Written by
Robert Hayden |
I
Jesús, Estrella, Esperanza, Mercy:
Sails flashing to the wind like weapons,
sharks following the moans the fever and the dying;
horror the corposant and compass rose.
Middle Passage:
voyage through death
to life upon these shores.
"10 April 1800--
Blacks rebellious.
Crew uneasy.
Our linguist says
their moaning is a prayer for death,
our and their own.
Some try to starve themselves.
Lost three this morning leaped with crazy laughter
to the waiting sharks, sang as they went under.
"
Desire, Adventure, Tartar, Ann:
Standing to America, bringing home
black gold, black ivory, black seed.
Deep in the festering hold thy father lies, of his bones
New England pews are made, those are altar lights that were his eyes.
Jesus Saviour Pilot Me
Over Life's Tempestuous Sea
We pray that Thou wilt grant, O Lord,
safe passage to our vessels bringing
heathen souls unto Thy chastening.
Jesus Saviour
"8 bells.
I cannot sleep, for I am sick
with fear, but writing eases fear a little
since still my eyes can see these words take shape
upon the page & so I write, as one
would turn to exorcism.
4 days scudding,
but now the sea is calm again.
Misfortune
follows in our wake like sharks (our grinning
tutelary gods).
Which one of us
has killed an albatross? A plague among
our blacks--Ophthalmia: blindness--& we
have jettisoned the blind to no avail.
It spreads, the terrifying sickness spreads.
Its claws have scratched sight from the Capt.
's eyes
& there is blindness in the fo'c'sle
& we must sail 3 weeks before we come
to port.
"
What port awaits us, Davy Jones' or home? I've
heard of slavers drifting, drifting, playthings of wind and storm and
chance, their crews gone blind, the jungle hatred crawling
up on deck.
Thou Who Walked On Galilee
"Deponent further sayeth The Bella J
left the Guinea Coast
with cargo of five hundred blacks and odd
for the barracoons of Florida:
"That there was hardly room 'tween-decks for half
the sweltering cattle stowed spoon-fashion there;
that some went mad of thirst and tore their flesh
and sucked the blood:
"That Crew and Captain lusted with the comeliest
of the savage girls kept naked in the cabins;
that there was one they called The Guinea Rose
and they cast lots and fought to lie with her:
"That when the Bo's'n piped all hands, the flames
spreading from starboard already were beyond
control, the ******* howling and their chains
entangled with the flames:
"That the burning blacks could not be reached,
that the Crew abandoned ship,
leaving their shrieking negresses behind,
that the Captain perished drunken with the wenches:
"Further Deponent sayeth not.
"
Pilot Oh Pilot Me
II
Aye, lad, and I have seen those factories,
Gambia, Rio Pongo, Calabar;
have watched the artful mongos baiting traps
of war wherein the victor and the vanquished
Were caught as prizes for our barracoons.
Have seen the ****** kings whose vanity
and greed turned wild black hides of Fellatah,
Mandingo, Ibo, Kru to gold for us.
And there was one--King Anthracite we named him--
fetish face beneath French parasols
of brass and orange velvet, impudent mouth
whose cups were carven skulls of enemies:
He'd honor us with drum and feast and conjo
and palm-oil-glistening wenches deft in love,
and for tin crowns that shone with paste,
red calico and German-silver trinkets
Would have the drums talk war and send
his warriors to burn the sleeping villages
and kill the sick and old and lead the young
in coffles to our factories.
Twenty years a trader, twenty years,
for there was wealth aplenty to be harvested
from those black fields, and I'd be trading still
but for the fevers melting down my bones.
III
Shuttles in the rocking loom of history,
the dark ships move, the dark ships move,
their bright ironical names
like jests of kindness on a murderer's mouth;
plough through thrashing glister toward
fata morgana's lucent melting shore,
weave toward New World littorals that are
mirage and myth and actual shore.
Voyage through death,
voyage whose chartings are unlove.
A charnel stench, effluvium of living death
spreads outward from the hold,
where the living and the dead, the horribly dying,
lie interlocked, lie foul with blood and excrement.
Deep in the festering hold thy father lies, the corpse of mercy
rots with him, rats eat love's rotten gelid eyes.
But, oh, the
living look at you with human eyes whose suffering accuses you, whose
hatred reaches through the swill of dark to strike you like a leper's
claw.
You cannot stare that hatred down or chain the fear that stalks
the watches and breathes on you its fetid scorching breath; cannot
kill the deep immortal human wish, the timeless will.
"But for the storm that flung up barriers
of wind and wave, The Amistad, señores,
would have reached the port of Príncipe in two,
three days at most; but for the storm we should
have been prepared for what befell.
Swift as a puma's leap it came.
There was
that interval of moonless calm filled only
with the water's and the rigging's usual sounds,
then sudden movement, blows and snarling cries
and they had fallen on us with machete
and marlinspike.
It was as though the very
air, the night itself were striking us.
Exhausted by the rigors of the storm,
we were no match for them.
Our men went down
before the murderous Africans.
Our loyal
Celestino ran from below with gun
and lantern and I saw, before the cane-
knife's wounding flash, Cinquez,
that surly brute who calls himself a prince,
directing, urging on the ghastly work.
He hacked the poor mulatto down, and then
he turned on me.
The decks were slippery
when daylight finally came.
It sickens me
to think of what I saw, of how these apes
threw overboard the butchered bodies of
our men, true Christians all, like so much jetsam.
Enough, enough.
The rest is quickly told:
Cinquez was forced to spare the two of us
you see to steer the ship to Africa,
and we like phantoms doomed to rove the sea
voyaged east by day and west by night,
deceiving them, hoping for rescue,
prisoners on our own vessel, till
at length we drifted to the shores of this
your land, America, where we were freed
from our unspeakable misery.
Now we
demand, good sirs, the extradition of
Cinquez and his accomplices to La
Havana.
And it distresses us to know
there are so many here who seem inclined
to justify the mutiny of these blacks.
We find it paradoxical indeed
that you whose wealth, whose tree of liberty
are rooted in the labor of your slaves
should suffer the august John Quincey Adams
to speak with so much passion of the right
of chattel slaves to kill their lawful masters
and with his Roman rhetoric weave a hero's
garland for Cinquez.
I tell you that
we are determined to return to Cuba
with our slaves and there see justice done.
Cinquez--
or let us say 'the Prince'--Cinquez shall die.
"
The deep immortal human wish,
the timeless will:
Cinquez its deathless primaveral image,
life that transfigures many lives.
Voyage through death
to life upon these shores.
|
Written by
Christopher Smart |
In ev'ry age, and each profession,
Men err the most by prepossession;
But when the thing is clearly shown,
And fairly stated, fully known,
We soon applaud what we deride,
And penitence succeeds to pride.
--
A certain Baron on a day
Having a mind to show away,
Invited all the wits and wags,
Foot, Massey, Shuter, Yates, and Skeggs,
And built a large commodious stage,
For the Choice Spirits of the age;
But above all, among the rest,
There came a Genius who profess'd
To have a curious trick in store,
Which never was perform'd before.
Thro' all the town this soon got air,
And the whole house was like a fair;
But soon his entry as he made,
Without a prompter, or parade,
'Twas all expectance, all suspense,
And silence gagg'd the audience.
He hid his head behind his wig,
With with such truth took off* a Pig, [imitated]
All swore 'twas serious, and no joke,
For doubtless underneath his cloak,
He had conceal'd some grunting elf,
Or was a real hog himself.
A search was made, no pig was found--
With thund'ring claps the seats resound,
And pit and box and galleries roar,
With--"O rare! bravo!" and "Encore!"
Old Roger Grouse, a country clown,
Who yet knew something of the town,
Beheld the mimic and his whim,
And on the morrow challeng'd him.
Declaring to each beau and bunter
That he'd out-grunt th'egregious grunter.
The morrow came--the crowd was greater--
But prejudice and rank ill-nature
Usurp'd the minds of men and wenches,
Who came to hiss, and break the benches.
The mimic took his usual station,
And squeak'd with general approbation.
"Again, encore! encore!" they cry--
'Twas quite the thing--'twas very high;
Old Grouse conceal'd, amidst the racket,
A real Pig berneath his jacket--
Then forth he came--and with his nail
He pinch'd the urchin by the tail.
The tortur'd Pig from out his throat,
Produc'd the genuine nat'ral note.
All bellow'd out--"'Twas very sad!
Sure never stuff was half so bad!
That like a Pig!"--each cry'd in scoff,
"Pshaw! Nonsense! Blockhead! Off! Off! Off!"
The mimic was extoll'd, and Grouse
Was hiss'd and catcall'd from the house.
--
"Soft ye, a word before I go,"
Quoth honest Hodge--and stooping low
Produc'd the Pig, and thus aloud
Bespoke the stupid, partial crowd:
"Behold, and learn from this poor creature,
How much you Critics know of Nature.
"
|
Written by
Paul Celan |
In Kohln, a town of monks and bones,
And pavements fang'd with murderous stones
And rags, and hags, and hideous wenches;
I counted two and seventy stenches,
All well defined, and several stinks!
Ye Nymphs that reign o'er sewers and sinks,
The river Rhine, it is well known,
Doth wash your city of Cologne;
But tell me, Nymphs, what power divine
Shall henceforth wash the river Rhine?
|
Written by
T S (Thomas Stearns) Eliot |
And the trees about me,
Let them be dry and leafless; let the rocks
Groan with continual surges; and behind me
Make all a desolation.
Look, look, wenches!
PAINT me a cavernous waste shore
Cast in the unstilled Cyclades,
Paint me the bold anfractuous rocks
Faced by the snarled and yelping seas.
Display me Aeolus above
Reviewing the insurgent gales
Which tangle Ariadne’s hair
And swell with haste the perjured sails.
Morning stirs the feet and hands
(Nausicaa and Polypheme).
Gesture of orang-outang
Rises from the sheets in steam.
This withered root of knots of hair
Slitted below and gashed with eyes,
This oval O cropped out with teeth:
The sickle motion from the thighs
Jackknifes upward at the knees
Then straightens out from heel to hip
Pushing the framework of the bed
And clawing at the pillow slip.
Sweeney addressed full length to shave
Broadbottomed, pink from nape to base,
Knows the female temperament
And wipes the suds around his face.
(The lengthened shadow of a man
Is history, said Emerson
Who had not seen the silhouette
Of Sweeney straddled in the sun.
)
Tests the razor on his leg
Waiting until the shriek subsides.
The epileptic on the bed
Curves backward, clutching at her sides.
The ladies of the corridor
Find themselves involved, disgraced,
Call witness to their principles
And deprecate the lack of taste
Observing that hysteria
Might easily be misunderstood;
Mrs.
Turner intimates
It does the house no sort of good.
But Doris, towelled from the bath,
Enters padding on broad feet,
Bringing sal volatile
And a glass of brandy neat.
|
Written by
Wallace Stevens |
Call the roller of big cigars,
The muscular one, and bid him whip
In kitchen cups concupiscent curds.
Let the wenches dawdle in such dress
As they are used to wear, and let the boys
Bring flowers in last month's newspapers.
Let be be finale of seem.
The only emperor is the emperor of ice-cream.
Take from the dresser of deal.
Lacking the three glass knobs, that sheet
On which she embroidered fantails once
And spread it so as to cover her face.
If her horny feet protrude, they come
To show how cold she is, and dumb.
Let the lamp affix its beam.
The only emperor is the emperor of ice-cream.
|
Written by
Robert William Service |
Because my overcoat's in pawn,
I choose to take my glass
Within a little bistro on
The rue du Montparnasse;
The dusty bins with bottles shine,
The counter's lined with zinc,
And there I sit and drink my wine,
And think and think and think.
I think of hoary old Stamboul,
Of Moslem and of Greek,
Of Persian in coat of wool,
Of Kurd and Arab sheikh;
Of all the types of weal and woe,
And as I raise my glass,
Across Galata bridge I know
They pass and pass and pass.
I think of citron-trees aglow,
Of fan-palms shading down,
Of sailors dancing heel and toe
With wenches black and brown;
And though it's all an ocean far
From Yucatan to France,
I'll bet beside the old bazaar
They dance and dance and dance.
I think of Monte Carlo, where
The pallid croupiers call,
And in the gorgeous, guilty air
The gamblers watch the ball;
And as I flick away the foam
With which my beer is crowned,
The wheels beneath the gilded dome
Go round and round and round.
I think of vast Niagara,
Those gulfs of foam a-shine,
Whose mighty roar would stagger a
More prosy bean than mine;
And as the hours I idly spend
Against a greasy wall,
I know that green the waters bend
And fall and fall and fall.
I think of Nijni Novgorod
And Jews who never rest;
And womenfolk with spade and hod
Who slave in Buda-Pest;
Of squat and sturdy Japanese
Who pound the paddy soil,
And as I loaf and smoke at ease
They toil and toil and toil.
I think of shrines in Hindustan,
Of cloistral glooms in Spain,
Of minarets in Ispahan,
Of St.
Sophia's fane,
Of convent towers in Palestine,
Of temples in Cathay,
And as I stretch and sip my wine
They pray and pray and pray.
And so my dreams I dwell within,
And visions come and go,
And life is passing like a Cin-
Ematographic Show;
Till just as surely as my pipe
Is underneath my nose,
Amid my visions rich and ripe
I doze and doze and doze.
|
Written by
Robert Herrick |
My dearest Love, since thou wilt go,
And leave me here behind thee;
For love or pity, let me know
The place where I may find thee.
AMARIL.
In country meadows, pearl'd with dew,
And set about with lilies;
There, filling maunds with cowslips, you
May find your Amarillis.
HER.
What have the meads to do with thee,
Or with thy youthful hours?
Live thou at court, where thou mayst be
The queen of men, not flowers.
Let country wenches make 'em fine
With posies, since 'tis fitter
For thee with richest gems to shine,
And like the stars to glitter.
AMARIL.
You set too-high a rate upon
A shepherdess so homely.
HER.
Believe it, dearest, there's not one
I' th' court that's half so comely.
I prithee stay.
AMARIL.
I must away;
Let's kiss first, then we'll sever;
AMBO And though we bid adieu to day,
We shall not part for ever.
|
Written by
Rudyard Kipling |
As our mother the Frigate, bepainted and fine,
Made play for her bully the Ship of the Line;
So we, her bold daughters by iron and fire,
Accost and decoy to our masters' desire.
Now, pray you, consider what toils we endure,
Night-walking wet sea-lanes, a guard and a lure;
Since half of our trade is that same pretty sort
As mettlesome wenches do practise in port.
For this is our office: to spy and make room,
As hiding yet guiding the foe to their doom.
Surrounding, confounding, we bait and betray
And tempt them to battle the seas' width away.
The pot-bellied merchant foreboding no wrong
With headlight and sidelight he lieth along,
Till, lightless and lightfoot and lurking, leap we
To force him discover his business by sea.
And when we have wakened the lust of a foe,
To draw him by flight toward our bullies we go,
Till, 'ware of strange smoke stealing nearer, he flies
Or our bullies close in for to make him good prize.
So, when we have spied on the path of their host,
One flieth to carry that word to the coast;
And, lest by false doublings they turn and go free,
One lieth behind them to follow and see.
Anon we return, being gathered again,
Across the sad valleys all drabbled with rain --
Across the grey ridges all crisped and curled --
To join the long dance round the curve of the world.
The bitter salt spindrift, the sun-glare likewise,
The moon-track a-tremble, bewilders our eyes,
Where, linking and lifting, our sisters we hail
'Twixt wrench of cross-surges or plunge of head-gale.
As maidens awaiting the bride to come forth
Make play with light jestings and wit of no worth,
So, widdershins circling the bride-bed of death,
Each fleereth her neighbour and signeth and saith: --
"What see ye? Their signals, or levin afar?
"What hear ye? God's thunder, or guns of our war?
"What mark ye? Their smoke, or the cloud-rack outblown?
"What chase ye? Their lights, or the Daystar low down?"
So, times past all number deceived by false shows,
Deceiving we cumber the road of our foes,
For this is our virtue: to track and betray;
Preparing great battles a sea's width away.
Now peace is at end and our peoples take heart,
For the laws are clean gone that restrained our art;
Up and down the near headlands and against the far wind
We are loosed (O be swift!) to the work of our kind!
|
Written by
Robert Herrick |
To the Right Honourable Mildmay, Earl of Westmoreland
Come, sons of summer, by whose toil
We are the lords of wine and oil;
By whose tough labours, and rough hands,
We rip up first, then reap our lands.
Crown'd with the ears of corn, now come,
And to the pipe sing Harvest Home.
Come forth, my lord, and see the cart
Dress'd up with all the country art.
See, here a malkin, there a sheet,
As spotless pure, as it is sweet;
The horses, mares, and frisking fillies,
(Clad, all, in linen, white as lilies.
)
The harvest swains and wenches bound
For joy, to see the Hock-cart crown'd.
About the cart, hear, how the rout
Of rural younglings raise the shout;
Pressing before, some coming after,
Those with a shout, and these with laughter.
Some bless the cart; some kisses the sheaves;
Some prank them up with oaken leaves;
Some cross the fill-horse; some with great
Devotion, stroke the home-borne wheat;
While other rustics, less attent
To prayers than to merriment,
Run after with their breeches rent.
Well, on, brave boys, to your lord's hearth,
Glitt'ring with fire, where, for your mirth,
Ye shall see first the large and chief
Foundation of your feast, fat beef,
With upper stories, mutton, veal,
And bacon, (which makes full the meal)
With sev'ral dishes standing by,
As here a custard, there a pie,
And here all tempting frumenty.
And for to make the merry cheer,
If smirking wine be wanting here,
There's that which drowns all care, stout beer,
Which freely drink to your lord's health,
Then to the plough, (the common-wealth)
Next to your flails, your fanes, your fats;
Then to the maids with wheaten hats;
To the rough sickle and crook'd scythe,
Drink frolic boys, till all be blythe.
Feed and grow fat; and as ye eat,
Be mindful, that the lab'ring neat
(As you) may have their fill of meat
And know, besides, ye must revoke
The patient ox unto the yoke,
And all go back unto the plough
And harrow, (though they're hang'd up now.
)
And, you must know, your lord's word's true,
Feed him ye must, whose food fills you.
And that this pleasure is like rain,
Not sent ye for to drown your pain,
But for to make it spring again.
|
Written by
Robert William Service |
I asked of ancient gaffers three
The way of their ripe living,
And this is what they told to me
Without Misgiving.
The First: 'The why I've lived so long,
To my fond recollection
Is that for women, wine and song
I've had a predilection.
Full many a bawdy stave I've sung
With wenches of my choosing,
But of the joys that kept me young
The best was boozing.
'
The Second: 'I'm a sage revered
Because I was a fool
And with the bourgeon of my beard
I kept my ardour cool.
On health I have conserved my hold
By never dissipating:
And that is why a hundred old
I'm celebrating.
'
The Third: 'The explanation I
Have been so long a-olding,
Is that to wash I never try,
Despite conjugal scolding.
I hate the sight of soap and so
I seldom change my shirt:
Believe me, Brother, there is no
Preservative like dirt.
'
So there you have the reasons three
Why age may you rejoice:
Booze, squalour and temerity,--
Well, you may take your choice.
Yet let me say, although it may
Your egoism hurt,
Of all the three it seems to me
The best is DIRT.
|