10 Best Famous Whereabouts Poems

Here is a collection of the top 10 all-time best famous Whereabouts poems. This is a select list of the best famous Whereabouts poetry. Reading, writing, and enjoying famous Whereabouts poetry (as well as classical and contemporary poems) is a great past time. These top poems are the best examples of whereabouts poems.

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Written by Etheridge Knight | Create an image from this poem

The Idea of Ancestry

 Taped to the wall of my cell are 47 pictures: 47 black
faces: my father, mother, grandmothers (1 dead), grand-
fathers (both dead), brothers, sisters, uncles, aunts,
cousins (1st and 2nd), nieces, and nephews.They stare
across the space at me sprawling on my bunk.I know
their dark eyes, they know mine.I know their style,
they know mine.I am all of them, they are all of me;
they are farmers, I am a thief, I am me, they are thee.

I have at one time or another been in love with my mother,
1 grandmother, 2 sisters, 2 aunts (1 went to the asylum),
and 5 cousins.I am now in love with a 7-yr-old niece
(she sends me letters in large block print, and
her picture is the only one that smiles at me).

I have the same name as 1 grandfather, 3 cousins, 3 nephews,
and 1 uncle. The uncle disappeared when he was 15, just took
off and caught a freight (they say).He's discussed each year
when the family has a reunion, he causes uneasiness in
the clan, he is an empty space.My father's mother, who is 93
and who keeps the Family Bible with everbody's birth dates
(and death dates) in it, always mentions him.There is no
place in her Bible for "whereabouts unknown."

Written by Wendell Berry | Create an image from this poem

Testament

 1.
Dear relatives and friends, when my last breath
Grows large and free in air, don't call it death --
A word to enrich the undertaker and inspire
His surly art of imitating life; conspire
Against him. Say that my body cannot now
Be improved upon; it has no fault to show
To the sly cosmetician. Say that my flesh
Has a perfect compliance with the grass
Truer than any it could have striven for.
You will recognize the earth in me, as before
I wished to know it in myself: my earth
That has been my care and faithful charge from birth,
And toward which all my sorrows were surely bound,
And all my hopes. Say that I have found
A good solution, and am on my way
To the roots. And say I have left my native clay
At last, to be a traveler; that too will be so.
Traveler to where? Say you don't know.

2.
But do not let your ignorance
Of my spirit's whereabouts dismay
You, or overwhelm your thoughts.
Be careful not to say

Anything too final. Whatever
Is unsure is possible, and life is bigger
Than flesh. Beyond reach of thought
Let imagination figure

Your hope. That will be generous
To me and to yourselves. Why settle
For some know-it-all's despair
When the dead may dance to the fiddle

Hereafter, for all anybody knows?
And remember that the Heavenly soil
Need not be too rich to please
One who was happy in Port Royal.

I may be already heading back,
A new and better man, toward
That town. The thought's unreasonable,
But so is life, thank the Lord!

3.
So treat me, even dead,
As a man who has a place
To go, and something to do.
Don't muck up my face

With wax and powder and rouge
As one would prettify
An unalterable fact
To give bitterness the lie.

Admit the native earth
My body is and will be,
Admit its freedom and
Its changeability.

Dress me in the clothes
I wore in the day's round.
Lay me in a wooden box.
Put the box in the ground.

4.
Beneath this stone a Berry is planted
In his home land, as he wanted.

He has come to the gathering of his kin,
Among whom some were worthy men,

Farmers mostly, who lived by hand,
But one was a cobbler from Ireland,

Another played the eternal fool
By riding on a circus mule

To be remembered in grateful laughter
Longer than the rest. After

Doing that they had to do
They are at ease here. Let all of you

Who yet for pain find force and voice
Look on their peace, and rejoice.
Written by Thom Gunn | Create an image from this poem

On The Move Man You Gotta Go

 The blue jay scuffling in the bushes follows 
Some hidden purpose, and the gush of birds 
That spurts across the field, the wheeling swallows, 
Have nested in the trees and undergrowth. 
Seeking their instinct, or their pose, or both, 
One moves with an uncertain violence 
Under the dust thrown by a baffled sense 
Or the dull thunder of approximate words. 

On motorcycles, up the road, they come: 
Small, black, as flies hanging in heat, the Boy, 
Until the distance throws them forth, their hum 
Bulges to thunder held by calf and thigh. 
In goggles, donned impersonality, 
In gleaming jackets trophied with the dust, 
They strap in doubt--by hiding it, robust-- 
And almost hear a meaning in their noise. 

Exact conclusion of their hardiness 
Has no shape yet, but from known whereabouts 
They ride, directions where the tires press. 
They scare a flight of birds across the field: 
Much that is natural, to the will must yield. 
Men manufacture both machine and soul, 
And use what they imperfectly control 
To dare a future from the taken routes. 

It is part solution, after all. 
One is not necessarily discord 
On Earth; or damned because, half animal, 
One lacks direct instinct, because one wakes 
Afloat on movement that divides and breaks. 
One joins the movement in a valueless world, 
Crossing it, till, both hurler and the hurled, 
One moves as well, always toward, toward.

A minute holds them, who have come to go: 
The self-denied, astride the created will. 
They burst away; the towns they travel through 
Are home for neither birds nor holiness, 
For birds and saints complete their purposes. 
At worse, one is in motion; and at best, 
Reaching no absolute, in which to rest, 
One is always nearer by not keeping still.
Written by Edwin Muir | Create an image from this poem

The Horses

 Barely a twelvemonth after
The seven days war that put the world to sleep,
Late in the evening the strange horses came.
By then we had made our covenant with silence,
But in the first few days it was so still
We listened to our breathing and were afraid.
On the second day
The radios failed; we turned the knobs; no answer.
On the third day a warship passed us, heading north,
Dead bodies piled on the deck. On the sixth day
A plane plunged over us into the sea. Thereafter
Nothing. The radios dumb;
And still they stand in corners of our kitchens,
And stand, perhaps, turned on, in a million rooms
All over the world. But now if they should speak,
If on a sudden they should speak again,
If on the stroke of noon a voice should speak,
We would not listn, we would not let it bring
That old bad world that swallowed its children quick
At one great gulp. We would not have it again.
Sometimes we think of the nations lying asleep,
Curled blindly in impenetrable sorrow,
And then the thought confounds us with its strangeness.
The tractors lie about our fields; at evening
They look like dank sea-monsters couched and waiting.
We leave them where they are and let them rust:
"They'll molder away and be like other loam."
We make our oxen drag our rusty plows,
Long laid aside. We have gone back
Far past our fathers' land.
And then, that evening
Late in the summer the strange horses came.
We heard a distant tapping on the road,
A deepening drumming; it stopped, went on again
And at the corner changed to hollow thunder.
We saw the heads
Like a wild wave charging and were afraid.
We had sold our horses in our fathers' time
To buy new tractors. Now they were strange to us
As fabulous steeds set on an ancient shield.
Or illustrations in a book of knights.
We did not dare go near them. Yet they waited,
Stubborn and shy, as if they had been sent
By an old command to find our whereabouts
And that long-lost archaic companionship.
In the first moment we had never a thought
That they were creatures to be owned and used.
Among them were some half a dozen colts
Dropped in some wilderness of the broken world,
Yet new as if they had come from their own Eden.
Since then they have pulled our plows and borne our loads,
But that free servitude still can pierce our hearts.
Our life is changed; their coming our beginning.
Written by Amy Lowell | Create an image from this poem

Wind

 He shouts in the sails of the ships at sea,
He steals the down from the honeybee,
He makes the forest trees rustle and sing,
He twirls my kite till it breaks its string.
Laughing, dancing, sunny wind,
Whistling, howling, rainy wind,
North, South, East and West,
Each is the wind I like the best.
He calls up the fog and hides the hills,
He whirls the wings of the great windmills,
The weathercocks love him and turn to discover
His whereabouts -- but he's gone, the rover!
Laughing, dancing, sunny wind,
Whistling, howling, rainy wind,
North, South, East and West,
Each is the wind I like the best.
The pine trees toss him their cones with glee,
The flowers bend low in courtesy,
Each wave flings up a shower of pearls,
The flag in front of the school unfurls.
Laughing, dancing, sunny wind,
Whistling, howling, rainy wind,
North, South, East and West,
Each is the wind I like the best.

Written by Rg Gregory | Create an image from this poem

peach-power

 peaches exude this thrall - 
reminders of those luscious
whereabouts that lips 
best find their precious sips
to cry let this be all

they lull so well endowed
with dreams of wanting flesh
who can resist their touch
not they who wishing much
sigh o you do me proud

and yield in fruitful dreams
to the nectars of delight
that peaches bosom forth
(no better biter’s worth)
or so the vision seems

till age sends suckers out
to tease such juice away
and longing’s hardened crust
admits a fraying trust
that o the joy’s run out

believe that if you will –
till death the sweetened flow
haunts lips the peaches kissed
embalms taste-buds so blessed 
no timelessness can kill

where peaches nestle - hopes
cannot be pensioned off
they cluster down the ages
drop softened onto pages
libido fondly gropes

so peach (of all) impeaches
yearnings that lose their lustre
yet stir goodbyes to house
remnants of lust’s carouse
(glow of the heart’s far reaches)
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