Written by
Barry Tebb |
For Jeremy Reed
Rejection doesn’t lead me to dejection
But to inspiration via irritation
Or at least to a bit of naughty new year wit-
Oh isn’t it a shame my poetry’s not tame
Like Rupert’s or Jay’s - I never could
Get into their STRIDE just to much pride
To lick the arses of the poetry-of-earthers
Or the sad lady who runs KATABASIS from the back
Of a bike, gets shouted at by rude parkies
And writing huffy poems to prove it.
.
.
Oh to be acceptable and
IN THE POETRY REVIEW
Like Lavinia or Jo
With double spreads
And a glossy colour photo
Instead I’m stuck in a bus queue at Morden
London’s meridian point of zero imagination
Actually it’s a bit like ACUMEN with the Oxleys
Boasting about their 150,000 annual submissions-
If what they print’s the best God help the rest.
.
.
)
At least my Christmas post had - instead of a card
From Jeremy Reed - his ELEGY FOR DAVID GASCOYNE -
The best poem I’ve had by post in forty years
And Jeremy’s best to date in my estimate -
The English APOLLINAIRE - your ZONE, your SONG
OF THE BADLY LOVED - sitting in a cafe in South End Green
I send you this poem, Jeremy, sight unseen,
A new year’s gift to you, pushing through
To star galaxies still unmapped and to you, BW,
Sonneteer of silence, huddled in the fourth month
Of your outdoor vigil, measuring in blood, tears and rain
Your syllable count in hour-glass of pain.
|
Written by
Barry Tebb |
THE KINGDOM OF MY HEART
1
The halcyon settled on the Aire of our days
Kingfisher-blue it broke my heart in two
Shall I forget you? Shall I forget you?
I am the mad poet first love
You never got over
You are my blue-eyed
Madonna virgin bride
I shall carve ‘MG loves BT’
On the bark of every
Wind-bent tree in
East End Park
2
The park itself will blossom
And grow in chiaroscuro
The Victorian postcard’s view
Of avenue upon avenue
With palms and pagodas
Lakes and waterfalls and
A fountain from Versailles.
3
You shall be my queen
In the Kingdom of Deira
Land of many rivers
Aire the greatest
Isara the strong one
Robed in stillness
Wide, deep and dark.
4
In Middleton Woods
Margaret and I played
Truth or dare
She bared her breasts
To the watching stars.
5
“Milk, milk,
Lemonade, round
The corner
Chocolate spread”
Nancy chanted at
Ten in the binyard
Touching her ****,
Her ****, her bum,
Margaret joined in
Chanting in unison.
6
The skipping rope
Turned faster
And faster, slapping
The hot pavement,
Margaret skipped
In rhythm, never
Missing a beat,
Lifting the pleat
Of her skirt
Whirling and twirling.
7
Giggling and red
Margaret said
In a whisper
“When we were
Playing at Nancy’s
She pushed a spill
Of paper up her
You-know-what
She said she’d
Let you watch
If you wanted.
”
8
Margaret, this Saturday morning in June
There is a queue at the ‘Princess’ for
The matin?e, down the alley by the blank
Concrete of the cinema’s side I hide
With you, we are counting our picture
Money, I am counting the stars in your
Hair, bound with a cheap plastic comb.
9
You have no idea of my need for you
A lifetime long, every wrong decision
I made betrayed my need; forty years on
Hear my song and take my hand and move
Us to the house of love where we belong.
10
Margaret we sat in the cinema dark
Warm with the promise of a secret kiss
The wall lights glowed amber on the
Crumbling plaster, we looked with longing
At the love seats empty in the circle,
Vowing we would share one.
11
There is shouting and echoes
Of wild splashing from York
Road baths; forty years on
It stirs my memory and
Will not be gone.
12
The ghosts of tramtracks
Light up lanes
To nowhere
In Leeds Ten.
Every road
Leads nowhere
In Leeds Nine.
Motorways have cut
The city’s heart
In two; Margaret,
Our home lies buried
Under sixteen feet
Of stone.
13
Our families moved
And we were lost
I was not there to hear
The whispered secret
Of your first period.
14
God is courage’s infinite ground
Tillich said; God, give me enough
To stand another week without her
Every day gets longer, every sleep
Less deep.
15
Why can’t I find you,
Touch you,
Bind your straw-gold hair
The colour of lank
February grass?
16
Under the stone canopy
Of the Grand Arcade
I pass Europa Nightclub;
In black designer glass
I watch the faces pass
But none is like your’s,
No voice, no eyes,
No smile at all
Like your’s.
17
From Kirkstall Lock
The rhubarb crop
To Knostrop’s forcing sheds
The roots ploughed up
Arranged in beds
Of perfect darkness
Where the buds burst
With a pip, rich pink
Stalks and yellow leaves
Hand-picked by
Candle-light to
Keep the colour right
So every night the
Rhubarb train
Could go from Leeds
To Covent Garden.
18
The smell of Saturday morning
Is the smell of freedom
How the bounds may grow
Slowly slowly as I go.
“Rag-bone rag-bone
White donkey stone”
Auntie Nellie scoured
Her door step, polished
The brass knocker
Till I saw my face
Bunched like a fist
Complete with goggles
Grinning like a monkey
In a mile of mirrors.
19
Every door step had a stop
A half-stone iron weight
To hold it back and every
Step was edged with donkey
Stone in yellow or white
From the ragman or the potman
With his covered cart jingling
Jangling as it jerked hundreds
Of cups on hooks pint and
Half pint mugs and stacks of
Willow-patterned plates
From Burmantofts.
20
We heard him a mile off
Nights in summer when
He trundled round the
Corner over the cobbles
Jamming the wood brake
Blocks whoaing the horses
With their gleaming brasses
And our mams were always
Waiting where he stopped.
21
Double summer-time made
The nights go on for ever
And no-one cared any more
How long we played what
Or where and we were left
Alone and that’s all I wanted
Then or now to be left alone
Never to be called in from
The Hollows never to be
Called from Margaret.
22
City of back-to-backs
From Armley Heights
Laid out in rows
Like trees or grass
I watch you pass.
23
The Aire is slow and almost
Still
In the Bridgefield
The Joshua Tetley clock
Over the Atkinson Grimshaw
Print
Is stopped at nineteen fifty
Four
The year I left.
24
Grimshaw’s home was
Half a mile away
In Knostrop Hall
Margaret and I
Climbed the ruined
Walls her hair was
Blowing in the wind
Her eyes were stars
In the green night
Her hands were holding
My hands.
25
Half a century later
I look out over Leeds Nine
What little’s left is broken
Or changed Saturday night
Is silent and empty
The paths over the Hollows
Deserted the bell
Of St.
Hilda’s still.
26
On a single bush
The yellow roses blush
Pink in the amber light
Night settles on the
Fewstons and the Copperfields
No mothers’ voices calling us.
Lilac and velvet clover
Grew all over the Hollows
It was all the luck
We knew and when we left
Our luck went too.
27
Solid black
Velvet basalt
Polished jet
Millstone grit
Leeds Town Hall
Built with it
Soaks up the fog
Is sealed with smog
Battered buttressed
Blackened plinths
White lions’ paws
Were soft their
Smiles like your’s.
28
Narrow lanes, steep inclines,
Steps, blank walls, tight
And secret openings’
The lanes are your hips
The inclines the lines
Of your thighs, the steps
Your breasts, blank walls
Your buttocks, tight and
Secret openings your
Taut vagina’s lips.
29
There is a keening and a honing
And a winnowing in the wind
I am the surge and flow
In Winwaed’s water the last breath
Of Elmete’s King.
I am Penda crossing the Aire
Camping at Killingbeck
Conquered by Aethalwald
Ruler of Deira.
30
Life is a bird hovering
In the Hall of the King
Between darkness and darkness flickering
The stone of Scone at last lifted
And borne on the wind, Dunedin, take it
Hold it hard and fast its light
Is leaping it is freedom’s
Touchstone and firestone.
31
Eir, Ayer or Aire
I’ll still be there
Your wanderings off course
Old Ea, Old Eye, Dead Eye
Make no difference to me.
Eg-an island - is Aire’s
True source, names
Not places matter
With the risings
Of a river
Ea land-by-water
I’ll make my own way
Free, going down river
To the far-off sea.
32
Poetry is my business, my affair.
My cri-de-coeur, jongleur
Of Mercia and Elmete, Margaret,
Open your door I am heaping
Imbroglios of stars on the floor
Meet me by the Office Lock
At midnight or by the Town Hall Clock.
33
Nennius nine times have I knocked
On the door of your grave, nine times
More have I made Pilgrimage to Elmete’s
Wood where long I lay by beck and bank
Waiting for your tongue to flame
With Pentecostal fire.
34
Margaret you rode in the hollow of my hand
In the harp of my heart, searching for you
I wandered in Kirkgate Market’s midnight
Down avenues of shuttered stalls, our secrets
Kept through all the years.
From the Imperial on Beeston Hill
I watch the city spill glass towers
Of light over the horizon’s rim.
35
The railyard’s straights
Are buckled plates
Red bricks for aggregate
All lost like me
Ledsham and Ledston
Both belong to Leeds
But Ledston Luck
Is where Aire leads.
36
Held of the Crown
By seven thanes
In Saxon times
‘In regione Loidis’
Baeda scripsit
Leeds, Leeds,
You answer
All my needs.
37
A horse shoe stuck for luck
Behind a basement window:
Margaret, now we’ll see
What truth there is
In dreams and poetry!
I am at one with everyone
There is poetry
Falling from the air
And you have put it there.
38
The sign for John Eaton Street
Is planted in the back garden
Of the transport caf? between
The strands of a wire mesh fence
Straddling the cobbles of a street
That is no more, a washing line
And an abandoned caravan.
39
‘This open land to let’
Is what you get on the Hollows
Thousands of half-burned tyres
The rusty barrel of a Trumix lorry
Concrete slabs, foxgloves and condoms,
The Go-Kart Arena’s signboards,
Half the wall of Ellerby Lane School.
40
There is a mermaid singing
On East Street on an IBM poster
Her hair is lack-lustre
Her breasts are facing the camera
Her tail is like a worn-out brush.
Chimney stacks
Blind black walls
Of factories
Grimy glass
Flickering firelight
In black-leaded grates.
41
Hunslet de Ledes
Hop-scotch, hide and seek,
Bogies-on-wheels
Not one tree in Hunslet
Except in the cemetery
The lake filled in
For fifty years,
The bluebell has rung
Its last perfumed peal.
42
I couldn’t play out on Sunday
Mam and dad thought us a cut
Above the rest, it was another
Test I failed, keeping me and
Margaret apart was like the Aztecs
Tearing the heart from the living flesh.
43
Father, your office job
Didn’t save you
From the drugs
They never gave you.
44
Isaiah, my son,
You made it back
From Balliol to Beeston
At a run via the
Playing fields of Eton.
There is a keening and a honing
And a winnowing in the wind
Winwaed’s water with red bluid blent.
|
Written by
Larry Levis |
There are places where the eye can starve,
But not here.
Here, for example, is
The Piazza Navona, & here is his narrow room
Overlooking the Steps & the crowds of sunbathing
Tourists.
And here is the Protestant Cemetery
Where Keats & Joseph Severn join hands
Forever under a little shawl of grass
And where Keats's name isn't even on
His gravestone, because it is on Severn's,
And Joseph Severn's infant son is buried
Two modest, grassy steps behind them both.
But you'd have to know the story--how bedridden
Keats wanted the inscription to be
Simple, & unbearable: "Here lies one
Whose name is writ in water.
" On a warm day,
I stood here with my two oldest friends.
I thought, then, that the three of us would be
Indissoluble at the end, & also that
We would all die, of course.
And not die.
And maybe we should have joined hands at that
Moment.
We didn't.
All we did was follow
A lame man in a rumpled suit who climbed
A slight incline of graves blurring into
The passing marble of other graves to visit
The vacant home of whatever is not left
Of Shelley & Trelawney.
That walk uphill must
Be hard if you can't walk.
At the top, the man
Wheezed for breath; sweat beaded his face,
And his wife wore a look of concern so
Habitual it seemed more like the way
Our bodies, someday, will have to wear stone.
Later that night, the three of us strolled,
Our arms around each other, through the Via
Del Corso & toward the Piazza di Espagna
As each street grew quieter until
Finally we heard nothing at the end
Except the occasional scrape of our own steps,
And so said good-bye.
Among such friends,
Who never allowed anything, still alive,
To die, I'd almost forgotten that what
Most people leave behind them disappears.
Three days later, staying alone in a cheap
Hotel in Naples, I noticed a child's smeared
Fingerprint on a bannister.
It
Had been indifferently preserved beneath
A patina of varnish applied, I guessed, after
The last war.
It seemed I could almost hear
His shout, years later, on that street.
But this
Is speculation, & no doubt the simplest fact
Could shame me.
Perhaps the child was from
Calabria, & went back to it with
A mother who failed to find work, & perhaps
The child died there, twenty years ago,
Of malaria.
It was so common then--
The children crying to the doctors for quinine.
And to the tourists, who looked like doctors, for quinine.
It was so common you did not expect an aria,
And not much on a gravestone, either--although
His name is on it, & weathered stone still wears
His name--not the way a girl might wear
The too large, faded blue workshirt of
A lover as she walks thoughtfully through
The Via Fratelli to buy bread, shrimp,
And wine for the evening meal with candles &
The laughter of her friends, & later the sweet
Enkindling of desire; but something else, something
Cut simply in stone by hand & meant to last
Because of the way a name, any name,
Is empty.
And not empty.
And almost enough.
|
Written by
Naomi Shihab Nye |
You can't be, says a Palestinian Christian
on the first feast day after Ramadan.
So, half-and-half and half-and-half.
He sells glass.
He knows about broken bits,
chips.
If you love Jesus you can't love
anyone else.
Says he.
At his stall of blue pitchers on the Via Dolorosa,
he's sweeping.
The rubbed stones
feel holy.
Dusting of powdered sugar
across faces of date-stuffed mamool.
This morning we lit the slim white candles
which bend over at the waist by noon.
For once the priests weren't fighting
in the church for the best spots to stand.
As a boy, my father listened to them fight.
This is partly why he prays in no language
but his own.
Why I press my lips
to every exception.
A woman opens a window—here and here and here—
placing a vase of blue flowers
on an orange cloth.
I follow her.
She is making a soup from what she had left
in the bowl, the shriveled garlic and bent bean.
She is leaving nothing out.
|
Written by
Wang Wei |
Fishing boat pursue water love hill spring
Both banks peach blossom arrive ancient river crossing
Travel look red tree not know far
Travel furthest blue stream not see people
Mountain mouth stealthy move begin cave profound
Mountain open spacious view spin flat land
Far see one place accumulate cloud tree
Nearby join 1000 homes scattered flower bamboo
Firewood person first express Han surname given name
Reside person not change Qin clothing clothing
Reside person together live Wu Ling source
Still from outside outside build field orchard
Moon bright pine below room pen quiet
Sun through cloud middle chicken dog noisy
Surprise hear common visitor contend arrive gather
Compete lead back home ask all town
At brightness alley alley sweep blossom begin
Approach dusk fisher woodman via water return
Beginning reason evade earth leave person among
Change ask god immortal satisfy not return
Gorge inside who know be human affairs
World middle far gaze sky cloud hill
Not doubt magic place hard hear see
Dust heart not exhaust think country country
Beyond hole not decide away hill water
Leave home eventually plan far travel spread
Self say pass through old not lost
Who know peak gully now arrive change
Now only mark entrance hill deep
Blue stream how many times reach cloud forest
Spring come all over be peach blossom water
Not know immortal source what place search
A fisher's boat chased the water into the coveted hills,
Both banks were covered in peach blossom at the ancient river crossing.
He knew not how far he sailed, gazing at the reddened trees,
He travelled to the end of the blue stream, seeing no man on the way.
Then finding a crack in the hillside, he squeezed through the deepest of caves,
And beyond the mountain a vista opened of flat land all about!
In the distance he saw clouds and trees gathered together,
Nearby amongst a thousand homes flowers and bamboo were scattered.
A wood-gatherer was the first to speak a Han-era name,
The inhabitants' dress was unchanged since the time of Qin.
The people lived together on uplands above Wu Ling river,
Apart from the outside world they laid their fields and plantations.
Below the pines and the bright moon, all was quiet in the houses,
When the sun started to shine through the clouds, the chickens and dogs gave voice.
Startled to find a stranger amongst them, the people jostled around,
They competed to invite him in and ask about his home.
As brightness came, the lanes had all been swept of blossom,
By dusk, along the water the fishers and woodsmen returned.
To escape the troubled world they had first left men's society,
They live as if become immortals, no reason now to return.
In that valley they knew nothing of the way we live outside,
From within our world we gaze afar at empty clouds and hills.
Who would not doubt that magic place so hard to find,
The fisher's worldly heart could not stop thinking of his home.
He left that land, but its hills and rivers never left his heart,
Eventually he again set out, and planned to journey back.
By memory, he passed along the way he'd taken before,
Who could know the hills and gullies had now completely changed?
Now he faced only the great mountain where he remembered the entrance,
Each time he followed the clear stream, he found only cloud and forest.
Spring comes, and all again is peach blossom and water,
No-one knows how to reach that immortal place.
|
Written by
Thomas Hardy |
'TWAS a death-bed summons, and forth I went
By the way of the Western Wall, so drear
On that winter night, and sought a gate--
The home, by Fate,
Of one I had long held dear.
And there, as I paused by her tenement,
And the trees shed on me their rime and hoar,
I thought of the man who had left her lone--
Him who made her his own
When I loved her, long before.
The rooms within had the piteous shine
The home-things wear which the housewife miss;
From the stairway floated the rise and fall
Of an infant's call,
Whose birth had brought her to this.
Her life was the price she would pay for that whine--
For a child by the man she did not love.
"But let that rest forever," I said,
And bent my tread
To the chamber up above.
She took my hand in her thin white own,
And smiled her thanks--though nigh too weak--
And made them a sign to leave us there;
Then faltered, ere
She could bring herself to speak.
"'Twas to see you before I go--he'll condone
Such a natural thing now my time's not much--
When Death is so near it hustles hence
All passioned sense
Between woman and man as such!
"My husband is absent.
As heretofore
The City detains him.
But, in truth,
He has not been kind.
.
.
.
I will speak no blame,
But--the child is lame;
O, I pray she may reach his ruth!
"Forgive past days--I can say no more--
Maybe if we'd wedded you'd now repine!.
.
.
But I treated you ill.
I was punished.
Farewell!
--Truth shall I tell?
Would the child were yours and mine!
"As a wife I was true.
But, such my unease
That, could I insert a deed back in Time,
I'd make her yours, to secure your care;
And the scandal bear,
And the penalty for the crime!"
--When I had left, and the swinging trees
Rang above me, as lauding her candid say,
Another was I.
Her words were enough:
Came smooth, came rough,
I felt I could live my day.
Next night she died; and her obsequies
In the Field of Tombs, by the Via renowned,
Had her husband's heed.
His tendance spent,
I often went
And pondered by her mound.
All that year and the next year whiled,
And I still went thitherward in the gloam;
But the Town forgot her and her nook,
And her husband took
Another Love to his home.
And the rumor flew that the lame lone child
Whom she wished for its safety child of mine,
Was treated ill when offspring came
Of the new-made dame,
And marked a more vigorous line.
A smarter grief within me wrought
Than even at loss of her so dear;
Dead the being whose soul my soul suffused,
Her child ill-used,
I helpless to interfere!
One eve as I stood at my spot of thought
In the white-stoned Garth, brooding thus her wrong,
Her husband neared; and to shun his view
By her hallowed mew
I went from the tombs among
To the Cirque of the Gladiators which faced--
That haggard mark of Imperial Rome,
Whose Pagan echoes mock the chime
Of our Christian time:
It was void, and I inward clomb.
Scarce had night the sun's gold touch displaced
From the vast Rotund and the neighboring dead
When her husband followed; bowed; half-passed,
With lip upcast;
Then, halting, sullenly said:
"It is noised that you visit my first wife's tomb.
Now, I gave her an honored name to bear
While living, when dead.
So I've claim to ask
By what right you task
My patience by vigiling there?
"There's decency even in death, I assume;
Preserve it, sir, and keep away;
For the mother of my first-born you
Show mind undue!
--Sir, I've nothing more to say.
"
A desperate stroke discerned I then--
God pardon--or pardon not--the lie;
She had sighed that she wished (lest the child should pine
Of slights) 'twere mine,
So I said: "But the father I.
"That you thought it yours is the way of men;
But I won her troth long ere your day:
You learnt how, in dying, she summoned me?
'Twas in fealty.
--Sir, I've nothing more to say,
"Save that, if you'll hand me my little maid,
I'll take her, and rear her, and spare you toil.
Think it more than a friendly act none can;
I'm a lonely man,
While you've a large pot to boil.
"If not, and you'll put it to ball or blade--
To-night, to-morrow night, anywhen--
I'll meet you here.
.
.
.
But think of it,
And in season fit
Let me hear from you again.
"
--Well, I went away, hoping; but nought I heard
Of my stroke for the child, till there greeted me
A little voice that one day came
To my window-frame
And babbled innocently:
"My father who's not my own, sends word
I'm to stay here, sir, where I belong!"
Next a writing came: "Since the child was the fruit
Of your passions brute,
Pray take her, to right a wrong.
"
And I did.
And I gave the child my love,
And the child loved me, and estranged us none.
But compunctions loomed; for I'd harmed the dead
By what I'd said
For the good of the living one.
--Yet though, God wot, I am sinner enough,
And unworthy the woman who drew me so,
Perhaps this wrong for her darling's good
She forgives, or would,
If only she could know!
|
Written by
Marriott Edgar |
Albert were what you'd call “thwarted”.
He had long had an ambition, which.
.
.
Were to save up and go to Australia,
The saving up that were the hitch.
He'd a red money box on the pot shelf,
A post office thing made of tin,
But with him and his Dad and the bread knife,
It never had anything in.
He were properly held up for bobbins,
As the folk in the mill used to say,
Till he hit on a simple solution -
He'd go as a young stowaway.
He studied the sailing lists daily,
And at last found a ship as would do.
“S.
S.
Tosser:, a freighter from Fleetwood,
Via Cape Horn to Wooloomooloo.
He went off next evening to Fleetwood,
And found her there loaded and coaled,
Slipped over the side in the darkness,
And downstairs and into the hold.
The hold it were choked up with cargo,
He groped with his hands in the gloom,
Squeezed through bars of what felt like a grating,
And found he had plenty of room.
Some straw had been spilled in one corner,
He thankfully threw himself flat,
He thought he could hear someone breathing,
But he were too tired to fret about that.
When he woke they were out in mid-ocean,
He turned and in light which were dim,
Looked straight in the eyes of a lion,
That were lying there looking at him.
His heart came right up in his tonsils,
As he gazed at that big yellow face.
Then it smiled and they both said together,
“Well, isn't the world a small place?”
The lion were none other than Wallace,
He were going to Sydney, too.
To fulfil a short starring engagement
In a cage at Taronga Park Zoo.
As they talked they heard footsteps approaching,
“Someone comes” whispered Wallace, “Quick, hide”.
He opened his mouth to the fullest,
And Albert sprang nimbly inside.
'Twere Captain on morning inspection,
When he saw Wallace shamming to doze,
He picked up a straw from his bedding,
And started to tickle his nose.
Now Wallace could never stand tickling,
He let out a mumbling roar,
And before he could do owt about it,
He'd sneezed Albert out on the floor.
The Captain went white to the wattles,
He said, “I'm a son of a gun”.
He had heard of beasts bringing up children,
But were first time as he'd seen it done.
He soon had the radio crackling,
And flashing the tale far and wide,
Of the lad who'd set out for Australia,
Stowed away in a lion's inside.
The quay it were jammed with reporters,
When they docked on Australian soil.
They didn't pretend to believe it,
But 'twere too good a story to spoil.
And Albert soon picked up the language,
When he first saw the size of the fruit,
There was no more “by gum” now or “Champion”,
It were “Whacko!”, “Too right!” and “You beaut!”.
They gave him a wonderful fortnight,
Then from a subscription they made,
Sent him back as a “Parcel for Britain”,
Carriage forward, and all ex's paid!
|
Written by
Rudyard Kipling |
Marching Song of a Roman Legion of the Later Empire Enlarged From "Puck of Pook's Hill"
When I left Rome for Lalage's sake,
By the Legions' Road to Rimini,
She vowed her heart was mine to take
With me and my shield to Rimini--
(Till the Eagles flew from Rimini--)
And I've tramped Britain, and I've tramped Gaul
And the Pontic shore where the snow-flakes fall
As white as the neck of Lalage--
(As cold as the heart of Lalage!)
And I've lost Britain, and I've lost Gaul,
And I've lost Rome and, worst of all,
I've lost Lalage! -
When you go by the Via Aurelia
As thousands have traveled before
Remember the Luck of the Soldier
Who never saw Rome any more!
Oh, dear was the sweetheart that kissed him,
And dear was the mother that bore;
But his shield was picked up in the heather,
And he never saw Rome any more!
And he left Rome, etc.
When you go by the Via Aurelia
That runs from the City to Gaul,
Remember the Luck of the Soldier
Who rose to be master of all!
He carried the sword and the buckler,
He mounted his guard on the Wall,
Till the Legions elected him Caesar,
And he rose to be master of all!
And he left Rome, etc.
It's twenty-five marches to Narbo,
It's forty-five more up the Rhone,
And the end may be death in the heather
Or life on an Emperor's throne.
But whether the Eagles obey us,
Or we go to the Ravens--alone,
I'd sooner be Lalage's lover
Than sit on an Emperor's throne!
We've all left Rome for Lalage's sake, etc.
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Written by
Gerard Manley Hopkins |
Justus quidem tu es, Domine, si disputem tecum:
verumtamen justa loquar ad te:
Quare via impiorum prosperatur? &c.
Thou art indeed just, Lord, if I contend
With thee; but, sir, so what I plead is just.
Why do sinners' ways prosper? and why must
Disappointment all I endeavour end?
Wert thou my enemy, O thou my friend,
How wouldst thou worse, I wonder, than thou dost
Defeat, thwart me? Oh, the sots and thralls of lust
Do in spare hours more thrive than I that spend,
Sir, life upon thy cause.
See, banks and brakes
Now leavèd how thick! lacèd they are again
With fretty chervil, look, and fresh wind shakes
Them; birds build -- but not I build; no, but strain,
Time's eunuch, and not breed one work that wakes.
Mine, O thou lord of life, send my roots rain.
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