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Best Famous Vowed Poems

Here is a collection of the all-time best famous Vowed poems. This is a select list of the best famous Vowed poetry. Reading, writing, and enjoying famous Vowed poetry (as well as classical and contemporary poems) is a great past time. These top poems are the best examples of vowed poems.

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Written by Robert William Service | Create an image from this poem

The Ballad Of One-Eyed Mike

 This is the tale that was told to me by the man with the crystal eye,
As I smoked my pipe in the camp-fire light, and the Glories swept the sky;
As the Northlights gleamed and curved and streamed, and the bottle of "hooch" was dry.
A man once aimed that my life be shamed, and wrought me a deathly wrong; I vowed one day I would well repay, but the heft of his hate was strong.
He thonged me East and he thonged me West; he harried me back and forth, Till I fled in fright from his peerless spite to the bleak, bald-headed North.
And there I lay, and for many a day I hatched plan after plan, For a golden haul of the wherewithal to crush and to kill my man; And there I strove, and there I clove through the drift of icy streams; And there I fought, and there I sought for the pay-streak of my dreams.
So twenty years, with their hopes and fears and smiles and tears and such, Went by and left me long bereft of hope of the Midas touch; About as fat as a chancel rat, and lo! despite my will, In the weary fight I had clean lost sight of the man I sought to kill.
'Twas so far away, that evil day when I prayed to the Prince of Gloom For the savage strength and the sullen length of life to work his doom.
Nor sign nor word had I seen or heard, and it happed so long ago; My youth was gone and my memory wan, and I willed it even so.
It fell one night in the waning light by the Yukon's oily flow, I smoked and sat as I marvelled at the sky's port-winey glow; Till it paled away to an absinthe gray, and the river seemed to shrink, All wobbly flakes and wriggling snakes and goblin eyes a-wink.
'Twas weird to see and it 'wildered me in a *****, hypnotic dream, Till I saw a spot like an inky blot come floating down the stream; It bobbed and swung; it sheered and hung; it romped round in a ring; It seemed to play in a tricksome way; it sure was a merry thing.
In freakish flights strange oily lights came fluttering round its head, Like butterflies of a monster size--then I knew it for the Dead.
Its face was rubbed and slicked and scrubbed as smooth as a shaven pate; In the silver snakes that the water makes it gleamed like a dinner-plate.
It gurgled near, and clear and clear and large and large it grew; It stood upright in a ring of light and it looked me through and through.
It weltered round with a woozy sound, and ere I could retreat, With the witless roll of a sodden soul it wantoned to my feet.
And here I swear by this Cross I wear, I heard that "floater" say: "I am the man from whom you ran, the man you sought to slay.
That you may note and gaze and gloat, and say `Revenge is sweet', In the grit and grime of the river's slime I am rotting at your feet.
"The ill we rue we must e'en undo, though it rive us bone from bone; So it came about that I sought you out, for I prayed I might atone.
I did you wrong, and for long and long I sought where you might live; And now you're found, though I'm dead and drowned, I beg you to forgive.
" So sad it seemed, and its cheek-bones gleamed, and its fingers flicked the shore; And it lapped and lay in a weary way, and its hands met to implore; That I gently said: "Poor, restless dead, I would never work you woe; Though the wrong you rue you can ne'er undo, I forgave you long ago.
" Then, wonder-wise, I rubbed my eyes and I woke from a horrid dream.
The moon rode high in the naked sky, and something bobbed in the stream.
It held my sight in a patch of light, and then it sheered from the shore; It dipped and sank by a hollow bank, and I never saw it more.
This was the tale he told to me, that man so warped and gray, Ere he slept and dreamed, and the camp-fire gleamed in his eye in a wolfish way-- That crystal eye that raked the sky in the weird Auroral ray.


Written by T S (Thomas Stearns) Eliot | Create an image from this poem

Growltigers Last Stand

 GROWLTIGER was a Bravo Cat, who lived upon a barge;
In fact he was the roughest cat that ever roamed at large.
From Gravesend up to Oxford he pursued his evil aims, Rejoicing in his title of "The Terror of the Thames.
" His manners and appearance did not calculate to please; His coat was torn and seedy, he was baggy at the knees; One ear was somewhat missing, no need to tell you why, And he scowled upon a hostile world from one forbidding eye.
The cottagers of Rotherhithe knew something of his fame, At Hammersmith and Putney people shuddered at his name.
They would fortify the hen-house, lock up the silly goose, When the rumour ran along the shore: GROWLTIGER'S ON THE LOOSE! Woe to the weak canary, that fluttered from its cage; Woe to the pampered Pekinese, that faced Growltiger's rage.
Woe to the bristly Bandicoot, that lurks on foreign ships, And woe to any Cat with whom Growltiger came to grips! But most to Cats of foreign race his hatred had been vowed; To Cats of foreign name and race no quarter was allowed.
The Persian and the Siamese regarded him with fear-- Because it was a Siamese had mauled his missing ear.
Now on a peaceful summer night, all nature seemed at play, The tender moon was shining bright, the barge at Molesey lay.
All in the balmy moonlight it lay rocking on the tide-- And Growltiger was disposed to show his sentimental side.
His bucko mate, GRUMBUSKIN, long since had disappeared, For to the Bell at Hampton he had gone to wet his beard; And his bosun, TUMBLEBRUTUS, he too had stol'n away- In the yard behind the Lion he was prowling for his prey.
In the forepeak of the vessel Growltiger sate alone, Concentrating his attention on the Lady GRIDDLEBONE.
And his raffish crew were sleeping in their barrels and their bunks-- As the Siamese came creeping in their sampans and their junks.
Growltiger had no eye or ear for aught but Griddlebone, And the Lady seemed enraptured by his manly baritone, Disposed to relaxation, and awaiting no surprise-- But the moonlight shone reflected from a thousand bright blue eyes.
And closer still and closer the sampans circled round, And yet from all the enemy there was not heard a sound.
The lovers sang their last duet, in danger of their lives-- For the foe was armed with toasting forks and cruel carving knives.
Then GILBERT gave the signal to his fierce Mongolian horde; With a frightful burst of fireworks the Chinks they swarmed aboard.
Abandoning their sampans, and their pullaways and junks, They battened down the hatches on the crew within their bunks.
Then Griddlebone she gave a screech, for she was badly skeered; I am sorry to admit it, but she quickly disappeared.
She probably escaped with ease, I'm sure she was not drowned-- But a serried ring of flashing steel Growltiger did surround.
The ruthless foe pressed forward, in stubborn rank on rank; Growltiger to his vast surprise was forced to walk the plank.
He who a hundred victims had driven to that drop, At the end of all his crimes was forced to go ker-flip, ker-flop.
Oh there was joy in Wapping when the news flew through the land; At Maidenhead and Henley there was dancing on the strand.
Rats were roasted whole at Brentford, and at Victoria Dock, And a day of celebration was commanded in Bangkok.
Written by John Donne | Create an image from this poem

Elegy IX: The Autumnal

 No spring nor summer Beauty hath such grace
As I have seen in one autumnall face.
Young beauties force our love, and that's a rape, This doth but counsel, yet you cannot 'scape.
If 'twere a shame to love, here 'twere no shame, Affection here takes Reverence's name.
Were her first years the Golden Age; that's true, But now she's gold oft tried, and ever new.
That was her torrid and inflaming time, This is her tolerable Tropique clime.
Fair eyes, who asks more heat than comes from hence, He in a fever wishes pestilence.
Call not these wrinkles, graves; if graves they were, They were Love's graves; for else he is no where.
Yet lies not Love dead here, but here doth sit Vowed to this trench, like an Anachorit.
And here, till hers, which must be his death, come, He doth not dig a grave, but build a tomb.
Here dwells he, though he sojourn ev'ry where, In progress, yet his standing house is here.
Here, where still evening is; not noon, nor night; Where no voluptuousness, yet all delight In all her words, unto all hearers fit, You may at revels, you at counsel, sit.
This is Love's timber, youth his under-wood; There he, as wine in June enrages blood, Which then comes seasonabliest, when our taste And appetite to other things is past.
Xerxes' strange Lydian love, the Platane tree, Was loved for age, none being so large as she, Or else because, being young, nature did bless Her youth with age's glory, Barrenness.
If we love things long sought, Age is a thing Which we are fifty years in compassing; If transitory things, which soon decay, Age must be loveliest at the latest day.
But name not winter-faces, whose skin's slack; Lank, as an unthrift's purse; but a soul's sack; Whose eyes seek light within, for all here's shade; Whose mouths are holes, rather worn out than made; Whose every tooth to a several place is gone, To vex their souls at Resurrection; Name not these living deaths-heads unto me, For these, not ancient, but antique be.
I hate extremes; yet I had rather stay With tombs than cradles, to wear out a day.
Since such love's natural lation is, may still My love descend, and journey down the hill, Not panting after growing beauties so, I shall ebb out with them, who homeward go.
Written by Denise Duhamel | Create an image from this poem

Kinky

 They decide to exchange heads.
Barbie squeezes the small opening under her chin over Ken's bulging neck socket.
His wide jaw line jostles atop his girlfriend's body, loosely, like one of those novelty dogs destined to gaze from the back windows of cars.
The two dolls chase each other around the orange Country Camper unsure what they'll do when they're within touching distance.
Ken wants to feel Barbie's toes between his lips, take off one of her legs and force his whole arm inside her.
With only the vaguest suggestion of genitals, all the alluring qualities they possess as fashion dolls, up until now, have done neither of them much good.
But suddenly Barbie is excited looking at her own body under the weight of Ken's face.
He is part circus freak, part thwarted hermaphrodite.
And she is imagining she is somebody else-- maybe somebody middle class and ordinary, maybe another teenage model being caught in a scandal.
The night had begun with Barbie getting angry at finding Ken's blow up doll, folded and stuffed under the couch.
He was defensive and ashamed, especially about not having the breath to inflate her.
But after a round of pretend-tears, Barbie and Ken vowed to try to make their relationship work.
With their good memories as sustaining as good food, they listened to late-night radio talk shows, one featuring Doctor Ruth.
When all else fails, just hold each other, the small sex therapist crooned.
Barbie and Ken, on cue, groped in the dark, their interchangeable skin glowing, the color of Band-Aids.
Then, they let themselves go-- Soon Barbie was begging Ken to try on her spandex miniskirt.
She showed him how to pivot as though he was on a runway.
Ken begged to tie Barbie onto his yellow surfboard and spin her on the kitcen table until she grew dizzy.
Anything, anything, they both said to the other's requests, their mirrored desires bubbling from the most unlikely places.
Written by Rudyard Kipling | Create an image from this poem

South Africa

 1903
Lived a woman wonderful,
 (May the Lord amend her!)
Neither simple, kind, nor true,
But her Pagan beauty drew
Christian gentlemen a few
 Hotly to attend her.
Christian gentlemen a few From Berwick unto Dover; For she was South Africa, Ana she was South Africa, She was Our South Africa, Africa all over! Half her land was dead with drouth, Half was red with battle; She was fenced with fire and sword Plague on pestilence outpoured, Locusts on the greening sward And murrain on the cattle! True, ah true, and overtrue.
That is why we love her! For she is South Africa, And she is South Africa, She is Our South Africa, Africa all over! Bitter hard her lovers toild, Scandalous their paymen, -- Food forgot on trains derailed; Cattle -- dung where fuel failed; Water where the mules had staled; And sackcloth for their raiment! So she filled their mouths with dust And their bones with fever; Greeted them with cruel lies; Treated them despiteful-wise; Meted them calamities Till they vowed to leave her! They took ship and they took sail, Raging, from her borders -- In a little, none the less, They forgat their sore duresse; They forgave her waywardness And returned for orders! They esteemed her favour more Than a Throne's foundation.
For the glory of her face Bade farewell to breed and race -- Yea, and made their burial-place Altar of a Nation! Wherefore, being bought by blood, And by blood restored To the arms that nearly lost, She, because of all she cost, Stands, a very woman, most Perfect and adored! On your feet, and let them know This is why we love her! For she is South Africa, She is Our South Africa, Is Our Own 5outh Africa, Africa all over!


Written by Vachel Lindsay | Create an image from this poem

Queen Mab in the Village

 Once I loved a fairy, 
Queen Mab it was.
Her voice Was like a little Fountain That bids the birds rejoice.
Her face was wise and solemn, Her hair was brown and fine.
Her dress was pansy velvet, A butterfly design.
To see her hover round me Or walk the hills of air, Awakened love's deep pulses And boyhood's first despair; A passion like a sword-blade That pierced me thro' and thro': Her fingers healed the sorrow Her whisper would renew.
We sighed and reigned and feasted Within a hollow tree, We vowed our love was boundless, Eternal as the sea.
She banished from her kingdom The mortal boy I grew — So tall and crude and noisy, I killed grasshoppers too.
I threw big rocks at pigeons, I plucked and tore apart The weeping, wailing daisies, And broke my lady's heart.
At length I grew to manhood, I scarcely could believe I ever loved the lady, Or caused her court to grieve, Until a dream came to me, One bleak first night of Spring, Ere tides of apple blossoms Rolled in o'er everything, While rain and sleet and snowbanks Were still a-vexing men, Ere robin and his comrades Were nesting once again.
I saw Mab's Book of Judgment — Its clasps were iron and stone, Its leaves were mammoth ivory, Its boards were mammoth bone, — Hid in her seaside mountains, Forgotten or unkept, Beneath its mighty covers Her wrath against me slept.
And deeply I repented Of brash and boyish crime, Of murder of things lovely Now and in olden time.
I cursed my vain ambition, My would-be worldly days, And craved the paths of wonder, Of dewy dawns and fays.
I cried, "Our love was boundless, Eternal as the sea, O Queen, reverse the sentence, Come back and master me!" The book was by the cliff-side Upon its edge upright.
I laid me by it softly, And wept throughout the night.
And there at dawn I saw it, No book now, but a door, Upon its panels written, "Judgment is no more.
" The bolt flew back with thunder, I saw within that place A mermaid wrapped in seaweed With Mab's immortal face, Yet grown now to a woman, A woman to the knee.
She cried, she clasped me fondly, We soon were in the sea.
Ah, she was wise and subtle, And gay and strong and sleek, We chained the wicked sword-fish, We played at hide and seek.
We floated on the water, We heard the dawn-wind sing, I made from ocean-wonders, Her bridal wreath and ring.
All mortal girls were shadows, All earth-life but a mist, When deep beneath the maelstrom, The mermaid's heart I kissed.
I woke beside the church-door Of our small inland town, Bowing to a maiden In a pansy-velvet gown, Who had not heard of fairies, Yet seemed of love to dream.
We planned an earthly cottage Beside an earthly stream.
Our wedding long is over, With toil the years fill up, Yet in the evening silence, We drink a deep-sea cup.
Nothing the fay remembers, Yet when she turns to me, We meet beneath the whirlpool, We swim the golden sea.
Written by Percy Bysshe Shelley | Create an image from this poem

Hymn To Intellectual Beauty

 The awful shadow of some unseen Power
Floats through unseen among us, -- visiting
This various world with as inconstant wing
As summer winds that creep from flower to flower, --
Like moonbeams that behind some piny mountain shower,
It visits with inconstant glance
Each human heart and countenance;
Like hues and harmonies of evening, --
Like clouds in starlight widely spread, --
Like memory of music fled, --
Like aught that for its grace may be
Dear, and yet dearer for its mystery.
Spirit of Beauty, that dost consecrate With thine own hues all thou dost shine upon Of human thought or form, -- where art thou gone? Why dost thou pass away and leave our state, This dim vast vale of tears, vacant and desolate? Ask why the sunlight not for ever Weaves rainbows o'er yon mountain-river, Why aught should fail and fade that once is shown, Why fear and dream and death and birth Cast on the daylight of this earth Such gloom, -- why man has such a scope For love and hate, despondency and hope? No voice from some sublimer world hath ever To sage or poet these responses given -- Therefore the names of Demon, Ghost, and Heaven, Remain the records of their vain endeavour, Frail spells -- whose uttered charm might not avail to sever, From all we hear and all we see, Doubt, chance, and mutability.
Thy light alone -- like mist oe'er the mountains driven, Or music by the night-wind sent Through strings of some still instrument, Or moonlight on a midnight stream, Gives grace and truth to life's unquiet dream.
Love, Hope, and Self-esteem, like clouds depart And come, for some uncertain moments lent.
Man were immortal, and omnipotent, Didst thou, unknown and awful as thou art, Keep with thy glorious train firm state within his heart.
Thou messgenger of sympathies, That wax and wane in lovers' eyes -- Thou -- that to human thought art nourishment, Like darkness to a dying flame! Depart not as thy shadow came, Depart not -- lest the grave should be, Like life and fear, a dark reality.
While yet a boy I sought for ghosts, and sped Through many a listening chamber, cave and ruin, And starlight wood, with fearful steps pursuing Hopes of high talk with the departed dead.
I called on poisonous names with which our youth is fed; I was not heard -- I saw them not -- When musing deeply on the lot Of life, at that sweet time when winds are wooing All vital things that wake to bring News of birds and blossoming, -- Sudden, thy shadow fell on me; I shrieked, and clasped my hands in ecstasy! I vowed that I would dedicate my powers To thee and thine -- have I not kept the vow? With beating heart and streaming eyes, even now I call the phantoms of a thousand hours Each from his voiceless grave: they have in visioned bowers Of studious zeal or love's delight Outwatched with me the envious night -- They know that never joy illumed my brow Unlinked with hope that thou wouldst free This world from its dark slavery, That thou - O awful Loveliness, Wouldst give whate'er these words cannot express.
The day becomes more solemn and serene When noon is past -- there is a harmony In autumn, and a lustre in its sky, Which through the summer is not heard or seen, As if it could not be, as if it had not been! Thus let thy power, which like the truth Of nature on my passive youth Descended, to my onward life supply Its calm -- to one who worships thee, And every form containing thee, Whom, Spirit fair, thy spells did bind To fear himself, and love all human kind.
Written by Vachel Lindsay | Create an image from this poem

The Knight in Disguise

 [Concerning O.
Henry (Sidney Porter)] "He could not forget that he was a Sidney.
" Is this Sir Philip Sidney, this loud clown, The darling of the glad and gaping town? This is that dubious hero of the press Whose slangy tongue and insolent address Were spiced to rouse on Sunday afternoon The man with yellow journals round him strewn.
We laughed and dozed, then roused and read again, And vowed O.
Henry funniest of men.
He always worked a triple-hinged surprise To end the scene and make one rub his eyes.
He comes with vaudeville, with stare and leer.
He comes with megaphone and specious cheer.
His troupe, too fat or short or long or lean, Step from the pages of the magazine With slapstick or sombrero or with cane: The rube, the cowboy or the masher vain.
They over-act each part.
But at the height Of banter and of canter and delight The masks fall off for one ***** instant there And show real faces: faces full of care And desperate longing: love that's hot or cold; And subtle thoughts, and countenances bold.
The masks go back.
'Tis one more joke.
Laugh on! The goodly grown-up company is gone.
No doubt had he occasion to address The brilliant court of purple-clad Queen Bess, He would have wrought for them the best he knew And led more loftily his actor-crew.
How coolly he misquoted.
'Twas his art — Slave-scholar, who misquoted — from the heart.
So when we slapped his back with friendly roar Æsop awaited him without the door, — Æsop the Greek, who made dull masters laugh With little tales of fox and dog and calf .
And be it said, mid these his pranks so odd With something nigh to chivalry he trod And oft the drear and driven would defend — The little shopgirls' knight unto the end.
Yea, he had passed, ere we could understand The blade of Sidney glimmered in his hand.
Yea, ere we knew, Sir Philip's sword was drawn With valiant cut and thrust, and he was gone.
Written by Lewis Carroll | Create an image from this poem

Size and Tears

 When on the sandy shore I sit,
Beside the salt sea-wave,
And fall into a weeping fit
Because I dare not shave -
A little whisper at my ear
Enquires the reason of my fear.
I answer "If that ruffian Jones Should recognise me here, He'd bellow out my name in tones Offensive to the ear: He chaffs me so on being stout (A thing that always puts me out).
" Ah me! I see him on the cliff! Farewell, farewell to hope, If he should look this way, and if He's got his telescope! To whatsoever place I flee, My odious rival follows me! For every night, and everywhere, I meet him out at dinner; And when I've found some charming fair, And vowed to die or win her, The wretch (he's thin and I am stout) Is sure to come and cut me out! The girls (just like them!) all agree To praise J.
Jones, Esquire: I ask them what on earth they see About him to admire? They cry "He is so sleek and slim, It's quite a treat to look at him!" They vanish in tobacco smoke, Those visionary maids - I feel a sharp and sudden poke Between the shoulder-blades - "Why, Brown, my boy! Your growing stout!" (I told you he would find me out!) "My growth is not YOUR business, Sir!" "No more it is, my boy! But if it's YOURS, as I infer, Why, Brown, I give you joy! A man, whose business prospers so, Is just the sort of man to know! "It's hardly safe, though, talking here - I'd best get out of reach: For such a weight as yours, I fear, Must shortly sink the beach!" - Insult me thus because I'm stout! I vow I'll go and call him out!
Written by William Cullen Bryant | Create an image from this poem

Love and Folly

 Love's worshippers alone can know
The thousand mysteries that are his;
His blazing torch, his twanging bow,
His blooming age are mysteries.
A charming science--but the day Were all too short to con it o'er; So take of me this little lay, A sample of its boundless lore.
As once, beneath the fragrant shade Of myrtles breathing heaven's own air, The children, Love and Folly, played-- A quarrel rose betwixt the pair.
Love said the gods should do him right-- But Folly vowed to do it then, And struck him, o'er the orbs of sight, So hard, he never saw again.
His lovely mother's grief was deep, She called for vengeance on the deed; A beauty does not vainly weep, Nor coldly does a mother plead.
A shade came o'er the eternal bliss That fills the dwellers of the skies; Even stony-hearted Nemesis, And Rhadamanthus, wiped their eyes.
"Behold," she said, "this lovely boy," While streamed afresh her graceful tears, "Immortal, yet shut out from joy And sunshine, all his future years.
The child can never take, you see, A single step without a staff-- The harshest punishment would be Too lenient for the crime by half.
" All said that Love had suffered wrong, And well that wrong should be repaid; Then weighed the public interest long, And long the party's interest weighed.
And thus decreed the court above-- "Since Love is blind from Folly's blow, Let Folly be the guide of Love, Where'er the boy may choose to go.
"

Book: Shattered Sighs