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Best Famous Windfalls Poems

Here is a collection of the all-time best famous Windfalls poems. This is a select list of the best famous Windfalls poetry. Reading, writing, and enjoying famous Windfalls poetry (as well as classical and contemporary poems) is a great past time. These top poems are the best examples of windfalls poems.

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Written by Linda Pastan | Create an image from this poem

Self-Portrait

 After Adam Zagajewski



I am child to no one, mother to a few,
wife for the long haul.
On fall days I am happy
with my dying brethren, the leaves,
but in spring my head aches
from the flowery scents.
My husband fills a room with Mozart
which I turn off, embracing
the silence as if it were an empty page
waiting for me alone to fill it.
He digs in the black earth
with his bare hands. I scrub it
from the creases of his skin, longing
for the kind of perfection
that happens in books.
My house is my only heaven.
A red dog sleeps at my feet, dreaming
of the manic wings of flushed birds.
As the road shortens ahead of me
I look over my shoulder
to where it curves back
to childhood, its white line
bisecting the real and the imagined
the way the ridgepole of the spine
divides the two parts of the body, leaving
the soft belly in the center
vulnerable to anything.
As for my country, it blunders along
as well intentioned as Eve choosing
cider and windfalls, oblivious
to the famine soon to come.
I stir pots, bury my face in books, or hold
a telephone to my ear as if its cord
were the umbilicus of the world
whose voices still whisper to me
even after they have left their bodies.


Written by Jorge Luis Borges | Create an image from this poem

Shinto

 When sorrow lays us low
for a second we are saved
by humble windfalls
of the mindfulness or memory:
the taste of a fruit, the taste of water,
that face given back to us by a dream,
the first jasmine of November,
the endless yearning of the compass,
a book we thought was lost,
the throb of a hexameter,
the slight key that opens a house to us,
the smell of a library, or of sandalwood,
the former name of a street,
the colors of a map,
an unforeseen etymology,
the smoothness of a filed fingernail,
the date we were looking for,
the twelve dark bell-strokes, tolling as we count,
a sudden physical pain.

Eight million Shinto deities
travel secretly throughout the earth.
Those modest gods touch us--
touch us and move on.
Written by Alec Derwent (A D) Hope | Create an image from this poem

Standardization

 When, darkly brooding on this Modern Age, 
The journalist with his marketable woes 
Fills up once more the inevitable page 
Of fatuous, flatulent, Sunday-paper prose; 

Whenever the green aesthete starts to whoop 
With horror at the house not made with hands 
And when from vacuum cleaners and tinned soup 
Another pure theosophist demands 

Rebirth in other, less industrial stars 
Where huge towns thrust up in synthetic stone 
And films and sleek miraculous motor cars 
And celluloid and rubber are unknown; 

When from his vegetable Sunday School 
Emerges with the neatly maudlin phrase 
Still one more Nature poet, to rant or drool 
About the "Standardization of the Race"; 

I see, stooping among her orchard trees, 
The old, sound Earth, gathering her windfalls in, 
Broad in the hams and stiffening at the knees, 
Pause and I see her grave malicious grin. 

For there is no manufacturer competes 
With her in the mass production of shapes and things. 
Over and over she gathers and repeats 
The cast of a face, a million butterfly wings. 

She does not tire of the pattern of a rose. 
Her oldest tricks still catch us with surprise. 
She cannot recall how long ago she chose 
The streamlined hulls of fish, the snail's long eyes, 

Love, which still pours into its ancient mould 
The lashing seed that grows to a man again, 
From whom by the same processes unfold 
Unending generations of living men. 

She has standardized his ultimate needs and pains. 
Lost tribes in a lost language mutter in 
His dreams: his science is tethered to their brains, 
His guilt merely repeats Original Sin. 

And beauty standing motionless before 
Her mirror sees behind her, mile on mile, 
A long queue in an unknown corridor, 
Anonymous faces plastered with her smile.
Written by Philip Larkin | Create an image from this poem

Toads

 Why should I let the toad work
 Squat on my life?
Can't I use my wit as a pitchfork
 And drive the brute off?

Six days of the week it soils 
 With its sickening poison -
Just for paying a few bills!
 That's out of proportion.

Lots of folk live on their wits:
 Lecturers, lispers,
Losels, loblolly-men, louts-
 They don't end as paupers;

Lots of folk live up lanes
 With fires in a bucket,
Eat windfalls and tinned sardines-
 they seem to like it.

Their nippers have got bare feet,
 Their unspeakable wives
Are skinny as whippets - and yet
 No one actually starves.

Ah, were I courageous enough 
 To shout Stuff your pension!
But I know, all too well, that's the stuff
 That dreams are made on:

For something sufficiently toad-like
 Squats in me, too;
Its hunkers are heavy as hard luck,
 And cold as snow,

And will never allow me to blarney
 My way of getting
The fame and the girl and the money
 All at one sitting.

I don't say, one bodies the other
 One's spiritual truth;
But I do say it's hard to lose either,
 When you have both.
Written by Robert Browning | Create an image from this poem

The Englishman In Italy

 (PIANO DI SORRENTO.)

Fortu, Frotu, my beloved one,
Sit here by my side,
On my knees put up both little feet!
I was sure, if I tried,
I could make you laugh spite of Scirocco;
Now, open your eyes— 
Let me keep you amused till he vanish
In black from the skies,
With telling my memories over
As you tell your beads;
All the memories plucked at Sorrento
—The flowers, or the weeds,
Time for rain! for your long hot dry Autumn
Had net-worked with brown
The white skin of each grape on the bunches,
Marked like a quail's crown,
Those creatures you make such account of,
Whose heads,—specked with white
Over brown like a great spider's back,
As I told you last night,— 
Your mother bites off for her supper;
Red-ripe as could be.
Pomegranates were chapping and splitting
In halves on the tree:
And betwixt the loose walls of great flintstone,
Or in the thick dust
On the path, or straight out of the rock side,
Wherever could thrust
Some burnt sprig of bold hardy rock-flower
Its yellow face up,
For the prize were great butterflies fighting,
Some five for one cup.
So, I guessed, ere I got up this morning,
What change was in store,
By the quick rustle-down of the quail-nets
Which woke me before
I could open my shutter, made fast
With a bough and a stone,
And look through the twisted dead vine-twigs,
Sole lattice that's known!
Quick and sharp rang the rings down the net-poles,
While, busy beneath,
Your priest and his brother tugged at them,
The rain in their teeth:
And out upon all the flat house-roofs
Where split figs lay drying,
The girls took the frails under cover:
Nor use seemed in trying
To get out the boats and go fishing,
For, under the cliff,
Fierce the black water frothed o'er the blind-rock
No seeing our skiff
Arrive about noon from Amalfi,
—Our fisher arrive,
And pitch down his basket before us,
All trembling alive
With pink and grey jellies, your sea-fruit,
—You touch the strange lumps,
And mouths gape there, eyes open, all manner
Of horns and of humps.
Which only the fisher looks grave at,
While round him like imps
Cling screaming the children as naked
And brown as his shrimps;
Himself too as bare to the middle— 
—You see round his neck
The string and its brass coin suspended,
That saves him from wreck.
But today not a boat reached Salerno,
So back to a man
Came our friends, with whose help in the vineyards
Grape-harvest began:
In the vat, half-way up in our house-side,
Like blood the juice spins,
While your brother all bare-legged is dancing
Till breathless he grins
Dead-beaten, in effort on effort
To keep the grapes under,
Since still when he seems all but master,
In pours the fresh plunder
From girls who keep coming and going
With basket on shoulder,
And eyes shut against the rain's driving,
Your girls that are older,— 
For under the hedges of aloe,
And where, on its bed
Of the orchard's black mould, the love-apple
Lies pulpy and red,
All the young ones are kneeling and filling
Their laps with the snails
Tempted out by this first rainy weather,— 
Your best of regales,
As tonight will be proved to my sorrow,
When, supping in state,
We shall feast our grape-gleaners (two dozen,
Three over one plate)
With lasagne so tempting to swallow
In slippery ropes,
And gourds fried in great purple slices,
That colour of popes.
Meantime, see the grape-bunch they've brought you,— 
The rain-water slips
O'er the heavy blue bloom on each globe
Which the wasp to your lips
Still follows with fretful persistence— 
Nay, taste, while awake,
This half of a curd-white smooth cheese-ball,
That peels, flake by flake,
Like an onion's, each smoother and whiter;
Next, sip this weak wine
From the thin green glass flask, with its stopper,
A leaf of the vine,— 
And end with the prickly-pear's red flesh
That leaves through its juice
The stony black seeds on your pearl-teeth
...Scirocco is loose!
Hark! the quick, whistling pelt of the olives
Which, thick in one's track,
Tempt the stranger to pick up and bite them,
Though not yet half black!
How the old twisted olive trunks shudder!
The medlars let fall
Their hard fruit, and the brittle great fig-trees
Snap off, figs and all,— 
For here comes the whole of the tempest
No refuge, but creep
Back again to my side and my shoulder,
And listen or sleep.

O how will your country show next week
When all the vine-boughs
Have been stripped of their foliage to pasture
The mules and the cows?
Last eve, I rode over the mountains;
Your brother, my guide,
Soon left me, to feast on the myrtles
That offered, each side,
Their fruit-balls, black, glossy and luscious,— 
Or strip from the sorbs
A treasure, so rosy and wondrous,
Of hairy gold orbs!
But my mule picked his sure, sober path out,
Just stopping to neigh
When he recognized down in the valley
His mates on their way
With the faggots, and barrels of water;
And soon we emerged
From the plain, where the woods could scarce follow
And still as we urged
Our way, the woods wondered, and left us,
As up still we trudged
Though the wild path grew wilder each instant,
And place was e'en grudged
'Mid the rock-chasms, and piles of loose stones
(Like the loose broken teeth
Of some monster, which climbed there to die
From the ocean beneath)
Place was grudged to the silver-grey fume-weed
That clung to the path,
And dark rosemary, ever a-dying,
That, 'spite the wind's wrath,
So loves the salt rock's face to seaward,— 
And lentisks as staunch
To the stone where they root and bear berries,— 
And... what shows a branch
Coral-coloured, transparent, with circlets
Of pale seagreen leaves— 
Over all trod my mule with the caution
Of gleaners o'er sheaves,
Still, foot after foot like a lady— 
So, round after round,
He climbed to the top of Calvano,
And God's own profound
Was above me, and round me the mountains,
And under, the sea,
And within me, my heart to bear witness
What was and shall be!
Oh Heaven, and the terrible crystal!
No rampart excludes
Your eye from the life to be lived
In the blue solitudes!
Oh, those mountains, their infinite movement!
Still moving with you— 
For, ever some new head and breast of them
Thrusts into view
To observe the intruder—you see it
If quickly you turn
And, before they escape you, surprise them— 
They grudge you should learn
How the soft plains they look on, lean over,
And love (they pretend)
-Cower beneath them; the flat sea-pine crouches
The wild fruit-trees bend,
E'en the myrtle-leaves curl, shrink and shut— 
All is silent and grave— 
'Tis a sensual and timorous beauty— 
How fair, but a slave!
So, I turned to the sea,—and there slumbered
As greenly as ever
Those isles of the siren, your Galli;
No ages can sever
The Three, nor enable their sister
To join them,—half-way
On the voyage, she looked at Ulysses— 
No farther today;
Though the small one, just launched in the wave,
Watches breast-high and steady
From under the rock, her bold sister
Swum half-way already.
Fortu, shall we sail there together
And see from the sides
Quite new rocks show their faces—new haunts
Where the siren abides?
Shall we sail round and round them, close over
The rocks, though unseen,
That ruffle the grey glassy water
To glorious green?
Then scramble from splinter to splinter,
Reach land and explore,
On the largest, the strange square black turret
With never a door,
Just a loop to admit the quick lizards;
Then, stand there and hear
The birds' quiet singing, that tells us
What life is, so clear!
The secret they sang to Ulysses,
When, ages ago,
He heard and he knew this life's secret,
I hear and I know!

Ah, see! The sun breaks o'er Calvano— 
He strikes the great gloom
And flutters it o'er the mount's summit
In airy gold fume!
All is over! Look out, see the gipsy,
Our tinker and smith,
Has arrived, set up bellows and forge,
And down-squatted forthwith
To his hammering, under the wall there;
One eye keeps aloof
The urchins that itch to be putting
His jews'-harps to proof,
While the other, through locks of curled wire,
Is watching how sleek
Shines the hog, come to share in the windfalls
—An abbot's own cheek!
All is over! Wake up and come out now,
And down let us go,
And see the fine things got in order
At Church for the show
Of the Sacrament, set forth this evening;
Tomorrow's the Feast
Of the Rosary's Virgin, by no means
Of Virgins the least— 
As you'll hear in the off-hand discourse
Which (all nature, no art)
The Dominican brother, these three weeks,
Was getting by heart.
Not a post nor a pillar but's dizened
With red and blue papers;
All the roof waves with ribbons, each altar
A-blaze with long tapers;
But the great masterpiece is the scaffold
Rigged glorious to hold
All the fiddlers and fifers and drummers
And trumpeters bold,
Not afraid of Bellini nor Auber,
Who, when the priest's hoarse,
Will strike us up something that's brisk
For the feast's second course.
And then will the flaxen-wigged Image
Be carried in pomp
Through the plain, while in gallant procession
The priests mean to stomp.
And all round the glad church lie old bottles
With gunpowder stopped,
Which will be, when the Image re-enters,
Religiously popped.
And at night from the crest of Calvano
Great bonfires will hang,
On the plain will the trumpets join chorus,
And more poppers bang!
At all events, come—to the garden,
As far as the wall,
See me tap with a hoe on the plaster
Till out there shall fall
A scorpion with wide angry nippers!

..."Such trifles"—you say?
Fortu, in my England at home,
Men meet gravely today
And debate, if abolishing Corn-laws
Is righteous and wise
—If 'tis proper, Scirocco should vanish
In black from the skies!


Written by Robert Frost | Create an image from this poem

The Cow In Apple-Time

 Something inspires the only cow of late
To make no more of a wall than an open gate,
And think no more of wall-builders than fools.
Her face is flecked with pomace and she drools
A cider syrup. Having tasted fruit,
She scorns a pasture withering to the root.
She runs from tree to tree where lie and sweeten.
The windfalls spiked with stubble and worm-eaten.
She leaves them bitten when she has to fly.
She bellows on a knoll against the sky.
Her udder shrivels and the milk goes dry.
Written by Gerard Manley Hopkins | Create an image from this poem

To What Serves Mortal Beauty?

 To what serves mortal beauty '—dangerous; does set danc-
ing blood—the O-seal-that-so ' feature, flung prouder form
Than Purcell tune lets tread to? ' See: it does this: keeps warm
Men's wits to the things that are; ' what good means—where a glance
Master more may than gaze, ' gaze out of countenance.
Those lovely lads once, wet-fresh ' windfalls of war's storm,
How then should Gregory, a father, ' have gleanèd else from swarm-
ed Rome? But God to a nation ' dealt that day's dear chance.
 To man, that needs would worship ' block or barren stone,
Our law says: Love what are ' love's worthiest, were all known;
World's loveliest—men's selves. Self ' flashes off frame and face.
What do then? how meet beauty? ' Merely meet it; own,
Home at heart, heaven's sweet gift; ' then leave, let that alone.
Yea, wish that though, wish all, ' God's better beauty, grace.

Book: Radiant Verses: A Journey Through Inspiring Poetry