Written by
Sylvia Plath |
Viciousness in the kitchen!
The potatoes hiss.
It is all Hollywood, windowless,
The fluorescent light wincing on and off like a terrible migraine,
Coy paper strips for doors --
Stage curtains, a widow's frizz.
And I, love, am a pathological liar,
And my child -- look at her, face down on the floor,
Little unstrung puppet, kicking to disappear --
Why she is schizophrenic,
Her face is red and white, a panic,
You have stuck her kittens outside your window
In a sort of cement well
Where they crap and puke and cry and she can't hear.
You say you can't stand her,
The bastard's a girl.
You who have blown your tubes like a bad radio
Clear of voices and history, the staticky
Noise of the new.
You say I should drown the kittens. Their smell!
You say I should drown my girl.
She'll cut her throat at ten if she's mad at two.
The baby smiles, fat snail,
From the polished lozenges of orange linoleum.
You could eat him. He's a boy.
You say your husband is just no good to you.
His Jew-Mama guards his sweet sex like a pearl.
You have one baby, I have two.
I should sit on a rock off Cornwall and comb my hair.
I should wear tiger pants, I should have an affair.
We should meet in another life, we should meet in air,
Me and you.
Meanwhile there's a stink of fat and baby crap.
I'm doped and thick from my last sleeping pill.
The smog of cooking, the smog of hell
Floats our heads, two venemous opposites,
Our bones, our hair.
I call you Orphan, orphan. You are ill.
The sun gives you ulcers, the wind gives you T.B.
Once you were beautiful.
In New York, in Hollywood, the men said: 'Through?
Gee baby, you are rare.'
You acted, acted for the thrill.
The impotent husband slumps out for a coffee.
I try to keep him in,
An old pole for the lightning,
The acid baths, the skyfuls off of you.
He lumps it down the plastic cobbled hill,
Flogged trolley. The sparks are blue.
The blue sparks spill,
Splitting like quartz into a million bits.
O jewel! O valuable!
That night the moon
Dragged its blood bag, sick
Animal
Up over the harbor lights.
And then grew normal,
Hard and apart and white.
The scale-sheen on the sand scared me to death.
We kept picking up handfuls, loving it,
Working it like dough, a mulatto body,
The silk grits.
A dog picked up your doggy husband. He went on.
Now I am silent, hate
Up to my neck,
Thick, thick.
I do not speak.
I am packing the hard potatoes like good clothes,
I am packing the babies,
I am packing the sick cats.
O vase of acid,
It is love you are full of. You know who you hate.
He is hugging his ball and chain down by the gate
That opens to the sea
Where it drives in, white and black,
Then spews it back.
Every day you fill him with soul-stuff, like a pitcher.
You are so exhausted.
Your voice my ear-ring,
Flapping and sucking, blood-loving bat.
That is that. That is that.
You peer from the door,
Sad hag. 'Every woman's a whore.
I can't communicate.'
I see your cute décor
Close on you like the fist of a baby
Or an anemone, that sea
Sweetheart, that kleptomaniac.
I am still raw.
I say I may be back.
You know what lies are for.
Even in your Zen heaven we shan't meet.
|
Written by
Charles Baudelaire |
Above the ponds, beyond the valleys,
The woods, the mountains, the clouds, the seas,
Farther than the sun, the distant breeze,
The spheres that wilt to infinity
My spirit, you move with agility
And, like a good swimmer who swoons in the wave
You groove the depths immensity gave,
The inexpressible and male ecstasy.
>From this miasma of waste,
You will be purified in superior air
And drink a pure and divine liqueur,
A clear fire to replace the limpid space
Behind this boredom and fatigue, this vast chagrin
Whose weight moves the mists of existence,
Happy is he who vigorously fans the senses
Toward serene and luminous fields—wincing!
The one whose thoughts are like skylarks taken wing
Across the heavens mornings in full flight
—Who hovers over life, understanding without effort
The language of flowers and mute things.
|
Written by
Judith Wright |
South of my days' circle, part of my blood's country,
rises that tableland, high delicate outline
of bony slopes wincing under the winter,
low trees, blue-leaved and olive, outcropping granite-
clean, lean, hungry country. The creek's leaf-silenced,
willow choked, the slope a tangle of medlar and crabapple
branching over and under, blotched with a green lichen;
and the old cottage lurches in for shelter.
O cold the black-frost night. the walls draw in to the warmth
and the old roof cracks its joints; the slung kettle
hisses a leak on the fire. Hardly to be believed that summer
will turn up again some day in a wave of rambler-roses,
thrust it's hot face in here to tell another yarn-
a story old Dan can spin into a blanket against the winter.
seventy years of stories he clutches round his bones,
seventy years are hived in him like old honey.
During that year, Charleville to the Hunter,
nineteen-one it was, and the drought beginning;
sixty head left at the McIntyre, the mud round them
hardened like iron; and the yellow boy died
in the sulky ahead with the gear, but the horse went on,
stopped at Sandy Camp and waited in the evening.
It was the flies we seen first, swarming like bees.
Came to the Hunter, three hundred head of a thousand-
cruel to keep them alive - and the river was dust.
Or mustering up in the Bogongs in the autumn
when the blizzards came early. Brought them down;
down, what aren't there yet. Or driving for Cobb's on the run
up from Tamworth-Thunderbolt at the top of Hungry Hill,
and I give him a wink. I wouoldn't wait long, Fred,
not if I was you. The troopers are just behind,
coming for that job at the Hillgrove. He went like a luny,
him on his big black horse.
Oh, they slide and they vanish
as he shuffles the years like a pack of conjuror's cards.
True or not, it's all the same; and the frost on the roof
cracks like a whip, and the back-log break into ash.
Wake, old man. this is winter, and the yarns are over.
No-one is listening
South of my days' circle.
I know it dark against the stars, the high lean country
full of old stories that still go walking in my sleep.
|
Written by
D. H. Lawrence |
I
Now it is autumn and the falling fruit
and the long journey towards oblivion.
The apples falling like great drops of dew
to bruise themselves an exit from themselves.
And it is time to go, to bid farewell
to one's own self, and find an exit
from the fallen self.
II
Have you built your ship of death, O have you?
O build your ship of death, for you will need it.
The grim frost is at hand, when the apples will fall
thick, almost thundrous, on the hardened earth.
And death is on the air like a smell of ashes!
Ah! can't you smell it?
And in the bruised body, the frightened soul
finds itself shrinking, wincing from the cold
that blows upon it through the orifices.
III
And can a man his own quietus make
with a bare bodkin?
With daggers, bodkins, bullets, man can make
a bruise or break of exit for his life;
but is that a quietus, O tell me, is it quietus?
Surely not so! for how could murder, even self-murder
ever a quietus make?
IV
O let us talk of quiet that we know,
that we can know, the deep and lovely quiet
of a strong heart at peace!
How can we this, our own quietus, make?
V
Build then the ship of death, for you must take
the longest journey, to oblivion.
And die the death, the long and painful death
that lies between the old self and the new.
Already our bodies are fallen, bruised, badly bruised,
already our souls are oozing through the exit
of the cruel bruise.
Already the dark and endless ocean of the end
is washing in through the breaches of our wounds,
Already the flood is upon us.
Oh build your ship of death, your little ark
and furnish it with food, with little cakes, and wine
for the dark flight down oblivion.
VI
Piecemeal the body dies, and the timid soul
has her footing washed away, as the dark flood rises.
We are dying, we are dying, we are all of us dying
and nothing will stay the death-flood rising within us
and soon it will rise on the world, on the outside world.
We are dying, we are dying, piecemeal our bodies are dying
and our strength leaves us,
and our soul cowers naked in the dark rain over the flood,
cowering in the last branches of the tree of our life.
VII
We are dying, we are dying, so all we can do
is now to be willing to die, and to build the ship
of death to carry the soul on the longest journey.
A little ship, with oars and food
and little dishes, and all accoutrements
fitting and ready for the departing soul.
Now launch the small ship, now as the body dies
and life departs, launch out, the fragile soul
in the fragile ship of courage, the ark of faith
with its store of food and little cooking pans
and change of clothes,
upon the flood's black waste
upon the waters of the end
upon the sea of death, where still we sail
darkly, for we cannot steer, and have no port.
There is no port, there is nowhere to go
only the deepening blackness darkening still
blacker upon the soundless, ungurgling flood
darkness at one with darkness, up and down
and sideways utterly dark, so there is no direction any more
and the little ship is there; yet she is gone.
She is not seen, for there is nothing to see her by.
She is gone! gone! and yet
somewhere she is there.
Nowhere!
VIII
And everything is gone, the body is gone
completely under, gone, entirely gone.
The upper darkness is heavy as the lower,
between them the little ship
is gone
It is the end, it is oblivion.
IX
And yet out of eternity a thread
separates itself on the blackness,
a horizontal thread
that fumes a little with pallor upon the dark.
Is it illusion? or does the pallor fume
A little higher?
Ah wait, wait, for there's the dawn
the cruel dawn of coming back to life
out of oblivion
Wait, wait, the little ship
drifting, beneath the deathly ashy grey
of a flood-dawn.
Wait, wait! even so, a flush of yellow
and strangely, O chilled wan soul, a flush of rose.
A flush of rose, and the whole thing starts again.
X
The flood subsides, and the body, like a worn sea-shell
emerges strange and lovely.
And the little ship wings home, faltering and lapsing
on the pink flood,
and the frail soul steps out, into the house again
filling the heart with peace.
Swings the heart renewed with peace
even of oblivion.
Oh build your ship of death. Oh build it!
for you will need it.
For the voyage of oblivion awaits you.
|
Written by
Delmore Schwartz |
(after Spillane)
Let us be aware of the true dark gods
Acknowledgeing the cache of the crotch
The primitive pure and pwerful pink and grey
private sensitivites
Wincing, marvelous in their sweetness, whence rises
the future.
Therefore let us praise Miss Marilyn Monroe.
She has a noble attitude marked by pride and candor
She takes a noble pride in the female nature and torso
She articualtes her pride with directness and exuberance
She is honest in her delight in womanhood and manhood.
She is not a great lady, she is more than a lady,
She continues the tradition of Dolly Madison and Clara
Bow
When she says, "any woman who claims she does not like
to be grabbed is a liar!"
Whether true or false, this colossal remark
states a dazzling intention...
It might be the birth of a new Venus among us
It atones at the very least for such as Carrie Nation
For Miss Monroe will never be a blue nose,
and perhaps we may hope
That there will be fewer blue noses because
she has flourished --
Long may she flourish in self-delight and the joy
of womanhood.
A nation haunted by Puritanism owes her homage and
gratitude.
Let us praise, to say it again, her spiritual pride
And admire one who delights in what she has and is
(Who says also: "A woman is like a motor car:
She needs a good body."
And: "I sun bathe in the nude, because I want
to be blonde all over.")
This is spiritual piety and physical ebullience
This is vivd glory, spiritual and physical,
Of Miss Marilyn Monroe.
|
Written by
Les Murray |
Back, in my fifties, fatter that I was then,
I step on the sand, belch down slight horror to walk
a wincing pit edge, waiting for the pistol shot
laughter. Long greening waves cash themselves, foam change
sliding into Ocean's pocket. She turns: ridicule looks down,
strappy, with faces averted, or is glare and families.
The great hawk of the beach is outstretched, point to point,
quivering and hunting. Cars are the stuff at its back.
You peer, at this age, but it's still there, ridicule,
the pistol that kills women, that gets them killed, crippling men
on the towel-spattered sand. Equality is dressed, neatly,
with mouth still shut. Bared body is not equal ever.
Some are smiled to each other. Many surf, swim, play ball:
like that red boy, holding his wet T shirt off his breasts.
|
Written by
Rudyard Kipling |
Life's all getting and giving,
I've only myself to give.
What shall I do for a living?
I've only one life to live.
End it? I'll not find another.
Spend it? But how shall I best?
Sure the wise plan is to live like a man
And Luck may look after the rest!
Largesse! Largesse, Fortune!
Give or hold at your will.
If I've no care for Fortune,
Fortune must follow me still.
Bad Luck, she is never a lady
But the commonest wench on the street,
Shuffling, shabby and shady,
Shameless to pass or meet.
Walk with her once--it's a weakness!
Talk to her twice. It's a crime!
Thrust her away when she gives you "good day"
And the besom won't board you next time.
Largesse! Largesse, Fortune!
What is Your Ladyship's mood?
If I have no care for Fortune,
My Fortune is bound to be good!
Good Luck she is never a lady
But the cursedest quean alive!
Tricksy, wincing and jady,
Kittle to lead or drive.
Greet her--she's hailing a stranger!
Meet her--she's busking to leave.
Let her alone for a shrew to the bone,
And the hussy comes plucking your sleeve!
Largesse! Largesse, Fortune!
I'll neither follow nor flee.
If I don't run after Fortune,
Fortune must run after me!
|
Written by
Wilfred Owen |
"I will to the King,
And offer him consolation in his trouble,
For that man there has set his teeth to die,
And being one that hates obedience,
Discipline, and orderliness of life,
I cannot mourn him."
W. B. Yeats.
Patting goodbye, doubtless they told the lad
He'd always show the Hun a brave man's face;
Father would sooner him dead than in disgrace, --
Was proud to see him going, aye, and glad.
Perhaps his Mother whimpered how she'd fret
Until he got a nice, safe wound to nurse.
Sisters would wish girls too could shoot, charge, curse, . . .
Brothers -- would send his favourite cigarette,
Each week, month after month, they wrote the same,
Thinking him sheltered in some Y.M. Hut,
Where once an hour a bullet missed its aim
And misses teased the hunger of his brain.
His eyes grew old with wincing, and his hand
Reckless with ague. Courage leaked, as sand
From the best sandbags after years of rain.
But never leave, wound, fever, trench-foot, shock,
Untrapped the wretch. And death seemed still withheld
For torture of lying machinally shelled,
At the pleasure of this world's Powers who'd run amok.
He'd seen men shoot their hands, on night patrol,
Their people never knew. Yet they were vile.
"Death sooner than dishonour, that's the style!"
So Father said.
One dawn, our wire patrol
Carried him. This time, Death had not missed.
We could do nothing, but wipe his bleeding cough.
Could it be accident? -- Rifles go off . . .
Not sniped? No. (Later they found the English ball.)
It was the reasoned crisis of his soul.
Against the fires that would not burn him whole
But kept him for death's perjury and scoff
And life's half-promising, and both their riling.
With him they buried the muzzle his teeth had kissed,
And truthfully wrote the Mother "Tim died smiling."
|
Written by
Rg Gregory |
(i) introduction
his home in ruins
his parents gone
frederick seeks
to reclaim his throne
to the golden mountain
he sets his path
the enchantress listening
schemes with wrath
four desperate trials
which she takes from store
to silence frederick
for ever more
(ii) the mist
softly mist suppress all sight
swirling stealthily as night
slur the sureness of his steps
suffocate his sweetest hopes
swirling curling slip and slide
persuasively seduce his stride
from following its essential course
seal his senses at its source
bemuse the soil he stands upon
till power of choice has wholly gone
seething surreptitious veil
across the face of light prevail
against this taciturn and proud
insurgent - o smother him swift cloud
yet if you cannot steal his breath
thus snuffing him to hasty death
at least in your umbrageous mask
stifle his ambitious task
mystify his restless brain
sweep him swirl him home again
(iii) the bog
once more the muffling mists enclose
frederick in their vaporous throes
forcing him with unseeing sway
to veer from his intended way
back they push and back
make him fall
stumble catch
his foot become
emmired snatch
hopelessly at fog
no grip slip further back
into the sucking fingers of the bog
into the slush
squelching and splotch-
ing the marsh
gushes and gurgles
engulfing foot leg
chuckling suckles
the heaving thigh
the plush slugged waist
sucking still and still flushing
with suggestive slurp
plop slap
sluggishly upwards
unctuous lugubrious
soaking and enjoying
with spongy gestures
the swallowed wallowing
body - the succulence
of soft shoulder
squirming
elbow
wrist
then
all.......
but no
his desperate palm
struggling to forsake
the clutches of the swamp
finds one stark branch overhanging
to fix glad fingers to and out of the maw
of the murderous mud safely delivers him
(iv) the magic forest
safely - distorted joke
from bog to twisted forest
gnarled trees writhe and fork
asphixiated trunks - angular branches
hook claw throttle frederick in their creaking
joints
jagged weird
knotted and misshapen
petrified maniacal
figures frantically contorted
grotesque eccentric in the moon-toothed
half-light
tug clutch struggle
with the haggard form
zigzag he staggers
awe-plagued giddy
near-garrotted mind-deranged
forcing his sagging limbs through the mangled danger
till almost beyond redemption beyond self-care
he once again survives to breathe free air
(v) the barrier of thorns
immediately a barrier of thorns
springs up to choke his track
thick brier evil bramble twitch
stick sharp needles in his skin
hag's spite inflicts its bitter sting
frederick (provoked to attack
stung stabbed by jabbing spines
wincing with agony and grief) seeks to hack
a clear way through
picking swinging at
the spiky barricade inch by prickly inch
smarting with anger bristling with a thin
itch and tingling of success - acute
with aching glory the afflicted victim
of a witch's pique frederick
frederick the king snips hews chops
rips slashes cracks cleaves rends pierces
pierces and shatters into pointless pieces
this mighty barrier of barbs - comes through at last
(belzivetta's malignant magic smashed)
to freedom peace of mind and dreamless sleep
|
Written by
Gerard Manley Hopkins |
Denis, whose motionable, alert, most vaulting wit
Caps occasion with an intellectual fit.
Yet Arthur is a Bowman: his three-heeled timber ’ll hit
The bald and b?ld bl?nking gold when ?ll ’s d?ne
Right rooting in the bare butt’s wincing navel in the sight of the sun.
. . . . . . . .
|