord delights, The trees, like serafin, and echoing hills, That choir among themselves long afterward.
They shall know well the heavenly fellowship Of men that perish and of summer morn.
And whence they came and whither they shall go The dew upon their feet shall manifest.
8 She hears, upon that water without sound, A voice that cries, "The tomb in Palestine Is not the porch of spirits lingering.
It is the grave of Jesus, where he lay.
" We live in an old chaos of the sun, Or old dependency of day and night, Or island solitude, unsponsered, free, Of that wide water, inescapable.
Deer walk upon our mountains, and the quail Whistle about us their spontaneous cries; Sweet berries ripen in the wilderness; And, in the isolation of the sky, At evening, casual flocks of pigeons make Abiguous undulations as they sink, Downward to darkness, on extended wings.


Written by Sara Teasdale | Create an image from this poem

A November Night

 There! See the line of lights,
A chain of stars down either side the street --
Why can't you lift the chain and give it to me,
A necklace for my throat? I'd twist it round
And you could play with it.
You smile at me As though I were a little dreamy child Behind whose eyes the fairies live.
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And see, The people on the street look up at us All envious.
We are a king and queen, Our royal carriage is a motor bus, We watch our subjects with a haughty joy.
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How still you are! Have you been hard at work And are you tired to-night? It is so long Since I have seen you -- four whole days, I think.
My heart is crowded full of foolish thoughts Like early flowers in an April meadow, And I must give them to you, all of them, Before they fade.
The people I have met, The play I saw, the trivial, shifting things That loom too big or shrink too little, shadows That hurry, gesturing along a wall, Haunting or gay -- and yet they all grow real And take their proper size here in my heart When you have seen them.
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There's the Plaza now, A lake of light! To-night it almost seems That all the lights are gathered in your eyes, Drawn somehow toward you.
See the open park Lying below us with a million lamps Scattered in wise disorder like the stars.
We look down on them as God must look down On constellations floating under Him Tangled in clouds.
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Come, then, and let us walk Since we have reached the park.
It is our garden, All black and blossomless this winter night, But we bring April with us, you and I; We set the whole world on the trail of spring.
I think that every path we ever took Has marked our footprints in mysterious fire, Delicate gold that only fairies see.
When they wake up at dawn in hollow tree-trunks And come out on the drowsy park, they look Along the empty paths and say, "Oh, here They went, and here, and here, and here! Come, see, Here is their bench, take hands and let us dance About it in a windy ring and make A circle round it only they can cross When they come back again!" .
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Look at the lake -- Do you remember how we watched the swans That night in late October while they slept? Swans must have stately dreams, I think.
But now The lake bears only thin reflected lights That shake a little.
How I long to take One from the cold black water -- new-made gold To give you in your hand! And see, and see, There is a star, deep in the lake, a star! Oh, dimmer than a pearl -- if you stoop down Your hand could almost reach it up to me.
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There was a new frail yellow moon to-night -- I wish you could have had it for a cup With stars like dew to fill it to the brim.
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How cold it is! Even the lights are cold; They have put shawls of fog around them, see! What if the air should grow so dimly white That we would lose our way along the paths Made new by walls of moving mist receding The more we follow.
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What a silver night! That was our bench the time you said to me The long new poem -- but how different now, How eerie with the curtain of the fog Making it strange to all the friendly trees! There is no wind, and yet great curving scrolls Carve themselves, ever changing, in the mist.
Walk on a little, let me stand here watching To see you, too, grown strange to me and far.
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I used to wonder how the park would be If one night we could have it all alone -- No lovers with close arm-encircled waists To whisper and break in upon our dreams.
And now we have it! Every wish comes true! We are alone now in a fleecy world; Even the stars have gone.
We two alone!
Written by Henry Kendall | Create an image from this poem

Mountains

RIFTED mountains, clad with forests, girded round by gleaming pines, 
Where the morning, like an angel, robed in golden splendour shines; 
Shimmering mountains, throwing downward on the slopes a mazy glare 
Where the noonday glory sails through gulfs of calm and glittering air; 
Stately mountains, high and hoary, piled with blocks of amber cloud, 
Where the fading twilight lingers, when the winds are wailing loud; 

Grand old mountains, overbeetling brawling brooks and deep ravines, 
Where the moonshine, pale and mournful, flows on rocks and evergreens. 

Underneath these regal ridges - underneath the gnarly trees, 
I am sitting, lonely-hearted, listening to a lonely breeze! 
Sitting by an ancient casement, casting many a longing look 
Out across the hazy gloaming - out beyond the brawling brook! 
Over pathways leading skyward - over crag and swelling cone, 

Past long hillocks looking like to waves of ocean turned to stone; 
Yearning for a bliss unworldly, yearning for a brighter change, 
Yearning for the mystic Aidenn, built beyond this mountain range. 


Happy years, amongst these valleys, happy years have come and gone, 
And my youthful hopes and friendships withered with them one by one; 
Days and moments bearing onward many a bright and beauteous dream, 
All have passed me like to sunstreaks flying down a distant stream. 

Oh, the love returned by loved ones! Oh, the faces that I knew! 
Oh, the wrecks of fond affection! Oh, the hearts so warm and true! 
But their voices I remember, and a something lingers still, 
Like a dying echo roaming sadly round a far off hill. 


I would sojourn here contented, tranquil as I was of yore, 
And would never wish to clamber, seeking for an unknown shore; 
I have dwelt within this cottage twenty summers, and mine eyes 

Never wandered erewhile round in search of undiscovered skies; 
But a spirit sits beside me, veiled in robes of dazzling white, 
And a dear one's whisper wakens with the symphonies of night; 
And a low sad music cometh, borne along on windy wings, 
Like a strain familiar rising from a maze of slumbering springs. 


And the Spirit, by my window, speaketh to my restless soul, 
Telling of the clime she came from, where the silent moments roll; 

Telling of the bourne mysterious, where the sunny summers flee 
Cliffs and coasts, by man untrodden, ridging round a shipless sea. 

There the years of yore are blooming - there departed life-dreams dwell, 
There the faces beam with gladness that I loved in youth so well; 
There the songs of childhood travel, over wave-worn steep and strand - 
Over dale and upland stretching out behind this mountain land. 


``Lovely Being, can a mortal, weary of this changeless scene, 

Cross these cloudy summits to the land where man hath never been? 
Can he find a pathway leading through that wildering mass of pines, 
So that he shall reach the country where ethereal glory shines; 
So that he may glance at waters never dark with coming ships; 
Hearing round him gentle language floating from angelic lips; 
Casting off his earthly fetters, living there for evermore; 
All the blooms of Beauty near him, gleaming on that quiet shore? 


``Ere you quit this ancient casement, tell me, is it well to yearn 
For the evanescent visions, vanished never to return? 
Is it well that I should with to leave this dreary world behind, 
Seeking for your fair Utopia, which perchance I may not find? 
Passing through a gloomy forest, scaling steeps like prison walls, 
Where the scanty sunshine wavers and the moonlight seldom falls? 
Oh, the feelings re-awakened! Oh, the hopes of loftier range! 

Is it well, thou friendly Being, well to wish for such a change?'' 


But the Spirit answers nothing! and the dazzling mantle fades; 
And a wailing whisper wanders out from dismal seaside shades! 
``Lo, the trees are moaning loudly, underneath their hood-like shrouds, 
And the arch above us darkens, scarred with ragged thunder clouds!'' 
But the spirit answers nothing, and I linger all alone, 
Gazing through the moony vapours where the lovely Dream has flown; 

And my heart is beating sadly, and the music waxeth faint, 
Sailing up to holy Heaven, like the anthems of a Saint.
Written by William Vaughn Moody | Create an image from this poem

An Ode in Time of Hesitation

 After seeing at Boston the statue of Robert Gould Shaw, killed while storming Fort Wagner, July 18, 1863, at the head of the first enlisted ***** regiment, the Fifty-fourth Massachusetts.
I Before the solemn bronze Saint Gaudens made To thrill the heedless passer's heart with awe, And set here in the city's talk and trade To the good memory of Robert Shaw, This bright March morn I stand, And hear the distant spring come up the land; Knowing that what I hear is not unheard Of this boy soldier and his ***** band, For all their gaze is fixed so stern ahead, For all the fatal rhythm of their tread.
The land they died to save from death and shame Trembles and waits, hearing the spring's great name, And by her pangs these resolute ghosts are stirred.
II Through street and mall the tides of people go Heedless; the trees upon the Common show No hint of green; but to my listening heart The still earth doth impart Assurance of her jubilant emprise, And it is clear to my long-searching eyes That love at last has might upon the skies.
The ice is runneled on the little pond; A telltale patter drips from off the trees; The air is touched with southland spiceries, As if but yesterday it tossed the frond Of pendant mosses where the live-oaks grow Beyond Virginia and the Carolines, Or had its will among the fruits and vines Of aromatic isles asleep beyond Florida and the Gulf of Mexico.
III Soon shall the Cape Ann children shout in glee, Spying the arbutus, spring's dear recluse; Hill lads at dawn shall hearken the wild goose Go honking northward over Tennessee; West from Oswego to Sault Sainte-Marie, And on to where the Pictured Rocks are hung, And yonder where, gigantic, wilful, young, Chicago sitteth at the northwest gates, With restless violent hands and casual tongue Moulding her mighty fates, The Lakes shall robe them in ethereal sheen; And like a larger sea, the vital green Of springing wheat shall vastly be outflung Over Dakota and the prairie states.
By desert people immemorial On Arizonan mesas shall be done Dim rites unto the thunder and the sun; Nor shall the primal gods lack sacrifice More splendid, when the white Sierras call Unto the Rockies straightway to arise And dance before the unveiled ark of the year, Sounding their windy cedars as for shawms, Unrolling rivers clear For flutter of broad phylacteries; While Shasta signals to Alaskan seas That watch old sluggish glaciers downward creep To fling their icebergs thundering from the steep, And Mariposa through the purple calms Gazes at far Hawaii crowned with palms Where East and West are met, -- A rich seal on the ocean's bosom set To say that East and West are twain, With different loss and gain: The Lord hath sundered them; let them be sundered yet.
IV Alas! what sounds are these that come Sullenly over the Pacific seas, -- Sounds of ignoble battle, striking dumb The season's half-awakened ecstasies? Must I be humble, then, Now when my heart hath need of pride? Wild love falls on me from these sculptured men; By loving much the land for which they died I would be justified.
My spirit was away on pinions wide To soothe in praise of her its passionate mood And ease it of its ache of gratitude.
Too sorely heavy is the debt they lay On me and the companions of my day.
I would remember now My country's goodliness, make sweet her name.
Alas! what shade art thou Of sorrow or of blame Liftest the lyric leafage from her brow, And pointest a slow finger at her shame? V Lies! lies! It cannot be! The wars we wage Are noble, and our battles still are won By justice for us, ere we lift the gage.
We have not sold our loftiest heritage.
The proud republic hath not stooped to cheat And scramble in the market-place of war; Her forehead weareth yet its solemn star.
Here is her witness: this, her perfect son, This delicate and proud New England soul Who leads despisèd men, with just-unshackled feet, Up the large ways where death and glory meet, To show all peoples that our shame is done, That once more we are clean and spirit-whole.
VI Crouched in the sea fog on the moaning sand All night he lay, speaking some simple word From hour to hour to the slow minds that heard, Holding each poor life gently in his hand And breathing on the base rejected clay Till each dark face shone mystical and grand Against the breaking day; And lo, the shard the potter cast away Was grown a fiery chalice crystal-fine Fulfilled of the divine Great wine of battle wrath by God's ring-finger stirred.
Then upward, where the shadowy bastion loomed Huge on the mountain in the wet sea light, Whence now, and now, infernal flowerage bloomed, Bloomed, burst, and scattered down its deadly seed, -- They swept, and died like freemen on the height, Like freemen, and like men of noble breed; And when the battle fell away at night By hasty and contemptuous hands were thrust Obscurely in a common grave with him The fair-haired keeper of their love and trust.
Now limb doth mingle with dissolvèd limb In nature's busy old democracy To flush the mountain laurel when she blows Sweet by the southern sea, And heart with crumbled heart climbs in the rose: -- The untaught hearts with the high heart that knew This mountain fortress for no earthly hold Of temporal quarrel, but the bastion old Of spiritual wrong, Built by an unjust nation sheer and strong, Expugnable but by a nation's rue And bowing down before that equal shrine By all men held divine, Whereof his band and he were the most holy sign.
VII O bitter, bitter shade! Wilt thou not put the scorn And instant tragic question from thine eye? Do thy dark brows yet crave That swift and angry stave -- Unmeet for this desirous morn -- That I have striven, striven to evade? Gazing on him, must I not deem they err Whose careless lips in street and shop aver As common tidings, deeds to make his cheek Flush from the bronze, and his dead throat to speak? Surely some elder singer would arise, Whose harp hath leave to threaten and to mourn Above this people when they go astray.
Is Whitman, the strong spirit, overworn? Has Whittier put his yearning wrath away? I will not and I dare not yet believe! Though furtively the sunlight seems to grieve, And the spring-laden breeze Out of the gladdening west is sinister With sounds of nameless battle overseas; Though when we turn and question in suspense If these things be indeed after these ways, And what things are to follow after these, Our fluent men of place and consequence Fumble and fill their mouths with hollow phrase, Or for the end-all of deep arguments Intone their dull commercial liturgies -- I dare not yet believe! My ears are shut! I will not hear the thin satiric praise And muffled laughter of our enemies, Bidding us never sheathe our valiant sword Till we have changed our birthright for a gourd Of wild pulse stolen from a barbarian's hut; Showing how wise it is to cast away The symbols of our spiritual sway, That so our hands with better ease May wield the driver's whip and grasp the jailer's keys.
VIII Was it for this our fathers kept the law? This crown shall crown their struggle and their ruth? Are we the eagle nation Milton saw Mewing its mighty youth, Soon to possess the mountain winds of truth, And be a swift familiar of the sun Where aye before God's face his trumpets run? Or have we but the talons and the maw, And for the abject likeness of our heart Shall some less lordly bird be set apart? -- Some gross-billed wader where the swamps are fat? Some gorger in the sun? Some prowler with the bat? IX Ah no! We have not fallen so.
We are our fathers' sons: let those who lead us know! 'T was only yesterday sick Cuba's cry Came up the tropic wind, "Now help us, for we die!" Then Alabama heard, And rising, pale, to Maine and Idaho Shouted a burning word.
Proud state with proud impassioned state conferred, And at the lifting of a hand sprang forth, East, west, and south, and north, Beautiful armies.
Oh, by the sweet blood and young Shed on the awful hill slope at San Juan, By the unforgotten names of eager boys Who might have tasted girls' love and been stung With the old mystic joys And starry griefs, now the spring nights come on, But that the heart of youth is generous, -- We charge you, ye who lead us, Breathe on their chivalry no hint of stain! Turn not their new-world victories to gain! One least leaf plucked for chaffer from the bays Of their dear praise, One jot of their pure conquest put to hire, The implacable republic will require; With clamor, in the glare and gaze of noon, Or subtly, coming as a thief at night, But surely, very surely, slow or soon That insult deep we deeply will requite.
Tempt not our weakness, our cupidity! For save we let the island men go free, Those baffled and dislaureled ghosts Will curse us from the lamentable coasts Where walk the frustrate dead.
The cup of trembling shall be drainèd quite, Eaten the sour bread of astonishment, With ashes of the hearth shall be made white Our hair, and wailing shall be in the tent; Then on your guiltier head Shall our intolerable self-disdain Wreak suddenly its anger and its pain; For manifest in that disastrous light We shall discern the right And do it, tardily.
-- O ye who lead, Take heed! Blindness we may forgive, but baseness we will smite.
Written by John Betjeman | Create an image from this poem

Christmas

 The bells of waiting Advent ring,
The Tortoise stove is lit again
And lamp-oil light across the night
Has caught the streaks of winter rain
In many a stained-glass window sheen
From Crimson Lake to Hookers Green.
The holly in the windy hedge And round the Manor House the yew Will soon be stripped to deck the ledge, The altar, font and arch and pew, So that the villagers can say 'The church looks nice' on Christmas Day.
Provincial Public Houses blaze, Corporation tramcars clang, On lighted tenements I gaze, Where paper decorations hang, And bunting in the red Town Hall Says 'Merry Christmas to you all'.
And London shops on Christmas Eve Are strung with silver bells and flowers As hurrying clerks the City leave To pigeon-haunted classic towers, And marbled clouds go scudding by The many-steepled London sky.
And girls in slacks remember Dad, And oafish louts remember Mum, And sleepless children's hearts are glad.
And Christmas-morning bells say 'Come!' Even to shining ones who dwell Safe in the Dorchester Hotel.
And is it true, This most tremendous tale of all, Seen in a stained-glass window's hue, A Baby in an ox's stall ? The Maker of the stars and sea Become a Child on earth for me ? And is it true ? For if it is, No loving fingers tying strings Around those tissued fripperies, The sweet and silly Christmas things, Bath salts and inexpensive scent And hideous tie so kindly meant, No love that in a family dwells, No carolling in frosty air, Nor all the steeple-shaking bells Can with this single Truth compare - That God was man in Palestine And lives today in Bread and Wine.


Written by Dylan Thomas | Create an image from this poem

I In My Intricate Image

 I

I, in my intricate image, stride on two levels,
Forged in man's minerals, the brassy orator
Laying my ghost in metal,
The scales of this twin world tread on the double,
My half ghost in armour hold hard in death's corridor,
To my man-iron sidle.
Beginning with doom in the bulb, the spring unravels, Bright as her spinning-wheels, the colic season Worked on a world of petals; She threads off the sap and needles, blood and bubble Casts to the pine roots, raising man like a mountain Out of the naked entrail.
Beginning with doom in the ghost, and the springing marvels, Image of images, my metal phantom Forcing forth through the harebell, My man of leaves and the bronze root, mortal, unmortal, I, in my fusion of rose and male motion, Create this twin miracle.
This is the fortune of manhood: the natural peril, A steeplejack tower, bonerailed and masterless, No death more natural; Thus the shadowless man or ox, and the pictured devil, In seizure of silence commit the dead nuisance.
The natural parallel.
My images stalk the trees and the slant sap's tunnel, No tread more perilous, the green steps and spire Mount on man's footfall, I with the wooden insect in the tree of nettles, In the glass bed of grapes with snail and flower, Hearing the weather fall.
Intricate manhood of ending, the invalid rivals, Voyaging clockwise off the symboled harbour, Finding the water final, On the consumptives' terrace taking their two farewells, Sail on the level, the departing adventure, To the sea-blown arrival.
II They climb the country pinnacle, Twelve winds encounter by the white host at pasture, Corner the mounted meadows in the hill corral; They see the squirrel stumble, The haring snail go giddily round the flower, A quarrel of weathers and trees in the windy spiral.
As they dive, the dust settles, The cadaverous gravels, falls thick and steadily, The highroad of water where the seabear and mackerel Turn the long sea arterial Turning a petrol face blind to the enemy Turning the riderless dead by the channel wall.
(Death instrumental, Splitting the long eye open, and the spiral turnkey, Your corkscrew grave centred in navel and nipple, The neck of the nostril, Under the mask and the ether, they making bloody The tray of knives, the antiseptic funeral; Bring out the black patrol, Your monstrous officers and the decaying army, The sexton sentinel, garrisoned under thistles, A cock-on-a-dunghill Crowing to Lazarus the morning is vanity, Dust be your saviour under the conjured soil.
) As they drown, the chime travels, Sweetly the diver's bell in the steeple of spindrift Rings out the Dead Sea scale; And, clapped in water till the triton dangles, Strung by the flaxen whale-weed, from the hangman's raft, Hear they the salt glass breakers and the tongues of burial.
(Turn the sea-spindle lateral, The grooved land rotating, that the stylus of lightning Dazzle this face of voices on the moon-turned table, Let the wax disk babble Shames and the damp dishonours, the relic scraping.
These are your years' recorders.
The circular world stands still.
) III They suffer the undead water where the turtle nibbles, Come unto sea-stuck towers, at the fibre scaling, The flight of the carnal skull And the cell-stepped thimble; Suffer, my topsy-turvies, that a double angel Sprout from the stony lockers like a tree on Aran.
Be by your one ghost pierced, his pointed ferrule, Brass and the bodiless image, on a stick of folly Star-set at Jacob's angle, Smoke hill and hophead's valley, And the five-fathomed Hamlet on his father's coral Thrusting the tom-thumb vision up the iron mile.
Suffer the slash of vision by the fin-green stubble, Be by the ships' sea broken at the manstring anchored The stoved bones' voyage downward In the shipwreck of muscle; Give over, lovers, locking, and the seawax struggle, Love like a mist or fire through the bed of eels.
And in the pincers of the boiling circle, The sea and instrument, nicked in the locks of time, My great blood's iron single In the pouring town, I, in a wind on fire, from green Adam's cradle, No man more magical, clawed out the crocodile.
Man was the scales, the death birds on enamel, Tail, Nile, and snout, a saddler of the rushes, Time in the hourless houses Shaking the sea-hatched skull, And, as for oils and ointments on the flying grail, All-hollowed man wept for his white apparel.
Man was Cadaver's masker, the harnessing mantle, Windily master of man was the rotten fathom, My ghost in his metal neptune Forged in man's mineral.
This was the god of beginning in the intricate seawhirl, And my images roared and rose on heaven's hill.
Written by William Butler Yeats | Create an image from this poem

The Hour Before Dawn

 A cursing rogue with a merry face,
A bundle of rags upon a crutch,
Stumbled upon that windy place
Called Cruachan, and it was as much
As the one sturdy leg could do
To keep him upright while he cursed.
He had counted, where long years ago Queen Maeve's nine Maines had been nursed, A pair of lapwings, one old sheep, And not a house to the plain's edge, When close to his right hand a heap Of grey stones and a rocky ledge Reminded him that he could make.
If he but shifted a few stones, A shelter till the daylight broke.
But while he fumbled with the stones They toppled over; 'Were it not I have a lucky wooden shin I had been hurt'; and toppling brought Before his eyes, where stones had been, A dark deep hollow in the rock.
He gave a gasp and thought to have fled, Being certain it was no right rock Because an ancient history said Hell Mouth lay open near that place, And yet stood still, because inside A great lad with a beery face Had tucked himself away beside A ladle and a tub of beer, And snored, no phantom by his look.
So with a laugh at his own fear He crawled into that pleasant nook.
'Night grows uneasy near the dawn Till even I sleep light; but who Has tired of his own company? What one of Maeve's nine brawling sons Sick of his grave has wakened me? But let him keep his grave for once That I may find the sleep I have lost.
' What care I if you sleep or wake? But I'Il have no man call me ghost.
' Say what you please, but from daybreak I'll sleep another century.
' And I will talk before I sleep And drink before I talk.
' And he Had dipped the wooden ladle deep Into the sleeper's tub of beer Had not the sleeper started up.
Before you have dipped it in the beer I dragged from Goban's mountain-top I'll have assurance that you are able To value beer; no half-legged fool Shall dip his nose into my ladle Merely for stumbling on this hole In the bad hour before the dawn.
' 'Why beer is only beer.
' 'But say 'I'll sleep until the winter's gone, Or maybe to Midsummer Day,' And drink and you will sleep that length.
' 'I'd like to sleep till winter's gone Or till the sun is in his srrength.
This blast has chilled me to the bone.
' 'I had no better plan at first.
I thought to wait for that or this; Maybe the weather was accursed Or I had no woman there to kiss; So slept for half a year or so; But year by year I found that less Gave me such pleasure I'd forgo Even a half-hour's nothingness, And when at one year's end I found I had not waked a single minute, I chosc this burrow under ground.
I'll sleep away all time within it: My sleep were now nine centuries But for those mornings when I find The lapwing at their foolish dies And the sheep bleating at the wind As when I also played the fool.
' The beggar in a rage began Upon his hunkers in the hole, 'It's plain that you are no right man To mock at everything I love As if it were not worth, the doing.
I'd have a merry life enough If a good Easter wind were blowing, And though the winter wind is bad I should not be too down in the mouth For anything you did or said If but this wind were in the south.
' 'You cry aloud, O would 'twere spring Or that the wind would shift a point, And do not know that you would bring, If time were suppler in the joint, Neither the spring nor the south wind But the hour when you shall pass away And leave no smoking wick behind, For all life longs for the Last Day And there's no man but cocks his ear To know when Michael's trumpet cries 'That flesh and bone may disappear, And souls as if they were but sighs, And there be nothing but God left; But, I aone being blessed keep Like some old rabbit to my cleft And wait Him in a drunken sleep.
' He dipped his ladle in the tub And drank and yawned and stretched him out, The other shouted, 'You would rob My life of every pleasant thought And every comfortable thing, And so take that and that.
' Thereon He gave him a great pummelling, But might have pummelled at a stone For all the sleeper knew or cared; And after heaped up stone on stone, And then, grown weary, prayed and cursed And heaped up stone on stone again, And prayed and cursed and cursed and bed From Maeve and all that juggling plain, Nor gave God thanks till overhead The clouds were brightening with the dawn.
Written by Howard Nemerov | Create an image from this poem

Lion and Honeycomb

 He didn't want to do it with skill,
He'd had enough of skill.
If he never saw Another villanelle, it would be too soon; And the same went for sonnets.
If it had been Hard work learning to rime, it would be much Harder learning not to.
The time came He had to ask himself, what did he want? What did he want when he began That idiot fiddling with the sounds of things.
He asked himself, poor moron, because he had Nobody else to ask.
The others went right on Talking about form, talking about myth And the (so help us) need for a modern idiom; The verseballs among them kept counting syllables.
So there he was, this forty-year-old teen-ager Dreaming preposterous mergers and divisions Of vowels like water, consonants like rock (While everybody kept discussing values And the need for values), for words that would Enter the silence and be there as a light.
So much coffee and so many cigarettes Gone down the drain, gone up in smoke, Just for the sake of getting something right Once in a while, something that could stand On its own flat feet to keep out windy time And the worm, something that might simply be, Not as the monument in the smoky rain Grimly endures, but that would be Only a moment's inviolable presence, The moment before disaster, before the storm, In its peculiar silence, an integer Fixed in the middle of the fall of things, Perfected and casual as to a child's eye Soap bubbles are, and skipping stones.
Written by Ted Hughes | Create an image from this poem

Crow and the Sea

He tried ignoring the sea 
But it was bigger than death, just as it was bigger than life.
He tried talking to the sea But his brain shuttered and his eyes winced from it as from open flame.
He tried sympathy for the sea But it shouldered him off - as a dead thing shoulders you off.
He tried hating the sea But instantly felt like a scrutty dry rabbit-dropping on the windy cliff.
He tried just being in the same world as the sea But his lungs were not deep enough And his cheery blood banged off it Like a water-drop off a hot stove.
Finally He turned his back and he marched away from the sea As a crucified man cannot move.
Written by Oscar Wilde | Create an image from this poem

LE JARDIN

 The lily's withered chalice falls
Around its rod of dusty gold,
And from the beech-trees on the wold
The last wood-pigeon coos and calls.
The gaudy leonine sunflower Hangs black and barren on its stalk, And down the windy garden walk The dead leaves scatter, - hour by hour.
Pale privet-petals white as milk Are blown into a snowy mass: The roses lie upon the grass Like little shreds of crimson silk.

Book: Reflection on the Important Things