Written by
Ruth Padel |
(After Pushkin)
Look at the bare wood hand-waxed floor and long
White dressing-gown, the good child's writing-desk
And passionate cold feet
Summoning music of the night - tumbrils, gongs
And gamelans - with one neat pen, one candle
Puttering its life out hour by hour.
Is "Tell Him I love him" never a good idea? You can't wish this
Unlived - this world on fire, on storm
Alert, till the shepherd's song
Outside, some hyper-active yellowhammer, bulbul,
Wren, amplified in hills and woods, tell her to bestow
A spot of notice on the dawn.
*
"I'm writing to you. Well, that's it, that's everything.
You'll laugh, but you'll pity me too. I'm ashamed of this.
I meant to keep it quiet. You'd never have known, if -
I wish - I could have seen you once a week. To mull over, day
And night, the things you say, or what we say together.
But word is, you're misogynist. Laddish. A philanderer
Who says what he doesn't mean. (That's not how you come across
To me.) Who couldn't give a toss for domestic peace -
Only for celebrity and showing off -
And won't hang round in a provincial zone
Like this. We don't glitter. Though we do,
Warmly, truly, welcome you.
*
"Why did you come? I'd never have set eyes
On a star like you, or blundered up against
This crazed not-sleeping, hour after hour
In the dark. I might have got the better of
My clumsy fury with constraint, my fret
For things I lack all lexica and phrase-book art
To say. I might have been a faithful wife; a mother.
But that's all done with. This is Fate. God.
Sorted. Here I am - yours, to the last breath.
I couldn't give my heart to anyone else.
My life till now has been a theorem, to demonstrate
How right it is to love you. This love is love to death.
*
"I knew you anyway. I loved you, I'm afraid,
In my sleep. Your eyes, that denim-lapis, grey-sea-
Grey-green blue, that Chinese fold of skin
At the inner corner, that shot look
Bleeping "vulnerable" under the screensaver charm,
Kept me alive. Every cell, every last gold atom
Of your body, was engraved in me
Already. Don't tell me that was dream! When you came in,
Staring round in your stripey coat and brocade
Vest, I nearly died! I fainted, I was flame! I recognized
The you I'd always listened to alone, when I wrote
Or tried to wrestle my scatty soul into calm.
*
"Wasn't it you who slipped through the transparent
Darkness to my bed and whispered love? Aren't you
My guardian angel? Or is this arrant
Seeming, hallucination, thrown
Up by that fly engineering a novel does
So beguilingly, or poems? Is this mad?
Are there ways of dreaming I don't know?
Too bad. My soul has made its home
In you. I'm here and bare before you: shy,
In tears. But if I didn't heft my whole self up and hold it there -
A crack-free mirror - loving you, or if I couldn't share
It, set it out in words, I'd die.
*
"I'll wait to hear from you. I must. Please let me hope.
Give me one look, from eyes I hardly dare
To look back at. Or scupper my dream
By scolding me. I've given you rope
To hang me: tell me I'm mistaken. You're so much in
The world; while I just live here, bent on jam
And harvest, songs and books. That's not complaint.
We live such different lives. So - this is the end. It's taken
All night. I'm scared to read it back. I'm faint
With shame and fear. But this is what I am. My crumpled bed,
My words, my open self. All I can do is trust
The whole damn lot of it to you."
*
She sighs. The paper trembles as she presses down
The pink wax seal. Outside, a milk mist clears
From the shimmering valley. If I were her guardian
Angel, I'd divide myself. One half would holler
Don't! Stay on an even keel! Don't dollop over
All you are, to a man who'll go to town
On his next little fling. If he's entranced today
By the way you finger your silk throat inside your collar,
Tomorrow there'll be Olga, Sally, Jane. But then I'd whisper
Go for it, petal. Nothing's as real as what you write.
His funeral, if he's not up to it. What we feel
Is mortal, and won't come again.
*
So cut, weeks later, to an outside shot: the same girl
Taking cover ("Dear God, he's here, he's come!")
Under fat red gooseberries, glimmering hairy stars:
The old, rude bushes she has hide-and-seeked in all
Her life, where mother commands the serfs to sing
While picking, so they can't hurl
The odd gog into their mouths. No one could spy
Her here, not even the sun in its burn-time. Her cheeks
Are simmering fire.
We're talking iridescence, a Red Admiral's last tremble
Before the avid schoolboy plunks his net.
Or imagine
*
A leveret - like the hare you shot, remember?
Which ran round screaming like a baby?
Only mine is shivering in papery winter corn,
While the hunter (as it might be, you) stomps his Hush
Puppies through dead brush. Everything's quiet.
She's waited - how long? - ages: stoking pebbly embers
Under the evening samovar, filling
The Chinese teapot, sending coils of Lapsang Suchong
Floating to the ceiling in the shadows, tracing O and E
In the window's black reflection, one finger
Tendrilling her own breath on the glass.
Like putting a shell to your ear to hear the sea
*
When it's really your own red little sparkle, the echo
Of marching blood. She's asking a phantom
World of pearled-up mist for proof
That her man exists: that gamelans and tumbrils
Won't evade her. But now, among
The kitchen garden's rose-haws, mallow, Pernod-
Coloured pears, she unhooks herself thorn by thorn
For the exit aria. For fade-out. Suddenly there he is
In the avenue, the man she's written to - Charon
Gazing at her with blazing eyes! Darth Vader
From Star Wars. She's trapped, in a house she didn't realize
Was burning. Her letter was a gate to the inferno.
........
(This poem appeared in Pushkin: An Anthology, ed. E. Feinstein, Carcanet 1999)
|
Written by
Alfred Lord Tennyson |
Clearly the blue river chimes in its flowing
Under my eye;
Warmly and broadly the south winds are blowing
Over the sky.
One after another the white clouds are fleeting;
Every heart this May morning in joyance is beating
Full merrily;
Yet all things must die.
The stream will cease to flow;
The wind will cease to blow;
The clouds will cease to fleet;
The heart will cease to beat;
For all things must die.
All things must die.
Spring will come never more.
O, vanity!
Death waits at the door.
See! our friends are all forsaking
The wine and the merrymaking.
We are call'd—we must go.
Laid low, very low,
In the dark we must lie.
The merry glees are still;
The voice of the bird
Shall no more be heard,
Nor the wind on the hill.
O, misery!
Hark! death is calling
While I speak to ye,
The jaw is falling,
The red cheek paling,
The strong limbs failing;
Ice with the warm blood mixing;
The eyeballs fixing.
Nine times goes the passing bell:
Ye merry souls, farewell.
The old earth
Had a birth,
As all men know,
Long ago.
And the old earth must die.
So let the warm winds range,
And the blue wave beat the shore;
For even and morn
Ye will never see
Thro' eternity.
All things were born.
Ye will come never more,
For all things must die.
|
Written by
Stephen Vincent Benet |
Black trees against an orange sky,
Trees that the wind shook terribly,
Like a harsh spume along the road,
Quavering up like withered arms,
Writhing like streams, like twisted charms
Of hot lead flung in snow. Below
The iron ice stung like a goad,
Slashing the torn shoes from my feet,
And all the air was bitter sleet.
And all the land was cramped with snow,
Steel-strong and fierce and glimmering wan,
Like pale plains of obsidian.
-- And yet I strove -- and I was fire
And ice -- and fire and ice were one
In one vast hunger of desire.
A dim desire, of pleasant places,
And lush fields in the summer sun,
And logs aflame, and walls, and faces,
-- And wine, and old ambrosial talk,
A golden ball in fountains dancing,
And unforgotten hands. (Ah, God,
I trod them down where I have trod,
And they remain, and they remain,
Etched in unutterable pain,
Loved lips and faces now apart,
That once were closer than my heart --
In agony, in agony,
And horribly a part of me. . . .
For Lethe is for no man set,
And in Hell may no man forget.)
And there were flowers, and jugs, bright-glancing,
And old Italian swords -- and looks,
A moment's glance of fire, of fire,
Spiring, leaping, flaming higher,
Into the intense, the cloudless blue,
Until two souls were one, and flame,
And very flesh, and yet the same!
As if all springs were crushed anew
Into one globed drop of dew!
But for the most I thought of heat,
Desiring greatly. . . . Hot white sand
The lazy body lies at rest in,
Or sun-dried, scented grass to nest in,
And fires, innumerable fires,
Great fagots hurling golden gyres
Of sparks far up, and the red heart
In sea-coals, crashing as they part
To tiny flares, and kindling snapping,
Bunched sticks that burst their string and wrapping
And fall like jackstraws; green and blue
The evil flames of driftwood too,
And heavy, sullen lumps of coke
With still, fierce heat and ugly smoke. . . .
. . . And then the vision of his face,
And theirs, all theirs, came like a sword,
Thrice, to the heart -- and as I fell
I thought I saw a light before.
I woke. My hands were blue and sore,
Torn on the ice. I scarcely felt
The frozen sleet begin to melt
Upon my face as I breathed deeper,
But lay there warmly, like a sleeper
Who shifts his arm once, and moans low,
And then sinks back to night. Slow, slow,
And still as Death, came Sleep and Death
And looked at me with quiet breath.
Unbending figures, black and stark
Against the intense deeps of the dark.
Tall and like trees. Like sweet and fire
Rest crept and crept along my veins,
Gently. And there were no more pains. . . .
Was it not better so to lie?
The fight was done. Even gods tire
Of fighting. . . . My way was the wrong.
Now I should drift and drift along
To endless quiet, golden peace . . .
And let the tortured body cease.
And then a light winked like an eye.
. . . And very many miles away
A girl stood at a warm, lit door,
Holding a lamp. Ray upon ray
It cloaked the snow with perfect light.
And where she was there was no night
Nor could be, ever. God is sure,
And in his hands are things secure.
It is not given me to trace
The lovely laughter of that face,
Like a clear brook most full of light,
Or olives swaying on a height,
So silver they have wings, almost;
Like a great word once known and lost
And meaning all things. Nor her voice
A happy sound where larks rejoice,
Her body, that great loveliness,
The tender fashion of her dress,
I may not paint them.
These I see,
Blazing through all eternity,
A fire-winged sign, a glorious tree!
She stood there, and at once I knew
The bitter thing that I must do.
There could be no surrender now;
Though Sleep and Death were whispering low.
My way was wrong. So. Would it mend
If I shrank back before the end?
And sank to death and cowardice?
No, the last lees must be drained up,
Base wine from an ignoble cup;
(Yet not so base as sleek content
When I had shrunk from punishment)
The wretched body strain anew!
Life was a storm to wander through.
I took the wrong way. Good and well,
At least my feet sought out not Hell!
Though night were one consuming flame
I must go on for my base aim,
And so, perhaps, make evil grow
To something clean by agony . . .
And reach that light upon the snow . . .
And touch her dress at last . . .
So, so,
I crawled. I could not speak or see
Save dimly. The ice glared like fire,
A long bright Hell of choking cold,
And each vein was a tautened wire,
Throbbing with torture -- and I crawled.
My hands were wounds.
So I attained
The second Hell. The snow was stained
I thought, and shook my head at it
How red it was! Black tree-roots clutched
And tore -- and soon the snow was smutched
Anew; and I lurched babbling on,
And then fell down to rest a bit,
And came upon another Hell . . .
Loose stones that ice made terrible,
That rolled and gashed men as they fell.
I stumbled, slipped . . . and all was gone
That I had gained. Once more I lay
Before the long bright Hell of ice.
And still the light was far away.
There was red mist before my eyes
Or I could tell you how I went
Across the swaying firmament,
A glittering torture of cold stars,
And how I fought in Titan wars . . .
And died . . . and lived again upon
The rack . . . and how the horses strain
When their red task is nearly done. . . .
I only know that there was Pain,
Infinite and eternal Pain.
And that I fell -- and rose again.
So she was walking in the road.
And I stood upright like a man,
Once, and fell blind, and heard her cry . . .
And then there came long agony.
There was no pain when I awoke,
No pain at all. Rest, like a goad,
Spurred my eyes open -- and light broke
Upon them like a million swords:
And she was there. There are no words.
Heaven is for a moment's span.
And ever.
So I spoke and said,
"My honor stands up unbetrayed,
And I have seen you. Dear . . ."
Sharp pain
Closed like a cloak. . . .
I moaned and died.
Here, even here, these things remain.
I shall draw nearer to her side.
Oh dear and laughing, lost to me,
Hidden in grey Eternity,
I shall attain, with burning feet,
To you and to the mercy-seat!
The ages crumble down like dust,
Dark roses, deviously thrust
And scattered in sweet wine -- but I,
I shall lift up to you my cry,
And kiss your wet lips presently
Beneath the ever-living Tree.
This in my heart I keep for goad!
Somewhere, in Heaven she walks that road.
Somewhere . . . in Heaven . . . she walks . . . that . . . road. . . .
|
Written by
David Wagoner |
All actors look for them-the defining moments
When what a character does is what he is.
The script may say, He goes to the door
And exits or She goes out the door stage left.
But you see your fingers touching the doorknob,
Closing around it, turning it
As if by themselves. The latch slides
Out of the strike-plate, the door swings on its hinges,
And you're about to take that step
Over the threshold into a different light.
For the audience, you may simply be
Disappearing from the scene, yet in those few seconds
You can reach for the knob as the last object on earth
You wanted to touch. Or you can take it
Warmly like the hand your father offered
Once in forgiveness and afterward
Kept to himself.
Or you can stand there briefly, as bewildered
As by the door of a walk-in time-lock safe,
Stand there and stare
At the whole concept of shutness, like a rat
Whose maze has been rebaffled overnight,
Stand still and quiver, unable to turn
Around or go left or right.
Or you can grasp it with a sly, soundless discretion,
Open it inch by inch, testing each fraction
Of torque on the spindles, on tiptoe
Slip yourself through the upright slot
And press the lock-stile silently
Back into its frame.
Or you can use your shoulder
Or the hard heel of your shoe
And a leg-thrust to break it open.
Or you can approach the door as if accustomed
To having all barriers open by themselves.
You can wrench aside
This unauthorized interruption of your progress
And then leave it ajar
For others to do with as they may see fit.
Or you can stand at ease
And give the impression you can see through
This door or any door and have no need
To take your physical self to the other side.
Or you can turn the knob as if at last
Nothing could please you more, your body language
Filled with expectations of joy at where you're going,
Holding yourself momentarily in the posture
Of an awestruck pilgrim at the gate-though you know
You'll only be stepping out against the scrim
Or a wobbly flat daubed with a landscape,
A scribble of leaves, a hint of flowers,
The bare suggestion of a garden.
|
Written by
John Keats |
Happy is England! I could be content
To see no other verdure than its own;
To feel no other breezes than are blown
Through its tall woods with high romances blent;
Yet do I sometimes feel a languishment
For skies Italian, and an inward groan
To sit upon an Alp as on a throne,
And half forget what world or worldling meant.
Happy is England, sweet her artless daughters;
Enough their simple loveliness for me,
Enough their whitest arms in silence clinging;
Yet do I often warmly burn to see
Beauties of deeper glance, and hear their singing,
And float with them about the summer waters.
|
Written by
Barry Tebb |
You always disrupt me;
When I ring you for comfort
You wing me, send my
Pudding of a mind
A-splatter on the wall.
You chase me to bed even,
Passionately, not-yourself-at-all,
You bawl your lewd reminders
Down aching avenues of dreams
To shudder me awake.
And then at last you’ll fake
Your promises and take
Some simpler way, battening
On the eggs you’ll hatch
Warmly some tea-cosy day.
All this, you’ll say, was
Merely adolescence, not
The real unpoked you,
Tittupping in high heels
And cellophaned to view.
|
Written by
William Cowper |
Oh that those lips had language! Life has pass'd
With me but roughly since I heard thee last.
Those lips are thine--thy own sweet smiles I see,
The same that oft in childhood solaced me;
Voice only fails, else, how distinct they say,
"Grieve not, my child, chase all thy fears away!"
The meek intelligence of those dear eyes
(Blest be the art that can immortalize,
The art that baffles time's tyrannic claim
To quench it) here shines on me still the same.
Faithful remembrancer of one so dear,
Oh welcome guest, though unexpected, here!
Who bidd'st me honour with an artless song,
Affectionate, a mother lost so long,
I will obey, not willingly alone,
But gladly, as the precept were her own;
And, while that face renews my filial grief,
Fancy shall weave a charm for my relief--
Shall steep me in Elysian reverie,
A momentary dream, that thou art she.
My mother! when I learn'd that thou wast dead,
Say, wast thou conscious of the tears I shed?
Hover'd thy spirit o'er thy sorrowing son,
Wretch even then, life's journey just begun?
Perhaps thou gav'st me, though unseen, a kiss;
Perhaps a tear, if souls can weep in bliss--
Ah that maternal smile! it answers--Yes.
I heard the bell toll'd on thy burial day,
I saw the hearse that bore thee slow away,
And, turning from my nurs'ry window, drew
A long, long sigh, and wept a last adieu!
But was it such?--It was.--Where thou art gone
Adieus and farewells are a sound unknown.
May I but meet thee on that peaceful shore,
The parting sound shall pass my lips no more!
Thy maidens griev'd themselves at my concern,
Oft gave me promise of a quick return.
What ardently I wish'd, I long believ'd,
And, disappointed still, was still deceiv'd;
By disappointment every day beguil'd,
Dupe of to-morrow even from a child.
Thus many a sad to-morrow came and went,
Till, all my stock of infant sorrow spent,
I learn'd at last submission to my lot;
But, though I less deplor'd thee, ne'er forgot.
Where once we dwelt our name is heard no more,
Children not thine have trod my nurs'ry floor;
And where the gard'ner Robin, day by day,
Drew me to school along the public way,
Delighted with my bauble coach, and wrapt
In scarlet mantle warm, and velvet capt,
'Tis now become a history little known,
That once we call'd the past'ral house our own.
Short-liv'd possession! but the record fair
That mem'ry keeps of all thy kindness there,
Still outlives many a storm that has effac'd
A thousand other themes less deeply trac'd.
Thy nightly visits to my chamber made,
That thou might'st know me safe and warmly laid;
Thy morning bounties ere I left my home,
The biscuit, or confectionary plum;
The fragrant waters on my cheeks bestow'd
By thy own hand, till fresh they shone and glow'd;
All this, and more endearing still than all,
Thy constant flow of love, that knew no fall,
Ne'er roughen'd by those cataracts and brakes
That humour interpos'd too often makes;
All this still legible in mem'ry's page,
And still to be so, to my latest age,
Adds joy to duty, makes me glad to pay
Such honours to thee as my numbers may;
Perhaps a frail memorial, but sincere,
Not scorn'd in heav'n, though little notic'd here.
Could time, his flight revers'd, restore the hours,
When, playing with thy vesture's tissued flow'rs,
The violet, the pink, and jessamine,
I prick'd them into paper with a pin,
(And thou wast happier than myself the while,
Would'st softly speak, and stroke my head and smile)
Could those few pleasant hours again appear,
Might one wish bring them, would I wish them here?
I would not trust my heart--the dear delight
Seems so to be desir'd, perhaps I might.--
But no--what here we call our life is such,
So little to be lov'd, and thou so much,
That I should ill requite thee to constrain
Thy unbound spirit into bonds again.
Thou, as a gallant bark from Albion's coast
(The storms all weather'd and the ocean cross'd)
Shoots into port at some well-haven'd isle,
Where spices breathe and brighter seasons smile,
There sits quiescent on the floods that show
Her beauteous form reflected clear below,
While airs impregnated with incense play
Around her, fanning light her streamers gay;
So thou, with sails how swift! hast reach'd the shore
"Where tempests never beat nor billows roar,"
And thy lov'd consort on the dang'rous tide
Of life, long since, has anchor'd at thy side.
But me, scarce hoping to attain that rest,
Always from port withheld, always distress'd--
Me howling winds drive devious, tempest toss'd,
Sails ript, seams op'ning wide, and compass lost,
And day by day some current's thwarting force
Sets me more distant from a prosp'rous course.
But oh the thought, that thou art safe, and he!
That thought is joy, arrive what may to me.
My boast is not that I deduce my birth
From loins enthron'd, and rulers of the earth;
But higher far my proud pretensions rise--
The son of parents pass'd into the skies.
And now, farewell--time, unrevok'd, has run
His wonted course, yet what I wish'd is done.
By contemplation's help, not sought in vain,
I seem t' have liv'd my childhood o'er again;
To have renew'd the joys that once were mine,
Without the sin of violating thine:
And, while the wings of fancy still are free,
And I can view this mimic shew of thee,
Time has but half succeeded in his theft--
Thyself remov'd, thy power to sooth me left.
|
Written by
Alec Derwent (A D) Hope |
I sing of the decline of Henry Clay
Who loved a white girl of uncommon size.
Although a small man in a little way,
He had in him some seed of enterprise.
Each day he caught the seven-thirty train
To work, watered his garden after tea,
Took an umbrella if it looked like rain A
nd was remarkably like you or me.
He had his hair cut once a fortnight, tried
Not to forget the birthday of his wife,
And might have lived unnoticed till he died
Had not ambition entered Henry's life.
He met her in the lounge of an hotel -
A most unusual place for him to go -
But there he was and there she was as well
Sitting alone. He ordered beers for two.
She was so large a girl that when they came
He gave the waiter twice the usual tip.
She smiled without surprise, told him her name,
And as the name trembled on Henry's lip,
His parched soul, swelling like a desert root,
Broke out its delicate dream upon the air;
The mountains shook with earthquake under foot;
An angel seized him suddenly by the hair;
The sky was shrill with peril as he passed;
A hurricane crushed his senses with its din;
The wildfire crackled up his reeling mast;
The trumpet of a maelstrom sucked hirn in;
The desert shrivelled and burnt off his feet;
His bones and buttons an enormous snake
Vomited up; still in the shimmering heat
The pygmies showed him their forbidden lake
And then transfixed him with their poison darts;
He married six black virgins in a bunch,
Who, when they had drawn out his manly parts,
Stewed him and ate him lovingly for lunch.
Adventure opened wide its grisly jaws;
Henry looked in and knew the Hero's doom.
The huge white girl drank on without a pause
And, just at closing time, she asked him home.
The tram they took was full of Roaring Boys
Announcing the world's ruin and Judgment Day;
The sky blared with its grand orchestral voice
The Gotterdammerung of Henry Clay.
But in her quiet room they were alone.
There, towering over Henry by a head,
She stood and took her clothes off one by one,
And then she stretched herself upon the bed.
Her bulk of beauty, her stupendous grace
Challenged the lion heart in his puny dust.
Proudly his Moment looked him in the face:
He rose to meet it as a hero must;
Climbed the white mountain of unravished snow,
Planted his tiny flag upon the peak.
The smooth drifts, scarcely breathing, lay below.
She did not take the trouble to smile or speak.
And afterwards, it may have been in play,
The enormous girl rolled over and squashed him flat;
And, as she could not send him home that way,
Used him thereafter as a bedside mat.
Speaking at large, I will say this of her: S
he did not spare expense to make him nice.
Tanned on both sides and neatly edged with fur,
The job would have been cheap at any price.
And when, in winter, getting out of bed,
Her large soft feet pressed warmly on the skin,
The two glass eyes would sparkle in his head,
The jaws extend their papier-mache grin.
Good people, for the soul of Henry Clay
Offer your prayers, and view his destiny!
He was the Hero of our Time. He may
With any luck, one day, be you or me.
|
Written by
Robert Burns |
YE Irish lords, ye knights an’ squires,
Wha represent our brughs an’ shires,
An’ doucely manage our affairs
In parliament,
To you a simple poet’s pray’rs
Are humbly sent.
Alas! my roupit Muse is hearse!
Your Honours’ hearts wi’ grief ’twad pierce,
To see her sittin on her ****
Low i’ the dust,
And scriechinh out prosaic verse,
An like to brust!
Tell them wha hae the chief direction,
Scotland an’ me’s in great affliction,
E’er sin’ they laid that curst restriction
On aqua-vit&æ;
An’ rouse them up to strong conviction,
An’ move their pity.
Stand forth an’ tell yon Premier youth
The honest, open, naked truth:
Tell him o’ mine an’ Scotland’s drouth,
His servants humble:
The muckle deevil blaw you south
If ye dissemble!
Does ony great man glunch an’ gloom?
Speak out, an’ never fash your thumb!
Let posts an’ pensions sink or soom
Wi’ them wha grant them;
If honestly they canna come,
Far better want them.
In gath’rin votes you were na slack;
Now stand as tightly by your tack:
Ne’er claw your lug, an’ fidge your back,
An’ hum an’ haw;
But raise your arm, an’ tell your crack
Before them a’.
Paint Scotland greetin owre her thrissle;
Her mutchkin stowp as toom’s a whissle;
An’ d—mn’d excisemen in a bussle,
Seizin a stell,
Triumphant crushin’t like a mussel,
Or limpet shell!
Then, on the tither hand present her—
A blackguard smuggler right behint her,
An’ cheek-for-chow, a chuffie vintner
Colleaguing join,
Picking her pouch as bare as winter
Of a’ kind coin.
Is there, that bears the name o’ Scot,
But feels his heart’s bluid rising hot,
To see his poor auld mither’s pot
Thus dung in staves,
An’ plunder’d o’ her hindmost groat
By gallows knaves?
Alas! I’m but a nameless wight,
Trode i’ the mire out o’ sight?
But could I like Montgomeries fight,
Or gab like Boswell, 2
There’s some sark-necks I wad draw tight,
An’ tie some hose well.
God bless your Honours! can ye see’t—
The kind, auld cantie carlin greet,
An’ no get warmly to your feet,
An’ gar them hear it,
An’ tell them wi’a patriot-heat
Ye winna bear it?
Some o’ you nicely ken the laws,
To round the period an’ pause,
An’ with rhetoric clause on clause
To mak harangues;
Then echo thro’ Saint Stephen’s wa’s
Auld Scotland’s wrangs.
Dempster, 3 a true blue Scot I’se warran’;
Thee, aith-detesting, chaste Kilkerran; 4
An’ that glib-gabbit Highland baron,
The Laird o’ Graham; 5
An’ ane, a chap that’s damn’d aulfarran’,
Dundas his name: 6
Erskine, a spunkie Norland billie; 7
True Campbells, Frederick and Ilay; 8
An’ Livistone, the bauld Sir Willie; 9
An’ mony ithers,
Whom auld Demosthenes or Tully
Might own for brithers.
See sodger Hugh, 10 my watchman stented,
If poets e’er are represented;
I ken if that your sword were wanted,
Ye’d lend a hand;
But when there’s ought to say anent it,
Ye’re at a stand.
Arouse, my boys! exert your mettle,
To get auld Scotland back her kettle;
Or faith! I’ll wad my new pleugh-pettle,
Ye’ll see’t or lang,
She’ll teach you, wi’ a reekin whittle,
Anither sang.
This while she’s been in crankous mood,
Her lost Militia fir’d her bluid;
(Deil na they never mair do guid,
Play’d her that pliskie!)
An’ now she’s like to rin red-wud
About her whisky.
An’ Lord! if ance they pit her till’t,
Her tartan petticoat she’ll kilt,
An’durk an’ pistol at her belt,
She’ll tak the streets,
An’ rin her whittle to the hilt,
I’ the first she meets!
For God sake, sirs! then speak her fair,
An’ straik her cannie wi’ the hair,
An’ to the muckle house repair,
Wi’ instant speed,
An’ strive, wi’ a’ your wit an’ lear,
To get remead.
Yon ill-tongu’d tinkler, Charlie Fox,
May taunt you wi’ his jeers and mocks;
But gie him’t het, my hearty cocks!
E’en cowe the cadie!
An’ send him to his dicing box
An’ sportin’ lady.
Tell you guid bluid o’ auld Boconnock’s, 11
I’ll be his debt twa mashlum bonnocks,
An’ drink his health in auld Nance Tinnock’s 12
Nine times a-week,
If he some scheme, like tea an’ winnocks,
Was kindly seek.
Could he some commutation broach,
I’ll pledge my aith in guid braid Scotch,
He needna fear their foul reproach
Nor erudition,
Yon mixtie-maxtie, ***** hotch-potch,
The Coalition.
Auld Scotland has a raucle tongue;
She’s just a devil wi’ a rung;
An’ if she promise auld or young
To tak their part,
Tho’ by the neck she should be strung,
She’ll no desert.
And now, ye chosen Five-and-Forty,
May still you mither’s heart support ye;
Then, tho’a minister grow dorty,
An’ kick your place,
Ye’ll snap your gingers, poor an’ hearty,
Before his face.
God bless your Honours, a’ your days,
Wi’ sowps o’ kail and brats o’ claise,
In spite o’ a’ the thievish kaes,
That haunt St. Jamie’s!
Your humble poet sings an’ prays,
While Rab his name is.
POSTSCRIPTLET half-starv’d slaves in warmer skies
See future wines, rich-clust’ring, rise;
Their lot auld Scotland ne’re envies,
But, blythe and frisky,
She eyes her freeborn, martial boys
Tak aff their whisky.
What tho’ their Phoebus kinder warms,
While fragrance blooms and beauty charms,
When wretches range, in famish’d swarms,
The scented groves;
Or, hounded forth, dishonour arms
In hungry droves!
Their gun’s a burden on their shouther;
They downa bide the stink o’ powther;
Their bauldest thought’s a hank’ring swither
To stan’ or rin,
Till skelp—a shot—they’re aff, a’throw’ther,
To save their skin.
But bring a Scotchman frae his hill,
Clap in his cheek a Highland gill,
Say, such is royal George’s will,
An’ there’s the foe!
He has nae thought but how to kill
Twa at a blow.
Nae cauld, faint-hearted doubtings tease him;
Death comes, wi’ fearless eye he sees him;
Wi’bluidy hand a welcome gies him;
An’ when he fa’s,
His latest draught o’ breathin lea’es him
In faint huzzas.
Sages their solemn een may steek,
An’ raise a philosophic reek,
An’ physically causes seek,
In clime an’ season;
But tell me whisky’s name in Greek
I’ll tell the reason.
Scotland, my auld, respected mither!
Tho’ whiles ye moistify your leather,
Till, whare ye sit on craps o’ heather,
Ye tine your dam;
Freedom an’ whisky gang thegither!
Take aff your dram!
Note 1. This was written before the Act anent the Scotch distilleries, of session 1786, for which Scotland and the author return their most grateful thanks.—R. B. [back]
Note 2. James Boswell of Auchinleck, the biographer of Johnson. [back]
Note 3. George Dempster of Dunnichen. [back]
Note 4. Sir Adam Ferguson of Kilkerran, Bart. [back]
Note 5. The Marquis of Graham, eldest son of the Duke of Montrose. [back]
Note 6. Right Hon. Henry Dundas, M. P. [back]
Note 7. Probably Thomas, afterward Lord Erskine. [back]
Note 8. Lord Frederick Campbell, second brother of the Duke of Argyll, and Ilay Campbell, Lord Advocate for Scotland, afterward President of the Court of Session. [back]
Note 9. Sir Wm. Augustus Cunningham, Baronet, of Livingstone. [back]
Note 10. Col. Hugh Montgomery, afterward Earl of Eglinton. [back]
Note 11. Pitt, whose grandfather was of Boconnock in Cornwall. [back]
Note 12. A worthy old hostess of the author’s in Mauchline, where he sometimes studies politics over a glass of gude auld Scotch Drink.—R. B. [back]
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Written by
Richard Wilbur |
Though the unseen may vanish, though insight
fails
And doubter and downcast saint
Join in the same complaint,
What holy things were ever frightened off
By a fly's buzz, or itches, or a cough?
Harder than nails
They are, more warmly constant than the sun,
At whose continual sign
The dimly prompted vine
Upbraids itself to a green excellence.
What evening, when the slow and forced
expense
Of sweat is done,
Does not the dark come flooding the straight
furrow
Or filling the well-made bowl?
What night will not the whole
Sky with its clear studs and steady spheres
Turn on a sound chimney? It is seventeen
years
Come tomorrow
That Bruna Sandoval has kept the church
Of San Ysidro, sweeping
And scrubbing the aisles, keeping
The candlesticks and the plaster faces bright,
And seen no visions but the thing done right
>From the clay porch
To the white altar. For love and in all weathers
This is what she has done.
Sometimes the early sun
Shines as she flings the scrubwater out, with a
crash
Of grimy rainbows, and the stained studs flash
Like angel-feathers.
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