10 Best Famous Wayside Poems

Here is a collection of the top 10 all-time best famous Wayside poems. This is a select list of the best famous Wayside poetry. Reading, writing, and enjoying famous Wayside poetry (as well as classical and contemporary poems) is a great past time. These top poems are the best examples of wayside poems.

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Written by John Greenleaf Whittier | Create an image from this poem

The Norsemen (From Narrative and Legendary Poems )

 GIFT from the cold and silent Past! 
A relic to the present cast, 
Left on the ever-changing strand 
Of shifting and unstable sand, 
Which wastes beneath the steady chime 
And beating of the waves of Time! 
Who from its bed of primal rock 
First wrenched thy dark, unshapely block? 
Whose hand, of curious skill untaught, 
Thy rude and savage outline wrought? 
The waters of my native stream 
Are glancing in the sun's warm beam; 
From sail-urged keel and flashing oar 
The circles widen to its shore; 
And cultured field and peopled town 
Slope to its willowed margin down. 
Yet, while this morning breeze is bringing 
The home-life sound of school-bells ringing, 
And rolling wheel, and rapid jar 
Of the fire-winged and steedless car, 
And voices from the wayside near 
Come quick and blended on my ear,-- 
A spell is in this old gray stone, 
My thoughts are with the Past alone! 

A change! -- The steepled town no more 
Stretches along the sail-thronged shore; 
Like palace-domes in sunset's cloud, 
Fade sun-gilt spire and mansion proud: 
Spectrally rising where they stood, 
I see the old, primeval wood; 
Dark, shadow-like, on either hand 
I see its solemn waste expand; 
It climbs the green and cultured hill, 
It arches o'er the valley's rill, 
And leans from cliff and crag to throw 
Its wild arms o'er the stream below. 
Unchanged, alone, the same bright river 
Flows on, as it will flow forever! 
I listen, and I hear the low 
Soft ripple where its water go; 
I hear behind the panther's cry, 
The wild-bird's scream goes thrilling by, 
And shyly on the river's brink 
The deer is stooping down to drink. 

But hard! -- from wood and rock flung back, 
What sound come up the Merrimac? 
What sea-worn barks are those which throw 
The light spray from each rushing prow? 
Have they not in the North Sea's blast 
Bowed to the waves the straining mast? 
Their frozen sails the low, pale sun 
Of Thulë's night has shone upon; 
Flapped by the sea-wind's gusty sweep 
Round icy drift, and headland steep. 
Wild Jutland's wives and Lochlin's daughters 
Have watched them fading o'er the waters, 
Lessening through driving mist and spray, 
Like white-winged sea-birds on their way! 

Onward they glide, -- and now I view 
Their iron-armed and stalwart crew; 
Joy glistens in each wild blue eye, 
Turned to green earth and summer sky. 
Each broad, seamed breast has cast aside 
Its cumbering vest of shaggy hide; 
Bared to the sun and soft warm air, 
Streams back the Northmen's yellow hair. 
I see the gleam of axe and spear, 
A sound of smitten shields I hear, 
Keeping a harsh and fitting time 
To Saga's chant, and Runic rhyme; 
Such lays as Zetland's Scald has sung, 
His gray and naked isles among; 
Or mutter low at midnight hour 
Round Odin's mossy stone of power. 
The wolf beneath the Arctic moon 
Has answered to that startling rune; 
The Gael has heard its stormy swell, 
The light Frank knows its summons well; 
Iona's sable-stoled Culdee 
Has heard it sounding o'er the sea, 
And swept, with hoary beard and hair, 
His altar's foot in trembling prayer! 

'T is past, -- the 'wildering vision dies 
In darkness on my dreaming eyes! 
The forest vanishes in air, 
Hill-slope and vale lie starkly bare; 
I hear the common tread of men, 
And hum of work-day life again; 
The mystic relic seems alone 
A broken mass of common stone; 
And if it be the chiselled limb 
Of Berserker or idol grim, 
A fragment of Valhalla's Thor, 
The stormy Viking's god of War, 
Or Praga of the Runic lay, 
Or love-awakening Siona, 
I know not, -- for no graven line, 
Nor Druid mark, nor Runic sign, 
Is left me here, by which to trace 
Its name, or origin, or place. 
Yet, for this vision of the Past, 
This glance upon its darkness cast, 
My spirit bows in gratitude 
Before the Giver of all good, 
Who fashioned so the human mind, 
That, from the waste of Time behind, 
A simple stone, or mound of earth, 
Can summon the departed forth; 
Quicken the Past to life again, 
The Present lose in what hath been, 
And in their primal freshness show 
The buried forms of long ago. 
As if a portion of that Thought 
By which the Eternal will is wrought, 
Whose impulse fills anew with breath 
The frozen solitude of Death, 
To mortal mind were sometimes lent, 
To mortal musing sometimes sent, 
To whisper -- even when it seems 
But Memory's fantasy of dreams -- 
Through the mind's waste of woe and sin, 
Of an immortal origin!

Written by Billy Collins | Create an image from this poem

Marginalia

 Sometimes the notes are ferocious,
skirmishes against the author
raging along the borders of every page
in tiny black script.
If I could just get my hands on you,
Kierkegaard, or Conor Cruise O'Brien,
they seem to say,
I would bolt the door and beat some logic into your head.

Other comments are more offhand, dismissive -
"Nonsense." "Please!" "HA!!" -
that kind of thing.
I remember once looking up from my reading,
my thumb as a bookmark,
trying to imagine what the person must look like
why wrote "Don't be a ninny"
alongside a paragraph in The Life of Emily Dickinson.

Students are more modest
needing to leave only their splayed footprints
along the shore of the page.
One scrawls "Metaphor" next to a stanza of Eliot's.
Another notes the presence of "Irony"
fifty times outside the paragraphs of A Modest Proposal.

Or they are fans who cheer from the empty bleachers,
Hands cupped around their mouths.
"Absolutely," they shout
to Duns Scotus and James Baldwin.
"Yes." "Bull's-eye." "My man!"
Check marks, asterisks, and exclamation points
rain down along the sidelines.

And if you have managed to graduate from college
without ever having written "Man vs. Nature"
in a margin, perhaps now
is the time to take one step forward.

We have all seized the white perimeter as our own
and reached for a pen if only to show
we did not just laze in an armchair turning pages;
we pressed a thought into the wayside,
planted an impression along the verge.

Even Irish monks in their cold scriptoria
jotted along the borders of the Gospels
brief asides about the pains of copying,
a bird signing near their window,
or the sunlight that illuminated their page-
anonymous men catching a ride into the future
on a vessel more lasting than themselves.

And you have not read Joshua Reynolds,
they say, until you have read him
enwreathed with Blake's furious scribbling.

Yet the one I think of most often,
the one that dangles from me like a locket,
was written in the copy of Catcher in the Rye
I borrowed from the local library
one slow, hot summer.
I was just beginning high school then,
reading books on a davenport in my parents' living room,
and I cannot tell you
how vastly my loneliness was deepened,
how poignant and amplified the world before me seemed,
when I found on one page

A few greasy looking smears
and next to them, written in soft pencil-
by a beautiful girl, I could tell,
whom I would never meet-
"Pardon the egg salad stains, but I'm in love."
Written by Helen Hunt Jackson | Create an image from this poem

Octobers Bright Blue Weather

 O suns and skies and clouds of June, 
And flowers of June together, 
Ye cannot rival for one hour 
October's bright blue weather;

When loud the bumblebee makes haste, 
Belated, thriftless vagrant, 
And goldenrod is dying fast, 
And lanes with grapes are fragrant;

When gentians roll their fingers tight 
To save them for the morning, 
And chestnuts fall from satin burrs 
Without a sound of warning;

When on the ground red apples lie 
In piles like jewels shining, 
And redder still on old stone walls 
Are leaves of woodbine twining;

When all the lovely wayside things 
Their white-winged seeds are sowing, 
And in the fields still green and fair, 
Late aftermaths are growing;

When springs run low, and on the brooks, 
In idle golden freighting, 
Bright leaves sink noiseless in the hush 
Of woods, for winter waiting;

When comrades seek sweet country haunts, 
By twos and twos together, 
And count like misers, hour by hour, 
October's bright blue weather.

O sun and skies and flowers of June, 
Count all your boasts together, 
Love loveth best of all the year 
October's bright blue weather.
Written by Rudyard Kipling | Create an image from this poem

Song of the Wise Children

 1902

When the darkened Fifties dip to the North,
 And frost and the fog divide the air,
And the day is dead at his breaking-forth,
 Sirs, it is bitter beneath the Bear!

Far to Southward they wheel and glance,
 The million molten spears of morn --
The spears of our deliverance
 That shine on the house where we were born.

Flying-fish about our bows,
 Flying sea-fires in our wake:
This is the road to our Father's House,
 Whither we go for our souls' sake!

We have forfeited our birthright,
 We have forsaken all things meet;
We have forgotten the look of light,
 We have forgotten the scent of heart.

They that walk with shaded brows,
 Year by year in a shining land,
They be men of our Father's House,
 They shall receive us and understand.

We shall go back by the boltless doors,
 To the life unaltered our childhood knew --
To the naked feet on the cool, dark floors,
 And the high-ceiled rooms that the Trade blows through:

To the trumpet-flowers and the moon beyond,
 And the tree-toad's chorus drowning all --
And the lisp of the split banana-frond
 That talked us to sleep when we were small.

The wayside magic, the threshold spells,
 Shall soon undo what the North has done --
Because of the sights and the sounds and the smells
 That ran with our youth in the eye of the sun.

And Earth accepting shall ask no vows,
 Nor the Sea our love, nor our lover the Sky.
When we return to our Father's House
 Only the English shall wonder why!
Written by Lucy Maud Montgomery | Create an image from this poem

Companioned

 I walked to-day, but not alone,
Adown a windy, sea-girt lea,
For memory, spendthrift of her charm,
Peopled the silent lands for me. 

The faces of old comradeship
In golden youth were round my way,
And in the keening wind I heard
The songs of many an orient day. 

And to me called, from out the pines
And woven grasses, voices dear,
As if from elfin lips should fall
The mimicked tones of yesteryear. 

Old laughter echoed o'er the leas
And love-lipped dreams the past had kept,
From wayside blooms like honeyed bees
To company my wanderings crept. 

And so I walked, but not alone,
Right glad companionship had I,
On that gray meadow waste between
Dim-litten sea and winnowed sky.

Written by William Henry Davies | Create an image from this poem

The Moon

 Beautiful Moon, with thy silvery light,
Thou seemest most charming to my sight;
As I gaze upon thee in the sky so high,
A tear of joy does moisten mine eye. 

Beautiful Moon, with thy silvery light,
Thou cheerest the Esquimau in the night;
For thou lettest him see to harpoon the fish,
And with them he makes a dainty dish. 

Beautiful Moon, with thy silvery light,
Thou cheerest the fox in the night,
And lettest him see to steal the grey goose away
Out of the farm-yard from a stack of hay. 

Beautiful Moon, with thy silvery light,
Thou cheerest the farmer in the night,
and makes his heart beat high with delight
As he views his crops by the light in the night. 

Beautiful Moon, with thy silvery light,
Thou cheerest the eagle in the night,
And lettest him see to devour his prey
And carry it to his nest away. 

Beautiful Moon, with thy silvery light,
Thou cheerest the mariner in the night
As he paces the deck alone,
Thinking of his dear friends at home. 

Beautiful Moon, with thy silvery light,
Thou cheerest the weary traveller in the night;
For thou lightest up the wayside around
To him when he is homeward bound. 

Beautiful Moon, with thy silvery light,
Thou cheerest the lovers in the night
As they walk through the shady groves alone,
Making love to each other before they go home. 

Beautiful Moon, with thy silvery light,
Thou cheerest the poacher in the night;
For thou lettest him see to set his snares
To catch the rabbit and the hares.
Written by Rudyard Kipling | Create an image from this poem

The Song of the Dead

 Hear now the Song of the Dead -- in the North by the torn berg-edges --
They that look still to the Pole, asleep by their hide-stripped sledges.
Song of the Dead in the South -- in the sun by their skeleton horses,
Where the warrigal whimpers and bays through the dust of the sere river-courses.

Song of the Dead in the East -- in the heat-rotted jungle-hollows,
Where the dog-ape barks in the kloof -- in the brake of the buffalo-wallows.

Song of the Dead in the West in the Barrens, the pass that betrayed them,
Where the wolverine tumbles their packs from the camp and the grave-rnound they made them;
 Hear now the Song of the Dead!

 I
We were dreamers, dreaming greatly, in the man-stifled town;
We yearned beyond the sky-line where the strange roads go down.
Came the Whisper, came the Vision, came the Power with the Need,
Till the Soul that is not man's soul was lent us to lead.
As the deer breaks -- as the steer breaks -- from the herd where they graze,
In the faith of little children we went on our ways.
Then the wood failed -- then the food failed -- then the last water dried.
In the faith of little children we lay down and died.
On the sand-drift -- on the veldt-side -- in the fern-scrub we lay,
That our sons might follow after by the bones on the way.
Follow after-follow after! We have watered the root,
And the bud has come to blossom that ripens for fruit!
Follow after -- we are waiting, by the trails that we lost,
For the sounds of many footsteps, for the tread of a host.
Follow after-follow after -- for the harvest is sown:
By the bones about the wayside ye shall come to your own!

 When Drake went down to the Horn
 And England was crowned thereby,
 'Twixt seas unsailed and shores unhailed
 Our Lodge -- our Lodge was born
 (And England was crowned thereby!)

 Which never shall close again
 By day nor yet by night,
 While man shall take his ife to stake
 At risk of shoal or main
 (By day nor yet by night)

 But standeth even so
 As now we witness here,
 While men depart, of joyful heart,
 Adventure for to know
 (As now bear witness here!)

 II
We have fed our sea for a thousand years
 And she calls us, still unfed,
Tbough there's never a wave of all her waves
 But marks our English dead:
We have strawed our best to the weed's unrest,
 To the shark and the sheering gull.
If blood be the price of admiralty,
 Lord God, we ha' paid in tull!

There's never a flood goes shoreward now
 But lifts a keel we manned;
There's never an ebb goes seaward now
 But drops our dead on the sand --
But slinks our dead on the sands forlore,
 From the Ducies to the Swin.
If blood be the price of admiralty,
If blood be the price of admiralty,
 Lord God, we ha' paid it in!

We must feed our sea for a thousand years,
 For that is our doom and pride,
As it was when they sailed with the Golden Hind,
 Or tbe wreck that struck last tide --
Or the wreck that lies on the spouting reef
 Where the ghastly blue-lights flare
If blood be tbe price of admiralty,
If blood be tbe price of admiralty,
If blood be the price of admiralty,
 Lord God, we ha' bought it fair!
Written by Robert Frost | Create an image from this poem

Design

 I found a dimpled spider, fat and white,
On a white heal-all, holding up a moth
Like a white piece of rigid satin cloth --
Assorted characters of death and blight
Mixed ready to begin the morning right,
Like the ingredients of a witches' broth --
A snow-drop spider, a flower like a froth,
And dead wings carried like a paper kite.

What had that flower to do with being white,
The wayside blue and innocent heal-all?
What brought the kindred spider to that height,
Then steered the white moth thither in the night?
What but design of darkness to appall?--
If design govern in a thing so small.
Written by John Greenleaf Whittier | Create an image from this poem

Maud Muller

 Maud Muller on a summer's day 
Raked the meadow sweet with hay. 

Beneath her torn hat glowed the wealth 
Of simple beauty and rustic health. 

Singing, she wrought, and her merry gleee 
The mock-bird echoed from his tree. 

But when she glanced to the far-off town 
White from its hill-slope looking down, 

The sweet song died, and a vague unrest 
And a nameless longing filled her breast,- 

A wish that she hardly dared to own, 
For something better than she had known. 

The Judge rode slowly down the lane, 
Smoothing his horse's chestnut mane. 

He drew his bridle in the shade 
Of the apple-trees, to greet the maid, 

And asked a draught from the spring that flowed 
Through the meadow across the road. 

She stooped where the cool spring bubbled up, 
And filled for him her small tin cup, 

And blushed as she gave it, looking down 
On her feet so bare, and her tattered gown. 

"Thanks!" said the Judge; "a sweeter draught 
From a fairer hand was never quaffed." 

He spoke of the grass and flowers and trees, 
Of the singing birds and the humming bees; 

Then talked of the haying, and wondered whether 
The cloud in the west would bring foul weather. 

And Maud forgot her brier-torn gown 
And her graceful ankles bare and brown; 

And listened, while a pleased surprise 
Looked from her long-lashed hazel eyes. 

At last, like one who for delay 
Seeks a vain excuse, he rode away. 

Maud Muller looked and sighed: "Ah me! 
That I the Judge's bride might be! 

"He would dress me up in silks so fine, 
And praise and toast me at his wine. 

"My father should wear a broadcloth coat; 
My brother should sail a pointed boat. 

"I'd dress my mother so grand and gay, 
And the baby should have a new toy each day. 

"And I'd feed the hungry and clothe the poor, 
And all should bless me who left our door." 

The Judge looked back as he climbed the hill, 
And saw Maud Muller standing still. 

"A form more fair, a face more sweet, 
Ne'er hath it been my lot to meet. 

"And her modest answer and graceful air 
Show her wise and good as she is fair. 

"Would she were mine, and I to-day, 
Like her, a harvester of hay. 

"No doubtful balance of rights and wrongs, 
Nor weary lawyers with endless tongues, 

"But low of cattle and song of birds, 
And health and quiet and loving words." 

But he thought of his sisters, proud and cold, 
And his mother, vain of her rank and gold. 

So, closing his heart, the Judge rode on, 
And Maud was left in the field alone. 

But the lawyers smiled that afternoon, 
When he hummed in court an old love-tune; 

And the young girl mused beside the well 
Till the rain on the unraked clover fell. 

He wedded a wife of richest dower, 
Who lived for fashion, as he for power. 

Yet oft, in his marble hearth's bright glow, 
He watched a picture come and go; 

And sweet Maud Muller's hazel eyes 
Looked out in their innocent surprise. 

Oft, when the wine in his glass was red, 
He longed for the wayside well instead; 

And closed his eyes on his garnished rooms 
To dream of meadows and clover-blooms. 

And the proud man sighed, and with a secret pain, 
"Ah, that I were free again! 

"Free as when I rode that day, 
Where the barefoot maiden raked her hay." 

She wedded a man unlearned and poor, 
And many children played round her door. 

But care and sorrow, and childbirth pain, 
Left their traces on heart and brain. 

And oft, when the summer sun shone hot 
On the new-mown hay in the meadow lot, 

And she heard the little spring brook fall 
Over the roadside, through a wall, 

In the shade of the apple-tree again 
She saw a rider draw his rein; 

And, gazing down with timid grace, 
She felt his pleased eyes read her face. 

Sometimes her narrow kitchen walls 
Stretched away into stately halls; 

The weary wheel to a spinet turned, 
The tallow candle an astral burned, 

And for him who sat by the chimney lug, 
Dozing and grumbling o'er pipe and mug, 

A manly form at her side she saw, 
And joy was duty and love was law. 

Then she took up her burden of life again, 
Saying only, "It might have been." 

Alas for the maiden, alas for the Judge, 
For rich repiner and househole drudge! 

God pity them both and pity us all, 
Who vainly the dreams of youth recall. 

For of all sad words of tongue or pen, 
The saddest are these: "It might have been!" 

Ah, well! for us all some sweet hope lies 
Deeply buried from human eyes; 

And, in the hereafter, angels may 
Roll the stone from its grave away!
Written by Rudyard Kipling | Create an image from this poem

A Song of Kabir

 Oh, light was the world that he weighed in his hands!
Oh, heavy the tale of his fiefs and his lands!
He has gone from the guddee and put on the shroud,
And departed in guise of bairagi avowed!

Now the white road to Delhi is mat for his feet.
The sal and the kikar must guard him from heat.
His home is the camp, and waste, and the crowd --
He is seeking the Way as bairagi avowed!

He has looked upon Man, and his eyeballs are clear --
(There was One; there is One, and but One, saith Kabir);
The Red Mist of Doing has thinned to a cloud --
He has taken the Path for bairagi avowed!

To learn and discern of his brother the clod,
Of his brother the brute, and his brother the God,
He has gone from the council and put on the shroud
("Can ye hear?" saith Kabir), a bairagi avowed!


bairagi -- Wandering holy man.
kikar -- Wayside trees.
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